Swagman

Last updated

Photograph of a swagman, c. 1901 Elderly swagman.jpg
Photograph of a swagman, c. 1901

A swagman (also called a swaggie, sundowner or tussocker) was a transient labourer who travelled by foot from farm to farm carrying his belongings in a swag. The term originated in Australia in the 19th century and was later used in New Zealand.

Contents

Swagmen were particularly common in Australia during times of economic uncertainty, such as the 1890s and the Great Depression of the 1930s. Many unemployed men travelled the rural areas of Australia on foot, their few meagre possessions rolled up and carried in their swag. Their swag was frequently referred to as "Matilda", hence Waltzing Matilda refers to walking with their swag. Typically, they would seek work in farms and towns they travelled through, and in many cases the farmers, if no permanent work was available, would provide food and shelter in return for some menial task.

The figure of the "jolly swagman", represented most famously in Banjo Paterson's bush poem "Waltzing Matilda", became a folk hero in 19th-century Australia, and is still seen today as a symbol of anti-authoritarian values that Australians considered to be part of the national character.

Etymology

In the early 1800s, the term swag was used by British thieves to describe any amount of stolen goods. One definition given in Francis Grose's 1811 Dictionary of the Vulgar Tongue is "any booty you have lately obtained,.... To carry the swag is to be the bearer of the stolen goods to a place of safety." [1] James Hardy Vaux, a convict in Australia, used the term for similar purposes in his memoirs written in 1812 and published in 1819. [2] By the 1830s, the term in Australia had transferred from meaning goods acquired by a thief to the possessions and daily necessaries carried by a bushman. The compound swagman and colloquial variation swaggie first appeared in the 1850s during the Australian gold rushes, alongside less common terms such as bundleman. [3] New Zealanders adopted the term in the 1880s, where swagmen were also known as swaggers. [4] Swagger also originated in Australia, but became obsolete there by the 1890s. [5]

Swagman, n.d. Swagman.jpg
Swagman, n.d.

History

Down on His Luck, painted by Frederick McCubbin in 1889, depicts a melancholic swagman "on the Wallaby" Down on his luck.jpg
Down on His Luck , painted by Frederick McCubbin in 1889, depicts a melancholic swagman "on the Wallaby"

Before motor transport became common, the Australian wool industry was heavily dependent on itinerant shearers who carried their swags from farm to farm (called properties or "stations" in Australia), but would not in general have taken kindly to being called "swagmen". Outside of the shearing season their existence was frugal, and this possibly explains the tradition (of past years) of sheep stations in particular providing enough food to last until the next station even when no work was available. Some were especially noted for their hospitality, such as Canowie Station in South Australia which around 1903 provided over 2,000 sundowners each year with their customary two meals and a bed. [6]

A romanticised figure, the swagman is famously referred to in the song "Waltzing Matilda", by Banjo Paterson, which tells of a swagman who turns to stealing a sheep from the local squatter.

The economic depressions of the 1860s and 1890s saw an increase in these itinerant workers. During these periods it was seen as 'mobilising the workforce'. At one point it was rumoured that a "Matilda Waltzers' Union" had been formed to give representation to swagmen at the Federation of Australia in 1901.

During the early years of the 1900s, the introduction of the pension and the dole reduced the numbers of swagmen to those who preferred the free lifestyle. During World War I many were called up for duty and fought at Gallipoli as ANZACs. The song "And The Band Played Waltzing Matilda" tells the story of a swagman who fought at Gallipoli.

The numbers of swagmen have declined over the 20th century, but still rising in times of economic depression. Swagmen remain a romantic icon of Australian history and folklore.

Swags are still heavily used, particularly in Australia, by overlanders and campers. There are still a large number of manufacturers actively making both standard and custom-design swags.

Lifestyle

Ned "The Shiner" Slattery and his dog - edit.jpg
"The Shiner", a South Island swagman from the 1870s to the 1920s [7]
George Washington Lambert - Sheoak Sam, 1898.jpg
George Lambert, Sheoak Sam, 1898. Most swagmen travelled alone or with a dog.

