Somewhere Before | ||||
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Live album by | ||||
Released | May 1969 [1] | |||
Recorded | August 30–31, 1968 | |||
Venue | Shelly's Manne-Hole in Hollywood, California (USA) | |||
Genre | Jazz | |||
Length | 38:30 | |||
Label | Vortex Records | |||
Producer | George Avakian | |||
Keith Jarrett chronology | ||||
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Keith Jarrett American Group (first trio) chronology | ||||
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Somewhere Before is a live album by pianist Keith Jarrett recorded on August 30 and 31, 1968, at Shelly's Manne-Hole in Hollywood, California with his first trio, composed of Charlie Haden (bass) and Paul Motian (drums).
Review scores | |
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Source | Rating |
AllMusic | [2] |
The Penguin Guide to Jazz | [3] |
The Rolling Stone Jazz Record Guide | [4] |
The AllMusic review by Richard S. Ginell awarded the album 4 stars, stating, "As an example of early, unfocused Jarrett, this is fascinating material.". [2] The authors of the Penguin Guide to Jazz Recordings commented: "Heavily rock-influenced and reminiscent of the methodology of the Charles Lloyd Quartet and the Miles Davis group, of which Jarrett was still a member... it has a freshness of approach that Jarrett quickly lost and was slow to regain." [5] Pianist / composer Ethan Iverson singled out "My Back Pages" for praise, stating: "Dylan recorded it as a waltz, but this backbeat 4/4 rendition emulates the hit version by The Byrds. Jarrett's control of light and shade, both in the melody and the accompaniment, gives his pianism a kind of glamour that can reach out and touch listeners from any background." [6]
Eyes of The Heart is an album by American pianist Keith Jarrett featuring his "American Quartet", made up of Jarrett himself, Dewey Redman, Charlie Haden and Paul Motian. It was recorded at the Theater am Kornmarkt, Bregenz in Austria in May 1976 and was released in 1979 by ECM Records. The studio album The Survivors' Suite had been recorded one month earlier.
Life Between the Exit Signs is the first jazz album by pianist Keith Jarrett as a leader. It was recorded on May 4, 1967 at Atlantic Recording Studios, in New York City and released on April 1, 1968, under the record label Vortex, a subsidiary label of Atlantic Records. It is the first session featuring Jarrett, bassist Charlie Haden and drummer Paul Motian together. In 1999, Collectables Records reissued the album paired with Jarrett's El Juicio , and in 2004 Atlantic Records reissued it along with extensive liner notes by Professor Bill Dobbins.
Expectations is an album recorded by Keith Jarrett in 1972 and released on Columbia Records the same year. In addition to Jarrett, musicians on the recording include his "American quartet": Dewey Redman on tenor saxophone, Charlie Haden on bass, and Paul Motian on drums. Also featured are Sam Brown on electric guitar, Airto on percussion, as well as brass and string sections whose members are not credited in the album information. Expectations was produced by George Avakian, Jarrett's manager since 1966.
Conception Vessel is the debut album by Paul Motian released on the ECM label in 1973. It was recorded on November 25 & 26 1972 at Butterfly and Sound Ideas Studios, New York City, and has performances by Motian with pianist Keith Jarrett, bassist Charlie Haden, violinist Leroy Jenkins, guitarist Sam Brown and flautist Becky Friend.
Fort Yawuh is a jazz album by American pianist and composer Keith Jarrett. Originally released in 1973 by Impulse! Records, it marks the beginning of the label’s relationship with Jarrett. Recorded live at the Village Vanguard on February 24, 1973 by Jarrett's "American Quartet": Dewey Redman on tenor saxophone, Charlie Haden on acoustic bass, Paul Motian on drums, plus percussionist Danny Johnson. The title of the album is an anagram of "Fourth Way," a reference to George Gurdjieff's fourth path of self-awareness.
Bop-Be is the final album on the Impulse label by jazz pianist Keith Jarrett's 'American Quartet'. Originally released in 1978, it features performances by Jarrett, Dewey Redman, Charlie Haden, and Paul Motian. Its tracks were recorded in October 1976, along with those that produced Byablue. These two albums document the swan song of Jarrett's American Quartet and, aside from "classical music", the last albums Jarrett released on a label other than ECM.
