Heyday | ||||
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Studio album by | ||||
Released | November 1985 (Australia) January 1986 (US) | |||
Recorded | Winter/Spring 1985 | |||
Studio | Studios 301 (Sydney, Australia) | |||
Genre | Alternative rock, neo-psychedelia, psychedelic rock, dream pop | |||
Length | 42:58 | |||
Label | EMI Parlophone (Australia/UK) Warner Bros. (US/Canada) Arista (US/Canada reissue) | |||
Producer | Peter Walsh | |||
The Church chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Kerrang! | [2] |
The Rolling Stone Album Guide | [3] |
Heyday is the fourth album by the Australian alternative rock band The Church, released in November 1985. [4] The album marked the first occasion when group compositions dominated one of the band's releases. Steve Kilbey has said: "The demo situation was getting to us - me writing the songs on my eight-track and bringing them along to the band. It sounded too stiff. We'd reached this new energy level on stage which by far superseded anything we'd ever recorded, so we knew the only way to get sounding like that (on record) was for the whole band to write together." [5]
Robert Dean Lurie notes that "As the band began cutting the album at Studios 301, it became apparent that there had been a dramatic change in Steve's voice. Perhaps it was the extended break from performing, or abstaining from drugs, or the hours of yoga; in any case, Steve's singing was now much more relaxed and warm, and he possessed a wider, more dynamic range. For years, critics had pointed to Steve's sometimes dour voice as the Church's weak point. Suddenly, during these new recording sessions, his distinctive vocals became one of the band's greatest strengths – its signature, in fact. In addition to singing all the leads, Steve also tracked multiple harmony parts for each song, sometimes singing an entire octave higher than his normal register." [6]
Although most of the keyboards utilised on previous recordings had been stripped back, the album saw a greater amount of embellishment with the addition of strings and brass. While at the time Heyday featured more focus on the guitar interplay than anything since The Blurred Crusade , solos had been cut to a bare minimum. Rolling Stone said the album "suggest[s] a more electrified version of Love's '68 [ sic ] orchestral rock classic Forever Changes ."
Despite some critics and followers taking issue with the brash horns on some songs, the album regularly lists among the fan base's (and even band members') favourites. Tracks such as "Myrrh" and "Tantalized" have been featured in live shows even up to present day. It is notable for being, to date, the last album by the group to feature a printed lyric sheet - Kilbey has declined to include lyrics with any subsequent albums.
Despite the increased amount of studio collaboration on Heyday between the members, while the band was on tour in April 1986 to support the album, Willson-Piper suddenly quit mid-tour after rising in-band tensions. On 10 July, The Church performed as a three-piece in Hamburg, Germany; Willson-Piper returned within a week after Kilbey agreed that future releases would contain more group efforts.
In 2002 the album was remastered and reissued by EMI Australia, with a bonus disc including promo videos for "Already Yesterday", "Tantalized" and "Columbus".
In 2010, Second Motion Records released a single-disc remaster as part of their 30th Anniversary Series.
The music video for "Already Yesterday" was filmed in Avalon, Sydney and Hyde Park, Sydney. (https://martywillson-piper.com/heyday/)
All songs written by Kilbey/Koppes/Ploog/Willson-Piper, except where indicated
"As You Will", "The View" and "Trance Ending" appear on the CD and cassette versions only. [4]
Credited to: [4]
Produced and engineered by Peter Walsh
Additional Engineering by Guy 'De Vox' Gray
Strings and Horns arranged by Steve Kilbey ("Night Of Light", "Youth Worshipper") and Peter Walsh ("Night Of Light", "Happy Hunting Ground")
Orchestrated by Tony Ansell
1st Violin: Philip Hartl
Keyboards: Rick Chadwick (courtesy CBS Records)
Choir ("Already Yesterday"): Mark Williams, Mark Punch (courtesy CBS Records), Shauna Jensen, Maggie McKinney
Sound Effects: Leon
Cover photography: Caught 'n Framed (Wendy McDougall)
The Church are an Australian rock band formed in Sydney in 1980. Initially associated with new wave, neo-psychedelia, and indie rock, their music later came to feature slower tempos and surreal soundscapes reminiscent of alternative rock, dream pop, and post-rock. Glenn A. Baker has written that "From the release of the 'She Never Said' single in November 1980, this unique Sydney-originated entity has purveyed a distinctive, ethereal, psychedelic-tinged sound which has alternatively found favour and disfavour in Australia." The Los Angeles Times has described the band's music as "dense, shimmering, exquisite guitar pop".
