La Fenice | ||||
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Live album by | ||||
Released | October 2018 [1] | |||
Recorded | July 19, 2006 | |||
Venue | La Fenice Venice, Italy | |||
Genre | Jazz | |||
Length | 1:37:43 | |||
Label | ECM 2601 | |||
Producer | Veneto Jazz / Giuseppe Mormile, Keith Jarrett | |||
Keith Jarrett chronology | ||||
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Keith Jarrett solo piano chronology | ||||
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La Fenice is a live solo album by Keith Jarrett recorded at the Teatro La Fenice in Italy on July 19, 2006 and released on ECM 12 years later, in October 2018. According to ECM, its release was "timely" as the 62nd International Festival of Contemporary Music of the 'Biennale di Venezia' honoured Keith Jarrett with its Golden Lion for Lifetime Achievement. [1]
Review scores | |
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Source | Rating |
Allmusic | [2] |
The Observer | [3] |
The Times | [4] |
Financial Times | [5] |
All About Jazz | [6] |
All About Jazz | [7] |
AllMusic awarded the album 4 stars and the review by Thom Jurek stated "The music found here is rangy and adventurous, commencing with the knotty, nearly 18-minute opening section that is one of the better showcases of the pianist's inventive delivery. Elements of classical technique and invention meet dissonant mechanics in a dazzling technical display.... La Fenice may be yet another Jarrett solo concert, but when he chases after it with this kind of energy, humor, passion, and emotion, an hour-and-a-half passes in what seems like a moment." [2]
Dave Gelly of The Observer commented that, "Jarrett has always favoured exhaustive documentation, but the intensity, variety, and astonishing technical command of these performances might well persuade devoted fans and intrigued improv enthusiasts alike of his view that these were landmark moments." [3]
In the Financial Times, Mike Hobart wrote "As on other solo recordings, this Jarrett performance contrasts modernist dissonance with delicate musings and references to folk music, the standard repertoire and the blues. Here, though, he builds his architectural structures on mere fragments of sound or turns slight themes into music of substance. The intense appreciation that fades out at the end of the set is merited ... The album doesn’t offer new insights into the pianist’s aesthetic, but each Jarrett performance is unique, and with the pianist near his fluent best it always engrosses." [5]
On All About Jazz, Karl Ackermann observed "As the greatest pianist of our time, the bar is inconsiderately high for Jarrett's work. One of a kind, he can't rationally be compared to his contemporaries, so with each addition to the catalog his output is judged relative to his own history. In that vein La Fenice falls short of later ECM albums ... The spontaneous improvisations are interesting but a bit sterile; the ballads are beautifully played as always, but predictable. At the end of the day, La Fenice is neither essential Jarrett nor an unworthy addition to his resume. It simply lacks the impact of much of his solo work." [6] On the same site Mike Jurkovic said "Emotionally captivating as all his recordings ultimately are, La Fenice is comprised mostly of the eight part suite that dominates the recording.... But even with all its graceful moments of sheer creative joy and wonder, La Fenice isn't La Scala or any of the grander works that define and watermark Jarrett's sole and unique place in the art of solo piano.... As always, Jarrett crafts resplendent passages, but here they are too few and far between to allow La Fenice to stand with his many solo piano masterworks." [7]
All compositions by Keith Jarrett except where noted
No. | Title | Length |
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1. | "Part I" | 17:44 |
2. | "Part II" | 3:26 |
3. | "Part III" | 9:53 |
4. | "Part IV" | 7:22 |
5. | "Part V" | 6:41 |
Total length: | 45:06 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Part VI" | 13:32 | |
2. | "The Sun Whose Rays" | Arthur Sullivan, W. S. Gilbert | 4:26 |
3. | "Part VII" | 5:30 | |
4. | "Part VIII" | 9:15 | |
5. | "My Wild Irish Rose" | Traditional | 8:36 |
6. | "Stella by Starlight" | 6:33 | |
7. | "Blossom" | 9:11 | |
Total length: | 52:03 1:37:43 |
Keith Jarrett is an American pianist and composer. Jarrett started his career with Art Blakey and later moved on to play with Charles Lloyd and Miles Davis. Since the early 1970s, he has also been a group leader and solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, including Western classical music, gospel, blues, and ethnic folk music.
