Shades | ||||
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Studio album by | ||||
Released | 1976 [1] | |||
Recorded | December 10–12, 1975 | |||
Studio | Generation Sound Studios, New York City (USA) | |||
Genre | Jazz | |||
Length | 33:46 | |||
Label | Impulse! | |||
Producer | Esmond Edwards | |||
Keith Jarrett chronology | ||||
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Keith Jarrett American Quartet chronology | ||||
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Shades is the fifth album on the Impulse label by jazz pianist Keith Jarrett. Originally released in 1976, it features performances by Jarrett's 'American Quartet', which included Dewey Redman, Charlie Haden and Paul Motian with Guilherme Franco added on percussion.
Aside from appearing in the Mysteries: The Impulse Years 1975-1976 boxset, Shades was only issued on compact disc in Japan, packaged in a miniature replica of the original vinyl LP sleeve. In October 2011, it was reissued internationally as part of the Impulse! 2-on-1 series, packaged with Mysteries in a single disc format titled Mysteries / Shades.
Jarrett biographer Wolfgang Sandner stated that, with Shades, "we are dealing with... the be-bop tradition plus some widenings of range toward free jazz," noting that, although the pieces on the album tend to use the standard theme/solo/theme format, in "Diatribe," "musical parameters like structure and formal construction lose significance in sections with those unbelievable tremolo bass strokes by Charlie Haden, waterfalls of sound wildly swept over the keyboard by Keith Jarrett, and Dewey Redman growling, biting, and snarling with his mouthpiece, squelching musical phrases in orgiastic screams." [2]
In his book Free Jazz, Harmolodics, and Ornette Coleman, author Stephen Rush noted Coleman's influence on Jarrett, calling "Shades of Jazz" "a foray by Keith Jarrett deep into the land of Harmolodics." [3] Regarding Jarrett's solo on the piece, Rush commented: "Jarrett keeps his left hand 'out of the way.' For the most part he plays the piano the way Ornette plays the horn - weaving in and out of harmonic areas or implications." [4] While Jarrett stays close to the key of F, and uses phrasing to generate a sense of swing, the solo is "almost James Joycean in its free flow, it often starts with short snippets followed by longer and longer phrases... Jarrett changes the rules of the game by playing an instrument that does not imply harmony in a linear way, but of course can play the chords themselves." [5]
Review scores | |
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Source | Rating |
Allmusic | [6] |
The Rolling Stone Jazz Record Guide | [7] |
The Allmusic review by Scott Yanow awarded the album 4½ stars, stating, "Throughout, bassist Charlie Haden, drummer Paul Motian and percussionist Guilherme Franco keep the band's juices flowing.". [6]
Pianist / composer Ethan Iverson declared that "every piece on Shades... is exceptional." He described "Shades of Jazz" as "a goddamn classic," and called "Southern Smiles" "one of the Jarrett's best folk-rock-gospel numbers, joyous and unrestrained," praising Redman's solo as "'wrong' but oh so right." Regarding "Rose Petals," he wrote "the opening melody is perfect, a blend of stately and crunchy. Oh baby, what are you doing to me?" Concerning "Diatribe," Iverson commented: "The masterworks continue with the band at their most deconstructed. Haden goes all in with the bow, and the expanded percussion section is hilarious. Jarrett bangs around: he is so much better at this now than he was at the beginning, the pitches are more controlled, the phrases connect. And Dewey Redman is there, screaming through his horn. Everything Redman plays links the deepest blues to the most esoteric avant-garde." [8]
In an article for Burning Ambulance, Phil Freeman stated: "This is an excellent record. It's definitely the farthest out I've heard the group go so far." He called "Shades of Jazz" "a red-hot track, and a great start to the album," and remarked: "Charlie Haden and Paul Motian set up a powerful groove that swings so hard it's almost dance music. Redman reappears just after the halfway mark, and tears into a solo that sends the whole thing rocketing skyward." Concerning "Diatribe," Freeman wrote: "Jarrett... is really pounding away, heading almost into Cecil Taylor territory. Redman's solo is a festival of growl and skronk, basically prefiguring Charles Gayle, and there's both drumming and other percussion behind him, making for a ferocious overall attack that reminds me of the title track from Archie Shepp's The Magic Of Ju-Ju." [9]
