Seth Abramson | |
---|---|
Born | Concord, Massachusetts, U.S. | October 31, 1976
Occupation | Attorney, professor, author |
Education | Dartmouth College (BA) Harvard University (JD) University of Iowa (MFA) University of Wisconsin–Madison (MA, PhD) |
Genre | Curatorial journalism, metajournalism, poetry |
Literary movement | Metamodernism |
Website | |
www |
Seth Abramson (born October 31, 1976) is an American professor, attorney, author, political columnist, and poet. He is the editor of the Best American Experimental Writing series and wrote a trilogy of nonfiction works detailing the foreign policy agenda and political scandals of former president Donald Trump.
Abramson was born to a Jewish family and raised in Acton, Massachusetts. [1] [2] He is a graduate of Dartmouth College (1998), Harvard Law School (2001), the Iowa Writers' Workshop (2009), and the doctoral program in English at University of Wisconsin–Madison (2010; 2016). [3]
Abramson was a trial attorney for the New Hampshire Public Defender from 2001 to 2007. Abramson became an assistant professor of communication arts and sciences at University of New Hampshire in 2015, and was made affiliate faculty at the New Hampshire Institute of Art in 2018. [4] His teaching areas include digital journalism, post-internet cultural theory, post-internet writing, and legal advocacy.
Abramson has written for publications like The Washington Post , Dallas Morning News , The Seattle Times , Newsweek , Indiewire , and The Guardian . In 2011, Publishers Weekly wrote that he had "picked up a very large following as a blogger and commentator, covering poetry, politics, and higher education, and generating a controversial, U.S. News–style ranking of graduate programs in writing." [5] During the Trump administration, Abramson was a CNN legal analyst. [6]
During the 2016 Democratic primary race between Hillary Clinton and Bernie Sanders, Abramson supported Sanders. [7] He authored what Jonathan Chait of New York Magazine called "a cult-favorite series of Bernie [Sanders] delegate-math fan fiction." [8] Philip Bump of The Washington Post took issue with Abramson's analyses, calling them "empty theory, unproven...but innovative." [9] Writing in The Chicago Tribune , Stephen Stromberg called Abramson a "Sanders zealot...[in] reality-denial." [10] The Atlantic, citing an article by Abramson in which he referred to his writing on the Democratic primary as "experimental journalism," attributed Abramson's articles not to his political leanings but his self-identification as a "metamodernist creative writer." [11] [12] Politico concurred, referring to Abramson's political commentary as "verses from the abstract." [13]
After the 2016 U.S. presidential election, Abramson received widespread attention for his Twitter threads alleging collusion between the Trump campaign and foreign governments, especially Russia, but also Saudi Arabia, the UAE, and Israel. [14] According to The Washington Post:
"After trying for many years to expand his business empire into Russia, Abramson asserts, Trump visited Moscow in 2013 to personally meet agents of Russian President Vladmir Putin, using his beauty pageant as cover. There, Abramson writes, a secret deal was struck: Putin agreed to open up his country's rich real estate market to Trump, and Trump agreed to campaign for president while promoting pro-Russian policies." [15]
In November 2018, Abramson published the New York Times bestselling book Proof of Collusion (Simon & Schuster), which sought to establish "proof of collusion in the Trump-Russia case." [16] Kirkus Reviews called the book "spirited, thorough, and thunderously foreboding." [17] A contrary view appeared in the Herald (Scotland), noting that "suggestive juxtapositions notwithstanding, we end up with something closer to the Scottish 'not proven' verdict with its unique mix of moral conviction of guilt and inability to conclusively prove the case." [18]
A sequel to Proof of Collusion, Proof of Conspiracy, was published by St. Martin's Press in September 2019, and was also a New York Times bestseller. [19] The final book in the Proof trilogy, Proof of Corruption, was published by St. Martin's Press in September 2020 and was named a USA Today bestseller. [20] Kirkus Reviews called Proof of Corruption "careful and exhaustive," concluding that it makes a "strong case for Trump's outsized, boundless corruption." [21]
In October 2020, Abramson, former Vice contributing editor Thomas Morton, and Connect3 Media (a division of Cineflix) published a ten-episode, limited-series pre-election podcast, Proof: A Pre-election Podcast Special, to summarize key aspects of the "Proof" book trilogy. Abramson thereafter launched a Substack publication entitled Proof. [22]
Abramson has published a number of poetry books and anthologies. Colorado Review called Northerners, Abramson's second collection of poetry, "alternately expansive and deeply personal...of crystalline beauty and complexity," terming Abramson "a major American voice," [23] and Notre Dame Review echoed the sentiment. [24]
Abramson and poet Jesse Damiani have been series co-editor of the annual anthology of innovative verse, Best American Experimental Writing, since its inception with Omnidawn in 2012. [25] [26] The series was picked up by Wesleyan University Press in 2014. [27] Guest editors for the series have included Cole Swensen (2014), Douglas Kearney (2015), Charles Bernstein and Tracie Morris (2016), Myung Mi Kim (2018), and Carmen Maria Machado and Joyelle McSweeney (2019). [28]
Between 2007 and 2014, Abramson authored The MFA Research Project (MRP), a website that published indexes of creative writing Master of Fine Arts (MFA) programs based on surveys and other data. [29] Indexes appearing on the MRP included ordered listings of program popularity, funding, selectivity, fellowship placement, job placement, student-faculty ratio, application cost, application response times, application and curriculum requirements, and foundation dates. The MRP also published surveys of current MFA applicants and various creative writing programs.
