| Song For | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1967 | |||
| Recorded | December 16, 1966 October 20, 1966 (tracks 2,5) | |||
| Studio | Sound Studios, Chicago | |||
| Genre | Jazz | |||
| Length | 40:47 (LP) 51:37 (CD) | |||
| Label | Delmark | |||
| Producer | Robert G. Koester | |||
| Joseph Jarman chronology | ||||
| ||||
Song For is the debut album by American jazz saxophonist Joseph Jarman, recorded in 1966 and released on the Delmark label.
Jarman's regular quintet with saxophonist Fred Anderson, trumpeter Billy Brimfield, bassist Charles Clark and drummer Thurman Barker was augmented for the record by another drummer, Steve McCall, and a new figure, pianist Christopher Gaddy, who had just returned from army service. Gaddy died on March 12, 1968, at age 24. Song For was his only recorded performance. [1] Before joining Jarman, Anderson and Brimfield co-led a quartet which was one of the seminal AACM group. [2]
"Adam's Rib" is a Brimfield tune, while "Little Fox Run"" is an Anderson composition (the CD edition adds an unissued take of this piece). “Non-Cognitive Aspects of the City” is a work combining music with an extended poem by Jarman himself. [1]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |  [3] |
| The Penguin Guide to Jazz |  |
| The Rolling Stone Jazz Record Guide | [4] |
Scott Yanow, in his review for AllMusic claims "this music was the next step in jazz after the high-energy passions of the earlier wave of the avant-garde started to run out of fresh ideas". [3] The Penguin Guide to Jazz states about the album "Of great documentary and historical significance, though unlikely to effect any dramatic conversions." [5]
Bonus track on CD
The Association for the Advancement of Creative Musicians (AACM) is a nonprofit organization, founded in 1965 in Chicago by pianist Muhal Richard Abrams, pianist Jodie Christian, drummer Steve McCall, and composer Phil Cohran. The AACM is devoted "to nurturing, performing, and recording serious, original music," according to its charter. It supports and encourages jazz performers, composers and educators. Although founded in the jazz tradition, the group's outreach and influence has, according to Larry Blumenfeld, "touched nearly all corners of modern music."
Joseph Jarman was an American jazz musician, composer, poet, and Shinshu Buddhist priest. He was one of the first members of the Association for the Advancement of Creative Musicians and a member of the Art Ensemble of Chicago.
Fred Anderson was an American jazz tenor saxophonist who was based in Chicago, Illinois. Anderson's playing was rooted in the swing music and hard bop idioms, but he also incorporated innovations from free jazz. Anderson was also noted for having mentored numerous young musicians. Critic Ben Ratliff called him "a father figure of experimental jazz in Chicago". Writer John Corbett referred to him as "scene caretaker, underground booster, indefatigable cultural worker, quiet force for good." In 2001, author John Litweiler called Anderson "the finest tenor saxophonist in free jazz/underground jazz/outside jazz today."
A Night in Tunisia is a 1958 jazz album by Art Blakey & the Jazz Messengers, released by the RCA Victor subsidiary label Vik. It features the only recorded instances of saxophonists Jackie McLean and Johnny Griffin playing together.
Steve McCall was an American jazz drummer.
Ernest Dawkins is an American jazz saxophonist, principally active in free jazz and post-bop.
Non-Cognitive Aspects of the City: Live at the Iridium is a live album by the Art Ensemble of Chicago recorded in April, 2004 at the Iridium Jazz Club in New York City and released in 2006 on the Pi Recordings label. It features performances by Joseph Jarman, Roscoe Mitchell and Don Moye with trumpeter Corey Wilkes and bassist Jaribu Shahid replacing the late Lester Bowie and Malachi Favors Maghostut.
Young at Heart/Wise in Time is an album by pianist/composer Muhal Richard Abrams released by the Delmark label in 1970 that featured an LP side-length solo piano composition and Abrams accompanied by Leo Smith, Henry Threadgill, Lester Lashley and Thurman Barker on the other side.
A Tribute to Cannonball is a studio album by jazz pianist Bud Powell and tenor saxophonist Don Byas, released on Columbia in March 1979, featuring a session recorded at the Studio Charlot in Paris on 15 December 1961, with Pierre Michelot on bass and Kenny Clarke on drums, and trumpeter Idrees Sulieman guesting on four tracks. The session was produced by Cannonball Adderley, who would also produce Powell's follow-up A Portrait of Thelonious recorded two days later.
Vintage Duets is an album by American jazz saxophonist Fred Anderson with drummer Steve McCall.
As If It Were the Seasons is the second album by American jazz saxophonist Joseph Jarman, recorded in 1968 and released on the Delmark label.
Dark Day is an album by American jazz saxophonist Fred Anderson recorded live in 1979 at the Museum of Contemporary Art, Chicago and released in a small batch on the tiny Austrian Message label. The performance was part of a series of AACM concerts presented by the museum. Anderson's Quartet features long-time partner trumpeter Billy Brimfield, bassist Steven Palmore and young drummer Hamid Drake, who contributes the piece "The Prayer", later retitled "Bombay ".
The Missing Link is an album by American jazz saxophonist Fred Anderson, recorded in 1979 but not issued until 1984 by Nessa Records.
L-R-G / The Maze / S II Examples is an album by American jazz saxophonist Roscoe Mitchell, recorded in 1978 and released as a double LP on Nessa Records. It was reissued in 1989 as a single CD.
Connecting Spirits is an album by American jazz saxophonist Joseph Jarman and pianist Marilyn Crispell, which was recorded live in 1996 and released on the Music & Arts label.
The Milwaukee Tapes Vol. 1 is an album by American jazz saxophonist Fred Anderson recorded live in 1980 but not issued until 2000 by Atavistic as part of their Unheard Music Series.
Fred Anderson Quartet Volume One is an album by American jazz saxophonist Fred Anderson which was recorded live during the 1998 season at the Chicago club owned by Anderson, the Velvet Lounge, and released on the Asian Improv label. The Anderson's Quartet features longtime partner trumpeter Bill Brimfield, drummer Chad Taylor and Asian American bassist Tatsu Aoki.
Before There Was Sound is an album by American jazz saxophonist Roscoe Mitchell recorded in 1965 but not issued until 2011 by Nessa Records. The album presents the earliest recordings available of the work of the AACM, taped shortly after the first meeting of the organization in May 1965 and approximately a year before Mitchell's debut album Sound. This quartet, with trumpeter Fred Berry, bassist Malachi Favors and drummer Alvin Fielder, had been working together for close to a year before they gathered at the instigation of Fielder in the studio of WUCB radio station. "Mr. Freddy" is dedicated to the trumpeter. "Jo Jar" is for Joseph Jarman.
Early Combinations is an album by a formative stage of the band which later became the Art Ensemble of Chicago. It was recorded in 1967 at Lester Bowie's home but not issued as a single CD until 2012 by Nessa Records. The two tracks on the album were originally included in the 1993 limited edition box set Art Ensemble 1967/68, also released by Nessa. "A To Ericka" was recorded for submission to a Jazz Festival in Poland and was unsuccessful in its purpose. "Quintet" was a dress rehearsal for a concert arranged by Jarman to take place at Winnetka High School that was cancelled.
Jitterbug Junction is an album by American jazz percussionist Kahil El'Zabar's Ritual Trio, which also includes saxophonist Ari Brown and bassist Malachi Favors. It was recorded in 1997 and released on CIMP.
