Reception
The film received generally positive reviews.
Martin Tsai wrote on TheWrap : "Seven Veils feels like a true return to form for Egoyan, almost as if Salome has inspired Egoyan’s entire filmography. To be sure, his work is often challenging, but the themes are fully connected and realized here. The screenplay is intricate and thoughtful. It’s just such a thrill to witness artistry and craftsmanship in every facet." [11]
In Deadline Hollywood, Stephanie Bunbury wrote: "Seyfried’s Jeanine never cracks under these pressures; Egoyan habitually gives explosive emotions a wide berth, refusing to allow characters or audience any kind of catharsis. It is an unforgiving kind of stringency; his frigidity leaves many viewers cold. But it works well here and, for those of us with a taste for it, that coldness is satisfyingly bracing." [12]
In a negative review for The Telegraph, film critic Tim Robey wrote: "Seven Veils is content to waft ideas in our general direction, a common fault of all Egoyan’s weaker films, rather than defining their interplay with anything like Tár’s crispness. It mistakenly calls John’s beheading “the first sex crime in the Bible” – even Genesis has the rape of Dinah. And it makes us strain to grasp how the story of Salome and all this backstage malarkey meaningfully inform one another. It’s an egghead exercise, both scrambled and undercooked." [13]
On the review aggregator website Rotten Tomatoes , 76% of 17 critics' reviews are positive, with an average rating of 6.8/10. [14]
The film was named to TIFF's annual Canada's Top Ten list for 2023. [15]
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