A version of "Shades of Jazz" was recorded by a group featuring saxophonist Joe Lovano, trumpeter Tom Harrell, bassist Dennis Irwin, and drummer Adam Nussbaum for a 2000 album titled As Long as You're Living Yours: The Music of Keith Jarrett. [10] A reviewer for The Washington Post praised this rendition as "a joyous tennis game of volleyed phrases, pointing out Jarrett's great debt to the free-jazz aesthetic of Ornette Coleman." [11]
Saxophonist Branford Marsalis recorded a version of "Rose Petals" for his 1990 album Crazy People Music . [12]
On June 29, 2014, a group featuring saxophonist Greg Osby, keyboard players Dan Tepfer and James Weidman, bassist Ben Allison, and drummer Matt Wilson honored Jarrett with a concert titled "Shades of Jazz: Keith Jarrett's Music" at the Iridium Jazz Club in New York City. [13] [14]
Production
Randolph Denard Ornette Coleman was an American jazz saxophonist, trumpeter, violinist, and composer. He was best known as a principal founder of the free jazz genre, a term derived from his 1960 album Free Jazz: A Collective Improvisation. His pioneering works often abandoned the harmony-based composition, tonality, chord changes, and fixed rhythm found in earlier jazz idioms. Instead, Coleman emphasized an experimental approach to improvisation, rooted in ensemble playing and blues phrasing. AllMusic called him "one of the most beloved and polarizing figures in jazz history," noting that while "now celebrated as a fearless innovator and a genius, he was initially regarded by peers and critics as rebellious, disruptive, and even a fraud."
Walter Dewey Redman was an American saxophonist who performed free jazz as a bandleader and with Ornette Coleman and Keith Jarrett.
Old and New Dreams was an American jazz group that was active from 1976 to 1987. The group was composed of tenor saxophone player Dewey Redman, bassist Charlie Haden, trumpeter Don Cherry and drummer Ed Blackwell. All of the members were former sidemen of free jazz progenitor and alto saxophonist Ornette Coleman, and the group played a mix of Coleman's compositions and originals by the band members.
Eyes of The Heart is an album by American pianist Keith Jarrett featuring his "American Quartet", made up of Jarrett himself, Dewey Redman, Charlie Haden and Paul Motian. It was recorded at the Theater am Kornmarkt, Bregenz in Austria in May 1976 and was released in 1979 by ECM Records. The studio album The Survivors' Suite had been recorded one month earlier.
Expectations is an album recorded by Keith Jarrett in 1972 and released on Columbia Records the same year. In addition to Jarrett, musicians on the recording include his "American quartet": Dewey Redman on tenor saxophone, Charlie Haden on bass, and Paul Motian on drums. Also featured are Sam Brown on electric guitar, Airto on percussion, as well as brass and string sections whose members are not credited in the album information. Expectations was produced by George Avakian, Jarrett's manager since 1966.
Fort Yawuh is a jazz album by American pianist and composer Keith Jarrett. Originally released in 1973 by Impulse! Records, it marks the beginning of the label’s relationship with Jarrett. Recorded live at the Village Vanguard on February 24, 1973 by Jarrett's "American Quartet": Dewey Redman on tenor saxophone, Charlie Haden on acoustic bass, Paul Motian on drums, plus percussionist Danny Johnson. The title of the album is an anagram of "Fourth Way," a reference to George Gurdjieff's fourth path of self-awareness.
Treasure Island is an album recorded in February 1974 by Keith Jarrett and originally released by Impulse! in 1974. It features Jarrett's later-to-be-called "American Quartet" plus guitarist Sam Brown, and percussionists Guilherme Franco and Danny Johnson. Two months after recording Treasure Island, in April 1974, Jarrett would enter a studio in Norway to record Belonging with a group of Scandinavian players, later called Jarrett's "European group".
