305 –"Space Babies" | |||
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Doctor Who episode | |||
Cast | |||
Others
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Production | |||
Directed by | Julie Anne Robinson | ||
Written by | Russell T Davies | ||
Script editor | Scott Handcock | ||
Produced by | Vicki Delow | ||
Executive producer(s) |
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Music by | Murray Gold | ||
Series | Series 14 | ||
Running time | 46 minutes | ||
First broadcast | 11 May 2024 | ||
Chronology | |||
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"Space Babies" is the first episode of the fourteenth series of the British science fiction television programme Doctor Who . It was written by Russell T. Davies, directed by Julie Anne Robinson, and was released alongside the next episode "The Devil's Chord" on BBC iPlayer and Disney+ on 11 May 2024.
In the episode, the alien time traveller known as the Doctor (Ncuti Gatwa) and Ruby Sunday (Millie Gibson) travel to a space station and find a baby farm, which is under threat by a creature the babies call the Bogeyman. The episode was watched by 4.01 million viewers and was met with generally positive reviews from critics. A novelisation of the episode written by Alison Rumfitt will be released on 8 August 2024.
The Doctor and Ruby Sunday travel to a space station where they run into a monstrous creature. They find an elevator and reach the higher level, only to discover that the ship is a baby farm, run by talking babies. The babies live in fear of the creature down below, which they have dubbed the Bogeyman, and their only caregiver is supposedly an AI named NAN-E. The Doctor traces NAN-E's programming to a storage room but discovers that it is actually a woman named Jocelyn. Jocelyn is the last of the ship's original crew who were forced to leave the ship and the babies behind despite their protests against it. The Doctor locates a refugee planet nearby and vows to send Jocelyn and the space babies to it.
One of the babies, Eric, summons the courage to face the Bogeyman, but the Doctor, Ruby, and the rest of the babies come to his rescue. The Doctor finds the Bogeyman's appearance mysterious as he has the urge to run away from it. After finding the ship's programming he discovers that the ship created the Bogeyman as part of its misguided attempt to entertain the children. Not only that, but the Bogeyman is made out of literal "bogies" as it took the command seriously. Jocelyn has the Doctor and Ruby lead the Bogeyman to the airlock so she can eject it into space, but Ruby points out that the creature appeared the same time the babies were born, thus it is actually one of them. Ruby stops Jocelyn while the Doctor rescues the Bogeyman, whom the babies recondition to behave like a dog.
Reworking the ship, the Doctor manages to get it up and running so that it can fly to the refugee planet. The Doctor gives Ruby keys to the TARDIS and invites her to come travel with him on the condition that they do not visit the night her mother left her at the church on Ruby Road. As they return to Carla and Cherry, the Doctor performs a DNA scan on an unsuspecting Ruby, as it suddenly begins to snow inside the TARDIS.
The episode features twelve real infants and these were occasionally replaced with dolls due to UK law and actor's union restrictions. CGI was used for their mouth movements. [2] [3] Reportedly the dolls used scared the cast. [4]
Gatwa and Gibson described the episode as being "for the fans". [5] The episode was written as an introduction for new fans. [6] [7]
Lenny Rush was originally cast as the voice of Eric, but after being impressed by his performance the production team decided to withdraw him from the role in favour of the UNIT scientific advisor, Morris Gibbons, who Rush will appear as later in the series. [8] The character was instead voiced by Sami Amber. [3]
Aggregate scores | |
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Source | Rating |
Rotten Tomatoes (Tomatometer) | 92% [9] |
Rotten Tomatoes (Average Rating) | 6.8/10 [9] |
Review scores | |
Source | Rating |
i | [10] |
Radio Times | [11] |
The Guardian | [lower-alpha 1] [12] |
The Independent | [lower-alpha 1] [13] |
Vulture | [6] |
"Space Babies" was first released in the United Kindom on BBC iPlayer and in the United States on Disney+ on 11 May 2024; [14] followed by a broadcast on BBC One later in the day. The episode was released alongside "The Devil's Chord" which aired immediately after. [14] The episodes were given an early screening exclusive for critics on 6 May. [15] [16] [12] The episode is the first non-special to air since the thirteenth series finale "The Vanquishers" (2021). [17]
Disney also handled international distribution of the episode outside of the United Kingdom and Ireland. [18] [19]
Overnight viewing figures estimate that the episode was watched by 2.6 million people on its BBC One broadcast, 200,000 more than the following episode. [20] Louise Griffin from Radio Times attributed the low ratings to the episodes launch on BBC iPlayer nearly 20 hours previously. Griffin stated that it was likely that the episode was viewed by significantly more people. [21] The episode received a total of 4.01 million consolidated viewers. [22]
According to the review aggregator Rotten Tomatoes, 92% of 13 critics gave the episode a positive review. The sites critical consensus reads, "Starting things off on a buoyant and eccentric note, "Space Babies" is an intergalactic bundle of joy as far as introductions go." [9] On Metacritic, which uses a weighted average, the two-episode season premiere received a rating of 72 out of 100, indicating "generally favorable reviews". [23]
Jack Seale of The Guardian described the episode as "a textbook example of a mid-ranking Who instalment, fun but forgettable and, ultimately, not making sense." [12] Writing for The Independent , Ed Power felt that it had "a promising idea that never entirely comes to life on screen". [13] Writing for Den of Geek, Stefan Mohamed critised the episodes CGI. He also praised how the episode followed up on the "Timeless Child" plot line. [2]
Inverse's Bui Tran-Hoai thought the episode was a "mixed bag", describing it as "an outrageously goofy sci-fi adventure involving talking babies and a terrifying creature that stalks an abandoned space station" that "spends much of the runtime establishing who the Doctor is and what he does, leaving longtime fans to basically twiddle their thumbs as they wait for the good stuff". [16]
Author | Alison Rumfitt |
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Series | Doctor Who book: Target novelisations |
Publisher | BBC Books |
Publication date | 8 August 2024 |
Pages | 192 |
ISBN | 9781785948848 |
A novelisation of the episode was written by Alison Rumfitt and made available for pre-order in May 2024. [24] It will be officially released as a paperback on 8 August 2024 as part of the Target collection. [24] An audiobook edition will be released the same day. [25]
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