Star Trek: The Next Generation | |
---|---|
Season 3 | |
No. of episodes | 26 |
Release | |
Original network | Broadcast syndication |
Original release | September 25, 1989 – June 18, 1990 |
Season chronology | |
The third season of the American science fiction television series Star Trek: The Next Generation commenced airing in broadcast syndication in the United States on September 25, 1989 and concluded on June 18, 1990 after airing 26 episodes. Set in the 24th century, the series follows the adventures of the crew of the Starfleet starship Enterprise-D. This season featured the return of Gates McFadden as Dr. Beverly Crusher after she was replaced by Diana Muldaur for the second season. The season also saw the debut of several actors who would reappear in the same roles and others throughout the franchise, such as Dwight Schultz as Lt. Reginald Barclay, and Tony Todd as Kurn.
Further changes occurred to the writing staff, with Michael Piller brought on board as executive producer after Michael Wagner held the position for three weeks. Ronald D. Moore also joined the staff following the submission of a script for "The Bonding". Hans Beimler, Richard Manning, Melinda M. Snodgrass and Ira Steven Behr all left the staff at the end of the season. Actor Wil Wheaton also asked to leave following the way his character, Wesley Crusher, was written during the season, a decision he later regretted. [1] Other changes included a modification to the opening sequence, and changes to the Starfleet uniforms on the show.
The season opened with Nielsen ratings of 10.8 for "Evolution" with the highest-rated episode being "Yesterday's Enterprise", which scored 11.9. This was the highest rating received since the sixth episode of the first season. The lowest rating of the season was received by the 23rd episode, "Ménage à Troi", which was given a score of 9.1. After a couple of initial ranking decreases, the episodes in the second half of the season rose back to third place in its timeslot. The season was well received by critics, who called it one of the best of the series. Particular praise was given to several episodes including "Yesterday's Enterprise", "Sins of the Father" and the first part of "The Best of Both Worlds". Box sets of the season have been released both on DVD and Blu-ray, and "The Best of Both Worlds" was given a limited theatrical release.
Senior writer Maurice Hurley left at the end of season two, and Michael Wagner was brought onto the show by executive producer Rick Berman. Wagner's tenure was brief, lasting three weeks, [2] and he recommended Michael Piller to replace him. Wagner and Piller had previously worked together on the 1988 American television series Probe . [3] Piller's agent had advised him not to join Star Trek as he would be "pigeon-holed as a freelance writer", [4] but he ignored the advice. [3] He would also look at leaving at the end of the season, but stayed after Berman and show creator Gene Roddenberry convinced him. [5] Piller wrote the episode that opened the season, "Evolution" and took over as executive producer from "The Bonding" onwards. [6] He explained to the writing staff that there were two requirements for every episode, saying that "every episode is going to be about a character's growth. And every episode has to be about something." [7]
The season also saw internal promotions to the existing writing staff. Both Hans Beimler and Richard Manning became co-producers, while Melinda M. Snodgrass became an executive script consultant. [6] Following "The Vengeance Factor", Ira Steven Behr joined the crew as a writing producer. [6] All four writers left the series at the end of the season. [2] [5] Behr would go on to become executive producer for Star Trek: Deep Space Nine . [8] Richard Danus also acted as executive story editor between "Booby Trap" through to "Yesterday's Enterprise". Because of the open door policy on spec scripts Piller employed, [9] the season saw the first script for Ronald D. Moore with "The Bonding". Because of his success with that script, he was subsequently hired as executive story editor from "Sins of the Father" onwards. [6]
Because of the way his character was written during season three, Wesley Crusher actor Wil Wheaton asked to be written out of the series. It was a decision he later regretted, as he realised that all the main cast outside of Picard, Riker and Data had similar roles at the time. He praised the writing of Moore in "The Bonding" and Piller in "Evolution", and said that "Yesterday's Enterprise" was one of his favourite episodes. [1] The season also saw a relaxation in Gene Roddenberry's previous direction that The Next Generation could not touch on aspects of The Original Series. This was seen in the episode "Sarek", but was specifically related to the end of the episode where Captain Jean-Luc Picard mentions Spock during a mind meld with Sarek. Piller described this one act as "the breakthrough which allowed us to open the doors, that allowed us to begin to embrace our past." [10]
