The Best Years of Our Lives is the third studio album by Steve Harley & Cockney Rebel, released by EMI on 7 March 1975.[1][2] It was the first album to feature Harley's name ahead of the band's (the band was previously known as Cockney Rebel).[3] The album was produced by Harley and Alan Parsons, and contains the band's only UK number one, the million-selling "Make Me Smile (Come Up and See Me)".[4]
In July 1974, the original Cockney Rebel split at the end of a major British tour which promoted their second album The Psychomodo. Jean-Paul Crocker, Milton Reame-James and Paul Jeffreys quit the band after Harley refused to comply with their demands to write material for the group, despite the initial understanding that Cockney Rebel was a vehicle for Harley's songs.[5][6] Unfazed by the split, Harley announced to Record Mirror that he was going to return with "the greatest rock 'n' roll band ever heard".[7] In 2014, he recalled, "The people at EMI were right behind me. They believed I could find new band members without too much of a problem and continue on to a new level of success. They believed it wasn't a major stumbling block."[8]
As Cockney Rebel were already scheduled to play Friars Aylesbury and the Reading Festival on 24 and 25 August respectively, Harley quickly assembled a temporary line-up. With original member Stuart Elliott remaining on drums, the line-up featured guitarist Jim Cregan, keyboardist Francis Monkman and bassist George Ford.[9] The permanent line-up was finalised in September 1974 and featured the same musicians minus Monkman, who was replaced by Duncan Mackay. Harley renamed the new group Steve Harley & Cockney Rebel.[10] The band performed their first concerts in Holland between 18 and 26 September 1974 before playing their first UK dates between 17 and 19 October 1974 at Southampton University, London's Rainbow Theatre and Lancaster University.[10][11]
The Best Years of Our Lives was recorded at London's Abbey Road Studios and Air Studios during November and December 1974.[12] Harley's approach to the recording sessions was different compared to that of the original two Cockney Rebel albums, The Human Menagerie and The Psychomodo. Rather than have his songs and ideas "well written out" before recording began, Harley had "just some tunes and phrases spinning around my head". He told Rock Scene in 1975, "The band thought I was crazy, and I had to teach them the songs by humming along. They didn't even have lyrics to go with the backing tracks. I added them all on later. I just went la-de-da through the whole thing."[13]
Speaking to Record & Popswop Mirror in November 1974, Harley said of the album, "The best work I've done yet is on the new LP. I find that I'm not writing in such a surrealistic way anymore. I'm writing slightly more blatant, less subtle. The whole album is a theme. The whole story is a dialogue, almost between two people – or a group of people and the artist: questions and answers. It's kind of like a guy who goes through a metamorphosis and comes out of it in good shape – alive and kicking."[14] He added to the magazine in 1975, "This album is something I believe in. It means so much to me than anything I have done before."[1]
Songs
"Back to the Farm", which has a 7/4 time signature, was inspired by Harley's rock 'n' roll lifestyle and fame, and the pressures that came with it. He has described the song as being about "going crazy" and called it a "mental institution allusion".[15] Harley had the idea making the backing vocals "sound like chipmunks".[16]
Release
Preceding the release of The Best Years of Our Lives was the single "Make Me Smile (Come Up and See Me)", which was released in January 1975. As the band's biggest hit, the song reached the number one spot in the UK Singles Chart in February and received a silver certification that month.[17] As of 2015, it has sold around 1.5 million copies in the UK. Years later, Harley revealed that the lyrics were vindictively directed at Harley's former band members who, he felt, had abandoned him.[18] Over 120 cover versions of the song have been recorded by other artists.[19]
The Best Years of Our Lives was released by EMI on 7 March 1975 and reached number 4 in the UK Albums Chart. The album's second single, "Mr. Raffles (Man, It Was Mean)", was released in May and became another UK hit, peaked at number 13.[20] The song's titular character refers to the author E. W. Hornung's fictional thief A. J. Raffles.[21]
The album received its first CD release by EMI in 1991.[22] It featured two bonus tracks, the B-side of "Make Me Smile (Come Up and See Me)", "Another Journey", and a live version of "Sebastian", which was the B-side to "Mr. Raffles (Man, It Was Mean)".[23] In 2001, BGO Records released a remastered edition of the album, but without any bonus tracks.[24]
On 23 June 2014, a definitive edition of the album was released by Parlophone as a four CD + DVD box-set. On disc one is the original album, the B-side "Another Journey", and previously unreleased early demo versions of "Make Me Smile (Come Up And See Me)" and "The Best Years of Our Lives". The second and third discs feature tracks from the band's concert at the Hammersmith Odeon on 14 April 1975, and the 28-minute DVD features footage from the same concert.[25] In August 2014, a 180-gram vinyl reissue of the album was released in the Netherlands by Music on Vinyl.[26] To celebrate its 45th anniversary, Chrysalis released an expanded edition of the album on double vinyl in the UK and Europe on 5 April 2021.[27]
Tour
To promote the album, the band embarked on a UK and European tour from March 1975 onwards.[28] On the tour, the band hired guitarist Snowy White to play rhythm guitar.[29] In a January 1975 issue of Record & Popswop Mirror, it was announced that the upcoming tour would feature "a specially built set and lighting to reflect songs and images featured on the forthcoming album".[30] Later in the year they toured America, as a support act for The Kinks.
