El Juicio (The Judgement) | ||||
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Studio album by | ||||
Released | 1975 [1] | |||
Recorded | July 8–9, 15–16, 1971 | |||
Studio | Atlantic, New York City, US | |||
Genre | Jazz | |||
Length | 39:11 | |||
Label | Atlantic | |||
Producer | George Avakian | |||
Keith Jarrett chronology | ||||
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Keith Jarrett American Group chronology | ||||
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El Juicio (The Judgement) is an album by pianist Keith Jarrett recorded in 1971 and released in 1975. [1] On four days in July and one in August 1971, Jarrett went into the Atlantic Recording Studios with his trio (Charlie Haden and Paul Motian), plus Dewey Redman on tenor saxophone, and produced enough music for three albums: The Mourning of a Star (released in 1971), El Juicio (The Judgement) and Birth (released in 1972). Accordingly, the 1971 sessions mark the emergence of what would be later called Jarrett's "American quartet."
Redman would not join the working group as a full member until 1972, and the new quartet’s first album to make it to the public would be Birth . When Atlantic Records released El Juicio in 1975 the group had already signed with Impulse! and was steadily recording under that label.
Review scores | |
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Source | Rating |
The Penguin Guide to Jazz | [2] |
AllMusic | [3] |
The authors of the Penguin Guide to Jazz wrote: "for us El Juicio remains a high-point... The joyous countrified swing of 'Gypsy Moth' and 'Toll Road' could hardly be more infectious, or more loosely structured, at an opposite remove to the dour atmosphere of 'El Juicio' itself, a strange, brooding tone-poem which if the cover art is anything by way of confirmation conjures up first and last things, a musical eschatology. Also very different... is the experimental melodism of 'Piece for Ornette'. It exists in two forms, one at nine and a quarter minutes, the other at 12 seconds! It isn't a long record... but it has a freshness of approach and depth of musical intelligence that has never tarnished." [2]
Pianist Ethan Iverson singled out the track "Pardon My Rags" for praise, calling it "almost silly, certainly joyous", and commenting: "While the 'rags' on Somewhere Before might stump a long-time Jarrett listener who doesn't know the early years, 'Pardon My Rags' is obviously Jarrett. The flow, especially at this speed, is unique. Amazing to think that Earl Hines, Teddy Wilson, Mary Lou Williams, Thelonious Monk and Eubie Blake were all still alive at this moment." [4]
Walter Dewey Redman was an American saxophonist who performed free jazz as a bandleader and with Ornette Coleman and Keith Jarrett.
The Ballad of the Fallen is a jazz album by bassist Charlie Haden, with arrangements by Carla Bley, recorded in November 1982 and released on ECM October the following year.
Eyes of The Heart is a live album by American pianist Keith Jarrett recorded at the Theater am Kornmarkt in Bregenz, Austria in May 1976 and released on ECM in 1979—the last release by Jarrett's "American Quartet", featuring saxophonist Dewey Redman and rhythm section Charlie Haden and Paul Motian.
Life Between the Exit Signs is the first jazz album by pianist Keith Jarrett as a leader. It was recorded on May 4, 1967 at Atlantic Recording Studios, in New York City and released on April 1, 1968, under the record label Vortex, a subsidiary label of Atlantic Records. It is the first session featuring Jarrett, bassist Charlie Haden and drummer Paul Motian together. In 1999, Collectables Records reissued the album paired with Jarrett's El Juicio , and in 2004 Atlantic Records reissued it along with extensive liner notes by Professor Bill Dobbins.
Expectations is an album recorded by Keith Jarrett in 1972 and released on Columbia Records the same year. In addition to Jarrett, musicians on the recording include his "American quartet": Dewey Redman on tenor saxophone, Charlie Haden on bass, and Paul Motian on drums. Also featured are Sam Brown on electric guitar, Airto on percussion, as well as brass and string sections whose members are not credited in the album information. Expectations was produced by George Avakian, Jarrett's manager since 1966.
Fort Yawuh is a jazz album by American pianist and composer Keith Jarrett. Originally released in 1973 by Impulse! Records, it marks the beginning of the label’s relationship with Jarrett. Recorded live at the Village Vanguard on February 24, 1973 by Jarrett's "American Quartet": Dewey Redman on tenor saxophone, Charlie Haden on acoustic bass, Paul Motian on drums, plus percussionist Danny Johnson. The title of the album is an anagram of "Fourth Way," a reference to George Gurdjieff's fourth path of self-awareness.