Gates McFadden returned to the role of Doctor Beverly Crusher in the third season, [11] the character had been written out for season two and replaced with Diana Muldaur playing Doctor Katherine Pulaski. [12] Roddenberry had ensured that Crusher was not written out permanently to allow for her return in the future. [13] Keith DeCandido blamed her departure on Maurice Hurley. [14] After he left the series, McFadden returned. [14] At the end of season 2 Patrick Stewart was asked by the producer what he wanted and he asked for new uniforms, more action scenes and for Diana Muldaur to be fired and McFadden brought back. [15]
Season three saw further appearances for several recurring characters from the franchise, including John de Lancie as Q in "Deja Q", Majel Barrett as Lwaxana Troi in "Ménage à Troi", who had both appeared in multiple episodes of previous seasons. It also featured an appearance by Mark Lenard as Sarek. Lenard had previously appeared in this role in the Star Trek: The Original Series episode "Journey to Babel" as well as the film franchise. Denise Crosby, whose character Tasha Yar was killed in the first season episode "Skin of Evil", returned in "Yesterday's Enterprise" due to changes to the timeline seen in the series. [11] The events of that episode would set up appearances in The Next Generation for the actress as the half-Romulan character Sela in later seasons. [16]
The season also featured the first appearance of actors who would later reappear both in The Next Generation and later series of the franchise. These included Tony Todd as Worf's brother Kurn, who would appear in this role later in the series and also in Star Trek: Deep Space Nine. [11] "Hollow Pursuits" marked the first appearance of Dwight Schultz as Lt. Reginald Barclay in the franchise. He would become a recurring character in the series, and go on to appear in several episodes of Star Trek: Voyager and the film Star Trek: First Contact (1996). [11] Schultz had previously been known for his role as H. M. Murdock in the television series The A-Team . [17]
Susan Gibney appeared as Dr. Leah Brahms in "Booby Trap", and would later return in that role in "Galaxy's Child". [11] Gibney was also considered for the role of the Captain Janeway in Voyager and played Captain Erika Benteen in the Deep Space Nine episode "Paradise Lost". [18] [19] An actor who later gained a recurring role in Deep Space Nine following an appearance the third season of The Next Generation was Max Grodénchik. He appeared as the Ferengi Sovak in "Captain's Holiday", and as another Ferengi in the fifth season's "The Perfect Mate". In DS9, he was initially cast as a "Ferengi Pit Boss" in the pilot episode, "Emissary". [20] That character would soon become Rom, who by the end of the series was the leader of his race. [21] Jennifer Hetrick also made her first appearance in "Captain's Holiday" as Vash. She would also appear as that character in "Qpid" and Deep Space Nine's "Q-Less". [11]
Andreas Katsulas made his first appearances as the Romulan Tomalak in "The Enemy" and "The Defector." He would later reappear in episodes of later seasons, in both "Future Imperfect" and the series finale "All Good Things...". [11] Charles Cooper and Patrick Massett appeared as K'mpec and Duras respectively in "Sins of the Father", and would also appear in those roles once more in "Reunion" in the fourth season. A number of other actors also appeared during the season in prominent guest star roles, including Saul Rubinek, Tricia O'Neil, Harry Groener and James Sloyan. [11] Groener returned to Star Trek during the final season of Star Trek: Enterprise in a different role during the episodes "Demons" and "Terra Prime". [22]
Robert Blackman joined the crew prior to the start of the season as costume designer. [15] He had been recommended by his predecessor, Durinda Rice Wood. He later recalled that he wasn't interested in the job and only took the interview as a favor, but he was so struck by producer David Livingston's enthusiasm that he accepted the post. [23] One of his tasks was to redesign the Starfleet costumes which had been used for the first two seasons. The previous versions were made of spandex and caused back problems in the cast. The new costumes cost $3,000, and were made out of a wool gabardine. [15]
