Magician among the Spirits | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 19 August 1996 | |||
Recorded | 1996 | |||
Genre | Alternative rock, neo-psychedelia, psychedelic rock, dream pop | |||
Length | 66:52 | |||
Label | Deep Karma/White | |||
Producer | The Church and Simon Polinski | |||
The Church chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
Allmusic | [1] |
Magician Among the Spirits is the tenth album by the Australian alternative rock band The Church, released in August 1996. [2] The album title was inspired by a book written by Harry Houdini and C. M. Eddy, Jr. (uncredited) in 1924, in which the famed magician discussed his investigations of spirit mediums. A photographic negative of Houdini is incorporated as the centrepiece of the album artwork. The album was reissued with a revised track listing as Magician Among the Spirits And Some in 1999.
Without a recording deal after Sometime Anywhere , the band's future looked bleak as Kilbey and Willson-Piper began work on new recordings in 1995. Although initially a two-man project, the new material saw input from new drummer Tim Powles and hired violinist Linda Neil. Renewed contact between Kilbey and Peter Koppes led to the latter agreeing to guest on four songs, despite having left the band in 1992. Simon Polinski (Yothu Yindi) was drafted in to co-produce, engineer and mix the sessions. The music saw a return to guitar-based material, infused with krautrock and art rock influences. A 15-minute atmospheric piece called "Magician Among the Spirits" dominated the sessions, featuring Koppes on guitar and split Kilbey/Willson-Piper vocals (as on "Two Places at Once"). Contributions from Utungun Percussion added a new, primal aspect to several songs.
The album was released on the band's own Deep Karma label but due to financial constraints they had to arrange outside distribution for markets in North America and Europe. This limitation almost doomed the album from the beginning, but worse events were to come. Within a short time, the U.S. distributor went bankrupt, leaving the band stripped of its earnings from North American sales. Although exact figures remain unknown due to disputes, up to A$250,000 worth of merchandise (some 25,000 discs) was lost. For a band already on shaky foundations, this was nearly the death knell. Comments by Kilbey in May of that year summed up the situation: "There's no immediate future for The Church ... Our management, the whole thing is broken down ... We don't really have a label. We're owed lots and lots of money and we're broke. We're trying to pursue lawyers to get our money back. Marty and I aren't having any communication. There's no one really managing us so ... that could have been the last record."
Magician Among the Spirits Plus Some | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 16 February 1999 | |||
Genre | Alternative rock, neo-psychedelia, psychedelic rock, dream pop | |||
Length | 79:00 | |||
Label | Cooking Vinyl, Thirsty Ear | |||
Producer | The Church and Simon Polinski | |||
The Church chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
Allmusic | [3] |
Magician Among the Spirits And Some is a 1999 expanded reissue of The Church's 1996 album, Magician Among the Spirits. It replaces the Cockney Rebel cover "Ritz" with four tracks from the "Comedown" single. The expanded album bears the title "...and Some" in the UK, Italy and Canada, "...plus Some" in the US.
with
Chart (1996) | Peak position |
---|---|
Australian Albums (ARIA Charts) [4] | 74 |
The Church are an Australian rock band formed in Sydney in 1980. Initially associated with new wave, neo-psychedelia, and indie rock, their music later came to feature slower tempos and surreal soundscapes reminiscent of alternative rock, dream pop, and post-rock. Glenn A. Baker has written that "From the release of the 'She Never Said' single in November 1980, this unique Sydney-originated entity has purveyed a distinctive, ethereal, psychedelic-tinged sound which has alternatively found favour and disfavour in Australia." The Los Angeles Times has described the band's music as "dense, shimmering, exquisite guitar pop".
Martin Howard Willson-Piper is an English guitarist and singer-songwriter best known as a former long-time member of the Australian psychedelic rock band The Church. He joined in 1980 after seeing an early gig where they were performing as a three-piece. He was an integral member of the band for 33 years. He was also the guitarist for the English alternative rock band All About Eve from 1991 to 1993 and again from 1999 to 2002. He has also worked with Swedish progressive rock band Anekdoten.
