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Shot-for-shot (or shot-for-shot adaptation, shot-for-shot remake) is a way to describe a visual work that is transferred almost completely identically from the original work without much interpretation.
In the film industry, most screenplays are adapted into a storyboard by the director and/or storyboard artists to visually represent the director's vision for each shot, so that the crew can understand what is being aimed for.
Many Japanese anime series that are based on a preceding manga series strive to adapt the story without many changes. One example of this is Monster , which besides adding animation, music and shuffling around some scenes, is a perfect recreation of the source material. If the anime and manga are being produced concurrently, however, and should the anime overtake the release of new source material, the producers might then be forced to create their own new ending to the story, go on hiatus, or create a "filler arc" with an original story arc that non-canonically continues the story until more material has been created.
Some films are remade in an almost identical "frame-to-frame" fashion.
In the early days of sound film, it was common for Hollywood studios to produce foreign language versions of their films using the same sets and costumes but a different set of actors as the original. Although a different director would be brought in for the foreign-language version, they would have access to the daily footage from the English language production and would often use the same shots and camera setups. Often the result would be similar to a 'shot-to-shot' remake, although in some notable examples (such as Dracula (1931 Spanish-language film)), the alternate director exercised more creative freedom.
Some directors pay tribute/homage to other works by including scenes that are identical.
Many comedy works that rely heavily on parody use shot-for-shot as a substance of humor.
Scooby-Doo is an American media franchise owned by Warner Bros. Entertainment and created in 1969 by writers Joe Ruby and Ken Spears through their animated series, Scooby-Doo, Where Are You!, for Hanna-Barbera. The series features four teenagers: Fred Jones, Daphne Blake, Velma Dinkley, and Shaggy Rogers, and their talking Great Dane named Scooby-Doo, who solve mysteries involving supposedly supernatural creatures through a series of antics and missteps, while traveling using a brightly colored van called the "Mystery Machine". The franchise has several live-action films and shows.
A storyboard is a graphic organizer that consists of illustrations or images displayed in sequence for the purpose of pre-visualizing a motion picture, animation, motion graphic or interactive media sequence. The storyboarding process, in the form it is known today, was developed at Walt Disney Productions during the early 1930s, after several years of similar processes being in use at Walt Disney and other animation studios.
Modern animation in the United States from the late 1980s to 2004 is frequently referred to as the renaissance age of American animation. During this period, many large American entertainment companies reformed and reinvigorated their animation departments, following the dark age, and the United States had an influence on global and worldwide animation.
The Maxx is an American comic book series created by Sam Kieth in 1993 and originally published monthly until 1998 by Image Comics for 35 issues, before being collected in trade paperback by DC Comics' Wildstorm imprint. The first appearance of the character was in Darker Image #1 by Image Comics in March 1993. The comic book, starring an eponymous purple-skinned hero, spawned a 13-episode animated series on MTV that originally aired April–June 1995. Starting in November 2013 and ending in September 2016, the original series has been republished by IDW as The Maxx: Maxximized with new colors and improved scans of the original artwork by Sam Kieth and Jim Sinclair. In 2018, the Maxx featured in a five-issue crossover series with Batman, published by IDW.
Traditional animation is an animation technique in which each frame is drawn by hand. The technique was the dominant form of animation, until the final few years of the 20th century, when there was a shift to computer animation in the industry, specifically 3D computer animation.
Tom and Jerry is an American animated media franchise and series of comedy short films created in 1940 by William Hanna and Joseph Barbera. Best known for its 161 theatrical short films by Metro-Goldwyn-Mayer, the series centers on the rivalry between the titular characters of a cat named Tom and a mouse named Jerry. Many shorts also feature several recurring characters.
The Ruff and Reddy Show is an American animated television series produced by H-B Enterprises for NBC. It is one of the earliest Saturday-morning cartoons, and the first series made by Hanna-Barbera. The series follows the adventures of Ruff and Reddy. It was presented by Screen Gems, the television arm of Columbia Pictures. It premiered in December 1957 and ran for 156 episodes until April 1960, comprising three seasons total. It was repeated on NBC Saturday mornings from 1962 to 1963. In the late 1950s, it was sponsored by Post Consumer Brands.