The Chronicle of Higher Education termed the Poets & Writers national assessment methodology "comprehensive" and "the only MFA ranking regime." [30] [31] Writing for The Cambridge Companion to American Poetry Since 1945, Hank Lazer described Abramson's project as "a daring and data-rich endeavor." [32] The Missouri Review observed that Abramson, along with novelist Tom Kealey, "had done a tremendous amount of work to peel back the layers of MFA programs and get applicants to make informed decisions." [33]
The data was not without its critics. In September 2011, a critical open letter signed by professors from undergraduate and graduate creative writing programs was published. [34] Data from the MRP had been regularly published by Poets & Writers between 2008 and 2013. The magazine's Editorial Director Mary Gannon said of Abramson, the rankings' primary researcher, that he "has been collecting data about applicants' preferences and about MFA programs for five years, and we stand behind his integrity." [35]
Publishers Weekly describes Abramson as "serious and ambitious...uncommonly interested in general statements, in hard questions, and harder answers, about how to live." [36] Abramson won the 2008 J. Howard and Barbara M.J. Wood Prize from Poetry . Editor Don Share said of Abramson's "What I Have," "The poem absorbs certain details but doesn't fasten upon them the way poets are tempted to do; it's not adjectival, it's not descriptive, it's not painting a kind of canvas with scenery on it, and yet those details are really fascinating." [37]
In 2019, a Playboy interviewer said "Abramson helped pioneer the literary form of the Twitter 'thread'" and, speaking of his 2018 book Proof of Collusion, credited "the eccentric New Hampshirite" for "his meticulous attention to the evidence of Trumpworld's alleged collusion with the Kremlin." [38] His style of writing was described by Playboy as "left-brained gonzo." [38] Avi Selk of The Washington Post wrote that Abramson became "virally popular by reframing a complex tangle of public reporting on the Russia scandal into a story so simple it can be laid out in daily tweets", that his analysis has "many leaps", and that his sources "range in quality from investigative news articles to off-the-wall Facebook posts and tweets from Tom Arnold". [15]
Writers at The New Republic and The Atlantic have described Abramson as a conspiracy theorist. [39] [40] Ben Mathis-Lilley of Slate argues that Abramson is "not making things up" but "recycling information you could find on any news site and adding sinister what-if hypotheticals to create conclusions that he refers to...as 'investigatory analyses.'" [41] An article in Columbia Journalism Review similarly critiqued Abramson's method of "curatorial journalism." [42]
Other media outlets have supported Abramson's analyses. The Chronicle of Higher Education notes that Abramson often "feuds with anti-Trump conspiracy theorists whom he sees linking to dubious sources and making claims without evidence." [43] Virginia Heffernan writes in Politico that Abramson's "theory-testing" is "urgently important." [44] Der Spiegel calls Abramson "a quintessential American figure: an underdog who became an involuntary hero." [45] The New York Observer writes that "events like Trump's 2013 trip to Russia for Miss Universe were covered extensively on Abramson's feed prior to the mainstream media catching on, a fact that has given him a reputation for being early to connect events within the broader Russia story." [46]
Since July 2023, Abramson has been releasing ten-track electronic music albums on Substack under the pseudonym "Hounds." [47] [48] [49]
Nonfiction
Reference
Poetry
Anthology
Lyric Albums (as Hounds)
Lyric Compilations (as Hounds)
Instrumental Albums (as Hounds)
Instrumental Compilations (as Hounds)
Academic
Prose
Poetry
Lyn Hejinian was an American poet, essayist, translator, and publisher. She is often associated with the Language poets and is known for her landmark work My Life, as well as her book of essays, The Language of Inquiry.
Bernard Keith Waldrop was an American poet, translator, publisher, and academic. He won the National Book Award for Poetry for his 2009 collection Transcendental Studies: A Trilogy.
Patricia Smith is an American poet, spoken-word performer, playwright, author, writing teacher, and former journalist. She has published poems in literary magazines and journals including TriQuarterly, Poetry, The Paris Review, Tin House, and in anthologies including American Voices and The Oxford Anthology of African-American Poetry. She is on the faculties of the Stonecoast MFA Program in Creative Writing and the Low-Residency MFA Program in Creative Writing at Sierra Nevada University.
