| "Sister Golden Hair" | ||||
|---|---|---|---|---|
 | ||||
| Single by America | ||||
| from the album Hearts | ||||
| B-side | "Midnight" | |||
| Released | March 19, 1975 | |||
| Recorded | 1975 | |||
| Genre | ||||
| Length | 3:16 | |||
| Label | Warner Bros. 8086 | |||
| Songwriter(s) | Gerry Beckley | |||
| Producer(s) | George Martin | |||
| America singles chronology | ||||
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"Sister Golden Hair" is a song by the band America from their fifth album Hearts (1975), written by Gerry Beckley. It was their second single to reach number one on the U.S. Billboard Hot 100, remaining in the top position for one week. [5]
Beckley says "There was no actual Sister Gold Hair." [6] The lyrics were largely inspired by the works of Jackson Browne. Beckley commented, "[Jackson Browne] has a knack, an ability to put words to music, that is much more like the L.A. approach to just genuine observation as opposed to simplifying it down to its bare essentials... I find Jackson can depress me a little bit, but only through his honesty; and it was that style of his which led to a song of mine, 'Sister Golden Hair', which is probably the more L.A. of my lyrics." [7] Beckley adds that "Sister Golden Hair" "was one of the first times I used 'ain't' in a song, but I wasn't making an effort to. I was just putting myself in that frame of mind and I got those kind of lyrics out of it." [7]
Record World said it is "the story of a guy who's found love at last but doesn't necessarily want to marry her." [8]
Gerry Beckley said he played the 12-string guitar, and overdubbed the prominent slide guitar. "I had a lovely lap steel that David Lindley had picked out." [6]
The music video for the song features the band performing the song on The Midnight Special , a popular musical television show. However this is not an official video, just the studio track overdubbed over the live performance.[ citation needed ]
Weekly charts
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America are a British-American rock band formed in London in 1970 by US artists Dewey Bunnell, Dan Peek, and Gerry Beckley. The trio met as sons of US Air Force personnel stationed in London, where they began performing live. Achieving significant popularity in the 1970s, the trio was famous for its close vocal harmonies and light acoustic folk rock sound. The band released a string of hit albums and singles, many of which found airplay on pop/soft rock stations.
"Woodstock" is a song written by Canadian-American singer-songwriter Joni Mitchell. At least four notable versions of the song were released in the same year, 1970. Mitchell's own version was first performed live in 1969 and appeared in April 1970 on her album Ladies of the Canyon and as the B-side to her single "Big Yellow Taxi". This publication was preceded by Crosby, Stills, Nash & Young's cover version, which appeared on their March 1970 album Déjà Vu and became a staple of classic rock radio and the best-known version in the United States. A third version, by the British band Matthews Southern Comfort became the best known version in the United Kingdom, and was the highest charting version of the song, reaching the top of the UK singles chart in 1970. A fourth version by studio project The Assembled Multitude also became a chart hit.
"December, 1963 " is a song originally performed by the Four Seasons, written by original Four Seasons keyboard player Bob Gaudio and his future wife Judy Parker, produced by Gaudio, and included on the group's album Who Loves You (1975).
"A Horse with No Name" is a song by American folk rock trio America. Written by Dewey Bunnell, it was released on the Warner Bros. label, in late 1971 in Europe and early 1972 in the United States. The song was met with commercial success and topped charts in Canada, Finland, and the United States. It was certified gold by the Recording Industry Association of America (RIAA) on March 24, 1972. The song was quickly added to a rerelease of the bands' debut studio album, America. The song is a staple of the group's discography and one of their most popular.
"I'm Easy" is an Academy Award-winning song written and performed by Keith Carradine for the 1975 movie Nashville. Carradine recorded a slightly faster version that became a popular music hit in 1976 in the United States.
"Magic" is a 1974 song by Scottish pop rock band Pilot, and was the first hit single for the group. It was written by band members David Paton and Billy Lyall for their debut album, From the Album of the Same Name.
"Someone Saved My Life Tonight" is a song, with music by English musician Elton John and lyrics by Bernie Taupin, from John's 1975 album Captain Fantastic and the Brown Dirt Cowboy. It was released as a single on 23 June 1975, the only single released from the album. Like the rest of the album, the song is autobiographical, and addresses an attempted suicide by John.
"Laughter in the Rain" is a song composed and recorded by Neil Sedaka, with lyrics by Phil Cody. It includes a 20-second saxophone solo by Jim Horn. The song hit No. 1 on the Billboard Hot 100 in February 1975.