Peter Koppes is an Australian guitarist, best known as a founding and almost-continuous member of the independent rock band The Church. He is a multi-instrumentalist, also playing mandolin, drums, piano, and harmonica. He has also released various solo albums and various recordings with his group The Well (1989-1995). Koppes lives on the Australian Central Coast in NSW but sometimes spends time on the Sunshine Coast in Queensland where he sometimes produces albums and has previously conducted seasonal 'song writing' and 'performance for demo recording' short courses at Nambour TAFE, as well as offering private tuition in guitar, bass, drums and song writing. His daughters are Tatiana 'O' Koppes and Neige Koppes who had their own band, Rain Party but now have independent solo careers.
Of Skins and Heart is the debut album by the Australian psychedelic rock band The Church, released in April 1981 by EMI Parlophone. It peaked at No. 22 in the Australian Kent Music Report Albums Chart.
The Blurred Crusade is the second album by the Australian alternative rock band the Church, released in March 1982 by EMI Parlophone. Moving away from the new wave leanings of their debut, it was stylistically more complex and "a smoother, fuller release". "With its mystical lyrics the second album ... brought the group's own style more into focus". The album peaked at No. 10 on the Australian Kent Music Report Albums Chart and "Almost With You" reached No. 21 on the related Singles Chart.
Sing-Songs is the second EP by the Australian psychedelic rock band The Church, released in December 1982.
Seance is the third album by the Australian psychedelic rock band The Church, released in 1983. More atmospheric and brooding than its predecessor The Blurred Crusade's jangling psychedelia and upbeat rock, it shows a greater use of keyboards, with the guitars taking largely textural roles on many songs. While numerous tracks have become fan favorites over the years, the album saw considerably less success in Australia than previous releases and had limited exposure internationally. Apart from the psychedelic noise experiment "Travel By Thought", which prefigures the band's extended improvised tracks of the 1990s and beyond, all songs were written solely by Steve Kilbey.
Persia is the fourth extended play by the Australian psychedelic rock band the Church, which was released in August 1984. It was the follow-up to their earlier 1984 EP Remote Luxury, and continued in a similar stylistic vein.
Remote Luxury is the first compilation album by the Australian psychedelic rock band the Church, released in 1984. The band had recently signed to Warner Bros. in the United States and their new label decided to re-release the band's most recent Australian material, the Persia and Remote Luxury EPs, as an album with a new running order. They also released "Constant In Opal" as a single in the US. The version of "No Explanation" included here has a 20-second instrumental jam at the beginning.
Starfish is the fifth album by the Australian rock band The Church, released in February 1988 by Mushroom Records in Australia and by Arista Records internationally. The band's international breakthrough album, Starfish went gold in America and has remained their most commercially successful release. The album sold 600,000 copies in the United States alone. The first single, "Under the Milky Way", charted on the US Billboard Hot 100, peaking at #24, and at #2 on the Mainstream Rock Tracks chart, leading to significant exposure of the then relatively underground Australian act. In Australia "Under the Milky Way" climbed to #22, and Starfish reached #11 on the album charts.
Gold Afternoon Fix is the sixth album by the Australian alternative rock band the Church, released in April 1990. It was their second album for Arista Records in the US and was expected to capitalise and build on the success of 1988's Starfish. The album saw considerable promotion upon its release, but despite moderate success in the US, with the single "Metropolis" reaching the top of the Modern Rock Tracks chart, the release failed to deliver mass commercial appeal.
Priest=Aura is the eighth album by the Australian alternative rock band the Church, released in March 1992. It peaked at No. 25 on the ARIA Albums Chart.
Forget Yourself is the fifteenth album by the Australian alternative rock band The Church, released in October 2003. It was recorded at drummer Tim Powles' Spacejunk studios in Australia and features many straight-to-tape recordings with few overdubs.
Sometime Anywhere is the ninth album by the Australian alternative rock band the Church, released in May 1994.
Uninvited, Like the Clouds is the 20th album by the Australian alternative rock band the Church. It was released in Australia on 20 March 2006 and internationally on 17 April.
Hologram of Baal is the eleventh album by the Australian alternative rock band The Church, released in September 1998.
Magician Among the Spirits is the tenth album by the Australian alternative rock band The Church, released in August 1996. The album title was inspired by a book written by Harry Houdini and C. M. Eddy, Jr. (uncredited) in 1924, in which the famed magician discussed his investigations of spirit mediums. A photographic negative of Houdini is incorporated as the centrepiece of the album artwork. The album was reissued with a revised track listing as Magician Among the Spirits And Some in 1999.
A Box of Birds is the twelfth album by the Australian psychedelic rock band The Church, released in September 1999. It consists of cover versions of tracks by artists who were influential on the group's music.
After Everything Now This is the thirteenth album by the Australian alternative rock band The Church, released in January 2002. It was produced by group member Tim Powles and the rest of the band.
Pharmakoi/Distance-Crunching Honchos with Echo Units is the only album by the Australian alternative rock band The Refo:mation, released in 1997.
"Reptile" is a song by Australian alternative rock band The Church. It was released as a single from their 1988 album Starfish, and the songwriting credits are given to all four members of the band.