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Stridulum II | ||||
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Studio album by | ||||
Released | August 23, 2010 | |||
Genre | ||||
Length | 34:14 | |||
Label | Souterrain Transmissions | |||
Producer | Nika Roza Danilova | |||
Zola Jesus chronology | ||||
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Stridulum II is the second full-length studio album release (although it is considered her first in the UK) [1] by the American singer-songwriter Zola Jesus, released by the German label Souterrain Transmissions on August 23, 2010. The album combines all six songs from the Stridulum EP with three of the four songs from the Valusia EP. The cover art is modified from the cover of Stridulum.
Stridulum II, the album that (according to Dazed & Confused magazine) "explores good and evil, extreme behaviour and how doing something small can make a big change" was inspired by Giulio Paradisi's 1979 film: [2]
I love Giulio Paradisi's Stridulum because it is very ambitious, very confusing and very beautiful. It's not a particularly well-made film, it's certainly isn't very linear and doesn't always make sense, but that's only because he is trying to do too much with it. At its centre is a battle between good and evil...
Zola Jesus referred particularly to the scene when Goodness (John Huston) tries to rescue the film's heroine by "washing her bad side away" and when doves fall from the sky. "That particular scene and the score are both incredibly striking pieces of work. Moments of the score are used in my track Stradilum and I chose it to be the title of the album. It's a very empowering idea," the singer added. [2]
The original EP was not conceived as an album. According to Jesus, the songs came in later when Souterrain Division asked her for more tracks to make it full-length size. "I tried to make them fit in with the EP but they didn't really, I don't think. When I feel like I've done something already I want to try something new, so at the time that the EP came out I already wanted to try new things and I didn't really want to revisit an old format," she added. [3] For Stridulum II Zola Jesus consciously moved away from the lo-fi aesthetics of The Spoils into a sound that was better produced and clarified. "I just wanted to grow as an artist, I wanted to prove to myself that I didn't have anything to hide underneath the fuzz. Sometimes it's easy to compromise talent when you're working with those frequencies because a lot of things get lost," she commented. [3]
"Manifest Destiny" was used in the trailer for Neill Blomkamp's movie Elysium .
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 7.3/10 [4] |
Review scores | |
Source | Rating |
DIY | 9/10 [5] |
Drowned in Sound | 8/10 [6] |
Fact | 4/5 [7] |
The Fly | 4/5 [8] |
MusicOMH | [9] |
NME | 8/10 [1] |
The Skinny | [10] |
Uncut | [11] |
NME gave the album 8 out of 10 and praised Danilova's classically trained voice as "the deadliest weapon in her arsenal" and called the album "dark masterpiece". [1] According to Rave , "Stridulum II is pretty profound... She's sandblasted her songs clean of the lo-fi trappings of The Spoils, letting her incredible voice shine through the arrangements... The arrangements, too, are stripped back to essentials, often containing nothing more than a drum machine and some synth pads... The focus, therefore, is on the songs themselves, and they don't disappoint. Their simplicity, vulnerability and directness are well beyond Danilova's 21 years". Chad Parkhill concludes, "Zola Jesus is an exciting project, and if Danilova keeps improving at this clip, her sophomore album proper will be simply incredible." [12] The Fly made an emphasis on the artist's vocal performance: "Stridulum II’s lyricism points to apocalypse and suffering, but is cradled gently in possibly the strongest vocal performance this year," wrote the reviewer, Euan Davidson. [8] According to AU Magazine, this "spellbinding collection"'s hypnotic power "derives from Danilova's spectral vocal. She sounds like a spirit unable to cross over, forlorn and forsaken, reciting her litany of love and regret" even if "the slightness of sound occasionally threatens to undermine the record's fragile veil of magic". [13]
