Susan Collins | |
|---|---|
 Susan Collins at the Tate Britain Anual Party, 2024 | |
| Born | 1964 |
| Nationality | British |
| Education | Slade School of Fine Art; School of the Art Institute of Chicago |
| Known for | digital art |
| Awards | BAFTA Award, 2004 (nominated) |
Susan Alexis Collins (born 1964, London) is a British artist and academic. She was Slade Professor and Director of the Slade School of Fine Art in London, England. [1]
Collins studied Fine Art at Slade School where she graduated as a Bachelor of Arts with Honours in 1987. In the early 1990s she studied at the School of the Art Institute of Chicago after receiving a Fulbright Scholarship. Returning to England, she was appointed to set up the Electronic Media department at the Slade in 1995. The UCL Slade Centre for Electronic Media in Fine Art was founded in the same year. In 2005 she was appointed Head of the Undergraduate Fine Art Media area at Slade, in 2010 she became Head of Department and Director of the School. In 2013 she was appointed Slade Professor of Fine Art.
As an artist Collins mainly works with digital media. Her 2002-03 project Tate in Space was nominated for a BAFTA Award in 2004. [2] Susan Collins has exhibited in the UK, Canada, Denmark, Finland, the Netherlands, Germany, Switzerland, Bulgaria, Turkey, Israel, Tasmania, Thailand, Mexico and Peru.
In Conversation (1997-2001): an internet project in which users could talk to people in the street via an animated mouth. The project won the 2012 Dutch Kunstbeeld thesis prize. [3]
Classroom of the Future (2001-2005): a classroom design for Mossbrook Special School in Sheffield, a collaboration with architect Sarah Wigglesworth, which won an RSA Art for Architecture award. Collins added an interactive environment to Wigglesworth' building, consisting of a wildlife surveillance system, a camera obscura and an audio environment called the 'ballpool'. [4]
Tate in Space (2002): Collins invented this tongue-in-cheek project that aimed to establish a branch of the Tate Galleries in outer space. Part of the project, that included a spoof website, was the launch of the 'Tate Satellite' which was visible from earth. [5]
Underglow (2005-2006): the project consisted of illuminations of a number of drains in the vicinity of Guildhall Yard, King Street and Queen Street in the City of London, which were visible from dusk to dawn during the winter of 2005-06. The project was commissioned by the City of London Corporation and Modus Operandi as part of the 'Light Up Queen Street' programme. [6]
Fenlandia, Glenlandia, Harewood (2005-2014): a series of online project time-coding landscapes and cityscapes. The original commission was by Film and Video Umbrella and Norwich School of Art and Design. For 12 months a webcam was placed on the roof of the Anchor Inn, a 17th-century coaching inn in Sutton Gault, Cambridgeshire, part of the area known as Silicon Fen. The installation stored a single pixel of the recorded webcam image every second, building up a new image from left to right, top to bottom in horizontal bands. Thus the final image was built up from individual pixels collected over a total of approximately 21 hours and 20 minutes. This process was repeated for 365 days, from May 2004 until May 2005, after which the project was moved to Cambourne (also in Silicon Fenn), Greenham Common and Bracknell, Berkshire (both in the M4 corridor. Similar projects took place in Loch Faskally, Perthshire, Scotland from 2005 until 2007 (Glenlandia), at Harewood House near Leeds in 2008, and in Lambeth, London in 2013 and 2014. [7]
Seascape (2009): a digital work that consists of a series of gradually unfolding digital seascapes, featured at the De La Warr Pavilion in Bexhill-on-Sea, East Sussex. These digital seascapes were captured in real time by webcams installed at five key coastal vantage points on the South Coast between Margate and Portsmouth. The webcams were sited at each location for up to a year before the start of the show, recording fluctuations in the light that are a characteristic feature of the English coastline.
Carey Young is a visual artist whose work is often inspired by law, politics and economics. The tools, language and architectures of these fields act as material for her videos, text works, performances and photographs, often developing from the professional cultures she explores. In her early video works, she donned attire appropriate to the business and legal worlds, enacting scenarios which examine and question each institution's power to shape society and individual identity. Since 2002, Young developed a large body of work addressing and critiquing law in relation to ideas of site, gender and performance. Young teaches at the Slade School of Fine Art in London where she is an Associate Professor in Fine Art.
Tess Jaray is a British painter and printmaker. She taught at The Slade School of Fine Art, UCL from 1968 until 1999. Over the last twenty years Jaray has completed a succession of major public art projects. She was made an Honorary Fellow of RIBA in 1995 and a Royal Academician in 2010.
Susan Kare is an American artist and graphic designer, who contributed interface elements and typefaces for the first Apple Macintosh personal computer from 1983 to 1986. She was employee #10 and creative director at NeXT, the company formed by Steve Jobs after he left Apple in 1985. She has worked as a design consultant to Microsoft, IBM, Sony Pictures, Facebook, and Pinterest. As of 2023 Kare has been an employee of Niantic Labs. As a pioneer of pixel art and of the graphical computer interface, she has been celebrated as one of the most significant designers of modern technology.