Bop-Be is the final album on the Impulse label by jazz pianist Keith Jarrett's 'American Quartet'. Released in 1978, it features performances by Jarrett, Dewey Redman, Charlie Haden, and Paul Motian. Its tracks were recorded in October 1976, along with those that produced Byablue. These two albums document the swan song of Jarrett's American Quartet and, aside from "classical music", the last albums Jarrett released on a label other than ECM.
Byablue is one of the last albums recorded by the so-called 'American Quartet' of jazz pianist Keith Jarrett. It was recorded in October 1976 in two sessions that also helped produce the album Bop-Be. Released on the Impulse label in 1977, it features performances by Jarrett, Dewey Redman, Charlie Haden, and Paul Motian. Musically speaking, even though the album Eyes of the Heart made it last to the market, Byablue and Bop-Be document the swan song of Jarrett's American Quartet in several ways, but most of all the inclusion of compositions by members other than Jarrett himself deliver another taste. While that did not happen before, for what would be the quartet's final recording sessions, Jarrett requested that band members contribute with their own compositions. Byablue consisted primarily of Paul Motian's pieces, while Bop-Be included Redman and Haden's contributions.
Death and the Flower is an album recorded by Keith Jarrett in October 1974 during two sessions that also produced Back Hand. Released in 1975, the disc features the pianist's "American Quartet" with percussionist Guilherme Franco.
Mysteries is an album by jazz pianist Keith Jarrett recorded in two sessions in December 1975. Originally released by Impulse! in 1976, it features performances by Jarrett's 'American Quartet' of saxophonist Dewey Redman, bassist Charlie Haden and drummer Paul Motian, along with percussionist Guilherme Franco. These December, 1975 sessions also produced the album Shades.
Shades is the fifth album on the Impulse label by jazz pianist Keith Jarrett. Originally released in 1976, it features performances by Jarrett's 'American Quartet', which included Dewey Redman, Charlie Haden and Paul Motian with Guilherme Franco added on percussion.
Back Hand is an album by American jazz pianist Keith Jarrett recorded in two sessions in October 1974 that also gave way to the album Death and the Flower. Originally released in 1975 by Impulse!, it features performances by Jarrett's American Quartet, which included Dewey Redman, Charlie Haden and Paul Motian along with Guilherme Franco added on percussion. For a long time, the album remained a relatively obscure work until it was resuscitated by Impulse! years later.
The Survivors' Suite is an album by jazz pianist Keith Jarrett, recorded in April 1976 and released on ECM the following year. The quartet—Jarrett's "American Quartet"—features saxophonist Dewey Redman and rhythm section Charlie Haden and Paul Motian.
Somewhere Before is a live album by pianist Keith Jarrett recorded on August 30 and 31, 1968, at Shelly's Manne-Hole in Hollywood, California with his first trio, composed of Charlie Haden (bass) and Paul Motian (drums).
The Mourning of a Star is an album by Keith Jarrett recorded in 1971 with his regular working trio and released that same year by Atlantic Records. On five dates in July and August 1971 Jarrett went into the studio with Haden and Motian and, along with Dewey Redman on tenor saxophone, produced enough material for three albums, The Mourning of a Star, El Juicio and Birth. Although Dewey Redman does not appear on this album, the July and August 1971 sessions marked the metamorphosis of Jarrett's first trio into what would be his future quartet.
Birth is an album by Keith Jarrett recorded in 1971 and released the next year. On five dates in July and August 1971 Jarrett went into the studio with his trio augmented with Dewey Redman on tenor saxophone and produced enough material for three albums, The Mourning of a Star, El Juicio and Birth. These albums marked the emergence of what would later be called Jarrett's "American quartet."
Playing is a live album by American jazz quartet Old and New Dreams recorded at the Cornmarket Theater in Austria and released on ECM the following year. The quartet consists brass section Don Cherry and Dewey Redman and rhythm section Charlie Haden and Ed Blackwell.
Mysteries: The Impulse Years 1975-1976 is a four CD collection of the Keith Jarrett albums Mysteries, Shades, Byablue and Bop-Be. The set was released in 1996 by Impulse! Records and in 1997 by Aris / MCA. Previously unreleased alternate takes are present on each disc.
Closeness is an album of four duets by bassist Charlie Haden recorded in 1976 and released on the Horizon label. Haden’s duet partners are pianist Keith Jarrett, alto saxophonist Ornette Coleman, harpist Alice Coltrane and drummer Paul Motian.
The Belgrade Concert is a live album by Ornette Coleman. It was recorded in November 1971 in Belgrade, and was released by Jazz Door in 1995. On the album, which was recorded one day after the concert documented on Live in Paris 1971, Coleman is joined by saxophonist Dewey Redman, bassist Charlie Haden, and drummer Ed Blackwell.