Byablue is one of the last albums recorded by the so-called 'American Quartet' of jazz pianist Keith Jarrett. It was recorded in October 1976 in two sessions that also helped produce the album Bop-Be. Released on the Impulse label in 1977, it features performances by Jarrett, Dewey Redman, Charlie Haden, and Paul Motian. Musically speaking, even though the album Eyes of the Heart made it last to the market, Byablue and Bop-Be document the swan song of Jarrett's American Quartet in several ways, but most of all the inclusion of compositions by members other than Jarrett himself deliver another taste. While that did not happen before, for what would be the quartet's final recording sessions, Jarrett requested that band members contribute with their own compositions. Byablue consisted primarily of Paul Motian's pieces, while Bop-Be included Redman and Haden's contributions.
Death and the Flower is an album recorded by Keith Jarrett in October 1974 during two sessions that also produced Back Hand. Released in 1975, the disc features the pianist's "American Quartet" with percussionist Guilherme Franco.
Mysteries is an album by jazz pianist Keith Jarrett recorded in two sessions in December 1975. Originally released by Impulse! in 1976, it features performances by Jarrett's 'American Quartet' of saxophonist Dewey Redman, bassist Charlie Haden and drummer Paul Motian, along with percussionist Guilherme Franco. These December, 1975 sessions also produced the album Shades.
Back Hand is an album by American jazz pianist Keith Jarrett recorded in two sessions in October 1974 that also gave way to the album Death and the Flower. Originally released in 1975 by Impulse!, it features performances by Jarrett's American Quartet, which included Dewey Redman, Charlie Haden and Paul Motian along with Guilherme Franco added on percussion. For a long time, the album remained a relatively obscure work until it was resuscitated by Impulse! years later.
Somewhere Before is a live album by pianist Keith Jarrett recorded on August 30 and 31, 1968, at Shelly's Manne-Hole in Hollywood, California with his first trio, composed of Charlie Haden (bass) and Paul Motian (drums).
The Mourning of a Star is an album by Keith Jarrett recorded in 1971 with his regular working trio and released that same year by Atlantic Records. On five dates in July and August 1971 Jarrett went into the studio with Haden and Motian and, along with Dewey Redman on tenor saxophone, produced enough material for three albums, The Mourning of a Star, El Juicio and Birth. Although Dewey Redman does not appear on this album, the July and August 1971 sessions marked the metamorphosis of Jarrett's first trio into what would be his future quartet.
Birth is an album by Keith Jarrett recorded in 1971 and released the next year. On five dates in July and August 1971 Jarrett went into the studio with his trio augmented with Dewey Redman on tenor saxophone and produced enough material for three albums, The Mourning of a Star, El Juicio and Birth. These albums marked the emergence of what would later be called Jarrett's "American quartet."
El Juicio (The Judgement) is an album by pianist Keith Jarrett recorded in 1971 and released in 1975. On four days in July and one in August 1971 Jarrett went into the Atlantic Recording Studios with his trio (Charlie Haden and Paul Motian) plus Dewey Redman on tenor saxophone and produced enough music for three albums The Mourning of a Star (released in 1971), El Juicio (The Judgement) and Birth (released in 1972). Accordingly, the 1971 sessions mark the emergence of what would be later called Jarrett's "American quartet."
Playing is a live album by jazz quartet Old and New Dreams. It features trumpeter Don Cherry, saxophonist Dewey Redman, bassist Charlie Haden and drummer Ed Blackwell and was recorded in 1980 for the ECM label.
Mysteries: The Impulse Years 1975-1976 is a four CD collection of the Keith Jarrett albums Mysteries, Shades, Byablue and Bop-Be. The set was released in 1996 by Impulse! Records and in 1997 by Aris / MCA. Previously unreleased alternate takes are present on each disc.
The Impulse Years: 1973-1974 is a 5-CD box set of Keith Jarrett albums, comprising Fort Yawuh, Treasure Island, Death and The Flower and Back Hand, plus previously unissued material. The set was released in 1997 by Impulse! Records and in 1998 by Universal / MCA.
Closeness is an album of duets by bassist Charlie Haden recorded in 1976 and released on the Horizon label.
The Belgrade Concert is a live album by Ornette Coleman. It was recorded in November 1971 in Belgrade, and was released by Jazz Door in 1995. On the album, which was recorded one day after the concert documented on Live in Paris 1971, Coleman is joined by saxophonist Dewey Redman, bassist Charlie Haden, and drummer Ed Blackwell.