Sud (English: South) is a 71-minute 1999 Belgian-Finnish-French English-language independent documentary art film directed by Chantal Akerman.
The film, which premiered at the 1999 Cannes Film Festival (where it was nominated for the International Confederation of Art Cinemas Award) and was released on DVD in 2016 as part of a boxset also containing D’Est (1993), De l’autre côté (2002), and Down There (2006), [1] examines the effect of the dragging death of James Byrd Jr. on the residents in Jasper, Texas. [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] Financed by Institut national de l’audiovisuel, La Sept-Arte, RTBF, and the Ministry of Transport and Communications’s Yle, produced by Iikka Vehkalahti , and edited by Claire Atherton, it was also shown at the 2000 Thessaloniki International Film Festival, at the 2000 International Film Festival Rotterdam, at the 2000 Thessaloniki Documentary Festival, at the 2001 Nuremberg International Human Rights Film Festival (where it won the Nuremberg International Human Rights Film Award – Special Mention), at the 2006 Buenos Aires International Festival of Independent Cinema, at the 2011 Vienna International Film Festival, and at the 2018 Jerusalem Film Festival.
Chantal Anne Akerman was a Belgian film director, screenwriter, artist, and film professor at the City College of New York.
The Thessaloniki International Film Festival (TIFF) is a film festival held every November in Thessaloniki, Greece. It is organized by the Thessaloniki Film Festival under the auspices of the Greek Ministry of Culture. It features international competition sections, and its program includes tributes to major filmmakers and national cinemas, as well as sidebar events such as masterclasses, exhibitions, live concerts and workshops. In addition to TIFF, the Thessaloniki Film Festival holds the annual Thessaloniki Documentary Festival (TDF) in March.
Gwendolyn Audrey Foster is an experimental filmmaker, artist and author. She is Willa Cather Professor Emerita in Film Studies. Her work has focused on gender, race, ecofeminism, queer sexuality, eco-theory, and class studies. From 1999 through the end of 2014, she was co-editor along with Wheeler Winston Dixon of the Quarterly Review of Film and Video. In 2016, she was named Willa Cather Endowed Professor of English at the University of Nebraska at Lincoln and took early retirement in 2020.
The Thessaloniki Documentary Festival is an international documentary festival held every March in Thessaloniki, Greece. TDF, founded in 1999, features competition sections and ranks among the world's leading documentary festivals. Since 2018, TDF is one of the 28 festivals included in the American Academy of Motion Picture, Arts and Sciences Documentary Feature Qualifying Festival List. TDF is organized by the Thessaloniki Film Festival cultural institution, which further organizes the annual Thessaloniki International Film Festival, held every November. French producer Elise Jalladeu is TDF's general director; film critic Orestes Andreadakis serves as its director.
Cinema of Belgium refers to the film industry based in Belgium. Belgium is essentially a bi-lingual country divided into the Flemish (Dutch-speaking) north and the French-speaking south. There is also a small community of German speakers in the border region with Germany. Belgium is further a federal country made up of three regions and three language communities . Due to these linguistic and political divisions it is difficult to speak of a national, unified Cinema of Belgium. It would be more appropriate to talk about Flemish or Dutch-language cinema of Belgium and Walloon or French-language cinema of Belgium.
The Directors' Fortnight is an independent section held in parallel to the Cannes Film Festival. It was started in 1969 by the French Directors Guild after the events of May 1968 resulted in cancellation of the Cannes festival as an act of solidarity with striking workers.
Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles is a 1975 film written and directed by Belgian filmmaker Chantal Akerman. It was filmed over five weeks on location in Brussels, and financed through a $120,000 grant awarded by the Belgian government. Distinguished by its restrained pace, long takes, and static camerawork, the film is a slice-of-life depiction of a widowed housewife over the course of three days.
Marseille International Film Festival is a documentary film festival held yearly since 1989 in Marseille, France. The festival awards grand prizes in international and national categories. The 2009 competition featured 20 documentaries in the international category and 14 in the French category.
Joanna Hogg is a British film director and screenwriter. She made her directorial and screenwriting feature film debut in 2007 with Unrelated followed by Archipelago (2010), Exhibition (2013), The Souvenir (2019), The Souvenir Part II (2021), and The Eternal Daughter (2022). Two of her films topped the Sight & Sound annual poll for best film in their respective years, receiving nominations at the British Independent Film Awards, the Independent Spirit Awards and at the Berlin International Film Festival.
Down There is a 78-minute 2006 Belgian-French English- and French-language independent documentary art film directed by Chantal Akerman.
Maya Gallus is a Canadian documentary filmmaker, and co-founder of Red Queen Productions with Justine Pimlott. Her films have been screened at international film festivals, including Toronto International Film Festival, Montreal World Film Festival, Hot Docs Canadian International Documentary Festival, Sheffield Doc/Fest, SEOUL International Women’s Film Festival, Singapore International Film Festival, This Human World Film Festival (Vienna) and Women Make Waves (Taiwan), among others. Her work has also screened at the Museum of Fine Arts (Boston), Donostia Kultura, San Sebastián and Canada House UK, as well as theatrically in Tokyo, San Francisco, Key West and Toronto, and been broadcast around the world. She has won numerous awards, including a Gemini Award for Best Direction for Girl Inside, and has been featured in The Guardian, UK; Ms. (Magazine), Curve (Magazine), Bust (Magazine), Salon (Magazine), POV and The Walrus, among others. She is a Director/Writer alumna of the Canadian Film Centre and a participant in Women in the Director’s Chair. She will be honoured with a "Focus On" retrospective at the 2017 Hot Docs festival.
No Home Movie is a French-Belgian 2015 documentary film directed by Chantal Akerman, focusing on conversations between the filmmaker and her mother just months before her mother's death. The film premiered at the Locarno Film Festival on 10 August 2015. It is Akerman's last film before she died by suicide.
Hotel Monterey is a 1973 American silent documentary film directed by Chantal Akerman. It is Akerman's first feature film.
From Language to Language is a 55-minute 2004 Belgian-French-German-Israeli Hebrew-language independent underground experimental documentary art film directed by Nurith Aviv.
Taïeb Louhichi was a Tunisian film director, screenwriter, producer and filmmaker. His best known works include his debut feature film, Shadow of the Earth (1982), Layla, My Reason (1989), and La Danse Du Vent (2004).
De l’autre côté is a 2002 independent documentary art film directed by Chantal Akerman.
Claire Atherton is a film editor. In 2019, she received the Vision Award Ticinomoda on the occasion of the 72nd edition of the Locarno International Film Festival, becoming the first woman to receive the award.
Portrait of a Young Girl at the End of the 60s in Brussels is a 1994 television film by Belgian feminist and avant-garde filmmaker Chantal Akerman. It is a semi-autobiographical coming-of-age story with feminist and LGBT themes.
Golden Eighties is a 1986 musical comedy film co-written and directed by Chantal Akerman. The film explores themes such as consumerism, feminism, and Jewish identity through the lens of a shopping mall.
Patrick Baucelin is an independent audiovisual director and producer from Martinique.