Sundew | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1991 | |||
Recorded | June 1990–March 1991 | |||
Studio |
| |||
Genre | ||||
Length | 48:10 | |||
Label | Virgin | |||
Producer | Michael Johnson | |||
Paris Angels chronology | ||||
| ||||
Singles from Sundew | ||||
|
Sundew is the debut album by Mancunian band Paris Angels, released by Virgin Records in 1991. Following the group's arrival onto the British music scene during the popularity of Madchester, the album features the group's unique take on Madchester and baggy, combining Northern indie music with electronic instrumentation, techno and dance-pop. The album's cross-influenced sound is a result of each of the seven members of the band bringing their own influences. Much of the record, which was produced by Paul Johnson, was recorded near Wrexham, North Wales.
Despite lacking a hit single, the album reached number 37 on the UK Albums Chart, although general public indifference was a result of the Madchester scene losing popularity, and the band were dropped from Virgin after the label was sold to EMI in 1992, causing the band to split up and abandon their second album. Nonetheless, Sundew received acclaim from music critics, and today is regarded as a classic of its genre.
Seven-piece Paris Angels formed in Manchester. [1] Lead singer Rikki Turner, guitarist Paul Wagstaff and bassist Scott Carey were the group's original members, writing songs in the style of Echo & the Bunnymen, but later additions to the band brought other influences, including backing singer Jayne Gill, who was a fan of the Velvet Underground, and Steven Tajti, who was interested in Moog synthesisers, and his addition to the band contributed to what Carey described as "that Donna Summer/Kraftwerk (in our minds) edge." [2] As the group performed Velvet Underground and Bunnymen covers, they began listening to electro and early house music. [2] The group arrived on the music scene as the Madchester scene was peaking in popularity, [1] and the scene caused the band to change direction and begin fusing acid house with indie music; Carey later told Louder Than War :
"At first we listened to Television, 13th Floor Elevators, Doors, Magazine, Bunnymen etc.. and we just copied that, but we also loved P-funk and it was seeing the Mondays that really had a big influence on us, they showed us you could be anyone and do twisted funk, when Wags got a wah-wah pedal that changed us, then all the Chicago house stuff at the Hacienda, at first we kind of shunned it, but it was Acid House with the synths that we ‘got’ and then it was like a new dawn happen and old dirty mac Manchester, lost the industrial edge and became more Day-Glo." [2]
According to Damon Wilkinson of Manchester Evening News , the group combined their love of acid house, post-punk and the Velvet Underground to "create their own unique take on Baggy," a combination brought together on their best-known song, "Perfume" (1990), [3] which was the group's debut single, released after singing to independent label Sheer Joy. The song was a Top Ten hit on the UK Indie Chart in the summer of 1990. [1] Produced by Michael Johnson, also known for engineering New Order, the song is considered one of the greatest Madchester singles, with its combination of whooshing synths, glistening guitars and the vocals of Jayne Gill and Turner. [4] Mancunian pop biographer John Robb recons the song is a "great piece of melancholic, psychedelic Manc-pop." [3] The subsequent singles "Scope" and "Fade" were nearly as successful, leading to the group signing a deal with Virgin Records, [1] a deal the group later regretted. Carey explained: "We were skint. Sheer Joy ploughed any profits from singles back into the label and being a 7 piece band on an indie label wasn’t easy. Sheer Joy was great to work with as we had control but Virgin funded us which meant better studios and more time in studios but we had A&R to deal with." [2]
"The album was recorded at The Windings in North Wales, it was great, few disagreements at times but who wouldn't with 7 in a band. Sundew captured the band at that time. Would I change it definitely not, each song captures a moment in the bands early years."