With Roddenberry's permission, Blackman changed the primary color on the uniforms to black with only blocks of red, gold or blue to signify the branch. This change was intended to set off the faces of the cast and to smooth out their figures on screen. [24] While the men's costumes became two piece outfits, the costumes for McFadden and Marina Sirtis remained as jumpsuits requiring them to maintain a specific weight each. It was following the introduction of these costumes that the nickname of the "Picard Maneuver" was given to Patrick Stewart's habit of tugging down his uniform tunic. [23] Blackman also overhauled the Starfleet Admiral's uniforms, and worked on a variety of alien costumes including designed Klingon and Vulcan outfits. [23] [25]
Associate producer Peter Lauritson was promoted to co-producer and both Michael Okuda and Rick Sternbach were credited with the addition title of technical consultant due to the level of technical help they had been giving the writers since the start of the series. [15] The opening sequence of the series was changed from the third season onwards. Instead of showing the Enterprise exiting the Solar System as in the first two seasons, [24] it now showed the vessel coming in from the Milky Way. [15]
By the end of season two, The Next Generation had risen to become the third most viewed series in its timeslot. [26] "Evolution" opened the third season with Nielsen ratings 10.8 according to Nielsen Media Research. [3] These were among the second lowest ratings of the season, with only the 23rd episode, "Menage a Troi", scoring lower with 9.1. Although other episodes received higher Nielsen ratings, they were ranked lower in comparison to other series in the same timeslot. "The Bonding" was ranked 6th, while "The Vengeance Factor" was ranked 5th. Following the latter, the series rose back to 3rd with only occasional drops to 4th place. "Yesterday's Enterprise" was the highest rated, with Nielsen ratings of 11.9. [27] It was the highest-rated episode since the eighth episode of the first season, "Justice" which was broadcast on November 8, 1987. [26]
Keith DeCandido for Tor.com thought that the third season was where the series "really came into its own". [11] He praised the changes to the show, such as the modification to the uniforms, and especially the new writing staff that joined the crew during the third season. He said that some of the episodes were highlights of the franchise, not just The Next Generation. Those episodes praised were "Sins of the Father", "Yesterday's Enterprise" and the first episode of "The Best of Both Worlds". He particularly thought that the season finale had never been matched in the entire franchise. He summed up the season by saying that it had "solidified TNG as a show that had finally outgrown the shadow of its predecessor and could stand on its own as a truly fine television show." [11]
Michael Simpson in his review of the Blu-ray release for SciFiNow magazine said that season three was where the series "found its feet". [28] He thought that the increase in quality was due to the changes in writing staff, such as the addition of Piller, Echevarria and Moore. He also said that it was the most consistent and memorable season of the series, and several episodes were an "object lesson in clever, suspenseful plotting". [28] Richard Edwards in his review for SFX magazine, said that it was in the third season that the "chemistry really clicked" between the main cast. [29] He compared it to The Original Series, saying that in this season the show started "to vie with Kirk and co for the mantle of Trek's definitive incarnation". [29] He too praised "Yesterday's Enterprise", "Sins of the Father" and "Best of Both Worlds", calling the latter the show's greatest story. [29] In Jeremy Conrad's review of season three for IGN, he said that "Yesterday's Enterprise" and the first part of "Best of Both Worlds" lifted the season and "define[d] it as the best of all seven years". [30]
In 2019, CBR rated Season 3 of Star Trek: The Next Generation as the 16th best season of all Star Trek seasons up to that time. [31]
"Yesterday's Enterprise" was nominated in three categories at the 1990 Emmy Awards, winning one for Outstanding Sound Editing for a Series. "Deja Q" was also nominated in two categories, but was not successful in either. In total, the series was nominated for nine awards, with the only other win coming in the category of Outstanding Art Direction for a Series for "Sins of the Father". "Allegiance", "Tin Man" and "Hollow Pursuits" were the other episodes nominated. [32] For the second year in a row, the series was nominated in two categories at the Youth in Film Awards. At the 1990 awards, they were for Best Off-Prime Time Family Series and Best Young Actor in an Off-Primetime Family Series for Wil Wheaton. However, it did not win in either categories. [33]
In the following table, episodes are listed by the order in which they aired.