Peter Koppes is an Australian guitarist, best known as a founding and almost-continuous member of the independent rock band The Church. He is a multi-instrumentalist, also playing mandolin, drums, piano, and harmonica. He has also released various solo albums and various recordings with his group The Well (1989-1995). Koppes lives on the Australian Central Coast in NSW but sometimes spends time on the Sunshine Coast in Queensland where he sometimes produces albums and has previously conducted seasonal 'song writing' and 'performance for demo recording' short courses at Nambour TAFE, as well as offering private tuition in guitar, bass, drums and song writing. His daughters are Tatiana 'O' Koppes and Neige Koppes who had their own band, Rain Party but now have independent solo careers.
Of Skins and Heart is the debut album by the Australian psychedelic rock band The Church, released in April 1981 by EMI Parlophone. It peaked at No. 22 in the Australian Kent Music Report Albums Chart.
The Blurred Crusade is the second album by the Australian alternative rock band the Church, released in March 1982 by EMI Parlophone. Moving away from the new wave leanings of their debut, it was stylistically more complex and "a smoother, fuller release". "With its mystical lyrics the second album ... brought the group's own style more into focus". The album peaked at No. 10 on the Australian Kent Music Report Albums Chart and "Almost With You" reached No. 21 on the related Singles Chart.
Remote Luxury is the first compilation album by the Australian psychedelic rock band the Church, released in 1984. The band had recently signed to Warner Bros. in the United States and their new label decided to re-release the band's most recent Australian material, the Persia and Remote Luxury EPs, as an album with a new running order. They also released "Constant In Opal" as a single in the US. The version of "No Explanation" included here has a 20-second instrumental jam at the beginning.
Heyday is the fourth album by the Australian alternative rock band The Church, released in November 1985. The album marked the first occasion when group compositions dominated one of the band's releases. Steve Kilbey has said: "The demo situation was getting to us - me writing the songs on my eight-track and bringing them along to the band. It sounded too stiff. We'd reached this new energy level on stage which by far superseded anything we'd ever recorded, so we knew the only way to get sounding like that was for the whole band to write together."
Priest=Aura is the eighth album by the Australian alternative rock band the Church, released in March 1992. It peaked at No. 25 on the ARIA Albums Chart.
Beside Yourself is the seventeenth album by the Australian psychedelic rock band The Church, released in October 2004. It consists of material recorded during the sessions for their 2003 album Forget Yourself and was only released in Australia, with a limited pressing of 500 copies. Some of the tracks had already been made available in the United States on the iTunes Exclusive Tracks EP and on the bonus disc given away with the U.S. release of Forget Yourself.
Forget Yourself is the fifteenth album by the Australian alternative rock band The Church, released in October 2003. It was recorded at drummer Tim Powles' Spacejunk studios in Australia and features many straight-to-tape recordings with few overdubs.
Sometime Anywhere is the ninth album by the Australian alternative rock band the Church, released in May 1994.
Uninvited, Like the Clouds is the 20th album by the Australian alternative rock band the Church. It was released in Australia on 20 March 2006 and internationally on 17 April.
Back with Two Beasts is the nineteenth album by the Australian psychedelic rock band the Church, released in November 2005. The material was recorded during the Uninvited, Like the Clouds sessions but released first, as a teaser for that album, and was originally only available from the band's website or at their gigs. It was re-released by Unorthodox Records in 2009. The title is a play on the euphemism for sexual intercourse, "the beast with two backs", to which both of the track titles on the band's previous self-released album, Jammed, also referred.
Hologram of Baal is the eleventh album by the Australian alternative rock band The Church, released in September 1998.
Jammed is the sixteenth album by the Australian alternative rock band The Church, released in August 2004. It was their second album of entirely improvised material, following the Bastard Universe bonus disc from Hologram of Baal and consists of only two extremely long tracks. It was only available from the band's website or at their gigs.
A Box of Birds is the twelfth album by the Australian psychedelic rock band The Church, released in September 1999. It consists of cover versions of tracks by artists who were influential on the group's music.
El Momento Descuidado is the eighteenth album by the Australian psychedelic rock band the Church, released in November 2004.
After Everything Now This is the thirteenth album by the Australian alternative rock band The Church, released in January 2002. It was produced by group member Tim Powles and the rest of the band.
Pharmakoi/Distance-Crunching Honchos with Echo Units is the only album by the Australian alternative rock band The Refo:mation, released in 1997.
Untitled #23 is the 23rd album by the Australian alternative rock band The Church, released in March 2009. It was their 23rd Australian album-length collection of original studio recordings, counting the four outtakes albums, the covers album A Box of Birds and the acoustic albums El Momento Descuidado & El Momento Siguiente.