—Backing singer Jayne Gill, 2018. [2]
With Johnson returning as producer, Sundew was recorded at Suite 16 Studios in June 1990 and The Windings, North Wales in March 1991, with further recording that year taking place in York. [5] Most of the recording took place at The Windings, which was located near Wrexham, and the group lived there for a month. Carey recalled: "Recording Sundew was a brilliant time. We recorded most of it in Wales near Wrexham and we lived there for a month and did really long sessions followed by really long partying, were we exhausted but really put a lot into it. There was an optimism that what we were doing was the start of a lot to come, we naively thought the 6 LP deal we signed would be seen out." [2] Backing singer Jayne Gill recalls there were several disagreements at times during recording, but felt this was expected as the group had seven members. [2] Pee Wee Coleman engineered the album sessions, although Ronan Sargeant engineered the album's sixth track, "Perfume (All on You)". [5]
Mostly written by Turner, Wagstaff and Carey, [6] Sundew blends Northern jangle pop and indie with stately electronic instrumentation and uplifting dance-pop. [4] Writer Andrew Harrison notices the disparate range of styles, highlighting the "[c]oquettish English indie-whimsy, deep techno, beery conviction rock, wimpedelia, rainy Northern drug music and a sensibility that veers from the thoughtful to the thuggish." [7] The band experimented with different ideas and brought them to the album, [6] resulting in what Carey described as a "fair old mix." [8] Writer Stuart Huggett described "Perfume (All on You)", a remix of the earlier single "Perfume", as "superior to anything Factory was releasing in the baggy summer of 1990, particularly in the striking, panned programming." [4] The track features lyrics of disintegrating love and features a house bassline and a techno ambience; other songs on the album include the love song "Louise", the synth-laden New Order-esque "Breathless" and indie styled "Chaos (Stupid Stupid)". [7] "What Goes On", meanwhile, is a cover of the Velvet Underground song written by Lou Reed. [5]
Review scores | |
---|---|
Source | Rating |
AllMusic | [9] |
Select | [7] |
Released by Virgin in 1991, Sundew was Paris Angels' debut album, [4] with artwork designed by Craig Johnson, using photography by Peter Ashworth. [5] The thank you message to "switch cards and understanding bank managers" in the liner notes reflected the band's financial problems. [4] The album was greeted with a generally positive reception by British music magazines, [1] including rave reviews from the NME , Melody Maker and Vox magazines. [10] Andew Harrison of Select felt the album was a "weird junction for the disparate and conflicting regions of six people's record collections and, wisely, Paris Angels haven't embarked on the tedious task of tooling them all into a homogenised (boring) Paris Angels sound." He hailed how "in abandoning themselves to other people's undertows, Paris Angels have wound up sounding like themselves. Sundew is 60 percent of a groovy LP. It might even be brilliant pop." [7] A Newcastle Evening Chronicle reviewer hailed the band's "distinctive blend of contemporary dance and rock sounds, but ultimately there's a spark missing." [11]
Despite lacking a hit single, the album entered the Top 40 of the UK Albums Chart, [4] debuting and peaking at number 37 on 17 August 1991 and remaining on the chart for two weeks. [12] The single "Fade" also reached number 70 on the UK Singles Chart the following month. [12] The general commercial indifference that greeted the album nonetheless coincided with the Madchester scene falling out of public favour, [1] and the group were dropped from Virgin's roster after the label was sold to EMI in 1992, [4] along with other bands like Public Image Ltd. [3] Paris Angels subsequently abandoned work on their second album and split up the following year, as the label dropping left them without monetary necessities; the follow-up was eventually released in 2015 as Eclipse, containing the song "Complete Mind", an alternate version of the Sundew song "Breathless". [4] Sundew remains acclaimed in later times, [8] and is considered by Louder Than War writer Matt Mead to be a classic. [2] Stuart Huggett of The Quietus described the album as "a finely balanced blend of Northern indie jangle, stately electronics and euphoric dancepop." [4]
All songs written by Paris Angels except were stated.
Indie rock is a subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or "guitar pop rock".
Madchester was a musical and cultural scene that developed in the English city of Manchester in the late 1980s, closely associated with the indie dance scene. Indie-dance saw artists merging indie music with elements of acid house, psychedelia and 1960s pop. The term Madchester was coined by Factory Records' Tony Wilson, with the label popularised by the British music press in the early 1990s, and its most famous groups include the Stone Roses, Happy Mondays, Inspiral Carpets, the Charlatans, James and 808 State. It is widely seen as being heavily influenced by drugs, especially MDMA. At that time, the Haçienda nightclub, co-owned by members of New Order, was a major catalyst for the distinctive musical ethos in the city that was called the Second Summer of Love.
James are an English rock band from Manchester, who were formed in 1982. They had popularity throughout the 1990s, with four top 10s on the UK Singles Chart and nine top 10s on the UK Albums Chart. The band's best-known singles include "Come Home", "Sit Down", "She's a Star" and "Laid", which also became a hit on American college radio.
Black Grape are an English rock band, featuring former members of Happy Mondays and Ruthless Rap Assassins. Their musical style fuses funk and electronic rock with electronic programming and samples.
