G.I. Gurdjieff: Sacred Hymns | ||||
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Studio album by | ||||
Released | September 1980 [1] | |||
Recorded | March 1980 [2] | |||
Studio | Tonstudio Bauer Ludwigsburg, W. Germany | |||
Genre | Classical music | |||
Length | 50:56 | |||
Label | ECM 1174 | |||
Producer | Manfred Eicher | |||
Keith Jarrett chronology | ||||
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Keith Jarrett solo piano chronology | ||||
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G.I. Gurdjieff: Sacred Hymns is an album by pianist Keith Jarrett recorded March 1980 and released on ECM September that year, featuring solo piano performances of the sacred hymns of George Gurdjieff and Thomas de Hartmann. [1]
Jarrett's interest in Gurdjieff dated back to the 1960s and his association with Charles Lloyd, who was "on a Gurdjieff kick" at the time, and whose copies of Gurdjieff's books Jarrett read. [3] Jarrett eventually immersed himself in Gurdjieff's writings and music, the latter having been transcribed by Russian composer Thomas de Hartmann. [4] At some point, a member of the London Gurdjieff Foundation suggested that Jarrett record some of Gurdjieff's music, [5] and Jarrett accepted. The resulting recording marked the first occasion on which Gurdjieff's music, as notated by de Hartmann, was made available to the public, [6] and was a major catalyst in bringing the music to the attention of a mainstream audience. [7]
Jarrett later reflected: "It was the most appropriate thing for me to record at the time, given that I knew more about it than just the music, and also given that I was asked by [a member of] the London group whether I would do it or not. That was enough for me. But it was also an exercise in disappearing personality. In the so-called Gurdjieff world, personality is not a positive thing... So I used that recording as an exercise in not inflicting that music with my personality." [8] (Not surprisingly, Jarrett abstained almost completely from the use of improvisation on the album. [4] ) Jarrett stopped reading Gurdjieff's writings in the early 1980s, but stated: "the impression shouldn't be that I have at some point or other refuted it." [9]
The AllMusic review by Richard S. Ginell noted: "The whole record has a serene dignity, even at its loudest levels, that gets to you, and that should be enough for the devout Jarrett following. As for others—well, it's definitely not a Top Ten choice for a basic Jarrett collection." [10]
Review scores | |
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Source | Rating |
AllMusic | [10] |
The Penguin Guide to Jazz | [11] |
Keith Jarrett is an American pianist and composer. Jarrett started his career with Art Blakey and later moved on to play with Charles Lloyd and Miles Davis. Since the early 1970s, he has also been a group leader and solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, including Western classical music, gospel, blues, and ethnic folk music.
Expectations is an album recorded by Keith Jarrett in 1972 and released on Columbia Records the same year. In addition to Jarrett, musicians on the recording include his "American quartet": Dewey Redman on tenor saxophone, Charlie Haden on bass, and Paul Motian on drums. Also featured are Sam Brown on electric guitar, Airto on percussion, as well as brass and string sections whose members are not credited in the album information. Expectations was produced by George Avakian, Jarrett's manager since 1966.
Paris Concert is a live solo album by American jazz pianist Keith Jarrett, recorded at the Salle Pleyel in Paris on October 17, 1988, and released on ECM in April 1990.
Standards Live is a live album by the Keith Jarrett Trio recorded at the Palais des congrès de Paris on July 2, 1985, and released on ECM in January of the following year—the debut live album by Jarrett's Standards Trio, featuring rhythm section Gary Peacock and Jack DeJohnette.
Sun Bear Concerts is a live box set by American jazz pianist Keith Jarrett compiling five solo piano concerts performed over two weeks during his November 1976 tour in Japan and released on ECM in January 1978.
Vienna Concert is a live solo album by American jazz pianist Keith Jarrett recorded on July 13, 1991 at the Vienna State Opera in Vienna, Austria, and released by ECM September the following year.