To celebrate the 40th anniversary of the album and "Make Me Smile", a 16-date UK tour was announced for November 2015.[31] Harley, who has continued to play with various Cockney Rebel incarnations since the 1970s, reunited with the surviving members of the original second line-up for the tour (Cregan, Elliott and Mackay). The band's bassist, George Ford, had died in 2007. The tour marked the first time that the line-up had played together since 1976. On the tour, the band performed two sets at each show, one featuring a selection of tracks from Harley and the band's career, and the second featuring The Best Years of Our Lives in its entirety. Speaking to Classic Rock, in March 2015, Harley commented, "The three guys are still my mates. The fun we had back then, when we toured and recorded together, holds fabulous and special memories. I'm thrilled to think they'll be up there on the great UK concert hall stages with me once again."[32]
On its release, Record & Popswop Mirror commented, "Forget No 1 singles; this will change everything. In eight songs, which have both poetic form and quality, Harley wipes out his two-album apprenticeship with a stunning change of direction and commitment. It is a coming of age, a political and religious protest, a brilliant snap-book for a generation, a puzzle. In short, this third album demands attention. It is completely fulfilling, a monster unleashed."[34]Disc considered Cockney Rebel's original two albums to "pale into insignificance" against The Best Years of Our Lives, with the album displaying "Steve's talent with melodies, paces and rhythm while emphasising his very unusual way with words". The reviewer noted the "fine selection of songs" and picked "Panorama" and the title track as their favourites.[33]Liverpool Echo wrote, "'Make Me Smile' is undoubtedly one of the best singles of the year but this should not obscure the rest of the album. Taken overall it is a great improvement on his previous efforts."[35]
Pete Butterfield of the Reading Evening Post commented, "Like Harley or not, he's got a heap of talent. This album is as full of ideas as the first stemming wholely from the unique vocal talent."[36] John Falding of the Birmingham Daily Post wrote, "One man who must have been listening to too much Ziggy, and more than a little Dylan, is Steve Harley. The Best Years of Our Lives is a poor pastiche of Bowie a couple of years ago. Harley has made an interesting single but the LP does not match it."[37]
In the US, Cash Box believed the band had "a surefire smash with their latest". They wrote, "The band cooks and grinds in the David Bowie style with the emphasis on the spacey light pop rock sound that is very heavy today in the pop market. This should get heavy FM play with our favorites 'The Mad, Mad Moonlight,' 'It Wasn't Me,' 'Make Me Smile (Come Up and See Me)' and the title cut."[38] Justin Pierce of the Los Angeles Times stated, "Stylistically, [the album] compares favorably with the acoustically based David Bowie/Mott the Hoople school of rock. Harley continues to explore themes built around his views of a confused society and the changes it is constantly enduring. Harley's writing is still in an embryonic stage, but there is promise."[39] Keith Sharp of the Calgary Herald commented, "All of a sudden, Harley's decided to take himself seriously. Those bizarre, humorous lyrics that marked his last album have been replaced by Dylanesque social comment. He can't blame his band for the poor quality of the record. His new Rebels have saved the album by at least making it listenable."[40]
In a review of the 1991 EMI CD release, Mark Sinker of Select highlighted the "baroque glam-pop charts hits" "Make Me Smile (Come Up and See Me)" and "Mr. Raffles".[45] Donald A. Guarisco of AllMusic retrospectively said, "Harley had developed a strong grasp of how to combine his artistic ambitions with strongly crafted pop tunes. The result was The Best Years of Our Lives, the most successful album of his mid-'70s heyday. All in all, it is a fine, slickly crafted album that will delight Steve Harley enthusiasts."[41] John Aizlewood of Q magazine called it "supremely confident, it showcased Harley's knack for an anthem, willingness to rock and sheer gall".[22] Aizlewood, writing of the 2021 LP reissue for Mojo in 2021, added that, while "Make Me Smile" "proved to be Harley's pension plan", its parent album was "more than the hit plus filler". He called "Mr. Raffles" Harley's "most beautiful track", and also noted the "heroically self-indulgent" title track and the "slinky" "49th Parallel".[43]
Steve Harley & Cockney Rebel were an English rock band who formed in the early 1970s in London. Their music covered a range of styles from pop to progressive rock. Over the years, they have had five albums on the UK Albums Chart and twelve singles on the UK Singles Chart.
