The Beatles' 1965 UK tour

Last updated

The Beatles' 1965 UK tour
Tour by the Beatles
Associated album Rubber Soul
Start date3 December 1965
End date12 December 1965
No. of shows18
The Beatles concert chronology

The English rock band the Beatles staged a concert tour of the United Kingdom between 3 and 12 December 1965, comprising 18 shows [1] at nine venues across England, Scotland and Wales. [2] It coincided with the release of the Beatles' studio album Rubber Soul and their double A-side single "Day Tripper" / "We Can Work It Out", and was the final UK tour undertaken by the band. [3] Weary of Beatlemania, the group conceded to do the tour but refused to also perform a season of Christmas concerts [4] [5] as they had done over the 1963–64 and 1964–65 Christmas seasons. [6]

Contents

Background and repertoire

Whereas the venues for the Beatles' summer 1965 tour of the United States had been arenas and large auditoriums, [7] their UK concerts were all held in theatres and cinemas. [4] The Beatles rehearsed thoroughly for the tour; according to George Harrison's comments to the NME , their ensemble playing was also helped by their having just finished an intensive period of recording for Rubber Soul. [8] The album marked a significant progression from the band's Merseybeat roots, [9] furthering the musical direction they had first adopted with their late 1964 release, Beatles for Sale . [10] For the first time in their setlist for a tour, they now eschewed any songs from before the Beatles for Sale era. [11] The band chose their 1964 hit "I Feel Fine", sung by John Lennon, to open the shows, while their closing song, Paul McCartney's "I'm Down", became what NME journalist Alan Smith later described as "the 1965 'Twist And Shout'". [12]

Typically for the 1960s, the UK concerts were arranged in a package-tour format, with multiple acts on the bill [8] and two performances held each day. [4] The support acts on the program were the Moody Blues, the Paramounts, Beryl Marsden, Steve Aldo, the Koobas, and the Marionettes. [4] At £1000 per engagement, the Beatles' fee was the highest paid to a performing act in Britain up to that time. [4]

The group's preparation ended with a rehearsal on 1 December at the London flat shared by Neil Aspinall and Mal Evans [13] [14] – the Beatles' long-serving road managers and roadies. [15] Aside from the four band members and their manager, Brian Epstein, [16] the tour personnel comprised only Aspinall, Evans, press officer Tony Barrow and a chauffeur, Alf Bicknell. [17] On the way to Scotland for the first show, Harrison's Gretsch Country Gentleman and Gretsch Tennessean fell from the group's car and into the path of a truck, [13] destroying the instrument and leaving him with two guitars for the tour. [18]

Tour history

Wild, ear-tingling screams burst over the auditorium as the curtains parted and the Beatles moved straight into their first number, "I Feel Fine". John sang lead, and he was in top vocal – and humorous – form. From time to time he would throw in a funny facial expression that had the crowd roaring with delight. [12]

– Alan Smith of the NME, reporting on the opening performance of the tour

The opening shows took place at the Odeon Cinema in Glasgow on 2 December. [12] [16] In his feature article covering the first four stops on the itinerary – Glasgow, Newcastle, Liverpool and Manchester – Smith reported that while the fans' reaction did not seem as wild as it had been in previous years, "it's been capacity audiences, screaming [fans] and better-than-ever performances by the group all the way." Part of the reason for the less-frenzied mood surrounding the tour, Smith said, was due to a heavy police presence, which meant that roads around the venues were closed off and crowd numbers were confined to only those attending the concerts. [8]

The Liverpool Empire -- the venue for the Beatles' final concert in their hometown Empire Theatre, Liverpool 2018.jpg
The Liverpool Empire — the venue for the Beatles' final concert in their hometown

The Beatles returned to their hometown of Liverpool on 5 December to play at the Empire Theatre, with their friends and family members among the audience. At the second show that evening, McCartney accompanied the Koobas (on drums) during their performance of "Dizzy Miss Lizzy". [19] Otherwise, McCartney expressed disappointment at the level of police protection, saying: "just lately it's getting ridiculous. There are so many of them about, it ruins the whole atmosphere of enjoyment." [8]

The winter weather hindered the band's progress throughout the tour. [17] In Glasgow, Epstein was forced to change their accommodation to an inner-city hotel, to ensure that the Beatles made it on stage. [16] Travel was affected by snow on the roads around Newcastle, by dense fog in Manchester, and by heavy rain on the way to Birmingham. [19] At the first performance at that city's Odeon Cinema, the Moody Blues extended their set to cover for the Beatles' late arrival. [17]

The London shows included two well-received performances at the Astoria (now the Rainbow Theatre) in Finsbury Park. Rainbow theatre london.jpg
The London shows included two well-received performances at the Astoria (now the Rainbow Theatre) in Finsbury Park.