Bop-Be is the final album on the Impulse label by jazz pianist Keith Jarrett's 'American Quartet'. Released in 1978, it features performances by Jarrett, Dewey Redman, Charlie Haden, and Paul Motian. Its tracks were recorded in October 1976, along with those that produced Byablue. These two albums document the swan song of Jarrett's American Quartet and, aside from "classical music", the last albums Jarrett released on a label other than ECM.
Staircase is a solo double album by American jazz pianist Keith Jarrett recorded in May 1976 and released on ECM the following year.
Ruta and Daitya is jazz album by pianist Keith Jarrett and drummer Jack DeJohnette recorded in May 1971 and released on ECM in 1973—one of Jarrett's rare performances on electric keyboard.
Dark Intervals is a live solo album by American jazz pianist Keith Jarrett recorded at the Suntory Hall in Tokyo on April 11, 1987 and released on ECM the following year.
The Cure is a live album by the Keith Jarrett Trio recorded at the Town Hall in New York City on April 21, 1990 and released on ECM October the following year. The trio—Jarrett's "Standards Trio"—features rhythm section Gary Peacock and Jack DeJohnette.
Over the years, Keith Jarrett has recorded in many different settings: jazz piano trio, classical and baroque music, improvised contemporary music, solo piano, etc. Well known for his tremendous impact on the piano and jazz scene, as a composer, multi-instrumentalist, and first class improviser, Keith Jarrett's original output embraces many different musical styles and spans a period of almost 50 years, comprising a generous production of more than 100 albums.
Concerts is a live solo triple album of by American jazz pianist Keith Jarrett recorded at the Festspielhaus in Bregenz, Austria on May 28, 1981, and the Herkulessaal in Munich, West Germany on June 2, 1981, and released on ECM in September of the following year.
Luminessence: Music for String Orchestra and Saxophone is an album composed by American pianist Keith Jarrett featuring saxophonist Jan Garbarek and the Südfunk-Sinfonieorchester conducted by Mladen Gutesha, recorded in April 1974 and released on ECM the following year—Jarrett does not perform on this album. The title is a portmanteau of "luminescence" and "essence".
Tales of Another is an album by American bassist Gary Peacock, recorded on February 2, 1977, and released on ECM later that year. The trio features pianist Keith Jarrett and drummer Jack DeJohnette—the first recording by the group later known as Jarrett's Standards Trio.
Hymns/Spheres is a solo double album by jazz pianist Keith Jarrett recorded on the Karl Joseph Riepp "Trinity" Baroque pipe organ at the Benedictine Abbey in Ottobeuren in September 1976 and released on ECM later that year.
Invocations/The Moth and the Flame is a solo double album by American jazz pianist Keith Jarrett recorded in October 1980 and November 1979 respectively and released on ECM in May 1981.
The Celestial Hawk: For Orchestra, Percussion and Piano is an album of contemporary classical music by Keith Jarrett recorded at Carnegie Hall with the Syracuse Symphony Orchestra, conducted by Christopher Keene, on March 22, 1980 and released on ECM November that same year.
Standards, Vol. 2 is an album by American jazz pianist Keith Jarrett recorded over two days in January 1983 and released on ECM in April 1985 on vinyl and CD—the successor to Standards, Vol. 1 and Changes, recorded concurrently. The trio features rhythm section Gary Peacock and Jack DeJohnette the third release by the long-standing "Standards Trio".
Setting Standards: New York Sessions is a three-CD compilation album by the Keith Jarrett Trio, featuring Jarrett on piano, Gary Peacock on bass, and Jack DeJohnette on drums. It brings together the contents of Standards, Vol. 1 (1983), Changes (1984), and Standards, Vol. 2 (1985), all of which were recorded for ECM Records at the Power Station in New York City during January 11–12, 1983. Setting Standards was released by ECM in 2008 to mark the 25th anniversary of the trio.