A saxophone quartet is a musical ensemble composed of four saxophones, typically soprano, alto, tenor and baritone saxophones. Different saxophone family members are employed to provide a larger range and a variety of tone colours. Other arrangements of instruments also exist, but are rarer. A piece of music composed for such an ensemble can also itself be referred to as a saxophone quartet.
The saxophone was developed in 1840 by Adolphe Sax, a Belgian instrument maker, flautist, and clarinetist based in Brussels. Sax went to considerable effort to popularize the instrument but faced opposition in his efforts from his fellow instrument makers at the time. Despite being initially conceived of as an orchestral instrument, it was through the avenue of military music that the instrument first gained significant momentum. [1] Composer Jean-Baptiste Singelee had written works for four saxophones in the 19th century. These included Allegro de concert (AATB), Quatuor en 4 Parties (SATB), and Grand Quatuor Concertant en 3 Parties (SATB). In 1878, the Gilmour Band featured a quartet of saxophones which included Edouard Lefèbre, a soloist in the band. Lefèbre went on to form his own saxophone quartet in 1905 with a repertoire of transcriptions. [1]
The main impetus for the recognition of this ensemble was by Marcel Mule, who was the second Professor of saxophone at the Paris Conservatoire after Adolphe Sax himself. In 1928, he founded Le Quatuor de la Musique de la Garde Républicaine, later known as Le Quatuor de saxophones de Paris, and then the Marcel Mule Quartet. The founding members were:
Subsequent members included:
Many works for saxophone quartet that are now considered part of the standard repertoire were written for this ensemble. Mule himself also arranged works for this group. [1]
Daniel Deffayet was a student of Marcel Mule, and later professor of saxophone at the Paris Conservatoire. In 1953 he founded the ‘’Quatuor de Saxophones Daniel Deffayet’’ with other members Jacques Maffei, Jacques Terry and Jean Ledieu. Sigurd Rascher, his daughter Carina Rascher, Bruce Weinberger and Linda Bangs formed the Rascher Saxophone Quartet in 1969 which continues to this day. Jean-Yves Fourmeau formed his own quartet in 1979. These ensembles contributed significantly to expanding the repertoire through their work with composers. Notable composers who have written quartets include Phil Woods, Alexander Glazunov, Eugene Bozza, Philip Glass, Juan María Solare, and others. Since the 1970s jazz quartets have started to emerge as well, broadening the scope of the ensemble and the idiom of the repertoire. [1]
Saxophone quartets abound as amateur and professional ensembles as well as university-affiliated groups. [2] The most recent World Saxophone Congress, in 2015, hosted a competition specifically for saxophone quartets with a first prize of 4000 euros and a recital, [3] won by Keuris Saxophone Quartet. [4] Saxophone quartets also compete in, and have won, the Fischoff National Chamber Music Competition, which is the world's largest classical chamber music competition.
While SATB remains the most common classical configuration, occasionally the soprano is replaced by another alto leading to an AATB configuration particularly in jazz and contemporary ensembles. Other configurations do exist, notably the Four Baritones Quartet (BBBB) [5] and Deep Schrott (BassBassBassBass) [6] but are much rarer.
In music, a quartet is an ensemble of four singers.
The saxophone is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. Saxophone players are called saxophonists.
Marcel Mule was a French classical saxophonist. He was known worldwide as one of the great classical saxophonists, and many pieces were written for him, premiered by him, and arranged by him. Many of these pieces have become staples in the classical saxophone repertoire. He is considered to be the founder of the French Saxophone School and the most representative saxophone soloist of his time, being a fundamental figure in the development of the instrument.
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in the key of E♭, smaller than the B♭ tenor but larger than the B♭ soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, carnatic music, and jazz.
SATB is an initialism that describes the scoring of compositions for choirs, and also choirs of instruments. The initials are for the voice types: S for soprano, A for alto, T for tenor and B for bass.
Frederick L. Hemke, DMA(néFred LeRoy Hemke Jr.; July 11, 1935 – April 17, 2019) was an American virtuoso classical saxophonist and influential professor of saxophone at Northwestern University. Hemke helped to increase the popularity of classical saxophone, particularly among leading American composers. He contributed to raise the recognition of the classical saxophone in solo, chamber, and major orchestral repertoire throughout the world. For half a century, from 1962 to 2012, Hemke was a full-time faculty music educator at Northwestern University's Bienen School of Music. In 2002, Hemke was named Associate Dean Emeritus of the School of Music. Hemke retired from Northwestern University in 2012. From the start of his career in the early 1960s, building on the achievements of earlier influential American teachers of classical saxophone — including those of Larry Teal, Joseph Allard, Cecil Leeson, Sigurd Raschèr, and Vincent Abato — Hemke helped build American saxophone repertoire through composers that included Muczynski, Creston, Stein, Heiden, and Karlins. Journalist and author Michael Segell, in his 2005 book, The Devil's Horn, called Hemke "The Dean of Saxophone Education in America." Hemke died on April 17, 2019.
Pierre Max Dubois, sometimes given as Pierre-Max Dubois was a French composer of classical music, conductor, and music educator. He was a student of Darius Milhaud, and though not widely popular, was respected. He brought the ideas of Les Six, of which his instructor was a member, into the mid-1900s. This group called for a fresh artistic perspective on music. The music of Dubois is characteristically light hearted with interesting harmonic and melodic textures.
Lawrence S. Gwozdz is an American classical saxophonist, composer, and former professor of saxophone at The University of Southern Mississippi. His successor is Dr. Dannel Espinoza.
The contrabass saxophone is the second-lowest-pitched extant member of the saxophone family proper. It is pitched in E♭ one octave below the baritone saxophone, which requires twice the length of tubing and bore width. This renders a very large and heavy instrument, standing approximately 2 metres tall and weighing around 20 kilograms (44 lb). Despite this, it was used in marching bands in the early 20th century.
The bass saxophone is one of the lowest-pitched members of the saxophone family—larger and lower than the more common baritone saxophone. It was likely the first type of saxophone built by Adolphe Sax, as first observed by Berlioz in 1842. It is a transposing instrument pitched in B♭, an octave below the tenor saxophone and a perfect fourth below the baritone saxophone. A bass saxophone in C, intended for orchestral use, was included in Adolphe Sax's patent, but few known examples were built. The bass saxophone is not a commonly used instrument, but it is heard on some 1920s jazz recordings, in free jazz, in saxophone choirs and sextets, and occasionally in concert bands and rock music.
Jean-Baptiste Singelée was a Belgian classical composer of the romantic period.
The Raschèr Saxophone Quartet is a professional ensemble of four saxophonists which performs classical and modern music.
John-Edward Kelly was an American conductor and saxophonist.
(Guillaume) Guy Lacour was a French composer of classical music, and a tenor saxophonist.
Édith Lejet is a French composer and music educator.
Daniel Deffayet was a French classical saxophonist. He was the professor of saxophone at the Conservatoire de Paris where he succeeded Marcel Mule after Mule's retirement in 1968. He held this position until 1988.
François Daneels was an internationally renowned virtuoso classical saxophonist, a prolific composer, and music educator from Belgium. From 1954 to 1981, Daneels was professor of saxophone at his alma mater, the Royal Conservatory of Brussels.
Claude Pascal was a French composer.
Robert Lemay is a Canadian composer of solo, chamber and orchestral works.