No. overall | No. in season | Title | Directed by | Written by | Original air date | Prod. code | Nielsen rating |
---|---|---|---|---|---|---|---|
49 [nb 1] | 1 | "Evolution" | Winrich Kolbe | Story by : Michael Piller & Michael Wagner Teleplay by : Michael Piller | September 25, 1989 | 150 | 10.8 [3] |
Nanites escape Wesley Crusher's (Wil Wheaton) lab and form a collective intelligence, threatening the Enterprise. | |||||||
50 | 2 | "The Ensigns of Command" | Cliff Bole | Melinda M. Snodgrass | October 2, 1989 | 149 | Unknown [27] |
Data (Brent Spiner) must persuade a stubborn colony to evacuate their homeland under threat of a powerful and mysterious race. | |||||||
51 | 3 | "The Survivors" | Les Landau | Michael Wagner | October 9, 1989 | 151 | 9.6 [27] |
The Enterprise investigates the last two survivors of an annihilated world, as the entire surface has been destroyed except for their property. | |||||||
52 | 4 | "Who Watches the Watchers" | Robert Wiemer | Richard Manning & Hans Beimler | October 16, 1989 | 152 | 9.6 [27] |
Counselor Deanna Troi (Marina Sirtis) and Commander William Riker (Jonathan Frakes) must rectify the damage done when two primitives from Mintaka III catch a glimpse of a Federation observation team and eventually conclude that Captain Jean-Luc Picard (Patrick Stewart) is a god. Guest starring Ray Wise. | |||||||
53 | 5 | "The Bonding" | Winrich Kolbe | Ronald D. Moore | October 23, 1989 | 153 | 9.9 [27] |
A mysterious entity seeks to comfort a boy who has lost his mother in an accident on its planet. | |||||||
54 | 6 | "Booby Trap" | Gabrielle Beaumont | Story by : Michael Wagner & Ron Roman Teleplay by : Ron Roman and Michael Piller & Richard Danus | October 30, 1989 | 154 | 11.0 [27] |
The Enterprise falls victim to an ancient booby trap set to snare starships and drain their power supply. While in an effort to find an escape, Lt. Geordi La Forge (LeVar Burton) finds himself falling for the holodeck's representation of an accomplished Federation engineer Dr. Leah Brahms (Susan Gibney). | |||||||
55 | 7 | "The Enemy" | David Carson | David Kemper and Michael Piller | November 6, 1989 | 155 | 10.3 [27] |
Geordi La Forge is trapped on a harsh planet with a hostile Romulan named Bochra (John Snyder) but the two must work together to survive. | |||||||
56 | 8 | "The Price" | Robert Scheerer | Hannah Louise Shearer | November 13, 1989 | 156 | 10.6 [27] |
Deanna Troi falls in love with a charismatic negotiator who vies for rights to a wormhole. But several different groups, including the Ferengi, are after the wormhole as it may be the only known stable wormhole in existence. | |||||||
57 | 9 | "The Vengeance Factor" | Timothy Bond | Sam Rolfe | November 20, 1989 | 157 | 9.7 [27] |
William Riker exposes an assassin bent on carrying out an ancient blood feud in the midst of critical peace talks with a band of nomadic marauders. | |||||||
58 | 10 | "The Defector" | Robert Scheerer | Ronald D. Moore | January 1, 1989 | 158 | 10.5 [27] |
Determined to avert a war, a Romulan officer defects to warn the Federation of the Empire's invasion plans. | |||||||
59 | 11 | "The Hunted" | Cliff Bole | Robin Bernheim | January 10, 1990 | 159 | 10.6 [27] |
A genetically modified soldier reveals the social problems of a world hoping to join the Federation. | |||||||
60 | 12 | "The High Ground" | Gabrielle Beaumont | Melinda M. Snodgrass | January 31, 1990 | 160 | 10.5 [27] |
Dr. Beverly Crusher (Gates McFadden) is kidnapped by terrorists who need medical assistance as the technology employed in their attacks is detrimental to their own health. | |||||||
61 | 13 | "Deja Q" | Les Landau | Richard Danus | February 5, 1990 | 161 | 11.3 [27] |
The Q Continuum strips Q (John De Lancie) of his powers, and dumps him aboard the Enterprise. | |||||||
62 | 14 | "A Matter of Perspective" | Cliff Bole | Ed Zuckerman | February 12, 1990 | 162 | 10.8 [27] |
Commander Riker is accused of murder and the holodeck is used to reconstruct the events from different perspectives. | |||||||
63 | 15 | "Yesterday's Enterprise" | David Carson | Teleplay by : Ira Steven Behr & Richard Manning & Hans Beimler & Ronald D. Moore Story by : Trent Christopher Ganino & Eric A. Stillwell | February 19, 1990 | 163 | 11.9 [27] |
The USS Enterprise-C arrives from the past causing a shift in reality and the return of the deceased Tasha Yar (Denise Crosby). | |||||||