"Tonight's the Night (Gonna Be Alright)" is a song written by Rod Stewart, and recorded at Muscle Shoals Sound Studio in Sheffield, Alabama for his 1976 album A Night on the Town. The song, controversial at the time of release, proved to be a massive commercial success and became his second US chart topper on the Billboard Hot 100. It made its debut at number 81 on 2 October 1976 and rose quickly, climbing from number eight to the top of the chart on 13 November 1976, and remained on top for eight consecutive weeks until 8 January 1977. It was the longest stay of any song during 1976, the longest run at the top for a single in the US in over eight years (since the Beatles’ "Hey Jude" in November 1968), and the longest stay at number one for Rod Stewart in his entire recording career, and the final number one of the US Bicentennial year. The song also peaked at No. 5 in the UK, No. 1 for six weeks in Canada, No. 3 in Australia and charted well in other parts of the world. It was the number 1 song on both Billboard's 1977 year-end chart and the year-end Canadian singles chart. It became the best-selling single of 1977 in the United States. As of 2018, it is the 19th-most popular song in the history of the chart.
"I Can't Go for That (No Can Do)" is a song by American duo Hall & Oates. Written by Daryl Hall, John Oates and Sara Allen, the song was released as the second single from their tenth studio album, Private Eyes (1981). The song became the fourth number one hit single of their career on the Billboard Hot 100. It features Charles DeChant on saxophone.
"When I Need You" is a popular song written by Albert Hammond and Carole Bayer Sager. Its first appearance was as the title track of Hammond's 1976 album When I Need You. Leo Sayer's version, produced by Richard Perry, was a massive hit worldwide, reaching number 1 on the UK Singles Chart for three weeks in February 1977 after three of his earlier singles had stalled at number 2. It also reached number 1 on both the Billboard Hot 100 for a single week in May 1977; and the Hot Adult Contemporary Tracks. Billboard ranked it as the No. 24 song of 1977. Sayer performed it on the second show of the third season of The Muppet Show.
"Don't Let the Sun Go Down on Me" is a song written by English musician Elton John and songwriter Bernie Taupin. It was originally recorded by John for his eighth studio album, Caribou (1974), and was released as a single that peaked at number two on the Billboard Hot 100 chart, and reached number 16 on the UK Singles Chart.
"(Your Love Keeps Lifting Me) Higher and Higher" is an R&B song written by Gary Jackson, Raynard Miner, and Carl Smith. It was recorded by Jackie Wilson for his album Higher and Higher (1967), produced by Carl Davis, and became a Top 10 pop and number one R&B hit.
"Go Away Little Girl" is a popular song written by Gerry Goffin and Carole King. It was first recorded by Bobby Vee for Liberty Records on March 28, 1962. The lyrics consist of a young man asking a young attractive woman to stay away from him, so that he will not be tempted to betray his steady girlfriend by kissing her. The song is notable for making the American Top 20 three times: for Steve Lawrence in 1963, for The Happenings in 1966, and for Donny Osmond in 1971. It is also the first song, and one of only nine, to reach US number 1 by two different artists. Also notable in each of the solo versions is the similar double-tracked treatment of the singer's voice.
"Muskrat Love" is a soft rock song written by Willis Alan Ramsey. The song depicts a romantic liaison between two anthropomorphic muskrats named Susie and Sam. It was first recorded in 1972 by Ramsey for his sole album release Willis Alan Ramsey. The song was originally titled "Muskrat Candlelight" referencing the song's opening lyric.
"Baby, I Love Your Way" is a song written and performed by English singer Peter Frampton, released as a single in September 1975. It first featured on Frampton's 1975 album, Frampton, where it segues from the previous track "Nassau".
"Ventura Highway" is a 1972 song by the band America from their album Homecoming, written by Dewey Bunnell.
"Tin Man" is a 1974 song by the pop rock band America. It was written by band member Dewey Bunnell and produced by George Martin, who also plays the piano part on the recorded version. The song was included on the band's album Holiday, also from 1974.
"I Need You" is the second single by the band America from their eponymous debut album America, released in 1972. The song was written by Gerry Beckley.
"Daisy Jane" is a song written by Gerry Beckley of the group America included on the 1975 America album Hearts. Issued as that album's second single — following up the #1 hit "Sister Golden Hair" — "Daisy Jane" reached #20 on the Billboard Hot 100, becoming the final Top 20 hit by the original three-member incarnation of America. On the Easy Listening chart the track reached #4. In Canada, the chart peak of "Daisy Jane" was #16 on the Pop singles chart and #2 on the Adult Contemporary chart.
The achingly gorgeous and stunningly poignant soft-rock staple from the misleadingly named U.K.-formed '70s trio.
That worked out nicely for America, since that gooey country-rock sound was absolutely blowing up in 1975. Once again, America found a wave to ride.
