Bandini is a 1963 Hindi drama film directed and produced by Bimal Roy.It stars Nutan, Ashok Kumar and Dharmendra. The film tells the story of a woman prisoner serving life imprisonment for murder, Kalyani, the all suffering, selfless, sacrificing and strong, yet weak Indian woman. She must make a choice between two very different men, Devendra (Dharmendra), the loving prison doctor, and Bikash, a man from her past.
Do Bigha Zamin is a 1953 Indian Hindi-language drama film directed by Bimal Roy. Based on Rabindranath Tagore's Bengali poem "Dui Bigha Jomi" and Rickshawalla, a short story written by composer Salil Chowdhury, the film stars Balraj Sahni and Nirupa Roy in lead roles. Known for its socialist theme, Do Bigha Zamin is considered an important film in the early parallel cinema of India, and a trend setter.
Nutan Samarth-Bahl, known mononymously as Nutan was an Indian actress who worked primarily in Hindi films. In a career spanning four decades, she appeared in more than 80 films, that ranged in genre from urban romances to socio-realist dramas. Regarded as one of the finest actresses in the history of Indian cinema, Nutan was noted for her naturalistic acting in parts of conflicted women often deemed unconventional. She was the recipient of six Filmfare Awards, including a record five Filmfare Award for Best Actress. In 1974, Nutan received the Padma Shri, India's fourth highest civilian award.
The Filmfare Award for Best Film is given by the Filmfare magazine as part of its annual Filmfare Awards for Hindi films.
The Filmfare Award for Best Supporting Actress is given by Filmfare as part of its annual Filmfare Awards for Hindi films, to recognise a female actor who has delivered an outstanding performance in a supporting role. Although the Filmfare awards started in 1954, awards for the Best Supporting Actress category started the following year 1955.
Bimal Roy was an Indian film director. He is particularly noted for his realistic and socialistic films such as Do Bigha Zamin, Parineeta, Biraj Bahu, Devdas, Madhumati, Sujata, Parakh and Bandini, making him an important director of Hindi cinema. Inspired by Italian neo-realistic cinema, he made Do Bigha Zamin after watching Vittorio De Sica's Bicycle Thieves (1948). His work is particularly known for his mise en scène which he employed to portray realism. He won a number of awards throughout his career, including eleven Filmfare Awards, two National Film Awards, and the International Prize of the Cannes Film Festival. Madhumati won 9 Filmfare Awards in 1958, a record held for 37 years.
Hrishikesh Mukherjee was an Indian film director, editor and writer. He is regarded as one of the greatest filmmakers of Indian cinema. Popularly known as Hrishi-da, he directed 42 films during his career spanning over four decades, and is named the pioneer of the 'middle cinema' of India. Renowned for his social films that reflected the changing middle-class ethos, Mukherjee "carved a middle path between the extravagance of mainstream cinema and the stark realism of art cinema".
Salil Chowdhury was an Indian music director, songwriter, lyricist, writer and poet who predominantly composed for Bengali, Hindi and Malayalam films. He composed music for films in 13 languages. This includes over 75 Hindi films, 41 Bengali films, 27 Malayalam films, and a few Marathi, Tamil, Telugu, Kannada, Gujarati, Odia and Assamese films. His musical ability was widely recognised and acknowledged in the Indian film industry. He was an accomplished composer and arranger who was proficient in several musical instruments, including flute, the piano, and the esraj. He was also widely acclaimed and admired for his inspirational and original poetry in Bengali.
The Filmfare Award for Best Story is given by Filmfare as part of its annual Filmfare Awards for Hindi films, to recognise a writer who wrote a film's story.
Madhumati is a 1958 Indian Hindi-language paranormal romance film directed and produced by Bimal Roy, and written by Ritwik Ghatak and Rajinder Singh Bedi. The film stars Vyjayanthimala and Dilip Kumar in lead roles, with Pran and Johnny Walker in supporting roles. The plot focuses on Anand, a modern man who falls in love with a tribal woman named Madhumati. But they face challenges in their relationship finally leading to a paranormal consequence. The film was ranked 11th in the Outlook Magazine's 25 leading Indian directors' poll for selecting Bollywood's greatest films in 2003.
Subodh Ghosh was a noted Indian author of Bengali literature and a journalist associated with the Kolkata-based daily newspaper Anandabazar Patrika. His best known work, Bharat Premkatha, is about the romances of epic Indian characters and has remained very popular in the Bengali literary world. Many of his stories have been adapted in Indian films, most notably Ritwik Ghatak's Ajantrik (1958) and Bimal Roy's Sujata (1959). He won the Filmfare Award for Best Story twice, for Bimal Roy's Sujata (1960) and for Gulzar's Ijaazat in 1989. He was selected as a recipient for the Bharatiya Jnanpith Award (1977) but he refused it.