The Beatles played the first of two London venues, the Hammersmith Odeon, on 10 December – the day the NME announced that its readers had voted them Best British Group and Best World Group for 1965. [20] In the same poll, Lennon won in the "British Vocal Personality" category. [21] The following day, Melody Maker listed Rubber Soul at number 1 on its national albums chart. [22]

Finsbury Park Astoria holds 3,000 people and I swear that almost every one of them has been standing on a seat … They tell me the hysteria and the fan scenes were even worse at Hammersmith last night. I did not think I would say this again but, without question, BEATLEMANIA IS BACK! [17]

– Alan Smith, NME

The 11 December concerts, at the Astoria in Finsbury Park, north London, received what author Barry Miles later described as a "tremendous" reception. [21] Retracting his earlier statement about the growing maturity of the group's fans, Smith wrote: "I have not seen hysteria like this at a Beatles show since the word Beatlemania erupted into headlines … George Harrison staggered off the stage soaking in perspiration as he told me: 'This is one of the most incredible shows we've done. Not just because of the audience, but because they're Londoners!'" Lennon elaborated: "We used to think Londoners had that cool we've-seen-it-all-before outlook but we take it all back!" [17]

The tour ended on 12 December with two performances at the Capitol Cinema in Cardiff. [23] Some 25,000 applications were received for the 5000 tickets. [24] These shows proved to be the final UK concerts the Beatles played outside London, [23] where they went on to perform for the last time at the NME Poll-Winners' Concert in May 1966. [25]

Set list

According to Walter Everett (lead singers appear in parentheses): [4]

  1. "I Feel Fine" (John Lennon)
  2. "She's a Woman" (Paul McCartney)
  3. "If I Needed Someone" (George Harrison)
  4. "Act Naturally" (Ringo Starr)
  5. "Nowhere Man" (Lennon, with McCartney and Harrison)
  6. "Baby's in Black" (Lennon and McCartney)
  7. "Help!" (Lennon)
  8. "We Can Work It Out" (McCartney)
  9. "Yesterday" (McCartney)
  10. "Day Tripper" (Lennon and McCartney)
  11. "I'm Down" (McCartney)

Tour dates

According to Barry Miles [26] and Walter Everett: [4]

DateCityCountryVenue
3 December 1965
(2 shows)
Glasgow Scotland Odeon Cinema
4 December 1965
(2 shows)
Newcastle upon Tyne England Newcastle City Hall
5 December 1965
(2 shows)
Liverpool Liverpool Empire Theatre
7 December 1965
(2 shows)
Manchester Ardwick ABC Cinema
8 December 1965
(2 shows)
Sheffield Gaumont Cinema
9 December 1965
(2 shows)
Birmingham Birmingham Odeon
10 December 1965
(2 shows)
London Hammersmith Odeon
11 December 1965
(2 shows)
Odeon Astoria
12 December 1965
(2 shows)
Cardiff Wales Capitol Cinema

See also

Related Research Articles

<i>Beatles for Sale</i> 1964 studio album by the Beatles

Beatles for Sale is the fourth studio album by the English rock band the Beatles. It was released on 4 December 1964 in the United Kingdom on EMI's Parlophone label. The album marked a departure from the upbeat tone that had characterised the Beatles' previous work, partly due to the band's exhaustion after a series of tours that had established them as a worldwide phenomenon in 1964. Beatles for Sale was not widely available in the US until 1987, when the Beatles' catalogue was standardised for release on CD. Instead, eight of the album's fourteen tracks appeared on Capitol Records' concurrent release, Beatles '65, issued in North America only.