Stephen Malcolm Ronald Nice, known by his stage name Steve Harley, was an English singer-songwriter and frontman of the rock group Cockney Rebel. The band achieved six UK hit singles in the mid-1970s, including "Judy Teen", "Mr. Soft", and the number one "Make Me Smile ". Harley later scored a further three UK hit singles as a solo artist, including "The Phantom of the Opera", a duet with Sarah Brightman.
"Make Me Smile (Come Up and See Me)" is a song by the English rock band Steve Harley & Cockney Rebel, released on 31 January 1975 by EMI as the lead single from the band's third studio album The Best Years of Our Lives. The song was written by Harley, and produced by Harley and Alan Parsons. In February 1975, the song reached number one on the UK chart and received a gold certification from the British Phonographic Industry in October 2021. It spent nine weeks in the Top 50, and as of 2015, has sold over 1.5 million copies worldwide. The song is one of the most-played songs in British broadcasting history.
The Psychomodo is the second studio album by Cockney Rebel, released on 2 June 1974 by EMI. It was produced by Steve Harley and Alan Parsons.
Timeless Flight is the fourth studio album by Steve Harley & Cockney Rebel, which was released by EMI in 1976. It was written and produced by Steve Harley.
Face to Face: A Live Recording is a live album by Steve Harley & Cockney Rebel, which was released by EMI in 1977. It was produced by Steve Harley and Tony Clark.
"(I Believe) Love's a Prima Donna" is a song by the British rock band Steve Harley & Cockney Rebel, released on 1 October 1976 as the second single from their fifth studio album Love's a Prima Donna. The song was written and produced by Harley. It reached number 41 in the UK Singles Chart and would be the band's last charting single before their split in 1977.
"Big Big Deal" is a song by British singer-songwriter Steve Harley, released by EMI as his debut solo single on 1 November 1974. The song, which was written and produced by Harley, would be his only solo release before the formation of the second line-up of Steve Harley & Cockney Rebel.
"Black or White" is a song by British rock band Steve Harley & Cockney Rebel, released on 14 November 1975 as the lead single from their fourth studio album Timeless Flight (1976). The song was written and produced by Harley.
"Mr. Raffles " is a song by the British rock band Steve Harley & Cockney Rebel, released on 23 May 1975 as the second and final single from their third studio album The Best Years of Our Lives. The song was written by Harley, and produced by Harley and Alan Parsons. "Mr. Raffles " reached number 13 in the UK Singles Chart.
"Tumbling Down" is a song by the British rock band Cockney Rebel, fronted by Steve Harley. It was released in 1975 as the third and final single from the band's second studio album The Psychomodo (1974). The song was written by Harley, and produced by Harley and Alan Parsons.
"(Love) Compared with You" is a song by the British rock band Steve Harley & Cockney Rebel, released in 1977 as the third and final single from the band's fifth studio album, Love's a Prima Donna (1976). Released as a single in America only, the song was written and produced by Harley.
"Judy Teen" is a song by the British rock band Cockney Rebel, fronted by Steve Harley. It was released as a non-album single in 1974, and became the band's first UK hit, after their debut single, "Sebastian", was only a hit in continental Europe. "Judy Teen" was written by Harley, and produced by Harley and Alan Parsons.
"Mr. Soft" is a song by the British rock band Cockney Rebel, fronted by Steve Harley, which was released in 1974 as the second single from their second studio album The Psychomodo. The song was written by Harley, and produced by Harley and Alan Parsons. "Mr. Soft" peaked at number 8 in the UK Singles Chart.
"Sebastian" is a song by the British rock band Cockney Rebel, fronted by Steve Harley. It was released as the band's debut single in 1973 from their album The Human Menagerie. The song was written by Harley and produced by Neil Harrison.
"Hideaway" is a song by the British rock band Cockney Rebel, fronted by Steve Harley. Released as the opening track on the band's 1973 debut album The Human Menagerie, "Hideaway" was released in 1974 as a single in Denmark only. It was written by Harley and produced by Neil Harrison.
"The Best Years of Our Lives" is a song by the British rock band Steve Harley & Cockney Rebel, released in 1975 as the title track from the band's third studio album The Best Years of Our Lives. In 1977, a live version of the song was released as a single from the album Face to Face: A Live Recording.
A Closer Look is a compilation album by Steve Harley & Cockney Rebel, which was released by EMI Records in the United States in 1975. It features material recorded by the original Cockney Rebel as well as the reformed Steve Harley & Cockney Rebel line-up.
The Best of Steve Harley and Cockney Rebel is a compilation album by Steve Harley & Cockney Rebel, released by EMI in September 1980. It features material from the original line-up of Cockney Rebel, the Steve Harley & Cockney Rebel line-up, and two tracks from Harley's solo career.
The Come Back, All is Forgiven Tour: Live is a live concert video by the British rock band Steve Harley & Cockney Rebel, which was filmed during their 1989 tour. The concert video has also been released in a variety of guises as a live album.
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