On the album, Matmos skipped sampling antics in favor of a lighthearted "cosmic pop" record made entirely out of synthesizers. The exotic and antiquated synths used here heavily spotlight the classic 1960s/1970s/1980s consumer electronic rigs of Arp, Korg, Roland, Waldorf, and Moog.[12]
Critical reception
At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Supreme Balloon received an average score of 78% based on 20 reviews, indicating "generally favorable reviews".[1]
Mark Pytlik of Pitchfork gave the album a 7.5 out of 10, calling it "a woozily beautiful-sounding record, as crystalline, gleaming, and full-bodied as vintage Terry Riley."[7]
↑ It’s an incredibly warm and playful new record that pays homage to Vangelis, Wendy Carlos, Perrey & Kingsley, and a host of other synth pioneers with Moog, ARP, Korg, and Roland-driven pieces. [Summer 2008]
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