Sharon Lowen is an American Odissi dancer, trained since 1975 by Guru Kelucharan Mohapatra. She has performed and choreographed for film and television and presented hundreds of concerts throughout India, North America, Asia, Africa, the United Kingdom. and the Middle East. [1] [2] Sharon came to India in 1973 after earning degrees in Humanities, Fine Arts, Asian Studies and Dance from the University of Michigan as a Fulbright Scholar to study Manipuri and later Chhau and Odissi. [3] [4]
Sharon Lowen grew up in Detroit, United States, where her father was a chemical engineer and her mother a clinical psychologist. [5] She trained in modern dance, Cecchetti ballet and classes at the Detroit Institute of Arts in puppetry, mime and theater since childhood, was a member of the Detroit Puppetry Guild, Puppeteers of America and UNIMA, performed with George Latshaw's puppets for the Detroit and Cleveland symphony orchestras and Jim Henson offered her an apprenticeship with the Muppets which was declined to accept a Fulbright scholarship to India. [6] [7]
Following her bachelor's degree in Humanities, Fine Arts, Asian Studies and an M.A. in Education and Dance, Lowen arrived in India on a Fulbright scholarship in 1973 to continue Manipuri dance with Guru Singhajit Singh at Triveni Kala Sangam, New Delhi. With extension and renewal of the Fulbright to 1975, she also trained in Mayurbhanj Chhau under Guru Krushna Chandra Naik, Odissi under Guru Kelucharan Mohapatra, Manipuri Pala Cholam under Guru Thangjam Chaoba Singh and Manipuri Maibi Jagoi under Gurus Ranjana Maibi, Kumar Maibi and R.K. Achoubi Sana Singh. [7] [8]
She has lived and worked in India ever since, achieving success as a foreign-born expert performer and choreographer of classical Indian dance. Throughout her career, she has periodically returned to the United States, performing classical Indian dance recitals around the country during these visits. [9]
She portrayed herself in Indian Cinema, in an award-winning Telugu film Swarnakamalam, to inspire the heroine to value her own classical dance tradition. The film was directed by Dr.K.Viswanath. In the film she performs an Odissi dance and mesmerizes the audience of the film. [10]
From Kashmir to Kanyakumari, Sharon has performed her own choreographies in Sanskrit, Odia, Telugu, Bengali, Malayalam, Tamil, Hindi, Kashmiri, Dogra, [11] alongside her own guru's compositions, including festivals at Khajuraho; Sankat Morchan Hanuman Jayanti, Varanasi; JNU Academy, Imphal; Kottakal Temple Festival; Bharat Bhavan, Bhopal; Kerala Kalamandalam Diamond Jubilee; Chaitra Parva Festival, Seraikella, Bihar; SNA Odissi Festival, Bhubaneswar; Chidambaram; Konarak; Trivandrum, Simla; Brihadeshwari Temple, Thanjavur.
Across the globe she has performed concerts, lecture-demonstrations and school performances in the United States, Canada, Mexico, England, Brazil, Japan, Kuwait, Dubai, South Africa, Malaysia, Singapore, Pakistan, Bangladesh, Lithuania, Slovak Republic, Ukraine, and Poland.
In the 90s, Sharon organised six annual Videshi Kalakaar Utsav festivals and Art Without Frontiers seminars supported by the Delhi Sahitya Kala Parishad. She is acknowledged with transforming the recognition of foreigners as classical Indian dance and music performing artists, rather than simply students for the following generations of international artists.
She has choreographed and directed 10 annual Shiv Vivaha Shivratri productions at Khajuraho in various classical dance genres and mime actors, along with Kamalini Dutt and Naresh Kapuria, inspired by the Lalit Suri Hospitality Group chaired by Dr Jyotsna Suri.
Blessed with unerring musicality and keenly deployed technique, Lowen can mesmerize with hands that drift and carve the air like rising smoke. But perhaps the strongest weapon in her arsenal is her eyes, which mirror the soul with convincing depth and grace. In passages of expressive mime, a parade of moods took their turn illuminating her from within, whether she was swooning with the desire of Radha for Krishna or becoming a fearsome warrior incarnation of Vishnu.
—Dance Critic Jennifer Fisher,
on Lowen's 1996 Odissi Performance at Occidental College [12]
Lowen was instrumental in setting up the School of Visual and Performing Arts and Communication at Central University, Hyderabad; served as a member of the USIEF (then USEFI) board from 2003 to 2007.
She is committed to arts education and social upliftment expressed through choreography projects, benefit concerts and consultations for Deepalaya, Akshaypratisthan, Palna, Delhi Police School, and other government and private schools in New Delhi.
She founded the NGO Manasa-Art Without Frontiers with Kamalini Dutt and Naresh Kapuria to conduct, seminars, festivals, lecture demonstrations, classes and performances across artistic disciplines and communities.
Her Odissi guru, Padma Vibhushan Guru Kelucharan Mohapatra said of Sharon Lowen in 1986, after accompanying her 22 performance Festival of India-USA tour, “She is now one of my five best disciples who I can unhesitatingly recommend to represent the Odissi dance form anywhere in the world. Sharon has mastered the tradition.”