Swagmen were often victims of circumstance who had found themselves homeless. Others were rovers by choice, or else they were on the run from police (bushrangers). Many were European or Asian migrants seeking fortune on the goldfields. One such swagman was Welshman Joseph Jenkins, who travelled throughout Victoria between 1869 and 1894, documenting his experiences in daily diary entries and through poetry. [8] Swagmen ranged in age from teenagers to the elderly. Socialist leader John A. Lee's time as a swagman while a teenager informed his political writing, [9] and also featured directly in some of his other books. Novelist Donald Stuart also began his life as a swagman at age 14. Several of his novels follow the lives of swagmen and aborigines in the Kimberley and Pilbara regions of Western Australia. Many swagmen interacted with aborigines along their travels; bushwear designer RM Williams spent his latter teen years as a swagman travelling across the Nullarbor Plain, picking up bushcraft and survival skills from local Aboriginal tribes such as cutting mulga, tracking kangaroos and finding water.

At times they would have been seen in and around urban areas looking for work or a handout. Most eyewitness descriptions of swagmen were written during the period when the country was 'riding on the sheep's back'. At this time, rovers were offered rations at police stations as an early form of the dole payment. They roamed the countryside finding work as sheep shearers or as farm hands. Not all were hard workers. Some swagmen known as sundowners would arrive at homesteads or stations at sundown when it was too late to work, taking in a meal and disappearing before work started the next morning. The New Zealand equivalent of a sundowner was known as a tussocker. [5]

Most existed with few possessions as they were limited by what they could carry. Generally they had a swag (canvas bedroll), a tucker bag (bag for carrying food) and some cooking implements which may have included a billy can (tea pot or stewing pot). They carried flour for making damper and sometimes some meat for a stew.

In Henry Lawson's short story The Romance of the Swag, he describes in detail how to make a dinky-die Aussie swag. Lawson states,"Travelling with the swag in Australia is variously and picturesquely described as "humping bluey", "walking Matilda", "humping Matilda", "humping your drum", "being on the wallaby", "jabbing trotters", and "tea and sugar burglaring". [10]

Swagmen travelled with fellow 'swaggies' for periods, walking where they had to go, hitch hiking or stowing aboard cargo trains to get around. They slept on the ground next to a campfire, in hollowed out trees or under bridges.

Swagman float at the 2008 Adelaide Christmas Pageant Swagman float.jpg
Swagman float at the 2008 Adelaide Christmas Pageant

In the 19th century, Australian bush poetry grew in popularity alongside an emerging sense of Australian nationalism. The swagman was venerated in poetry and literature as symbolic of Australian nationalistic and egalitarian ideals. Popular poems about swagmen include Henry Lawson's Out Back (1893) and Shaw Neilson's The Sundowner (1908). In 1902, Barbara Baynton published a collection of short stories titled Bush Studies . The final story, "The Chosen Vessel" (1896), gives an account of a woman alone in a bush dwelling, where she is preyed upon and eventually raped and murdered by a passing swagman. This was in stark contrast to traditional bush lore, where swagmen are depicted in distinctly romantic terms. Swagmen were also prominent in the works of those associated with the Jindyworobak Movement, including poet Roland Robinson, who was a swagman for much of his life before World War II.

Coinciding with trends in 19th-century Australian literature, swagmen were popular subjects of contemporary painters and illustrators. Drawings of swagmen, itinerant bush workers, rural nomads and other men "on the wallaby" were prevalent in newspapers and picturesque atlases. ST Gill and James Alfred Turner popularised the open-air life of the swagman. By the 1880s, swagmen featured in the works of Tom Roberts, Walter Withers, Arthur Streeton, Frederick McCubbin, and other artists associated with the Melbourne-based Heidelberg School, which is customarily held to be the first distinctly Australian movement in Western art and the "golden age of national idealism" in Australian painting. [11]