Mysteries is an album by jazz pianist Keith Jarrett recorded in two sessions in December 1975. Originally released by Impulse! in 1976, it features performances by Jarrett's 'American Quartet' of Dewey Redman, Charlie Haden and Paul Motian, along with Guilherme Franco on percussion. The December 1975 "Mysteries" sessions also produced the album Shades.
Shades is the fifth album on the Impulse label by jazz pianist Keith Jarrett. Originally released in 1976, it features performances by Jarrett's 'American Quartet', which included Dewey Redman, Charlie Haden and Paul Motian with Guilherme Franco added on percussion.
Back Hand is an album by American jazz pianist Keith Jarrett recorded in two sessions in October 1974 that also gave way to the album Death and the Flower. Originally released in 1975 by Impulse!, it features performances by Jarrett's American Quartet, which included Dewey Redman, Charlie Haden and Paul Motian along with Guilherme Franco added on percussion. For a long time the album remained a relatively obscure work until it was resuscitated by Impulse! years later.
The Survivors' Suite is an album by jazz pianist Keith Jarrett featuring his 'American Quartet' ensemble which included Dewey Redman, Charlie Haden, and Paul Motian. It represents the first album they recorded for ECM and in terms of music it has been widely considered to find the group at its pinnacle. Initially published in January 1977, vinyl was reissued in April 2017 as audiophile pressing taken from the original analog tapes.
The Mourning of a Star is an album by Keith Jarrett recorded in 1971 with his regular working trio and released that same year by Atlantic Records. On five dates in July and August 1971 Jarrett went into the studio with Haden and Motian and, along with Dewey Redman on tenor saxophone, produced enough material for three albums, The Mourning of a Star, El Juicio and Birth. Although Dewey Redman does not appear on this album, the July and August 1971 sessions marked the metamorphosis of Jarrett's first trio into what would be his future quartet.
Birth is an album by Keith Jarrett recorded in 1971 and released the next year. On five dates in July and August 1971 Jarrett went into the studio with his trio augmented with Dewey Redman on tenor saxophone and produced enough material for three albums, The Mourning of a Star, El Juicio and Birth. These albums marked the emergence of what would later be called Jarrett's "American quartet."
El Juicio is an album by pianist Keith Jarrett recorded in 1971 and released in 1975. On four days in July and one in August 1971 Jarrett went into the Atlantic Recording Studios with his trio plus Dewey Redman on tenor saxophone and produced enough music for three albums The Mourning of a Star, El Juicio and Birth. Accordingly, the 1971 sessions mark the emergence of what would be later called Jarrett's "American quartet."
Arbour Zena is an orchestral work composed by American jazz pianist Keith Jarrett featuring saxophonist Jan Garbarek, bassist Charlie Haden and members of the Stuttgart Radio Symphony Orchestra conducted by Mladen Gutesha which was recorded in October 1975 and released by ECM in 1976.
Memoirs is an album by pianist Paul Bley, bassist Charlie Haden and drummer Paul Motian recorded in 1990 and released on the Italian Soul Note label.
Closeness is an album of duets by bassist Charlie Haden recorded in 1976 and released on the Horizon label.
The Montreal Tapes: with Geri Allen and Paul Motian is a live album by the American jazz bassist Charlie Haden with pianist Geri Allen and drummer Paul Motian recorded in 1989 and released on the Verve label.
Live at the Village Vanguard is a live album by pianist Geri Allen, bassist Charlie Haden and drummer Paul Motian. It was recorded in 1990 at the Village Vanguard and released on the Japanese DIW label.
Segments is a jazz album by pianist Geri Allen, bassist Charlie Haden and drummer Paul Motian recorded in 1989 and released on the Japanese DIW label.
In the Year of the Dragon is an album by pianist Geri Allen, bassist Charlie Haden and drummer Paul Motian recorded in 1989 and released on the German JMT label.