Gillian Conoley is an American poet. Conoley serves as a professor and poet-in-residence at Sonoma State University.
Tracie Morris is an American poet. She is also a performance artist, vocalist, voice consultant, creative non-fiction writer, critic, scholar, bandleader, actor and non-profit consultant. Morris is from Brooklyn, New York. Morris's experimental sound poetry is progressive and improvisational. She is a tenured professor at the Iowa Writers' Workshop.
Kevin D. Prufer is an American poet, novelist, academic, editor, and essayist. He is Professor of English in the Creative Writing Program at the University of Houston.
Donald Revell is an American poet, essayist, translator and professor.
Paul Hoover is an American poet and editor born in Harrisonburg, Virginia.
Leslie Scalapino was an American poet, experimental prose writer, playwright, essayist, and editor, sometimes grouped in with the Language poets, though she felt closely tied to the Beat poets. A longtime resident of California's Bay Area, she earned an M.A. in English from the University of California at Berkeley. One of Scalapino's most critically well-received works is Way, a long poem which won the Poetry Center Award, the Lawrence Lipton Prize, and the American Book Award.
Heather McHugh is an American poet notable for Dangers, To the Quick, Eyeshot and Muddy Matterhorn. McHugh was awarded a MacArthur Fellowship in the US and a Griffin Poetry Prize in Canada, and was elected to the American Academy of Arts and Sciences. She taught for thirty years at the University of Washington in Seattle and held visiting chairs at Berkeley, Stanford, Columbia, Syracuse, UCLA and elsewhere.
Annie Finch is an American poet, critic, editor, translator, playwright, and performer and the editor of the first major anthology of literature about abortion. Her poetry is known for its often incantatory use of rhythm, meter, and poetic form and for its themes of feminism, witchcraft, goddesses, and earth-based spirituality. Her books include The Poetry Witch Little Book of Spells, Spells: New and Selected Poems, The Body of Poetry: Essays on Women, Form, and the Poetic Self, A Poet's Craft, Calendars, and Among the Goddesses.
Kazim Ali is an American poet, novelist, essayist, and professor. His most recent books are Inquisition and All One's Blue. His honors include an Individual Excellence Award from the Ohio Arts Council. His poetry and essays have appeared in literary journals and magazines including The American Poetry Review, Boston Review, Barrow Street, Jubilat, The Iowa Review, West Branch and Massachusetts Review, and in The Best American Poetry 2007.
Christine Hume is an American poet and essayist. Christine Hume is the author of three books of poetry, Musca Domestica (2000), Alaskaphrenia (2004), and Shot (2010) and two works of nonfiction, Saturation Project and Everything I Never Wanted to Know. Her chapbooks include Lullaby: Speculations on the First Active Sense, Ventifacts, Hum, Atalanta: an Anatomy, Question Like a Face, a collaboration with Jeff Clark and Red: A Different Shade for Each Person Reading the Story. She is faculty in the Creative Writing Program at Eastern Michigan University.
Elizabeth Robinson is an American poet and professor, author of twelve collections of poetry, most recently Counterpart, "Three Novels" "Also Known A,", and The Orphan and Its Relations. Her work has appeared in Conjunctions, The Iowa Review, Colorado Review, the Denver Quarterly, Poetry Salzburg Review, and New American Writing. Her poems have been anthologized in "American Hybrid", "The Best of Fence", and Postmodern American Poetry With Avery Burns, Joseph Noble, Rusty Morrison, and Brian Strang, she co-edited 26 magazine. Starting in 2012, Robinson began editing a new literary periodical, Pallaksch. Pallaksch, with Steven Seidenberg. For 12 years, Robinson co-edited, with Colleen Lookingbill, the EtherDome Chapbook series which published chapbooks by emerging women poets. She co-edits Instance Press with Beth Anderson and Laura Sims. She graduated from Bard College, Brown University, and Pacific School of Religion. She moved from the Bay Area to Boulder, Colorado where she taught at the University of Colorado and at Naropa University. She has also taught at the Iowa Writers' Workshop and has twice served as the Hugo Fellow at the University of Montana.
Lloyd Binford Ramke is an American poet and editor.
Tim Earley is an American poet. He is the author of four collections of poems, Boondoggle, The Spooking of Mavens, Poems Descriptive of Rural Life and Scenery, and Linthead Stomp.
Michael Dumanis is an American poet, professor, and editor of poetry.
Zach Savich is an American poet.
Srikanth Reddy is an Indian American writer, scholar, and author of three full-length volumes of poetry. His awards include a 2013 NEA fellowship, a 2013 Creative Capital Award, and a 2018 Guggenheim fellowship. Reddy delivered the Bagley Wright Lectures in Poetry in fall 2015, and served as a judge for the 2019 Griffin Poetry Prize.
Janine Joseph is a Filipino-American poet and author.