Sometime Anywhere | ||||
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Studio album by | ||||
Released | 31 May 1994 | |||
Recorded | 1994 | |||
Studio | Karmic Hit, Sydney, Australia (except "The Maven", Fryshuset, Stockholm, Sweden) | |||
Genre | Alternative rock, neo-psychedelia, psychedelic rock, dream pop | |||
Length | 76:50 | |||
Label | White (Australia) Arista (International) | |||
Producer | The Church and Dare Mason | |||
The Church chronology | ||||
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Sometime Anywhere is the ninth album by the Australian alternative rock band the Church, released in May 1994. [1]
After the commercially unsuccessful 1992 album Priest=Aura , founding guitarist Peter Koppes had departed, leaving the band down to just two original members, Steve Kilbey and Marty Willson-Piper, [1] plus Priest's drummer Jay Dee Daugherty. With the group's future uncertain, the members took time off to focus on other projects, while Koppes began to establish a solo career with his new group, The Well, which included former band mate Richard Ploog. Kilbey began a Jack Frost collaboration with Grant McLennan (of The Go-Betweens) and Willson-Piper returned to the studio with UK group All About Eve, to record their album Ultraviolet .
Arista Records decided to stand by their contract with the band and back another album, despite the loss of Koppes, and so Kilbey and Willson-Piper began writing new material. When it became clear that drummer Daugherty would not be returning to the fold either, the remaining two took the opportunity to approach their music from new perspectives, abandoning their long-established roles and stylistic elements in favour of experimentation, spontaneity and electronica. Song construction became freer, with each musician playing multiple tracks on various instruments, to be cut down and refined into finished pieces later. The two likened their approach to a sculptor's creative process, the pieces gradually taking shape as the work went on.
Early in 1994, they brought in Willson-Piper's childhood friend Andy 'Dare' Mason to produce, record and mix the album. It was recorded at Sydney's Karmic Hit Studios and mixed at Karmic Hit and Studios 301, except "The Maven", "Leave Your Clothes On" & "Freeze to Burn", which were recorded and mixed at Fryshuset, Stockholm, Sweden by Martin Rössel. New Zealand drummer Tim Powles was hired for the Sydney sessions, having already played with Kilbey on the Jack Frost project. Considered temporary at the time, Powles would soon become a permanent member of the band and is still with them over 20 years later.
Sometime Anywhere was generally well-received and peaked in the Australian Top 30. A 7-track bonus disc, entitled Somewhere Else, was included with the initial pressings. [1] It was described as a "rich, dark, epic release which picked up where Priest=Aura left off, with lush, lengthy tracks". However, sales were lower than their previous studio albums and the first single, "Two Places at Once", did not chart. Promotion was minimal as Arista saw insufficient commercial promise in the release. With another commercially unsuccessful album on their hands, Arista did not renew The Church's contract and pulled financial support for a tour. Ambitious plans to stage full electric shows were scaled back, leaving Kilbey and Willson-Piper with only a short run of acoustic gigs as a duo.
In 2005 the album was remastered and reissued in Australia by EMI, with a second disc which included all of the Somewhere Else tracks except "Drought" (which was moved to Priest=Aura ), plus the radio and video edits of "Two Places at Once".
Kilbey named his blog after the Somewhere Else track "The Time Being".
Review scores | |
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Source | Rating |
AllMusic | [2] |
Q | [3] |
Rolling Stone | [4] |
All lead vocals by Steve Kilbey, except where indicated
Somewhere Else (bonus disc)
with
The Church are an Australian rock band formed in Sydney in 1980. Initially associated with new wave, neo-psychedelia, and indie rock, their music later came to feature slower tempos and surreal soundscapes reminiscent of dream pop and post-rock. Glenn A. Baker has written that "From the release of the 'She Never Said' single in November 1980, this unique Sydney-originated entity has purveyed a distinctive, ethereal, psychedelic-tinged sound which has alternatively found favour and disfavour in Australia." The Los Angeles Times has described the band's music as "dense, shimmering, exquisite guitar pop".
Peter Koppes is a guitarist, best known as a founding and almost-continuous member of Australian independent rock band The Church. He is a multi-instrumentalist, also playing mandolin, drums, piano, and harmonica. He has also released various solo albums and various recordings with his group The Well (1989-1995.) Koppes lives on the Sunshine Coast in Queensland where he also produces albums and conducts seasonal 'song writing' and 'performance for demo recording' short courses at Nambour TAFE, as well as offering private tuition in guitar, drums and song writing. His daughters are Tatiana 'O' Koppes and Neige Koppes who have their own band, Rain Party.
Of Skins and Heart is the debut album by the Australian psychedelic rock band The Church, released in April 1981 by EMI Parlophone. It peaked at No. 22 in the Australian Kent Music Report Albums Chart.