Solo Concerts: Bremen/Lausanne is a recording released through ECM by jazz pianist Keith Jarrett performing solo improvisations recorded in Bremen and Lausanne in 1973; in between, Jarrett played in the US with his American quartet. Originally released as a 3-LP album, it was the first of Jarrett's live solo performances to be released on ECM, following his studio-based debut solo recording Facing You (1971), and preceding his record-breaking Köln Concert (1975).
Sun Bear Concerts is a live box set by American jazz pianist Keith Jarrett compiling five solo piano concerts performed over two weeks during his November 1976 tour in Japan and originally released by ECM as a ten-LP set in January 1978 and re-released in 1989 as a six-CD box set restoring encores from three of the concerts.
Facing You is the first solo piano album recorded by pianist Keith Jarrett, the first of his voluminous collection to be produced by Manfred Eicher and his first work to be released by ECM Records. It features eight solo piano pieces and it was recorded in the studio. It marked the beginning of Jarrett's innovative and successful career in spontaneous and improvised performance on solo piano, and it constitutes a landmark in his fruitful association with ECM Records.
Staircase is the fourth solo piano album released on ECM by jazz pianist Keith Jarrett. It features Jarrett performing four solo piano "suites" recorded in the studio in May 1976.
Radiance is a double-album by American pianist Keith Jarrett recorded in October 2002 in Japan at two different concerts—Osaka and Tokyo —and released by ECM in May 2005. In April 2006, a video recording of the live performance at Tokyo concert was released as Tokyo Solo.
La Scala is a live solo piano album by American pianist Keith Jarrett recorded at the Teatro alla Scala in Milan on February 13, 1995 and released on ECM in May 1997.
Paris / London: Testament is a live solo piano album by American pianist Keith Jarrett, recorded at the Salle Pleyel in Paris November 26, 2008 and the Royal Festival Hall in London the next week on December first, and released as a three CD set on ECM in October the following year.
Jasmine is a 2010 duet album by American pianist Keith Jarrett and bassist Charlie Haden. It was released on 12 May 2010. The album was recorded in March 2007 at Jarrett's home studio in Oxford Township, New Jersey during the recording of a documentary about Haden. Additional tracks from the same session, including alternate takes of "Where Can I Go Without You" and "Goodbye", were released in 2014 on Last Dance.
Somewhere is a live album by Keith Jarrett's "Standards Trio," recorded in Switzerland on July 11, 2009 and released on ECM in May 2013.
No End is solo album by American pianist and composer Keith Jarrett, credited to "Solo/Band," recorded in 1986 at his home studio in New Jersey and released on ECM in November 2013.
Creation is a solo piano album by American pianist and composer Keith Jarrett containing music selected and sequenced from improvised solo concerts that took place in Japan, Canada, and Europe in April–July 2014." It was released by ECM Records in May 2015.
Hamburg '72 is an album by Keith Jarrett with his first trio, Charlie Haden on double-bass, and Paul Motian on drums. It was recorded live in West Germany on June 14, 1972 and released on the ECM label in 2014 when both Motian and Haden had already died.
A Multitude of Angels is a four-disc live box set of solo piano performances by Keith Jarrett recorded in Italy over a week in October 1996 and released on ECM twenty years later.
The Dreamer Is the Dream is a studio album by American jazz saxophonist Chris Potter recorded in June 2016 and released on ECM April the following year—his third release for the label. The quartet features rhythm section David Virelles, Joe Martin and Marcus Gilmore.
The Study of Touch is an album by the Django Bates' Belovèd recorded in Norway in June 2016 and released on ECM November the following year. The trio features rhythm section Petter Eldh and Peter Bruun.
After the Fall is a live double-album by American jazz pianist Keith Jarrett recorded at the New Jersey Performing Arts Center on November 14, 1998 and released on ECM twenty years later. The trio features rhythm section Gary Peacock and Jack DeJohnette.
Munich 2016 is a live solo double-album by American pianist and composer Keith Jarrett recorded at thePhilharmonic Hall in Munich on July 16, 2016 and released on ECM in November 2019.
Budapest Concert is a live solo double-album by American pianist and composer Keith Jarrett recorded at the Béla Bartók National Concert Hall, Budapest on July 3, 2016 and released on ECM in October 2020.
Bordeaux Concert is a solo piano album by Keith Jarrett containing music recorded live on July 6, 2016, at L’Auditorium de Bordeaux, Bordeaux, during a European tour. It was released by ECM Records on CD in September 2022.