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Socrates | |
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Directed by | Roberto Rossellini |
Written by | Jean-Dominique de La Rochefoucauld Marcella Mariani Renzo Rossellini Roberto Rossellini |
Screenplay by | Roberto Rossellini, Marcella Mariani |
Produced by | Renzo Rossellini |
Cinematography | Jorge H. Martín |
Edited by | Alfredo Muschietti |
Music by | Mario Nascimbene |
Production company | Orizzonte 2000, RAI |
Running time | 120 minutes |
Countries | Spain, Italy, France |
Language | Italian |
Socrates is a 1971 Spanish-Italian-French television film directed by Roberto Rossellini. The film is an adaptation of several Plato dialogues, including The Apology, Euthyphro, Crito, and Phaedo.
The film tells the personal and historical events of the last period of the life of Socrates, the famous Athenian philosopher. The historical background is the period of the decay of the Greek Polis and of the democracy of Athens: the opening scene shows the demolition of the city walls by the Spartans, now victors of the Peloponnesian War, with the subsequent establishment of the Government of the Thirty Tyrants (404 BC).
The city is in turmoil for the defeat and humiliation suffered, as well as for the organization of military counter-moves for the liberation (which will lead to the fall of the Thirty the year following the establishment of the Regime). In this context it is introduced the character of Socrates, now seventy years old and engaged every day in his philosophical research with a large following of young people.
During the film many excerpts from some of Plato's famous Dialogues are presented, including Hippias major, Euthyphron, Republic, Crito, Socrates' Apology and Phaedo. There are also some explicit quotations, by a detractor of Socrates, of The Clouds, the comedy of Aristophanes in which the philosopher is described as a scoundrel, expert in sophisms and rhetoric, able to always make the unjust cause just.
These references contribute to outline the thought and philosophy of Socrates: the awareness of one's ignorance as a necessary prerequisite for the search for truth; the Socratic method that uses dialogue as a means for philosophical investigation; irony and maieutics as moments of the dialogue itself; the importance of virtue in achieving happiness; contempt for money, power and other material values; the opposition to the Sophists and their abuse of rhetoric as an instrument to flaunt a false wisdom; the criticism of the validity of the writings.
In the background is the reconstruction of his family and economic situation: the philosopher lives in poverty with his three children and his wife, Xanthippe, a shrewish woman with hysterical attitudes, continually critical of her husband. who does not provide for the maintenance of the family and the house, intent only on his philosophical investigation which she considered a useless waste of time.
The aforementioned historical and political events, however, determine the decay of democracy in Athens even after the expulsion of the Thirty Tyrants. The Athenians, upset by the events, are less and less democratic, mentally open and tolerant with those who show themselves critical in comparisons of official culture and traditional values. Socrates pays the highest price for this climate of tension and insecurity, as he is unjustly accused and condemned for having, according to the accuser Meletus, corrupted the youth with his "teachings" and despised the gods and the traditional religion of Athens.
The defense of Socrates, presented as in the "Apology" written by Plato, is clear, linear and calm, but it is not enough to avoid capital punishment in the form of suicide. He himself rejects any other type of sentence (such as prison, exile or the payment of a fine), provocatively proposing, as a just "punishment", to be hosted at the Prytaneion as a worthy citizen, and accepting the verdict of his judges. He also refuses the possibility offered to him by his friends to escape from prison before the execution of the sentence, faithful to his philosophical convictions whose pillars are justice and unconditional respect for the laws.
The film ends with the suicide of the philosopher, who is forced to drink a poison obtained from hemlock and who, until his last breath, does not stop reasoning and talking with his friends about life, death and the immortality of the soul.
Rossellini wanted to make a film on Socrates many years before starting production. He would joke that like the Athenian philosopher he failed to make money. Location shooting could not take place in Greece because of the dictatorship so the movie was filmed in Patones Arriba, a town in Spain that was dressed up to look like Athens. Most of the script is lifted directly from de la Rochefoucauld's translations of Plato dialogues, particularly the Apology. Christian symbolism is also used heavily in this film. Socrates refers to his followers as his "disciples" and they all drink from a chalice in a scene heavy with symbolism. [1]
The Trial of Socrates was held to determine the philosopher's guilt of two charges: asebeia (impiety) against the pantheon of Athens, and corruption of the youth of the city-state; the accusers cited two impious acts by Socrates: "failing to acknowledge the gods that the city acknowledges" and "introducing new deities".
Anytus, son of Anthemion of the deme Euonymon, was a politician in Classical Athens. Anytus served as a general in the Peloponnesian War of 431 to 404 BCE, and later became a leading supporter of the democratic forces opposed to the Thirty Tyrants who ruled Athens from 404 to 403 BCE. He is best remembered as one of the prosecutors of the philosopher Socrates in 399 BCE; probably because of that role, Plato depicted Anytus as an interlocutor in the dialogue Meno.
Euthyphro, by Plato, is a Socratic dialogue whose events occur in the weeks before the trial of Socrates, between Socrates and Euthyphro. The dialogue covers subjects such as the meaning of piety and justice. As is common with Plato's earliest dialogues, it ends in aporia.
Crito is a dialogue that was written by the ancient Greek philosopher Plato. It depicts a conversation between Socrates and his wealthy friend Crito of Alopece regarding justice (δικαιοσύνη), injustice (ἀδικία), and the appropriate response to injustice after Socrates's imprisonment, which is chronicled in the Apology.
The Apology of Socrates, written by Plato, is a Socratic dialogue of the speech of legal self-defence which Socrates spoke at his trial for impiety and corruption in 399 BC.
