Related Research Articles
The Symphony No. 94 in G major is the second of the twelve London symphonies written by Joseph Haydn. It is popularly known as the Surprise Symphony.
The Violin Concerto No. 3 in B minor, Op. 61, by Camille Saint-Saëns is a piece for violin and orchestra written in March 1880. Saint-Saëns dedicated the concerto to fellow composer-virtuoso Pablo de Sarasate, who performed the solo part at the premiere in October 1880 in Hamburg.
The Young Person's Guide to the Orchestra, Op. 34, is a 1945 musical composition by Benjamin Britten with a subtitle Variations and Fugue on a Theme of Purcell. It was based on the second movement, "Rondeau", of the Abdelazer suite. It was originally commissioned for the British educational documentary film called Instruments of the Orchestra released on 29 November 1946, directed by Muir Mathieson and featuring the London Symphony Orchestra conducted by Malcolm Sargent; Sargent also conducted the concert première on 15 October 1946 with the Liverpool Philharmonic in the Philharmonic Hall, Liverpool, England.
Scheherazade, also commonly Sheherazade, Op. 35, is a symphonic suite composed by Nikolai Rimsky-Korsakov in 1888 and based on One Thousand and One Nights.
Charles Ives's Symphony No. 1 in D minor, written between 1898 and 1902, is an example of how Ives synthesized ideas from composers who came before him. Many of his later symphonies relied on Protestant hymns as the main theme. However, this symphony is composed in the late-Romantic European tradition, and is believed to contain many paraphrases from famous European pieces such as Tchaikovsky's Pathétique and Schubert's Unfinished symphonies and especially Dvořák's New World Symphony.
The Symphony No. 1 in B♭ major, Op. 38, also known as the Spring Symphony, is the first completed symphonic work composed by Robert Schumann.
Symphonic Dances, Op. 45, is an orchestral suite in three movements completed in October 1940 by Russian composer Sergei Rachmaninoff. It is his final major composition, and his only piece written in its entirety while living in the United States.
Samuel Barber's Symphony in One Movement (Op. 9), was completed 24 February 1936. It was premiered by Rome's Philharmonic Augusteo Orchestra under the baton of Bernardino Molinari on 13 December 1936. It lasts around 21 minutes. The title given in the printed score of the work is First Symphony (in One Movement), and the uniform title is Symphonies, no. 1, op. 9.
The Symphony No. 1 in C minor, B. 9, subtitled The Bells of Zlonice, was composed by Antonín Dvořák during February and March 1865. It is written in the early Romantic style, inspired by the works of Ludwig van Beethoven and Felix Mendelssohn. Dvořák never heard or revised the symphony, because the completed work was lost during his lifetime. It premiered in 1936.
The Serenade, after Plato's Symposium, is a composition by Leonard Bernstein for solo violin, strings and percussion. He completed the serenade in five movements on August 7, 1954. For the serenade, the composer drew inspiration from Plato's Symposium, a dialogue of related statements in praise of love, each statement made by a distinguished speaker. The seven speakers who inspired Bernstein's five movements are:
Frédéric Chopin's Allegro de concert, Op. 46, is a piece for piano, published in November 1841. It is in one movement and takes between 11 and 15 minutes to play. The principal themes are bold and expressive. It has a curious place in the Chopin canon, and while its history is obscure, the evidence supports the view, shared by Robert Schumann and others, that it started out as the first movement of a projected third piano concerto, of which the orchestral parts are either now non-existent or were never scored at all. There is no evidence that Chopin ever even started work on the latter movements of this concerto.
The Symphony No. 1 by Alfred Schnittke was composed between 1969 and 1974. It is scored for a large orchestra. The symphony is recognised as one of Schnittke's most extreme essays in aleatoric music. From the outset the piece is loud, brash, and chaotic, and it quotes motifs from all parts of the Western classical tradition.
Richard Strauss composed his Symphony No. 1 in D minor in 1880 when he was just 16 years old. It consists of four movements, and lasts about 34 minutes. Although Strauss did not give a number to the symphony, it is often referred to as his First Symphony. It was premiered on 30 March 1881 at the Munich Academy of Music under the baton of Hermann Levi.
The Symphony No. 3 is a composition for orchestra by the American composer Ned Rorem. The work was first performed by the New York Philharmonic under the direction of Leonard Bernstein at Carnegie Hall on April 16, 1959.
Hallowe'en, also initially entitled Allegro vivace: Hallowe'en, is a short composition for piano quintet by American composer Charles Ives. It was probably composed in 1907 and was part of Three Outdoor Scenes, a collection of pieces that also included Central Park in the Dark.
The Gong on the Hook and Ladder or Firemen's Parade on Main Street, normally shortened as The Gong on the Hook and Ladder and also initially entitled Allegro moderato, is a short composition by American composer Charles Ives.
"Hymn: Largo cantabile", S. 84/1, sometimes also referred to as "Largo cantabile: Hymn" and often shortened as "Hymn", is a composition by American composer Charles Ives written in 1904. Grouped in the suite A Set of Three Short Pieces, it is published and commonly performed as a standalone work.
The Symphony No. 2 in E minor, Op. 17, is a three-movement orchestral composition written from 1936 to 1937 by the Swedish composer Lars-Erik Larsson. The piece premiered in Stockholm on 24 November 1937 with Larsson conducting the Concert Society Orchestra. In response to unfavorable critical reviews, Larsson immediately withdrew the symphony after its premiere—a fate that, too, had earlier befallen his First and would later befall his Third symphonies.
The Violin Concerto, Op. 54, is a three-movement concertante composition for violin and orchestra written in 1952 by the Swedish composer Lars-Erik Larsson. The piece premiered over Swedish Radio on 11 January 1953 in Stockholm, Sweden, with Sten Frykberg conducting the Swedish Radio Orchestra. The soloist was the Hungarian violinist André Gertler, its dedicatee.