64 | 16 | "The Offspring" | Jonathan Frakes | René Echevarria | March 12, 1990 | 164 | 10.2 [27] |
Lt Cmdr. Data creates a young gynoid, Lal (Hallie Todd), which he considers his daughter. But a Starfleet Admiral arrives demanding she be removed from the Enterprise. | |||||||
65 | 17 | "Sins of the Father" | Les Landau | Story by : Drew Deighan Teleplay by : Ronald D. Moore & W. Reed Moran | March 19, 1990 | 165 | 11.1 [27] |
Lt. Worf (Michael Dorn) tries to prove his father's innocence after the Klingon High Council declares that his long-dead father was a traitor and had betrayed a Klingon outpost to the Romulans. | |||||||
66 | 18 | "Allegiance" | Winrich Kolbe | Richard Manning & Hans Beimler | March 26, 1990 | 166 | 10.2 [27] |
Aliens kidnap Captain Picard and replace him with a duplicate who sends the Enterprise to a pulsar. Meanwhile, the real Picard and three other captives try to escape from their prison. | |||||||
67 | 19 | "Captain's Holiday" | Chip Chalmers | Ira Steven Behr | April 2, 1990 | 167 | 11.7 [27] |
Captain Picard is convinced to take some much needed shore leave on Risa but gets wrapped up in a woman's treasure hunt. | |||||||
68 | 20 | "Tin Man" | Robert Scheerer | Dennis Bailey [lower-alpha 1] & David Bischoff | April 23, 1990 | 168 | 10.2 [27] |
A gifted Betazoid whom Deanna Troi once treated as a patient comes aboard to establish first contact with an unknown vessel near an unstable star before the Romulans do. | |||||||
69 | 21 | "Hollow Pursuits" | Cliff Bole | Sally Caves | April 30, 1990 | 169 | 9.8 [27] |
Lt. Reginald Barclay (Dwight Schultz)'s use of the holodeck as an escape interferes with his duties. Meanwhile, the Enterprise suffers from mysterious and random malfunctions. | |||||||
70 | 22 | "The Most Toys" | Timothy Bond | Shari Goodhartz | May 7, 1990 | 170 | 10.3 [27] |
Kivas Fajo (Saul Rubinek), an obsessed collector, is determined to add Data to his private collection of unique items. | |||||||
71 | 23 | "Sarek" | Les Landau | Story by : Peter S. Beagle Teleplay by : Peter S. Beagle | May 14, 1990 | 171 | 10.6 [27] |
The Enterprise is plagued by an outbreak of violence when it is visited by the renowned Vulcan ambassador, Sarek (Mark Lenard). Discovering that Sarek is suffering from an incurable disease, Captain Picard must allow a mind-meld with him so that the ambassador can complete a last vital negotiation between the Federation and the Legaran. | |||||||
72 | 24 | "Ménage à Troi" | Robert Legato | Fred Bronson & Susan Sackett | May 28, 1990 | 172 | 9.1 [27] |
The Ferengi kidnap Counselor Deanna Troi, Lwaxana Troi (Majel Barrett), and Commander William Riker. | |||||||
73 | 25 | "Transfigurations" | Tom Benko | René Echevarria | June 4, 1990 | 173 | 10.2 [27] |
The Enterprise rescues a humanoid with amnesia and incredible healing powers. | |||||||
74 | 26 | "The Best of Both Worlds, Part I" | Cliff Bole | Michael Piller | June 18, 1990 | 174 | 10.1 [27] |
Captain Picard is kidnapped by the Borg as they begin their invasion of Federation space. In 1997, TV Guide ranked this episode #70 on its list of the 100 Greatest Episodes. [34] In 2009, it moved to #36. [35] |
The previous Blu-ray releases of The Next Generation has been marked by one-day cinematic releases of chosen episodes. [36] [37] For the third season, the cliffhanger episode was broadcast for the first time with both parts of "The Best of Both Worlds" shown in cinemas on April 25, 2013. The two-part episode also received an individual Blu-ray release which coincided with the releases of the season three box set. [38]
Star Trek: The Next Generation – Season 3 | |||
Set details | Special features | ||
| DVD and Blu-ray
Blu-ray only
| ||
Release dates | |||
DVD | Blu-ray | ||
Region 1 | Region 2 | United States (Region free) | United Kingdom (Region free) |
July 2, 2002 [39] April 16, 2013 (re-released) [41] | July 22, 2002 [42] May 22, 2006 (re-released) [43] | April 30, 2013 [40] | April 29, 2013 [28] |
Guinan is a recurring character in the Star Trek franchise, portrayed by American actress Whoopi Goldberg. The character first appeared in the television series Star Trek: The Next Generation and went on to appear in Star Trek: Picard and the films Star Trek Generations and Star Trek: Nemesis. She was also played as a child by Isis Carmen Jones in the episode "Rascals" and a younger version of the character by Ito Aghayere in Picard.