Socratic dialogue is a genre of literary prose developed in Greece at the turn of the fourth century BC. The earliest ones are preserved in the works of Plato and Xenophon and all involve Socrates as the protagonist. These dialogues, and subsequent ones in the genre, present a discussion of moral and philosophical problems between two or more individuals illustrating the application of the Socratic method. The dialogues may be either dramatic or narrative. While Socrates is often the main participant, his presence in the dialogue is not essential to the genre.
Phædo or Phaedo, also known to ancient readers as On The Soul, is one of the best-known dialogues of Plato's middle period, along with the Republic and the Symposium. The philosophical subject of the dialogue is the immortality of the soul. It is set in the last hours prior to the death of Socrates, and is Plato's fourth and last dialogue to detail the philosopher's final days, following Euthyphro, Apology, and Crito.
The Apology of Socrates to the Jury, by Xenophon of Athens, is a Socratic dialogue about the legal defence that the philosopher Socrates presented at his trial for the moral corruption of Athenian youth; and for asebeia (impiety) against the pantheon of Athens; judged guilty, Socrates was sentenced to death.
Meletus, a citizen of Athens in the Classical Era, came from the Pithus deme and has become known for his prosecuting role in the trial - and eventual execution - of the philosopher Socrates in 399 BCE.
Sophroniscus, husband of Phaenarete, was the father of the philosopher Socrates.
Phaedo of Elis was a Greek philosopher. A native of Elis, he was captured in war as a boy and sold into slavery. He subsequently came into contact with Socrates at Athens, who warmly received him and had him freed. He was present at the death of Socrates, and Plato named one of his dialogues Phaedo.
Aeschines of Sphettus or Aeschines Socraticus, son of Lysanias, of the deme Sphettus of Athens, was a philosopher who in his youth was a follower of Socrates. Historians call him Aeschines Socraticus—"the Socratic Aeschines"—to distinguish him from the more historically influential Athenian orator also named Aeschines. His name is sometimes but now rarely written as Aischines or Æschines.
John Burnet, FBA was a Scottish classicist. He was born in Edinburgh and died in St Andrews.
The Last of the Wine is Mary Renault's first novel set in ancient Greece, the setting that would become her most important arena. The novel was published in 1956 and is the second of her works to feature male homosexuality as a major theme. It was a bestseller within the gay community. The book is a portrait of Athens at the close of the Golden Age and the end of the Peloponnesian War with Sparta, and includes Socrates as a character.
Crito of Alopece was an ancient Athenian agriculturist depicted in the Socratic literature of Plato and Xenophon, where he appears as a faithful and lifelong companion of the philosopher Socrates. Although the later tradition of ancient scholarship attributed philosophical works to Crito, modern scholars do not consider him to have been an active philosopher, but rather a member of Socrates' inner circle through childhood friendship.
The Death of Socrates is an oil on canvas painted by French painter Jacques-Louis David in 1787. The painting was part of the neoclassical style, popular in the 1780s, that depicted subjects from the Classical age, in this case the story of the execution of Socrates as told by Plato in his Phaedo. In this story, Socrates has been convicted of corrupting the youth of Athens and introducing strange gods, and has been sentenced to die by drinking poison hemlock. Socrates uses his death as a final lesson for his pupils rather than fleeing when the opportunity arises, and faces it calmly. The Phaedo depicts the death of Socrates and is also Plato's fourth and last dialogue to detail the philosopher's final days, which is also detailed in Euthyphro, Apology, and Crito.
Socrates was a Greek philosopher from Athens who is credited as the founder of Western philosophy and as among the first moral philosophers of the ethical tradition of thought. An enigmatic figure, Socrates authored no texts and is known mainly through the posthumous accounts of classical writers, particularly his students Plato and Xenophon. These accounts are written as dialogues, in which Socrates and his interlocutors examine a subject in the style of question and answer; they gave rise to the Socratic dialogue literary genre. Contradictory accounts of Socrates make a reconstruction of his philosophy nearly impossible, a situation known as the Socratic problem. Socrates was a polarizing figure in Athenian society. In 399 BC, he was accused of impiety and corrupting the youth. After a trial that lasted a day, he was sentenced to death. He spent his last day in prison, refusing offers to help him escape.
C. D. C. Reeve is a philosophy professor at the University of North Carolina at Chapel Hill. He works primarily in Ancient Greek philosophy, especially Plato and Aristotle. He has also published work in the philosophy of sex and love, and on film. He has translated many Ancient Greek texts, mostly by Plato and Aristotle.
Euthyphro of Prospalta was an ancient Athenian religious prophet (mantis) best known for his role in his eponymous dialogue written by the philosopher Plato. Euthyphro's biography can be reconstructed only through the details revealed by Plato in the Euthyphro and Cratylus, as no further contemporaneous sources exist.
Socrates on Trial is a play depicting the life and death of the ancient Greek philosopher Socrates. It tells the story of how Socrates was put on trial for corrupting the youth of Athens and for failing to honour the city's gods. The play contains adaptations of several classic Greek works: the slapstick comedy, Clouds, written by Aristophanes and first performed in 423 BCE; the dramatic monologue, Apology, written by Plato to record the defence speech Socrates gave at his trial; and Plato's Crito and Phaedo, two dialogues describing the events leading to Socrates’ execution in 399 BCE. The play was written by Andrew David Irvine of the University of British Columbia and premiered by director Joan Bryans of Vital Spark Theatre Company in 2007 at the Chan Centre for the Performing Arts in Vancouver.