Daniel Campbell Gordon was an American storyboard artist and film director who was best known for his work at Famous Studios and Hanna-Barbera Productions. Gordon was one of the first famous film directors. He wrote and directed several Popeye the Sailor and Superman cartoons. Later in his career, he worked on several cartoons featuring Yogi Bear, Huckleberry Hound, and many others. His younger brother, George Gordon, also worked for Hanna-Barbera.
Space Ghost is an American Saturday morning superhero animated television series produced by Hanna-Barbera Productions, first broadcast on CBS from September 10, 1966, to September 16, 1967, and continued reruns until September 7, 1968. The series was composed of two unrelated segments, Space Ghost and Dino Boy in the Lost Valley. The series was created by Alex Toth and produced and directed by William Hanna and Joseph Barbera. Sometimes, it is alternatively called Space Ghost & Dino Boy to acknowledge the presence of both shows.
Frankenstein Jr. and The Impossibles is an American animated television series produced by Hanna-Barbera Productions. It premiered on September 10, 1966 on CBS, and ran for two seasons on Saturday mornings.
David Feiss is an American animator, storyboard artist, screenwriter, and director. Feiss began his career working for Hanna-Barbera in the late 1970s. He received his first credit for the 1981 adult animated film Heavy Metal. He gained notoriety throughout the late 1980s and 1990s as an animator for Jetsons: The Movie, Once Upon a Forest, The Town Santa Forgot and The Ren & Stimpy Show, among others.
An animation studio is a company producing animated media. The broadest such companies conceive of products to produce, own the physical equipment for production, employ operators for that equipment, and hold a major stake in the sales or rentals of the media produced. They also own rights over merchandising and creative rights for characters created/held by the company, much like authors holding copyrights. In some early cases, they also held patent rights over methods of animation used in certain studios that were used for boosting productivity. Overall, they are business concerns and can function as such in legal terms.
Twelve Angry Men is an American courtroom drama written by Reginald Rose concerning the jury of a homicide trial. It was broadcast initially as a television play in 1954. The following year it was adapted for the stage. It was adapted for a film of the same name, directed by Sidney Lumet, and released in 1957. Since then it has been given numerous remakes, adaptations, and tributes.
A motion comic is a form of animation combining elements of print comic books and animation. Individual panels are expanded into a full shot while sound effects, voice acting, and animation are added to the original artwork. Text boxes, speech bubbles and the onomatopoeia are typically removed to feature more of the original artwork being animated. Motion comics are often released as short serials covering a story arc of a long running series or animating a single release of a graphic novel. Single release issues of a story arc are converted into ten- to twenty-minute-long episodes depending on content.
Yogi Bear is an anthropomorphic animal character who has appeared in numerous comic books, animated television shows, and films. He made his debut in 1958 as a supporting character in The Huckleberry Hound Show.
Greg Miller is an American animator, cartoonist, writer, storyboard artist, and composer. His art style is based on the animation style of Schoolhouse Rock!, which was used in his own television series, Whatever Happened to... Robot Jones?, airing on Cartoon Network from 2002 to 2003 and his short film, The Wizzard of Krudd, a canceled Nickelodeon short featuring the voice of Devon Werkheiser as the protagonist. He worked on the production of Shrek the Third and Monsters vs. Aliens as the additional storyboard artist. His recent credits include being a storyboard artist, writer, animator and character designer on Secret Mountain Fort Awesome, Gravity Falls and Uncle Grandpa.
Events in 1961 in animation.
DreamWorks Animation's Shrek franchise, based on William Steig's book of the same name, has an underground Internet fandom that started around 2009.
Shrek Retold is a fan-made reanimated collab film based on the 2001 film Shrek, in turn based on the book by William Steig. Released on November 29, 2018, to YouTube, the project was led by YouTuber Grant Duffrin.
A reanimated collaboration is a type of collaborative fan-made animation project wherein each animator recreates one shot of an existing film in their own style. The individual works are then stitched into the original order and published on the internet as a completed collaboration, creating a collaborative tribute to the original film. This differs from a shot-for-shot recreation, as the goal of a reanimate is to display each of the independent animators' unique stylings rather than to produce a unified or identical result. Multiple collaborations focus on media made a decade or more prior that receives renewed interest due to internet memes, nostalgia, or the death of a voice actor. As they are often non-profit tributes to an existing work, animators expect to receive little or no profit.
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