"She has a way with a lyric, the way that the greatest pop stars do, of saying something simple that could mean so much to so many – conveying the universal in one chorus or a snatch of verse," The Quietus reviewer wrote, again praising Danilova's voice. "It swallows you up, enraptures you. It, more than anything else in her impressive arsenal, is what drags you in and doesn't let you go. It's the voice of a diva in the truest sense of the word, a mix of Maria Callas and Florence Welch, designed to be sung wherever Danilova wants to go: opera houses or Glastonbury." [14] The Uncut reviewer called "her sound... instantly transfixing", [11] while The Observer , making parallels to "Siouxsie Sioux fronting the xx" and the "goth Florence Welch", argued that this album found Jesus "moving away from her avant-garde early recordings and embracing direct songwriting and pithier instrumentation, to arresting results". "'Night' sounds like a monster hit waiting for an advert to launch it," the critic Kitty Empire wrote. [15] As Kyle Ellison of Drowned in Sound put it, "Most noticeably on Stridulum II, the vocals are placed slap bang in the middle of the mix... While influences are drawn largely from the same places as before, the instrumentation has been softened, the edges are rounded, and the sound is enhanced beyond a mere studio clean-up job," making the record "not the noisy, industrial sound of old with nicer production, but a collection of pop orientated songs with darker influences hidden beneath." [6]
According to BBC Music 's Spencer Grady, Zola Jesus "has thrown back the veils of feral scuzz and grime that swamped many of her earlier recordings, a corollary of her love for early industrial music and power electronics" and achieved in some tracks "anthemic clarity and accessibility". Praising "the potency and inherent potential in Danilova’s voice", and mentioning These New Puritans, Siouxsie Sioux, Cocteau Twins and Florence Welch as points of reference, the critic argued that still "without the wizard’s curtain of feverish fuzz to hide behind, her compositions can appear vulnerable, hollow and frail". The album demonstrated "the perils of revisiting the past, especially if, as is undoubtedly the case with Danilova, you were too young to live through it first time round," S.Grady concluded. [16]
All tracks are written by Zola Jesus
No. | Title | Length |
---|---|---|
1. | "Night" | 3:38 |
2. | "Trust Me" | 2:02 |
3. | "I Can't Stand" | 4:12 |
4. | "Stridulum" | 4:20 |
5. | "Run Me Out" | 3:19 |
6. | "Manifest Destiny" | 3:19 |
7. | "Tower" | 3:59 |
8. | "Sea Talk" | 5:03 |
9. | "Lightsick" | 4:11 |
Siouxsie and the Banshees were a British rock band formed in London in 1976 by vocalist Siouxsie Sioux and bass guitarist Steven Severin. They were widely influential, both over their contemporaries and later acts. The Times called the group "one of the most audacious and uncompromising musical adventurers of the post-punk era".
The Creatures were an English band formed in 1981 by vocalist Siouxsie Sioux and drummer Budgie of the group Siouxsie and the Banshees. The Creatures released their first EP Wild Things in 1981. They recorded four studio albums: Feast in 1983, Boomerang in 1989, Anima Animus in 1999 and Hái! in 2003.
Susan Janet Ballion, known professionally as Siouxsie Sioux, is an English singer, songwriter, musician and record producer. She came to prominence as the leader and main lyricist of the rock band Siouxsie and the Banshees, who were active from 1976 to 1996. They released 11 studio albums, and had several UK Top 20 singles including "Hong Kong Garden", "Happy House" and "Peek-a-Boo", plus a US Top 25 single in the Billboard Hot 100, with "Kiss Them for Me".
The Scream is the debut studio album by British rock band Siouxsie and the Banshees, released on 13 November 1978 by Polydor Records. Its innovative combination of angular and serrated guitar with a bass-led rhythm and machine-like drums played mostly on toms, made it a pioneering work of the post-punk genre.
A Kiss in the Dreamhouse is the fifth studio album by British rock band Siouxsie and the Banshees, released on 5 November 1982 by Polydor Records. The record marked a change of musical direction, as the group used strings for the first time and experimented in the studio. Guitarist John McGeoch played more instruments, including recorder and piano. For Julian Marszalek of The Quietus, the release proved the Banshees to be "one of the great British psychedelic bands."
"Hong Kong Garden" is the debut single of English rock band Siouxsie and the Banshees. It was released as a single on 18 August 1978 by Polydor Records, reaching number 7 on the UK Singles Chart.
Anima Animus is the third studio album by British duo the Creatures, consisting of Siouxsie Sioux and musician Budgie, released in 1999. The title of the album was inspired by Carl Jung's concept of anima and animus.
