Double Herm of Socrates and Seneca | |
---|---|
Year | AD 200–250 |
Type | sculpture |
Medium | Marble |
Dimensions | 27 cm(11 in) |
Location | Altes Museum, Berlin |
The Double Herm of Socrates and Seneca is an ancient Roman statue from the first half of the third century AD. The herm depicts the Greek philosopher Socrates on one side, and the Roman Stoic Seneca the Younger on the other. It currently belongs to the Antikensammlung Berlin, found in the Altes Museum. [1]
The two philosophers are joined together at the back of the head; their chests are in the shape of a herm. Both men have the usual cloak of a philosopher or orator above their left shoulder, although Socrates also wears an undershirt. The bearded Socrates is given a satyr-like form, as in literary descriptions and other portraits. Seneca, on the other hand, is depicted as clean-shaven with a receding hairline. His small, full-lipped mouth is pursed. It is speculated that the depiction of Seneca derives from a work created between AD 50 and 60—within the lifetime of the philosopher.
In ancient art, double herms were a common statue type. While in Greece they were displayed in public rooms, in the Roman empire they were shown in private spaces.[ citation needed ] Thus, the combination of the two philosophers here owed something to the personal inclinations of the person who commissioned it, even if it is not clear why these two philosophers were linked in particular. Probably it has to do with the fact that they were both forced to commit suicide. The presentation of philosophers (and poets) as double herms was the most common use of this genre. This parallel presentation is also seen in literature, for example in the Parallel Lives of Plutarch.
The double herm is important to scholarship since it is the only image that can certainly be said to depict Seneca. The attribution is proven by a Latin inscription on the left side of the bust (from the point of view of someone looking at Seneca), while Socrates is identified by a Greek inscription on the right hand side. The identification of Socrates can be considered certain based on comparison with many other depictions of Socrates, many of which are of much better quality. The portrait of Seneca on the other hand is used today to identify other portraits and statues of Seneca.
Year 120 (CXX) was a leap year starting on Sunday of the Julian calendar. At the time, it was known as the Year of the Consulship of Severus and Fulvus. The denomination 120 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years.
Year 200 (CC) was a leap year starting on Tuesday of the Julian calendar. At the time, it was known as the Year of the Consulship of Severus and Victorinus. The denomination 200 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years.
A herma, commonly herm in English, is a sculpture with a head and perhaps a torso above a plain, usually squared lower section, on which male genitals may also be carved at the appropriate height. Hermae were so called either because the head of Hermes was most common or from their etymological connection with the Greek word ἕρματα, which originally had no reference to Hermes at all. The form originated in ancient Greece, and was adopted by the Romans, and revived at the Renaissance in the form of term figures and atlantes.
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The Pseudo-Seneca is a Roman bronze bust of the late 1st century BC that was discovered in the Villa of the Papyri at Herculaneum in 1754, the finest example of about two dozen examples depicting the same face. It was originally believed to depict Seneca the Younger, the notable Roman philosopher, because its emaciated features were supposed to reflect his Stoic philosophy. However, modern scholars agree it is likely a fictitious portrait, probably intended for either Hesiod or Aristophanes. It is thought that the original example was a lost Greek bronze of c. 200 BC. The bust is conserved in the Museo Archeologico Nazionale, Naples.
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