Swagmen and other characters of the bush were popular subjects of the silent film era of Australian cinema. Raymond Longford's 1914 The Swagman's Story starred Lottie Lyell. 1936's The Flying Doctor was directed by Miles Mander and starred Charles Farrell as a swagman travelling through the Blue Mountains towards Sydney. Swagmen have been the subject of numerous books including the 1955 novel The Shiralee by D'Arcy Niland, which was made into a 1957 film, starring Peter Finch (who himself lived as a swagman during early adulthood [12] ), and a 1987 TV mini-series, starring Bryan Brown. Norman Kaye played the role of a swagman in the 1976 bushranger film Mad Dog Morgan . [13] Arthur Upfield wrote a number of novels about swagmen including Death of a Swagman (1942), The Bushman Who Came Back (1957) and Madman's Bend (1963). In the 1981 film adaptation of Ethel Pedley's 1899 children's book Dot and the Kangaroo , a magical swagman helps Dot find Mother Kangaroo's lost joey. [14] The Scottish singer-songwriter Alistair Hulett wrote a song about the 'swaggies' called "The Swaggies Have All Waltzed Matilda Away".

In the 1946 Sherlock Holmes film Dressed to Kill , a tune called "The Swagman", heard on an old music box, plays an important role in solving the mystery.

The Australian Batman villain Swagman derives his name from the term, but takes more conceptual inspiration from Australian bushranger Ned Kelly, who wore a suit of bulletproof armour during his final shootout with Australian law enforcement.

List of swagman bush ballads

Related Research Articles

<span class="mw-page-title-main">Waltzing Matilda</span> 1895 Australian bush ballad

"Waltzing Matilda" is a song developed in the Australian style of poetry and folk music called a bush ballad. It has been described as the country's "unofficial national anthem".

<span class="mw-page-title-main">Banjo Paterson</span> Australian journalist, author and poet

Andrew Barton "Banjo" Paterson, was an Australian bush poet, journalist and author. He wrote many ballads and poems about Australian life, focusing particularly on the rural and outback areas, including the district around Binalong, New South Wales, where he spent much of his childhood. Paterson's more notable poems include "Clancy of the Overflow" (1889), "The Man from Snowy River" (1890) and "Waltzing Matilda" (1895), regarded widely as Australia's unofficial national anthem.

The Sundowners is a 1960 Technicolor comedy drama film that tells the story of a 1920s Australian outback family torn between the father's desires to continue his nomadic sheep-herding ways and the wife's and son's desire to settle down in one place. The Sundowners was produced and directed by Fred Zinnemann, adapted by Isobel Lennart from Jon Cleary's 1952 novel of the same name, and starring Deborah Kerr, Robert Mitchum and Peter Ustinov, with a supporting cast including Glynis Johns, Mervyn Johns, Dina Merrill, Michael Anderson Jr. and Chips Rafferty.

<span class="mw-page-title-main">Billabong</span> Australian term for a seasonal oxbow lake

Billabong is an Australian term for an oxbow lake, an isolated pond left behind after a river changes course. Billabongs are usually formed when the path of a creek or river changes, leaving the former branch with a dead end. As a result of the arid Australian climate in which these "dead rivers" are often found, billabongs fill with water seasonally but can be dry for a greater part of the year.

<span class="mw-page-title-main">Swag (bedroll)</span> Portable sleeping unit

In Australia, a swag is a portable sleeping unit. It is normally a bundle of belongings rolled in a traditional fashion to be carried by a foot traveller in the bush. Before motor transport was common, foot travel over long distances was essential to agriculture in the Australian bush. It is sometimes referred to as a "backpack bed". Swags have been carried by shearers, miners, the unemployed, and many others, some of whom would have been happy to have been called swagmen and some not.

<span class="mw-page-title-main">Cobb & Co</span>

Cobb & Co was the name used by many successful sometimes quite independent Australian coaching businesses. The first was established in 1853 by American Freeman Cobb and his partners. The name Cobb & Co grew to great prominence in the late 19th century, when it was carried by many stagecoaches carrying passengers and mail to various Australian goldfields, and later to many regional and remote areas of the Australian outback. The same name was used in New Zealand and Freeman Cobb used it in South Africa.

<span class="mw-page-title-main">Gundagai</span> Town in New South Wales, Australia

Gundagai is a town in New South Wales, Australia. Although a small town, Gundagai is a popular topic for writers and has become a representative icon of a typical Australian country town. Located along the Murrumbidgee River and Muniong, Honeysuckle, Kimo, Mooney Mooney, Murrumbidgee and Tumut mountain ranges, Gundagai is 390 kilometres (240 mi) south-west of Sydney. Until 2016, Gundagai was the administrative centre of Gundagai Shire local government area. In the 2021 census the population of Gundagai was 2,057.