Dr. Katherine Pulaski is a fictional medical doctor in the American science fiction television series Star Trek: The Next Generation. She served a rotation as the chief medical officer aboard the Federation starship USS Enterprise-D. During her time on the ship, her medical skills saved the lives of both Captain Jean-Luc Picard and Commander William Riker. She inadvertently caused Geordi LaForge to create a hologram of Professor Moriarty that became self-aware, after a bet involving the abilities of Lt. Commander Data. Pulaski seemed averse to most new technology and preferred to avoid the transporter, but was forced to rely on it to save her own life from a genetically-modified infection. Before arriving on the Enterprise-D, she previously served on the USS Repulse. For a time in her past, she was romantically involved with William Riker's father, Kyle Riker, with whom she has maintained a friendship.
Star Trek: Insurrection is a 1998 American science fiction film directed by Jonathan Frakes. It is the ninth film in the Star Trek film series, as well as the third to star the cast of Star Trek: The Next Generation, with F. Murray Abraham, Donna Murphy, and Anthony Zerbe appearing in main roles. In the film, the crew of the USS Enterprise-E rebels against Starfleet after they discover a conspiracy with a species known as the Son'a to steal the peaceful Ba'ku's planet for its rejuvenating properties.
"When the Bough Breaks" is the seventeenth episode of the American science fiction television series Star Trek: The Next Generation. The episode first aired in broadcast syndication on February 15, 1988. It is the first episode written for the series by Hannah Louise Shearer and the only episode of the series with Kim Manners as director.
"Coming of Age" is the nineteenth episode of the American science fiction television series Star Trek: The Next Generation. It first aired in broadcast syndication on March 14, 1988. Sandy Fries originally wrote the episode, but Hannah Louise Shearer performed an uncredited re-write. It is the only episode of the series directed by Mike Vejar, who went on to direct episodes of Deep Space Nine, Voyager and Enterprise.
"The Neutral Zone" is the season finale of the first season of the American science fiction television series Star Trek: The Next Generation, originally aired within the United States on May 16, 1988, in broadcast syndication. The episode originated as a story submission purchased by Paramount written by Deborah McIntyre and Mona Clee, and was turned into a teleplay by Maurice Hurley. Because of the 1988 Writers Guild of America strike, Hurley created the script in a day and a half, and the timescale forced the abandonment of both the idea of a two-part episode and of the first appearance of the Borg, which was delayed until the following season episode "Q Who".
"Parallels" is the 11th episode of the seventh season of the American science fiction television series Star Trek: The Next Generation, the 163rd overall. It was originally released on November 29, 1993, in broadcast syndication. The episode was written by Brannon Braga, and directed by Robert Wiemer. Executive producer Jeri Taylor wrote its final scene, but was uncredited.
"The Host" is the 23rd episode of the fourth season of the American science fiction television series Star Trek: The Next Generation and the 97th episode overall. It was originally released on May 11, 1991, in broadcast syndication.
"The Child" is the first episode of the second season of the American science fiction television series Star Trek: The Next Generation, the 27th episode overall. It was originally released on November 21, 1988, in broadcast syndication. The story was originally written by Jaron Summers and Jon Povill for the cancelled late 1970s series Star Trek: Phase II. Due to the tight deadlines caused by the 1988 Writers Guild of America Strike, the producers of The Next Generation searched the records of that earlier television project, resulting in the script being amended by show runner Maurice Hurley.
