"Metropolis" | ||||
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Single by the Church | ||||
from the album Gold Afternoon Fix | ||||
B-side |
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Released | 26 February 1990 [1] | |||
Studio | Ocean Way (Los Angeles) | |||
Length | 4:47 | |||
Label | ||||
Songwriter(s) | ||||
Producer(s) |
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The Church singles chronology | ||||
|
"Metropolis" is a song by Australian alternative rock band the Church. It was released as the lead single from their sixth album, Gold Afternoon Fix (1990), and the songwriting credits were given to all four members of the band. The song topped the US Billboard Modern Rock Tracks chart and reached number 19 in Australia. A music video directed by David Hogan and produced by Chris O'Brien was made for the song. [2]
Marty Willson-Piper, Peter Koppes, Richard Ploog, and Steve Kilbey were all credited with writing the song. The lead guitar produced a quickly falling then softly ascending melody. A complicated web of guitar overdubs appears later in the song, and a soft, mandolin-sounding melody was added as an additional hook. [3]
"Metropolis" peaked at number one on the US Billboard Modern Rock Tracks chart and number 11 on the Album Rock Tracks chart in 1990. [4] [5] In addition, it peaked at number 19 in Australia and number 41 in New Zealand. [6] [7] Critically, Ned Raggett of AllMusic praised "the almost desperate edge in Steve Kilbey's vocals" as a testament to the song's quality. Raggett added that the Church's "ear for a triumphant yet somehow downbeat ending [makes] this an underrated gem in the band's body of work." [3]
Australian and US 7-inch single [8] [9]
Australian maxi-CD single [10]
| UK 7-inch single [11]
UK and European maxi-CD single [12]
|
Credits are lifted from the Australian 7-inch single and Gold Afternoon Fix liner notes. [8] [13]
Studios
Personnel
Chart (1990) | Peak position |
---|---|
Australia (ARIA) [6] | 19 |
New Zealand (Recorded Music NZ) [7] | 41 |
US Alternative Airplay ( Billboard ) [4] | 1 |
US Mainstream Rock ( Billboard ) [5] | 11 |
The band performed the song, as well as "Under the Milky Way", for MTV Unplugged on 30 January 1990 at the National Video Center in New York City. The episode aired 18 March 1990. [14] An acoustic version was included on the 2004 album El Momento Descuidado .
The Church are an Australian rock band formed in Sydney in 1980. Initially associated with new wave, neo-psychedelia, and indie rock, their music later came to feature slower tempos and surreal soundscapes reminiscent of alternative rock, dream pop, and post-rock. Glenn A. Baker has written that "From the release of the 'She Never Said' single in November 1980, this unique Sydney-originated entity has purveyed a distinctive, ethereal, psychedelic-tinged sound which has alternatively found favour and disfavour in Australia." The Los Angeles Times has described the band's music as "dense, shimmering, exquisite guitar pop".
"Rush" is a song by English band Big Audio Dynamite II from their fifth album, The Globe (1991). A longer version of "Rush", entitled "Change of Atmosphere", had previously appeared on the group's 1990 album Kool-Aid.
"Caribbean Blue" is a song by Irish musician Enya, included as the second track on her third studio album, Shepherd Moons (1991). It follows a waltz time signature, and mentions the Anemoi : Boreas, Afer Ventus (Africus), Eurus, and Zephyrus. The song was released as a single on 7 October 1991.
"Metal Mickey" is the second single released by English rock band Suede, issued on 14 September 1992 on Nude Records. It was included on the band's debut album, Suede, the following year. The song charted at No. 17 on the UK Singles Chart, an improvement on the previous single "The Drowners", which fell short of the top 40. The song also reached the top 40 in Australia and Sweden.
"Wifey" is a song by American R&B trio Next. The song was written by Eddie Berkeley, Keir Gist, band member Robert "RL" Huggar, and singer Lil' Mo for the group's second studio album, Welcome II Nextasy (2000). The song was released as the album's lead single on May 8, 2000. "Wifey" peaked at number one on the US Billboard Hot R&B/Hip-Hop Singles & Tracks chart while reaching number seven on the Billboard Hot 100. It also entered the top 20 in New Zealand and the United Kingdom. In 2001, the song won an AWARD Rhythm & Soul Award for in the Award-Winning R&B/Hip-Hop Songs category.
"Policy of Truth" is a song by English electronic music band Depeche Mode, released on 7 May 1990 as the third single from their seventh studio album Violator (1990). It is the only Depeche Mode single to chart higher on the U.S. Billboard Hot 100 chart than on the UK Singles Chart, and it became the band's second chart-topper on the Billboard Modern Rock Tracks chart.
"U Know What's Up" is a song by American R&B singer Donell Jones. It was written by Edward "Eddie F." Ferrell, Darren Lighty, Clifton Lighty, Balewa Muhammad, Anthony Hamilton, and Veronica McKenzie for his second studio album, Where I Wanna Be (1999), while production was helmed by Ferrell and Darren Lighty for Untouchables Entertainment.
