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Remote Luxury | ||||
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Compilation album by | ||||
Released | 1984 | |||
Recorded | December 1983, Winter 1984 | |||
Studio | Studios 301 (Sydney) | |||
Genre | Alternative rock, neo-psychedelia, psychedelic rock, dream pop | |||
Length | 40:28 | |||
Label | Warner Bros. (US/Canada) Carrere (Europe/Brazil) Arista (US/Canada reissue) | |||
Producer | The Church and John Bee | |||
The Church chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
The Rolling Stone Album Guide | [2] |
Remote Luxury is the first compilation album by the Australian psychedelic rock band the Church, released in 1984. The band had recently signed to Warner Bros. in the United States and their new label decided to re-release the band's most recent Australian material, the Persia and Remote Luxury EPs, as an album with a new running order. They also released "Constant In Opal" as a single in the US. The version of "No Explanation" included here has a 20-second instrumental jam at the beginning.
The album was re-released on CD by Arista Records in 1990, but has since been deleted, and it was re-released in 1988 on LP by carrere records, under the label RGE in Brazil.
In 2001, EMI Australia released the compilation album Sing-Songs//Remote Luxury//Persia, which contained remastered versions of all the tracks from the EPs in their original running order.
Additional keyboards by Craig Hooper and David Moor
The Church are an Australian rock band formed in Sydney in 1980. Initially associated with new wave, neo-psychedelia, and indie rock, their music later came to feature slower tempos and surreal soundscapes reminiscent of dream pop and post-rock. Glenn A. Baker has written that "From the release of the 'She Never Said' single in November 1980, this unique Sydney-originated entity has purveyed a distinctive, ethereal, psychedelic-tinged sound which has alternatively found favour and disfavour in Australia." The Los Angeles Times has described the band's music as "dense, shimmering, exquisite guitar pop".
Of Skins and Heart is the debut album by the Australian psychedelic rock band The Church, released in April 1981 by EMI Parlophone. It peaked at No. 22 in the Australian Kent Music Report Albums Chart.
The Blurred Crusade is the second album by the Australian alternative rock band The Church, released in March 1982 by EMI Parlophone. Moving away from the new wave leanings of their debut, it was stylistically more complex and "a smoother, fuller release". "With its mystical lyrics the second album ... brought the group's own style more into focus". The album peaked at No. 10 on the Australian Kent Music Report Albums Chart and "Almost With You" reached No. 21 on the related Singles Chart.
Sing-Songs is the second EP by the Australian psychedelic rock band The Church, released in December 1982.
Seance is the third album by the Australian psychedelic rock band The Church, released in 1983. More atmospheric and brooding than its predecessor The Blurred Crusade's jangling psychedelia and upbeat rock, it shows a greater use of keyboards, with the guitars taking largely textural roles on many songs. While numerous tracks have become fan favorites over the years, the album saw considerably less success in Australia than previous releases and had limited exposure internationally. Apart from the psychedelic noise experiment "Travel By Thought", which prefigures the band's extended improvised tracks of the 1990s and beyond, all songs were written solely by Steve Kilbey.
Persia is the fourth extended play by the Australian psychedelic rock band the Church, which was released in August 1984. It was the follow-up to their earlier 1984 EP Remote Luxury, and continued in a similar stylistic vein.
Heyday is the fourth album by the Australian alternative rock band The Church, released in November 1985. The album marked the first occasion when group compositions dominated one of the band's releases. Steve Kilbey has said: "The demo situation was getting to us - me writing the songs on my eight-track and bringing them along to the band. It sounded too stiff. We'd reached this new energy level on stage which by far superseded anything we'd ever recorded, so we knew the only way to get sounding like that was for the whole band to write together."
Starfish is the fifth album by the Australian rock band The Church, released in February 1988 by Mushroom Records in Australia and by Arista Records internationally. The band's international breakthrough album, Starfish went gold in America and has remained their most commercially successful release. The album sold 600,000 copies in the United States alone. The first single, "Under the Milky Way", charted on the US Billboard Hot 100, peaking at #24, and at #2 on the Mainstream Rock Tracks chart, leading to significant exposure of the then relatively underground Australian act. In Australia "Under the Milky Way" climbed to #22, and Starfish reached #11 on the album charts.
Gold Afternoon Fix is the sixth album by the Australian alternative rock band the Church, released in April 1990. It was their second album for Arista Records in the US and was expected to capitalise and build on the success of 1988's Starfish. The album saw considerable promotion upon its release, but despite moderate success in the US, with the single "Metropolis" reaching the top of the Modern Rock Tracks chart, the release failed to deliver mass commercial appeal.
Priest=Aura is the eighth album by the Australian alternative rock band The Church, released in March 1992. It peaked at No. 25 on the ARIA Albums Chart.
Beside Yourself is the seventeenth album by the Australian psychedelic rock band The Church, released in October 2004. It consists of material recorded during the sessions for their 2003 album Forget Yourself and was only released in Australia, with a limited pressing of 500 copies. Some of the tracks had already been made available in the United States on the iTunes Exclusive Tracks EP and on the bonus disc given away with the U.S. release of Forget Yourself.
Forget Yourself is the fifteenth album by the Australian alternative rock band The Church, released in October 2003. It was recorded at drummer Tim Powles' Spacejunk studios in Australia and features many straight-to-tape recordings with few overdubs.
Sometime Anywhere is the ninth album by the Australian alternative rock band the Church, released in May 1994.
Back With Two Beasts is the nineteenth album by the Australian psychedelic rock band The Church, released in November 2005. The material was recorded during the Uninvited, Like the Clouds sessions but released first, as a teaser for that album, and was originally only available from the band's website or at their gigs. It was re-released by Unorthodox Records in 2009. The title is a play on the euphemism for sexual intercourse, "the beast with two backs", to which both of the track titles on the band's previous self-released album, Jammed, also referred.
Hologram of Baal is the eleventh album by the Australian alternative rock band The Church, released in September 1998.
Magician Among the Spirits is the tenth album by the Australian alternative rock band The Church, released in August 1996. The album title was inspired by a book written by Harry Houdini and C. M. Eddy, Jr. (uncredited) in 1924, in which the famed magician discussed his investigations of spirit mediums. A photographic negative of Houdini is incorporated as the centrepiece of the album artwork. The album was reissued with a revised track listing as Magician Among the Spirits And Some in 1999.
After Everything Now This is the thirteenth album by the Australian alternative rock band The Church, released in January 2002. It was produced by group member Tim Powles and the rest of the band.
Untitled #23 is the 23rd album by the Australian alternative rock band The Church, released in March 2009. It was their 23rd Australian album-length collection of original studio recordings, counting the four outtakes albums, the covers album A Box of Birds and the acoustic albums El Momento Descuidado & El Momento Siguiente.
"Metropolis" is a song by Australian alternative rock band the Church. It was released as the lead single from their sixth album, Gold Afternoon Fix (1990), and the songwriting credits were given to all four members of the band. The song topped the US Billboard Modern Rock Tracks chart and reached number 19 in Australia. A music video directed by David Hogan and produced by Chris O'Brien was made for the song.
"Reptile" is a song by Australian alternative rock band The Church. It was released as a single from their 1988 album Starfish, and the songwriting credits are given to all four members of the band.