"Lonely Among Us" is the seventh episode of the American science fiction television series Star Trek: The Next Generation, which originally aired on November 2, 1987, in broadcast syndication in the United States. It was written by D. C. Fontana, based on a story by Michael Halperin. It was the first episode of The Next Generation to be directed by Cliff Bole.
"Justice" is the eighth episode of the first season of the American science fiction television series Star Trek: The Next Generation. The episode first aired in broadcast syndication on November 9, 1987. Directed by James L. Conway, writer John D. F. Black originally pitched the story, but after Worley Thorne and Gene Roddenberry modified it, Thorne wrote the script. Because of the changes to the story, Black chose to receive his credit under the pseudonym Ralph Wills.
"Yesterday's Enterprise" is the 63rd episode of the American science fiction television series Star Trek: The Next Generation. It is the 15th episode of the third season, first airing in syndication in the week of February 19, 1990. Set in the 24th century, the series follows the adventures of the Starfleet crew of the Federation starship Enterprise-D. In this episode, the ship's crew must decide whether to send the time-travelling Enterprise-C back through a temporal rift to its certain destruction, to prevent damaging changes to their timeline.
"Haven" is the eleventh episode of the first season of the American science fiction television series Star Trek: The Next Generation, originally aired on November 30, 1987, in broadcast syndication in the United States. Directed by Richard Compton, the story was originally created by Lan O'Kun, and developed into the final script by Tracy Tormé.
"Angel One" is the fourteenth episode of the first season of the American science fiction television series Star Trek: The Next Generation. It was first broadcast on January 25, 1988, in the United States in broadcast syndication. It was written by Patrick Barry and was directed by Michael Ray Rhodes.
"Skin of Evil" is the 23rd episode of the first season of the American science fiction television series Star Trek: The Next Generation, and originally aired on April 25, 1988, in broadcast syndication. The story premise was written by Joseph Stefano, and the screenplay was re-written by Hannah Louise Shearer. The episode was directed by Joseph L. Scanlan.
"Sarek" is the 23rd episode of the third season of the American science fiction television series Star Trek: The Next Generation, and the 71st episode overall. It was originally released on May 14, 1990, in broadcast syndication. The story for the episode was created by Marc Cushman and Jake Jacobs, with the teleplay written by Peter S. Beagle. "Sarek" was directed by Les Landau.
"The Perfect Mate" is the 21st episode of the fifth season of the American science fiction television series Star Trek: The Next Generation, the 121st overall. The episode was credited to Gary Percante and Michael Piller from a story by Percante and René Echevarria. Percante was a pseudonym of Reuben Leder, which was used by the writer in protest against re-writes. Four endings were written, with two filmed. "The Perfect Mate" was directed by Cliff Bole.
The first season of the American television science fiction series Star Trek: The Next Generation commenced airing in broadcast syndication in the United States on September 28, 1987, and concluded on May 16, 1988, after 26 episodes were broadcast. Set in the 24th century, the series follows the adventures of the crew of the Starfleet starship Enterprise-D. It was the first live-action television series in the franchise to be broadcast since Star Trek: The Original Series was cancelled in 1969, and the first to feature all new characters. Paramount Television eventually sought the advice of the creator of Star Trek, Gene Roddenberry, who set about creating the new show with mostly former The Original Series staff members. An entirely new cast were sought, which concerned some members of The Original Series crew, as Roddenberry did not want to re-tread the same steps as he had in the first series to the extent that well-known Star Trek aliens such as Vulcans, Klingons and Romulans were banned at first.
The second season of the American science fiction television series Star Trek: The Next Generation commenced airing in broadcast syndication in the United States on November 21, 1988, and concluded on July 17, 1989, after airing 22 episodes. Set in the 24th century, the series follows the adventures of the crew of the Starfleet starship Enterprise-D. Season two featured changes to the main cast, following the departure of Gates McFadden. Diana Muldaur was cast as Dr. Katherine Pulaski for a single season before the return of McFadden in season three. Academy Award winner Whoopi Goldberg also joined the cast after pursuing a role from the producers.
*Nemecek, Larry (2003). Star Trek: The Next Generation Companion (3rd ed.). New York: Pocket Books. ISBN 0-7434-5798-6.