The UCL Slade School of Fine Art is the art school of University College London (UCL) and is based in London, England. It has been ranked as the UK's top art and design educational institution. The school is organised as a department of UCL's Faculty of Arts and Humanities.
Tomoko Takahashi is a Japanese artist. She was born in Tokyo in 1966 and has based in London since the early 1990s. She studied at Tama Art University, Goldsmiths College and the Slade School of Fine Art.
Philip Wilson Steer was a British painter of landscapes, seascapes plus portraits and figure studies. He was also an influential art teacher. His sea and landscape paintings made him a leading figure in the Impressionist movement in Britain but in time he turned to a more traditional English style, clearly influenced by both John Constable and J. M. W. Turner, and spent more time painting in the countryside rather than on the coast. As a painting tutor at the Slade School of Art for many years he influenced generations of young artists.
The Slade Centre for Electronic Media in Fine Art (SCEMFA) opened in 1995 at the Slade School of Fine Art, University College London. The centre provides opportunities for research into electronic media and fine art with the goal of contributing to debate on national and international levels.
Henry Tonks, FRCS was a British surgeon and later draughtsman and painter of figure subjects, chiefly interiors, and a caricaturist. He became an influential art teacher.
Jon Thomson and Alison Craighead are London-based visual artists, who work with video, sound and the internet.
Lisa Milroy is an Anglo-Canadian artist known for her still life paintings of everyday objects. In the 1980s, Milroy’s paintings featured ordinary objects depicted against an off-white background. Subsequently her imagery expanded, which led to a number of different series including landscapes, buildings and portraits. As her approaches to still life diversified, so did her manner of painting, giving rise to a range of stylistic innovations. Throughout her practice, Milroy has been fascinated by the relation between stillness and movement, and the nature of making and looking at painting.
Susan Hiller was a US-born, British conceptual artist who lived in London, United Kingdom. Her practice spanned a broad range of media including installation, video, photography, painting, sculpture, performance, artist's books and writing. A key figure in British art across four decades, she was best known for her innovative large-scale multimedia installations, and for works that took as their subject matter aspects of culture that were overlooked, marginalised, or disregarded, including paranormal beliefs – an approach which she referred to as "paraconceptualism".
The Faculty of Arts and Humanities is one of the 11 constituent faculties of University College London (UCL). The current Executive Dean is Professor Stella Bruzzi, FBA.
Dryden Goodwin based in London, is a British artist known for his intricate drawings, often in combination with photography and live action video; he creates films, gallery installations, projects in public space, etchings, works on-line and soundtracks.
Chris Welsby is a Canadian experimental filmmaker, New Media and gallery installation artist. Born in the UK, in the 1970s Welsby was a member of the London Film-Makers' Co-op, and co-founder of the Digital Media Studio at the Slade School of Fine Arts, UCL, London. He immigrated to Canada in 1989. He is considered one of the pioneers of expanded cinema and moving image installation and was one of the first artists to exhibit film installations at the Tate and Hayward galleries London. His expanded cinema works and installations have since continued to break new conceptual ground and attract critical attention. A. L. Reece, in British Film Institute's A History of Experimental Film and Video, wrote: "Twenty-five years ago, when he made his first projections for large spaces, film and art rarely met in the gallery; now it is common and installation art is a distinct practice."
Sarah Wigglesworth MBE RDI is a British award-winning architect and was a Professor of Architecture at the University of Sheffield until 2016.
Charlotte Hodes, is a British artist.
Nancy Mona Carline was a British artist who painted landscapes with figures, portraits, biblical and classical subjects plus groups of figures in domestic settings. She studied at the Slade School of Art and worked at the Sadlers Wells Ballet and later attended the stage design course at the Slade run by Vladimir Polunin. In 1950 she married the artist Richard Carline, which placed her at the centre of an artistic circle centred on the Carline family in Hampstead.
Sarah Pickering is a British visual artist working with photography and related media including 3D scanning and digital rendering, performance, appropriated objects and print. Her artist statement says she is interested in "fakes, tests, hierarchy, sci-fi, explosions, photography and gunfire." She is based in London.
Hayley Newman is a London-based artist and Reader in Fine Art, who was born in Guildford, Surrey, in 1969. She is known for her work in performance art which has been exhibited since the early 1990s at venues including Tate Modern, the Ikon Gallery, the Centre d’Art Contemporain Genève and the Museum of Contemporary Photography. She teaches at Chelsea College of Art and Design and the Slade School of Fine Art, UCL. In 2004–2005 she was the Helen Chadwick Fellow at the British School in Rome.
Philip Coy is an English artist known for his films and public works exploring architectures and language. He works across a range of media including sculpture, film, video installation, sound installation, photography, text, and performance.
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