<span class="mw-page-title-main">D'Arcy Niland</span> Australian novelist and short story writer

D'Arcy Francis Niland was an Australian farm labourer, novelist and short story writer. In 1955 he wrote The Shiralee, which gained international recognition in its depictions of the experiences of a swagman and his four-year-old daughter. It was made into a 1957 film, starring Peter Finch, and a 1987 TV mini-series, starring Bryan Brown. Niland married fellow writer Ruth Park (1917–2010) on 11 May 1942 and the couple had five children: Anne, Rory, Patrick and twin daughters, Kilmeny (1950–2009) and Deborah (1950–present). Niland died on 29 March 1967 of a myocardial infarction, aged 49.

<span class="mw-page-title-main">Australian country music</span> Genre of popular music from Australia

Australian country music is a part of the music of Australia. There is a broad range of styles, from bluegrass, to yodeling to folk to the more popular. The genre has been influenced by Celtic and English folk music, the Australian bush ballad tradition, as well as by popular American country music. Themes include: outback life, the lives of stockmen, truckers and outlaws, songs of romance and of political protest; and songs about the "beauty and the terror" of the Australian bush.

<i>The Shiralee</i> (1957 film) 1957 British film

The Shiralee is a 1957 British film in the Australian Western genre. It was made by Ealing Studios, starring Peter Finch, directed by Leslie Norman and based on the 1955 novel by D'Arcy Niland. Although all exterior scenes were filmed in Sydney, Scone and Binnaway, New South Wales and Australian actors Charles Tingwell, Bill Kerr and Ed Devereaux played in supporting roles, the film is really a British film made in Australia, rather than an Australian film.

"And the Band Played Waltzing Matilda" is a song written by Scottish-born Australian singer-songwriter Eric Bogle in 1971. The song describes war as futile and gruesome, while criticising those who seek to glorify it. This is exemplified in the song by the account of a young Australian serviceman who is maimed during the Gallipoli Campaign of the First World War. The protagonist, who had travelled across rural Australia before the war, is emotionally devastated by the loss of his legs in battle. As the years pass he notes the death of other veterans, while the younger generation becomes apathetic to the veterans and their cause. At its conclusion, the song incorporates the melody and a few lines of lyrics of the 1895 song "Waltzing Matilda" by Australian poet Banjo Paterson.

The History of Australia (1851–1900) refers to the history of the indigenous and colonial peoples of the Australian continent during the 50-year period which preceded the foundation of the Commonwealth of Australia in 1901.

<span class="mw-page-title-main">Australiana</span>

Australiana includes the items, people, places, flora, fauna and events of Australian origins. Anything pertaining to Australian culture, society, geography and ecology can fall under the term Australiana, especially if it is endemic to Australia. Australiana often borrows from Australian Aboriginal culture, or the stereotypical Australian culture of the early 1900s.

<span class="mw-page-title-main">Tucker bag</span>

Tucker bag is a traditional Australian term for a storage bag used by travellers in the outback, typically a swagman or bushman, for carrying subsistence food. In its basic design a tucker bag is a pouch or bag with a single entry typically closed with a drawstring, and may have been made of leather or oilskin.

<span class="mw-page-title-main">Bush ballad</span> Music genre of Australia

The bush ballad, bush song or bush poem is a style of poetry and folk music that depicts the life, character and scenery of the Australian bush. The typical bush ballad employs a straightforward rhyme structure to narrate a story, often one of action and adventure, and uses language that is colourful, colloquial and idiomatically Australian. Bush ballads range in tone from humorous to melancholic, and many explore themes of Australian folklore, including bushranging, droving, droughts, floods, life on the frontier, and relations between Indigenous and non-Indigenous Australians.