<i>Rubber Soul</i> 1965 studio album by the Beatles

Rubber Soul is the sixth studio album by the English rock band the Beatles. It was released on 3 December 1965 in the United Kingdom on EMI's Parlophone label, accompanied by the non-album double A-side single "Day Tripper" / "We Can Work It Out". The original North American release, issued by Capitol Records, contains ten of the fourteen songs and two tracks withheld from the band's Help! (1965) album. Rubber Soul was described as an important artistic achievement by the band, meeting a highly favourable critical response and topping sales charts in Britain and the United States for several weeks.

<i>Revolver</i> (Beatles album) 1966 studio album by the Beatles

Revolver is the seventh studio album by the English rock band the Beatles. It was released on 5 August 1966, accompanied by the double A-side single "Eleanor Rigby" / "Yellow Submarine". The album was the Beatles' final recording project before their retirement as live performers and marked the group's most overt use of studio technology to date, building on the advances of their late 1965 release Rubber Soul. It has since become regarded as one of the greatest and most innovative albums in the history of popular music, with recognition centred on its range of musical styles, diverse sounds and lyrical content.

<span class="mw-page-title-main">Norwegian Wood (This Bird Has Flown)</span> 1965 song by the Beatles

"Norwegian Wood (This Bird Has Flown)", otherwise known as simply "Norwegian Wood", is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was written mainly by John Lennon, with lyrical contributions from Paul McCartney, and credited to the Lennon–McCartney songwriting partnership. Influenced by the introspective lyrics of Bob Dylan, the song is considered a milestone in the Beatles' development as songwriters. The track features a sitar part, played by lead guitarist George Harrison, that marked the first appearance of the Indian string instrument on a Western rock recording. The song was a number 1 hit in Australia when released on a single there in 1966, coupled with "Nowhere Man".

<span class="mw-page-title-main">Beatlemania</span> Fan frenzy for the British band the Beatles

Beatlemania was the fanaticism surrounding the English rock band the Beatles from 1963 to 1966. The group's popularity grew in the United Kingdom in late 1963, propelled by the singles "Please Please Me", "From Me to You" and "She Loves You". By October, the British press adopted the term "Beatlemania" to describe the scenes of adulation that attended the band's concert performances. By 22 February 1964, the Beatles held both the number one and number two spots on the Billboard Hot 100, with "I Want to Hold Your Hand" and "She Loves You", respectively. Their world tours were characterised by the same levels of hysteria and high-pitched screaming by female fans, both at concerts and during the group's travels between venues. Commentators likened the intensity of this adulation to a religious fervour and to a female masturbation fantasy. Among the displays of deity-like worship, fans would approach the band in the belief that they possessed supernatural healing powers.

<span class="mw-page-title-main">Paperback Writer</span> 1966 song by the Beatles

"Paperback Writer" is a song by the English rock band the Beatles. Written primarily by Paul McCartney and credited to the Lennon–McCartney partnership, the song was released as the A-side of their eleventh single in May 1966. It topped singles charts in the United Kingdom, the United States, Ireland, West Germany, Australia, New Zealand and Norway. On the US Billboard Hot 100, the song was at number one for two non-consecutive weeks, being interrupted by Frank Sinatra's "Strangers in the Night".

<span class="mw-page-title-main">What Goes On (Beatles song)</span> 1965 single by the Beatles

"What Goes On" is a song by the English rock band the Beatles, featured as the eighth track on their 1965 album Rubber Soul. The song was later released as the B-side of the US single "Nowhere Man", and then as the tenth track on the North America-only album Yesterday and Today. It is the only song by the band credited to Lennon–McCartney–Starkey and the only song on Rubber Soul that features Ringo Starr on lead vocals. The song reached number 81 on the US Billboard Hot 100 in 1966.

<span class="mw-page-title-main">Think for Yourself</span> 1965 song by the Beatles

"Think for Yourself" is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was written by George Harrison, the band's lead guitarist, and, together with "If I Needed Someone", marked the start of his emergence as a songwriter beside John Lennon and Paul McCartney. The song's lyrics advocate independent thinking and reflect the Beatles' move towards more sophisticated concepts in their writing at this stage of their career. The song has invited interpretation as both a political statement and a love song, as Harrison dismisses a lover or friend in a tone that some commentators liken to Bob Dylan's 1965 single "Positively 4th Street". Among musicologists, the composition has been recognised as adventurous in the degree of tonal ambiguity it employs across parallel major and minor keys and through its suggestion of multiple musical modes.