Inspiral Carpets are an English rock band, part of the late-1980s/early-1990s Madchester movement. Formed in Oldham in 1980, the band's most successful lineup featured frontman Tom Hingley, drummer Craig Gill, guitarist Graham Lambert, bassist Martyn Walsh and keyboardist Clint Boon.
The Exies were an American rock band from Los Angeles, California, formed in 1997. Their name, "The Exies", is short for "The Existentialists". Their two Virgin Records releases, Inertia (2003) and Head for the Door (2004), have sold over 400,000 copies combined.
Manchester's music scene produced successful bands in the 1960s including the Hollies, the Bee Gees and Herman's Hermits. After the punk rock era, Manchester produced popular bands including Joy Division, New Order, The Smiths and Simply Red. In the late 1980s, the ecstasy-fuelled dance club scene played a part in the rise of Madchester with bands like the Stone Roses, Inspiral Carpets and Happy Mondays. In the 1990s, Manchester saw the rise of Britpop bands, notably Oasis.
Robots in Disguise are an English electropunk band composed of Dee Plume, Sue Denim and a changing line-up of backing musicians. The group released four studio albums between 2000 and 2011. In 2019, they announced their reunion and an upcoming album.
Baggy was a name given to a British alternative dance genre popular in the late 1980s and early 1990s, with many of the artists referred to as "baggy" being bands from the Madchester scene.
Northside are an English alternative rock band from Blackley and Moston in north Manchester, England. Formed in 1989, they released their only album, Chicken Rhythms, on Factory Records in 1991. The band became part of the 1990s Madchester/baggy/indie-rave scene.
William Alfred Sergeant is an English guitarist, best known for being a member of Echo & the Bunnymen. Born in Walton Hospital, he grew up in the village of Melling and attended nearby Deyes Lane Secondary Modern. He is the group's only constant member.
Candy Flip were a British electronic music duo from Stoke on Trent, who were associated with the indie dance music scene in the early 1990s. They are best remembered for their cover version of the Beatles song "Strawberry Fields Forever", which was a No. 3 hit on the UK Singles Chart in 1990.
Timothy John Booth is an English singer-songwriter, actor and dancer. He is the lead singer and co-founder of the indie rock band James, and co-wrote several of their hit singles including "Sit Down", "Come Home", and "Laid". As an actor, Booth is best known for portraying Victor Zsasz in the 2005 film Batman Begins.
The Mock Turtles are an English indie rock band, formed in Middleton, Greater Manchester, in 1985, who enjoyed some success in the early 1990s. Their most famous song "Can You Dig It?", which was released in the UK in 1991, charted at number 18. When the song was re-released in slightly remixed form in 2003, it again reached the Top 20 of the UK Singles Chart.
What Are You Going to Do with Your Life? is the eighth studio album by the English rock band Echo & the Bunnymen. The album saw the departure of bassist Les Pattinson from the group, partly due to disagreements with vocalist Ian McCulloch; McCulloch and the remaining band member, guitarist Will Sergeant, subsequently recorded the record with session musicians. The London Metropolitan Orchestra provided backing music and the American alternative hip hop band Fun Lovin' Criminals appeared as guest musicians on two tracks. The album was produced by Alan Douglas and Echo & the Bunnymen and it was recorded at various locations throughout England. Feeling sidelined during the recording of the album, Sergeant described it as "probably the worst time in my whole life".
Neo-psychedelia is a diverse genre of psychedelic music that draws inspiration from the sounds of 1960s psychedelia, either updating or copying the approaches from that era. Originating in the 1970s, it has occasionally seen mainstream pop success but is typically explored within alternative rock scenes. It initially developed as an outgrowth of the British post-punk scene, where it was also known as acid punk. After post-punk, neo-psychedelia flourished into a more widespread and international movement of artists who applied the spirit of psychedelic rock to new sounds and techniques.
An independent music scene is a localized independent music-oriented community of bands and their audiences. Local scenes can play a key role in musical history and lead to the development of influential genres; for example, no wave from New York City, Madchester from Manchester, and grunge from Seattle.
John David Robb is an English music journalist and singer.
Paris Angels were an English seven piece band, hailing from Guide Bridge, Ashton-under-Lyne, Greater Manchester, England, associated with the Madchester scene of 1989 -1991. Their music fused indie guitars with electronic dance music. The band comprised Paul 'Wags' Wagstaff, Rikki Turner, Steven Taji, Scott Carey, Mark Adj, Jane Gill and Simon Worrall.
New Fast Automatic Daffodils were an alternative rock group from Manchester, England, active between 1988 and 1995.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)