The Blurred Crusade is the second album by the Australian alternative rock band The Church, released in March 1982 by EMI Parlophone. Moving away from the new wave leanings of their debut, it was stylistically more complex and "a smoother, fuller release". "With its mystical lyrics the second album ... brought the group's own style more into focus". The album peaked at No. 10 on the Australian Kent Music Report Albums Chart and "Almost With You" reached No. 21 on the related Singles Chart.
Seance is the third album by the Australian psychedelic rock band The Church, released in 1983. More atmospheric and brooding than its predecessor The Blurred Crusade's jangling psychedelia and upbeat rock, it shows a greater use of keyboards, with the guitars taking largely textural roles on many songs. While numerous tracks have become fan favorites over the years, the album saw considerably less success in Australia than previous releases and had limited exposure internationally. Apart from the psychedelic noise experiment "Travel By Thought", which prefigures the band's extended improvised tracks of the 1990s and beyond, all songs were written solely by Steve Kilbey.
Remote Luxury is the third EP by the Australian psychedelic rock band The Church, the first of two released in 1984. With the exception of the untypical, synth-heavy "Maybe These Boys", this is one of the more subdued works in the band's catalogue, carrying on the mix of dreamy guitar and keyboards from the previous year's Seance album, but this time in a lighter, more acoustic setting. Without any standout singles, it made little commercial impact, but showcased guitarist Marty Willson-Piper's lead vocals for the first time since 1982's The Blurred Crusade.
Persia is the fourth extended play by the Australian psychedelic rock band the Church, which was released in August 1984. It was the follow-up to their earlier 1984 EP Remote Luxury, and continued in a similar stylistic vein.
Remote Luxury is the first compilation album by the Australian psychedelic rock band The Church, released in 1984. The band had recently signed to Warner Bros. in the United States and their new label decided to re-release the band's most recent Australian material, the Persia and Remote Luxury EPs, as an album with a new running order. They also released "Constant In Opal" as a single in the US. The version of "No Explanation" included here has a 20-second instrumental jam at the beginning.
Heyday is the fourth album by the Australian alternative rock band The Church, released in November 1985. The album marked the first occasion when group compositions dominated one of the band's releases. Steve Kilbey has said: "The demo situation was getting to us - me writing the songs on my eight-track and bringing them along to the band. It sounded too stiff. We'd reached this new energy level on stage which by far superseded anything we'd ever recorded, so we knew the only way to get sounding like that was for the whole band to write together."
Gold Afternoon Fix is the sixth album by the Australian alternative rock band the Church, released in April 1990. It was their second album for Arista Records in the US and was expected to capitalise and build on the success of 1988's Starfish. The album saw considerable promotion upon its release, but despite moderate success in the US, with the single "Metropolis" reaching the top of the Modern Rock Tracks chart, the release failed to deliver mass commercial appeal.
Priest=Aura is the eighth album by the Australian alternative rock band The Church, released in March 1992. It peaked at No. 25 on the ARIA Albums Chart.
Forget Yourself is the fifteenth album by the Australian alternative rock band The Church, released in October 2003. It was recorded at drummer Tim Powles' Spacejunk studios in Australia and features many straight-to-tape recordings with few overdubs.
Back With Two Beasts is the nineteenth album by the Australian psychedelic rock band The Church, released in November 2005. The material was recorded during the Uninvited, Like the Clouds sessions but released first, as a teaser for that album, and was originally only available from the band's website or at their gigs. It was re-released by Unorthodox Records in 2009. The title is a play on the euphemism for sexual intercourse, "the beast with two backs", to which both of the track titles on the band's previous self-released album, Jammed, also referred.
Hologram of Baal is the eleventh album by the Australian alternative rock band The Church, released in September 1998.
Jammed is the sixteenth album by the Australian alternative rock band The Church, released in August 2004. It was their second album of entirely improvised material, following the Bastard Universe bonus disc from Hologram of Baal and consists of only two extremely long tracks. It was only available from the band's website or at their gigs.
Magician Among the Spirits is the tenth album by the Australian alternative rock band The Church, released in August 1996. The album title was inspired by a book written by Harry Houdini and C. M. Eddy, Jr. (uncredited) in 1924, in which the famed magician discussed his investigations of spirit mediums. A photographic negative of Houdini is incorporated as the centrepiece of the album artwork. The album was reissued with a revised track listing as Magician Among the Spirits And Some in 1999.
After Everything Now This is the thirteenth album by the Australian alternative rock band The Church, released in January 2002. It was produced by group member Tim Powles and the rest of the band.
Pharmakoi/Distance-Crunching Honchos with Echo Units is the only album by the Australian alternative rock band The Refo:mation, released in 1997.
Untitled #23 is the 23rd album by the Australian alternative rock band The Church, released in March 2009. It was their 23rd Australian album-length collection of original studio recordings, counting the four outtakes albums, the covers album A Box of Birds and the acoustic albums El Momento Descuidado & El Momento Siguiente.
"Reptile" is a song by Australian alternative rock band The Church. It was released as a single from their 1988 album Starfish, and the songwriting credits are given to all four members of the band.