<span class="mw-page-title-main">Day Tripper</span> 1965 single by the Beatles

"Day Tripper" is a song by the English rock band the Beatles that was released as a double A-side single with "We Can Work It Out" in December 1965. The song was written primarily by John Lennon with some contributions from Paul McCartney and was credited to the Lennon–McCartney partnership. Both songs were recorded during the sessions for the band's Rubber Soul album. The single topped charts in Britain, Ireland, the Netherlands and Norway. In the United States, "Day Tripper" peaked at number five on the Billboard Hot 100 chart and "We Can Work It Out" held the top position.

<span class="mw-page-title-main">Savoy Truffle</span> 1968 song by the Beatles

"Savoy Truffle" is a song by the English rock band the Beatles from their 1968 album The Beatles. The song was written by George Harrison and inspired by his friend Eric Clapton's fondness for chocolate. The lyrics list the various flavours offered in Mackintosh's Good News chocolates and serve as a warning to Clapton about the detrimental effect that his gorging would have on his teeth. Along with Clapton's guest appearance on the White Album track "While My Guitar Gently Weeps" and Harrison reciprocating on Cream's "Badge", it is one of several songs that mark the start of a long-lasting musical association between the two guitarists.

<span class="mw-page-title-main">If I Needed Someone</span> Song composed by George Harrison

"If I Needed Someone" is a song by the English rock band the Beatles, written by George Harrison, the group's lead guitarist. It was released in December 1965 on their album Rubber Soul, except in North America, where it appeared on the June 1966 release Yesterday and Today. The song reflects the reciprocal influences shared between the Beatles and the American band the Byrds. On release, it was widely considered to be Harrison's best song to date. A recording by the Hollies was issued in Britain on the same day as Rubber Soul and peaked at number 20 on the national singles chart.

<span class="mw-page-title-main">The Night Before (song)</span> 1965 song by the Beatles

"The Night Before" is a song by the English rock band the Beatles from their 1965 film Help! and soundtrack album of the same name. It was written primarily by Paul McCartney and credited to the Lennon–McCartney partnership. Described as a pop rock or rock and roll song, its lyrics reflect on the singer's last night with his lover before being abandoned.

<span class="mw-page-title-main">Another Girl</span> Song by The Beatles

"Another Girl" is a song by the English rock band the Beatles from their 1965 album Help! and included in the film of the same title. The song was written by Paul McCartney and credited to the Lennon–McCartney partnership. The song is addressed to the singer's girlfriend, who is informed that the singer has found "another girl."

<span class="mw-page-title-main">Tell Me What You See</span> 1965 song by the Beatles

"Tell Me What You See" is a song by the English rock band the Beatles that first appeared in 1965 on their album Help! in the United Kingdom and on Beatles VI in the United States. The song is credited to Lennon–McCartney but mainly written by Paul McCartney. Regarding the song's authorship, McCartney said, "I seem to remember it as mine. I would claim it as a 60–40 but it might have been totally me." John Lennon said, in his interviews with Playboy (1980) and Hit Parader (1972), that "Tell Me What You See" was written completely by McCartney.

<span class="mw-page-title-main">I've Just Seen a Face</span> 1965 song by the Beatles

"I've Just Seen a Face" is a song by the English rock band the Beatles. It was released in August 1965 on their album Help!, except in North America, where it appeared as the opening track on the December 1965 release Rubber Soul. Written and sung by Paul McCartney, the song is credited to the Lennon–McCartney partnership. The song is a cheerful love ballad, its lyrics discussing a love at first sight while conveying an adrenaline rush the singer experiences that makes him both enthusiastic and inarticulate.

<span class="mw-page-title-main">I'm Down</span> 1965 single by the Beatles

"I'm Down" is a song by the English rock band the Beatles, written by Paul McCartney and credited to Lennon–McCartney. It was released on a non-album single as the B-side to "Help!" in July 1965. The song originated in McCartney's attempt to write a song in the style of Little Richard, whose song "Long Tall Sally" the band regularly covered.