Wild Things is the first release by British duo the Creatures. It was issued on 25 September 1981 by Polydor Records as two 7" single records in a "double-album" style card cover, and is usually referred to as an EP. It peaked on the UK Singles Chart at No. 24, and the pair performed "Mad Eyed Screamer" on Top of the Pops. The EP was entirely remastered in 1997 and reissued as part of the A Bestiary Of CD compilation – which was also released on Spotify.
Florence and the Machine are an English indie rock band formed in London in 2007 by lead vocalist Florence Welch, keyboardist Isabella Summers, guitarist Rob Ackroyd, drummer Christopher Lloyd Hayden & harpist Tom Monger. The band has comprised a number of other musicians. The band's music has received acclaim across the media, especially from the BBC, which played a large part in their rise to prominence by promoting Florence and the Machine as part of BBC Music Introducing. At the 2009 Brit Awards they received the Brit Awards "Critics' Choice" award. The band's music is renowned for its dramatic, eccentric production and Welch's powerful vocals.
Stridulum may refer to:
Nika Roza Danilova, known professionally by her stage name Zola Jesus, is an American singer, songwriter, and record producer. Her music has been noted for combining elements of electronic, industrial, classical, and goth. Born in Phoenix, Arizona, she spent her formative years in northern Wisconsin, where she began writing and recording music independently while attending college. During her second year of studies, she released two singles through the independent label Sacred Bones, followed by two EPs. Her debut album, The Spoils, was released in 2009.
Florence Leontine Mary Welch is an English singer and songwriter. She is the lead vocalist and primary songwriter of the indie rock band Florence and the Machine. The band's debut studio album, Lungs (2009), topped the UK Albums Chart and won the Brit Award for Best British Album. Their next four albums also achieved chart success. In 2018, Welch released a book titled Useless Magic, a collection of lyrics and poems written by her, along with illustrations.
Former Ghosts is a project of Freddy Ruppert, former member of This Song Is a Mess But So Am I, with loose collaborations from multiple people including Xiu Xiu frontperson Jamie Stewart, Zola Jesus originator Nika Roza Danilova, Yasmine Kittles of Tearist, Annie Lewandowski of Powerdove, and Carla Bozulich. Past live incarnations have included Jherek Bischoff and Sam Mickens. Ruppert is the lead songwriter on this project. The title of the debut, Fleurs, is a reference to the white-flowered iris.
Stridulum is the sixth release and second EP by American singer-songwriter Zola Jesus, released on March 9, 2010 by Sacred Bones Records. It was expanded into the full-length album Stridulum II, released later in 2010.
New Love is the second album from experimental electronic group Former Ghosts, a collaborative effort between Jamie Stewart, Freddy Ruppert, Yasmine Kittles (TEARIST) and Nika Roza Danilova.
The Spoils is a debut full-length studio album by Nika Roza Danilova, better known as American singer-songwriter Zola Jesus, released in July 2009 on Sacred Bones Records. To the LP version's original 10 tracks the CD adds five songs: two from "Soeur Sewer" and three from the "Poor Sons" 7-inch singles.
Conatus is the third studio album by American singer Zola Jesus, released in the United Kingdom on September 26, 2011, and in the United States on October 4 by Sacred Bones Records. The album was produced by Brian "Nudge" Foote and Nika Roza Danilova herself.
Wonky is the eighth studio album by Orbital, released on their own ACP label in the UK on 2 April 2012, and exclusively through iTunes in the United States and Canada on 17 April 2012. The album is their first since the Blue Album in 2004 and the first since they reformed in 2008. It features vocals from Zola Jesus and Lady Leshurr.
Taiga is the fourth studio album by American singer-songwriter Zola Jesus. It was released on October 6, 2014 in the UK and EU and on October 7, 2014 in the US through Mute. The album was produced by Nika Roza Danilova and co-produced by Dean Hurley. It marks the first Zola Jesus record to be released through Mute Records. The album title Taiga is the Russian word for boreal forests. A music video was released for the album's first single "Dangerous Days". The music video was directed by Timothy Saccenti and filmed in Hoh Rainforest, Washington.
Okovi is the fifth studio album by American singer-songwriter Zola Jesus. It was released on September 8, 2017 by Sacred Bones Records. The album was written in Danilova's hometown in Wisconsin, where she retreated after dealing with depression and dark times experienced by her close friends.
Her sound is instantly transfixing.