Australia traditional storytelling, handed down from generation to generation, has always been part of the landscape. Since the beginning of time storytelling played a vital role in Australian Aboriginal culture, one of the world's oldest cultures. Aboriginal children were told stories from a very early age; stories that helped them understand the air, the land, the universe, their people, their culture, and their history. Elders told stories of their journeys and their accomplishments. As the children grew into adults they took on the responsibility of passing on the stories. These stories are as much a cultural necessity as they are entertainment and are still passed on orally though many are now recorded in print, audio and video

<span class="mw-page-title-main">Australian folk music</span> Music genre

Australian folk music is the traditional music from the large variety of immigrant cultures and those of the original Australian inhabitants.

<i>A Swag of Aussie Poetry</i> 1984 studio album by Various

A Swag of Aussie Poetry, originally Out of the Bluegums , is a mid-1980s recording project with celebrity voices reciting or singing Australian poetry. The compilation consists of 53 works of prose and verse from writers across Australia's literary landscape, and features 31 narrators delivering a mix of folk ballads and bush poetry from the 1800s through to 20th century prose, and lyrical songs reflecting on life in their country. It was released originally as a double album and a double cassette on J&B Records in 1984 with 50 tracks. The compilation was produced by Gene Pierson – born as Giancarlo Salvestrin,

This is a list of books by Australian author Jackie French.

<i>The Best of Slim Dusty</i> 1984 greatest hits album by Slim Dusty

The Best of Slim Dusty is a 6xLP greatest hits album by Australian country recording artist Slim Dusty, released through Reader's Digest. The six albums had different themes, Biggest Hits, Truckin' Along, with Family, Sentimental Slim, with Joy McKean and Singalong. In 1999, the album was certified gold.

References

  1. Grose, Francis; Egan, Pierce (1923). Grose's Classical dictionary of the vulgar tongue: revised and corrected, with the addition of numerous slang phrases, collected from tried authorities. London: Sherwood, Neely, and Jones.
  2. Vaux, Hardy James; Field, Barron (1819). "Memoirs of James Hardy Vaux, Volumes 1–2". Printed by W. Clowes. p. 216
  3. Leitner, Gerhard (2004). Australia's many voices: Australian English—the national language. Walter de Gruyter. ISBN   3-11-018194-0, p. 218
  4. Collins, Peter; Peters, Pam; Smith, Adam (2009). Comparative studies in Australian and New Zealand English: grammar and beyond. Amsterdam: John Benjamins Publishing Company. ISBN   90-272-4899-0, pg. 52
  5. 1 2 Baker, John Sidney (1941). New Zealand slang: a dictionary of colloquialisms, the first comprehensive survey yet made of indigenous English speech in this country—from the argot of whaling days to children's slang in the twentieth century. Christchurch: Whitcombe and Tombs Limited. pg. 41
  6. Register newspaper, 14 December 1903, page 8.
  7. John E. Martin. Slattery, Edmond – Biography, from the Dictionary of New Zealand Biography. Te Ara – the Encyclopedia of New Zealand. Ministry for Culture and Heritage / Te Manatū Taonga. Updated 1 September 2010.
  8. The Diary of a Welsh Swagman, a treasure of the State Library of Victoria, online.slv.vic.gov.au. Retrieved on 16 January 2011.
  9. Lee, John Alfred Alexander, D.C.M., from An Encyclopaedia of New Zealand, edited by A. H. McLintock, originally published in 1966.
  10. Lawson, Henry (2002). Henry Lawson, Selected Stories. A&R Classics. pp. 449–454. ISBN   978-0207197086.
  11. Astbury, Leigh. City Bushmen: the Heidelberg School and the Rural Mythology. Melbourne: Oxford University Press, 1985. ISBN   0-19-554501-X
  12. Dundy, Elaine (1980). Finch, Bloody Finch: A Biography of Peter Finch. New York City: Henry Holt and Company. p. 166. ISBN   0-03-041796-1.
  13. Bertand, Ina; Mayer, Geoff; McFarlane, Brian (1999). The Oxford Companion to Australian Film. Oxford University Press. p. 245. ISBN   0-19-553797-1.
  14. Caputo, Raffaele; Murray, Scott; Tanskaya, Alissa (1995). Australian Film, 1978–1994: A Survey of Theatrical Features. Oxford University Press. p. 400. ISBN   0-19-553777-7.

Further reading