"Drama!" is the first single released from English synth-pop duo Erasure's fourth studio album, Wild! (1989). Written by Vince Clarke and Andy Bell, the song begins with a low-key keyboard line and a subdued vocal from Bell. As the song progresses, the instrumentation and vocals become more hectic, ultimately ending as a full-blown dance track. "Drama!" contains a "Guilty!" exclamation throughout, provided by Scottish band the Jesus and Mary Chain, who were recording in the studio next door. The song was met with critical acclaim from both music critics and fans.
Remote Luxury is the first compilation album by the Australian psychedelic rock band the Church, released in 1984. The band had recently signed to Warner Bros. in the United States and their new label decided to re-release the band's most recent Australian material, the Persia and Remote Luxury EPs, as an album with a new running order. They also released "Constant In Opal" as a single in the US. The version of "No Explanation" included here has a 20-second instrumental jam at the beginning.
Starfish is the fifth album by the Australian rock band The Church, released in February 1988 by Mushroom Records in Australia and by Arista Records internationally. The band's international breakthrough album, Starfish went gold in America and has remained their most commercially successful release. The album sold 600,000 copies in the United States alone. The first single, "Under the Milky Way", charted on the US Billboard Hot 100, peaking at #24, and at #2 on the Mainstream Rock Tracks chart, leading to significant exposure of the then relatively underground Australian act. In Australia "Under the Milky Way" climbed to #22, and Starfish reached #11 on the album charts.
Gold Afternoon Fix is the sixth album by the Australian alternative rock band the Church, released in April 1990. It was their second album for Arista Records in the US and was expected to capitalise and build on the success of 1988's Starfish. The album saw considerable promotion upon its release, but despite moderate success in the US, with the single "Metropolis" reaching the top of the Modern Rock Tracks chart, the release failed to deliver mass commercial appeal.
"So Fresh, So Clean" is a song by American hip hop duo Outkast from their fourth studio album, Stankonia (2000), featuring uncredited vocals from singer-songwriter Sleepy Brown. It was produced by longtime collaborators Organized Noize. The song reached number 30 on the US Billboard Hot 100 chart and was certified platinum by the Recording Industry Association of America (RIAA) in October 2020.
"One Step Too Far" is a song by British electronic music group Faithless. The track features member Rollo Armstrong's sister Dido on vocals and was remixed for single release. "One Step Too Far" was released on 8 April 2002 as the fourth and final single from their third studio album, Outrospective (2001). The song peaked at number six on the UK Singles Chart, number four on the US Dance Club Play chart, and number 21 on the Australian Singles Chart.
"Sand in My Shoes" is the fourth and final single release from English singer-songwriter Dido's second album, Life for Rent (2003). The lyrics describe a single woman returning from a holiday, reminiscing about a romantic encounter she had while away. Released on 23 August 2004, the single under-performed in the United Kingdom, reaching number 29 on the UK Singles Chart, but peaked at number one on the US Billboard Dance Club Play chart. A music video directed by Alex De Rakoff was made for the song.
"The Whole World" is the first single released from American hip hop duo Outkast's first compilation album, Big Boi and Dre Present... Outkast (2001). The song was written by Outkast, produced by Earthtone III, and features Killer Mike and Joi. Upon its release as a single in November 2001, "The Whole World" peaked at number 19 on both the US Billboard Hot 100 and the UK Singles Chart. The song won the 2003 Grammy Award for Best Rap Performance by a Duo or Group.
"Holiday" is the fourth and final single released from American hip hop trio Naughty by Nature's fifth album, Nineteen Naughty Nine: Nature's Fury. The song is built entirely around a dramatically slowed down sample of Change's 1980 number-one US dance hit "A Lover's Holiday". The song was released in October 1999 and was the final release that Naughty by Nature released during their short-lived tenure at Arista Records.
"Reptile" is a song by Australian alternative rock band The Church. It was released as a single from their 1988 album Starfish, and the songwriting credits are given to all four members of the band.
"Wild Women Do" is a song by American singer-songwriter Natalie Cole. The song was written by Greg Prestopino, Sam Lorber, and Matthew Wilder for the 1990 romantic comedy film Pretty Woman and was included on the film's soundtrack as the opening track. The song contains influences from pop, rock, R&B, and soul music, and its lyrics describe an independent woman who lives a wild life. In 1990, the song was also included on certain re-issues of Cole's 1989 album Good to Be Back.
"The Word Is Out" is a song by American singer Jermaine Stewart, which was released in 1984 as the lead single from his debut studio album The Word Is Out. The song was written by Stewart, Julian Lindsay and Greg Craig, and produced by Peter Collins. "The Word Is Out" peaked at No. 41 on the US Billboard Hot 100 in March 1985.
"Caroline" is a song from American alternative rock band Concrete Blonde, which was released in 1990 as the third single from their third studio album Bloodletting. The song was written by Johnette Napolitano, and produced by Concrete Blonde and Chris Tsangarides. The song reached number 23 on the US Billboard Modern Rock Tracks chart.
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