<span class="mw-page-title-main">Magical Mystery Tour (song)</span> 1967 song by the Beatles

"Magical Mystery Tour" is a song by the English rock band the Beatles and the title track to the December 1967 television film of the same name. It was released on the band's Magical Mystery Tour soundtrack record, which was a double EP in Britain and most markets but an album in America, where Capitol Records supplemented the new songs with tracks issued on the Beatles' 1967 singles. The song was written primarily by Paul McCartney and credited to the Lennon–McCartney partnership.

<span class="mw-page-title-main">She's a Woman</span> 1964 single by the Beatles

"She's a Woman" is a song by the English rock band the Beatles, written primarily by Paul McCartney and credited to Lennon–McCartney. It was released on a non-album single in November 1964 as the B-side to "I Feel Fine", except in North America, where it also appeared on the album Beatles '65, released in December 1964. Though it was the B-side, it charted in the US, reaching number four on the Billboard Hot 100 and number eight on the Cash Box Top 100. The song originated in McCartney's attempt to write a song in the style of Little Richard. The lyrics include the first reference to drugs in a Beatles song, with the line "turn(s) me on" referring to marijuana.

<span class="mw-page-title-main">The Beatles' 1965 US tour</span> Two-week long concert tour by the Beatles

The Beatles staged their second concert tour of the United States in the late summer of 1965. At the peak of American Beatlemania, they played a mixture of outdoor stadiums and indoor arenas, with historic concerts at Shea Stadium in New York and the Hollywood Bowl. Typically of the era, the tour was a "package" presentation, with several artists on the bill. The Beatles played for just 30 minutes at each show, following sets by support acts such as Brenda Holloway and the King Curtis Band, Cannibal & the Headhunters, and Sounds Incorporated.

<span class="mw-page-title-main">The Beatles' 1966 US tour</span> 1966 concert tour by the Beatles

The Beatles staged their third and final concert tour of North America in August 1966. It consisted of 18 performances, with 16 shows in United States venues and two in Canada. The tour was plagued with backlash regarding the controversy of John Lennon's remark about the Beatles being "more popular than Jesus", death threats, and the band's own dissatisfaction with the noise levels and their ability to perform live. Their speaking out against the Vietnam War added further controversy to the visit.

References

  1. MacDonald 1998, p. 380.
  2. Miles 2001, pp. 216, 219–20.
  3. Miles 2001, pp. 215–16.
  4. 1 2 3 4 5 6 7 Everett 2001, p. 335.
  5. Unterberger 2006, p. 141.
  6. Womack 2014, pp. 116–17.
  7. Schaffner 1978, p. 43.
  8. 1 2 3 4 Smith, Alan (10 December 1965). "Alan Smith ... Goes on Tour with the Beatles". NME . p. 3. Available at Rock's Backpages (subscription required).
  9. Rodriguez 2012, p. 4.
  10. Easlea, Daryl (2007). "The Beatles Rubber Soul Review". BBC Music . Retrieved 2 April 2016.
  11. Schaffner 1978, pp. 45, 51.
  12. 1 2 3 Smith, Alan (10 December 1965). "Beatles Terrific ... and Rest of Bill". NME . p. 20. Available at Rock's Backpages (subscription required).
  13. 1 2 Miles 2001, p. 215.
  14. Winn 2008, p. 292.
  15. Womack 2014, pp. 52, 265.
  16. 1 2 3 Miles 2001, p. 216.
  17. 1 2 3 4 5 Smith, Alan (17 December 1965). "London Turns on the Beatlemania". NME . p. 10. Available at Rock's Backpages (subscription required).
  18. Everett 2001, pp. 335, 348.
  19. 1 2 Miles 2001, p. 219.
  20. Miles 2001, pp. 219–20.
  21. 1 2 Miles 2001, p. 220.
  22. Castleman & Podrazik 1976, p. 337.
  23. 1 2 Womack 2014, p. 792.
  24. Staff writer (1 September 2009). "The Beatles live in Cardiff, 1965". BBC Wales . Retrieved 22 January 2017.
  25. Rodriguez 2012, pp. 3–4.
  26. Miles 2001, pp. 216–20.

Sources