Sharon had the privilege to study with Guru Kelucharan Mohapatra from 1975, and having him present her Odissi and Manipuri performance in Orissa in 1976. He has accompanied her on pakawaj for performances around India and on tour in the U.S. during the Festival of India-U.S.A., and they performed together at the Metropolitan Museum in New York City.
Training in Mayurbhanj Chhau from 1975 under Guru Krushna Chandra Naik led him to present her in Baripada in 1976 to demonstrate that a woman could perform this traditionally all-male genre and lead to training of women in Mayurbhanj district today. She is the first woman soloist of a previously all-male form, responsible for introducing Mayurbhanj Chhau to the United States at the 1978 Asian Dance Festival in Hawaii and later at the Olympic Arts Festival of Masks in Los Angeles and is singularly responsible for getting Chhau presented on Doordarshan's National Broadcasts. [13]
Her training from 1981 with Guru Kedarnath Sahoo led to the guru including her solo performances during Chaitra Parva, the International Classical Indian Dance and Theatre Festival in Calcutta. Beyond her personal performances internationally and throughout India, Sharon collaborated with Gopal Dubey to create two Chhau ballets combining Mayurbhanj and Seraikella Chhau for Doordarshan National Programs of Dance. Her numerous national television programs from Doordarshan Central Production Centre set new standards of excellence starting with their inaugural program Triveni and later Panch Nayikas of Kalidas.
Sharon Lowen has had an immense impact on Chhau and has promoted its inclusion in arts education, both at national and international levels. [14] [15] Sharon Lowen has been responsible in making Chhau popular in the West, which is making a difference in the awareness of the local history in the regions of Seraikela. [16] [17]
From 1969 to 1972, prior to coming to India, Sharon learned Manipuri from Shrimati Minati Roy and also performed and taught Manipuri for the Indian community and university functions in Ann Arbor.
She taught dance in University of Michigan as visiting professor 1975 and had more than 200 lectures and demonstrations to her credit. [18]
Sharon’s main study of Manipur was with Guru Singhajit Singh between 1973-82, and briefly in 1989. She also had the opportunity to study Maibi Jagoi with Late Ranjani Maini, in Manipur in 1974 and 1976.
Sharon had the pleasure of studying under Late Guru Thangjam Chaoba Singh, teacher and choreographer in 1974 and 1976 when he organized her performance of Kartal Cholom at the Academy to demonstrate the possibility of adding Cholom to the curriculum for female students.
“Sharon has a mature technique and a fine understanding of the sort of physical and emotional restraint that characterizes Manipuri.” - Shanta Serbjeet Singh [19]
Kelucharan Mohapatra was a legendary Indian classical dancer, guru, and exponent of Odissi dance, who is credited with the revival and popularizing of this classical dance form in the 20th century. He is the first person to receive the Padma Vibhushan from Odisha.
Indian classical dance, or Shastriya Nritya, is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance, the theory and practice of which can be traced to the Sanskrit text Natya Shastra. The number of Indian classical dance styles ranges from eight to twelve, or more, depending on the source and scholar; the main organisation for Indian arts preservation, the Sangeet Natak Academy, recognizes eight – Bharatanatyam, Kathak, Kuchipudi, Odissi, Kathakali, Sattriya, Manipuri and Mohiniyattam. Additionally, the Indian Ministry of Culture includes Chhau in its list, recognising nine total styles. Scholars such as Drid Williams add Chhau, Yakshagana and Bhagavata Mela to the list. Each dance tradition originates and comes from a different state and/or region of India; for example, Bharatanatyam is from Tamil Nadu in the south of India, Odissi is from the east coast state of Odisha, and Manipuri is from the northeastern state of Manipur. The music associated with these different dance performances consists many compositions in Hindi, Malayalam, Meitei (Manipuri), Sanskrit, Tamil, Odia, Telugu, and many other Indian-Subcontinent languages; they represent a unity of core ideas, and a diversity of styles, costumes and expression.
Protima Gauri Bedi (12 October 1948 – 18 August 1998) was an Indian model turned Odissi exponent. In 1990, she established Nrityagram, a dance school in Bangalore.
Chhau dance, also spelled Chhou dance, is a semi classical Indian dance with martial and folk traditions. It is found in three styles named after the location where they are performed, i.e. the Purulia Chhau of West Bengal, the Seraikella Chhau of Jharkhand and the Mayurbhanj Chhau of Odisha.
The Manipuri Dance, also referred to as the ManipuriRaas Leela, is a jagoi and is one of the eight major Indian classical dance forms, originating from the state of Manipur. The dance form is imbued with the devotional themes of Madhura Raas of Radha-Krishna and characterised by gentle eyes and soft peaceful body movements. The facial expressions are peaceful mostly expressing Bhakti Rasa or the emotion of devotion, no matter if a dancer is Hindu or not. The dance form is based on Hindu scriptures of Vaishnavism and is exclusively attached to the worship of Radha and Krishna. It is a portrayal of the dance of divine love of Lord Krishna with goddess Radha and the cowherd damsels of Vrindavan, famously known as the Raas Leela.