Antarjali Jatra, also known as Antarjali Yatra, is a 1987 film directed by Kolkata-based Indian film director Goutam Ghose based on a novel, Mahayatra, by Kamal Kumar Majumdar. It documents the institution of Kulin Brahmin polygamy in nineteenth-century Bengal. The film opens with Seetaram, a rich Kulin Brahmin, being brought to the bank of the Ganga for a virtuous death in contact with the holy river's waters, as suggested by his family priest. He did not die, even after waiting for a few days. An astrologer suggested that he would not die without a companion, i.e., a wife. An old Brahmin takes this opportunity to get rid of the burden of his young daughter Yashobati, without dowry, knowing that Seetaram is on his deathbed. Baiju, a kind-hearted chandala tried to reason with Yashobati, a newlywed, to run away. He narrates his inability to be a part of sin by making a funeral pyre for the newlywed and burning a young widow. He tried to reason with her that glory in sati is hollow. The film won the National Film Award for Best Feature Film in Bengali in 1988. It was screened in the Un Certain Regard section of the 1988 Cannes Film Festival.
Shashikala Saigal, better known by her first name, was an Indian film and television actress, who played supporting roles in hundreds of Bollywood films beginning in the 1940s.
Biraj Bahu is a 1954 Hindi film produced by Hiten Choudhury and directed by Bimal Roy, and based on a Bengali novel by Saratchandra Chattopadhyay. The film stars Kamini Kaushal, Abhi Bhattacharya and Pran and has music by Salil Chowdhury. The film won the All India Certificate of Merit for Best Feature Film.
Basu Bhattacharya was an Indian film director of Hindi films. He is perhaps best known for his 1966 film Teesri Kasam, starring Raj Kapoor and Waheeda Rehman, which won the National Film Award for Best Feature Film in 1967. The most popular and critically acclaimed film which he directed remains Avishkaar, starring Rajesh Khanna and Sharmila Tagore, which received five stars in Bollywood Guide Collections and for which Khanna received the Filmfare Best Actor Award in 1975.
Amit Bose was an Indian filmmaker, film director and editor, who directed all-time classics like Abhilasha (1968) and, as an Editor, worked on movies like Madhumati (1958), Sujata (1959), Parakh (1960), Usne Kaha Tha (1960), Kabuliwala (1961), Prem Patra (1962), Bandini (1963) and Shakespeare Wallah (1965). He worked as Chief Film Editor for Bimal Roy and with several other directors including Sanjay Khan.
Nabendu Ghosh was an Indian author in Bengali literature, and screenwriter. He has written screenplays of classic Bollywood movies like, Sujata, Bandini, Devdas, Majhli Didi, Abhimaan and Teesri Kasam. He has written stories for movies like Baap Beti, Shatranj, Raja Jani. He has also acted briefly in Do Bigha Zameen, Teesri Kasam and Lukochuri. Later in his career, he directed four movies as well.
Sulochana Latkar, better known by her screen name Sulochana, was an Indian actress of Marathi and Hindi cinema, who acted in 50 films in Marathi and around 250 films in Hindi. She was most known for her performances in Marathi films such as Sasurvas (1946), Meeth Bhakar (1949), Vahinichya Bangdya (1953), Dhakti Jaoo (1958) and Sangte Aika (1959) in the lead roles, as well as for the mother roles she played in Hindi cinema right from 1959 film Dil Deke Dekho to the year 1995. She and Nirupa Roy epitomized the "mother" roles right from 1959 until the early 1990s.
Sudhendu Roy (1921–1999) was a noted Indian film director, art director and production designer in Hindi cinema, most known for his realistic art direction in auteur Bimal Roy's films, like Sujata (1959), Madhumati (1959) and Bandini (1963), and glitzy work in films Subhash Ghai's Karz (1980) and Karma (1986) to Yash Chopra's Silsila (1981), Chandni (1989) and Lamhe (1991). He won the Filmfare Award for Best Art Direction thrice for, Madhumati (1959), Mere Mehboob (1964) and Sagina (1975).
Kamal Bose (1915–1995) was an Indian cinematographer, who shot most of Bimal Roy classics, including Parineeta (1953), Do Bigha Zamin (1953), Bandini (1963), Devdas (1955) and Sujata (1960). He successful transitioned into the coloured film era, and shot Qurbani (1980), Janbaaz (1986) and Dayavan (1988).