Sanjukta Panigrahi was a dancer from India, who was the foremost exponent of Indian classical dance Odissi. Sanjukta was the first Odia woman to embrace this ancient classical dance at an early age and ensure its grand revival.
Sonal Mansingh is an Indian classical dancer and Guru in Bharatanatyam and Odissi dancing style. She has been nominated by the President of India to become a Member of Parliament, Rajya Sabha. She is the youngest recipient of Padma Bhushan in 1992 and Padma Vibhushan in 2003.
Swarnakamalam is a 1988 Indian Telugu-language dance film written and directed by K. Viswanath. The film stars Venkatesh and Bhanupriya in the lead, while Sharon Lowen appears in a special role. The choreography is helmed by Kelucharan Mohapatra, and Sharon Lowen with soundtrack by Ilaiyaraaja. The song sequences were extensively shot at the Valley of Flowers National Park, the Nanda Devi National Park, the Shanti Stupa and Bhringesvara Siva Temple at Dhauli; and other locations in Visakhapatnam.
Darshana Jhaveri, the youngest of the four Jhaveri sisters, is a leading Indian exponent of Manipuri dance, an Indian classical dance form. She is a disciple of Guru Bipin Singh, and started performing on stage in 1958 along with her sisters. She is one of the founders of the Manipuri Nartanalaya in 1972, which popularized Manipuri dance in India, and is currently headed by her, with centres at Mumbai, Kolkata and Imphal.
Shriram Bharatiya Kala Kendra (SBKK) is an Indian cultural institution which runs a school for music, dance and performing arts in New Delhi. It was founded by Sumitra Charat Ram in 1952, and imparts training in Indian classical dance styles and music, including Kathak, Bharatanatyam, Odissi, Chhau, Hindustani Classical music, both Vocal and Instrumental. Its associated organisation is the Shri Ram Centre for Performing Arts at Safdar Hasmi Marg, in the Mandi House area, the cultural hub of Delhi, the centre includes a theater for the performing arts, a theatre repertory company and an acting school.
Masako Ono is a Japanese Odissi dancer. She has lived in India since 1996.
Sujata Mohapatra is an Indian classical dancer and teacher of Odissi dancing style.
Madhavi Mudgal is an Indian classical dancer known for her Odissi dance style. She has won several awards, including the Sanskriti Award, 1984, President of India's award of Padma Shri, 1990, the Orissa State Sangeet Natak Akademi Award, 1996, Grande Medaille de la Ville by Govt. of France, 1997, Central Sangeet Natak Akademi Award, 2000, Delhi State Parishad Samman, 2002 and the title of Nritya Choodamani in 2004.
Ileana Citaristi is an Italian Odissi and Chhau dancer, and dance instructor based in Bhubaneswar, India. She was awarded the 43rd National Film Awards for Best Choreography for Yugant in 1995 and became, in 2006, the first dancer of foreign origin to be conferred the Padma Shri for her contributions to Odissi.
Sharmila Biswas is a noted Indian classical dancer and choreographer in the Odissi, and a disciple of guru Kelucharan Mohapatra. In 1995, she established Odissi Vision and Movement Center in Kolkata, where she is the Artistic Director, the centre also has OVM Repertory.
Kasturi Pattanaik is a pioneering Odissi dance exponent, performer, choreographer, teacher, trainer and music composer from India.
Reela Hota is an Odissi dance performer, educator and producer, who has several performances to her credit. Daughter of Yoga Guru, Bijoylaxmi Hota and former bureaucrat Purna Chandra Hota, Reela was exposed to dance, yoga & ashram life since childhood. Having trained under the 3 doyens of Odissi dance, Guru Gangadhar Pradhan, Srimati Madhavi Mudgal and Guru Kelucharan Mohapatra, she inculcated perfect rhythm, sophistication, grace and presentation skills. A trend setter, Reela Hota pioneered in making Indian spiritual philosophy such as Yoga, Kundalini and Sanskrit the theme of her performances and is credited for adding a new dimension to Odissi Dance - the spiritual aspect.
Sharmila Mukerjee is an Odissi Dancer and Choreographer, a disciple of Guru Kelucharan Mohapatra. She is the founder and artistic director of Sanjali Centre for Odissi Dance, Bangalore which was established in 2004. She is the recipient of the Mahari Award.
Laxmipriya Mohapatra was an Indian classical dancer, performing Odissi dance on stage and in films. Along with her husband, Kelucharan Mohapatra, she is credited with reviving Odissi dance in India, in the 1940s and 50s.
Shubhada Varadkar is an Odissi exponent, author and practitioner of Indian classical dance. She is an ‘A’ grade National artist for Doordarshan. She has received the Maharashtra State Cultural Award 2019–20. For the first time created a collaboration called Flamencodissi, production of Odissi and Flameco in 2019. She presented Geet Govind verses in 1995
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