Elmore James was an American blues guitarist, singer, songwriter, and bandleader. Noted for his use of loud amplification and his stirring voice, James was inducted into the Rock and Roll Hall of Fame in 1992. His slide guitar technique earned him the nickname "King of the Slide Guitar".
Robert William Gary Moore was a Northern Irish musician. Over the course of his career he played in various groups and performed a range of music including blues, blues rock, hard rock, heavy metal, and jazz fusion.
After Hours is the ninth solo studio album by Northern Irish guitarist Gary Moore, released in 1992. The album features guest contributions from B.B. King and Albert Collins. It peaked at number four on the UK Albums Chart, making it Moore's highest-charting album in the UK.
Albert Gene Collins, known as Albert Collins and the Ice Man, was an American electric blues guitarist and singer with a distinctive guitar style. He was noted for his powerful playing and his use of altered tunings and a capo. His long association with the Fender Telecaster led to the title "The Master of the Telecaster".
John Watson Jr., known professionally as Johnny "Guitar" Watson, was an American musician and singer-songwriter. A flamboyant showman and electric guitarist in the style of T-Bone Walker, his recording career spanned forty years, and encompassed rhythm and blues, funk and soul music.
Blues Alive is a live album by Northern Irish guitarist Gary Moore, released in May 1993. It is a collection of recordings taken from his 1992 tour and draws most of its material from Moore's then-recent Still Got the Blues and After Hours albums. It was by far the most successful of all his live albums, reaching number 8 on the UK Albums Chart and being certified Gold. Its release was preceded by the single "Parisienne Walkways" (live).
Jimmy D. Lane is an American electric blues guitarist.
Still Got the Blues is the eighth solo studio album by Northern Irish guitarist Gary Moore, released in March 1990. It marked a substantial change in style for Moore, who had been predominantly known for rock and hard rock music with Skid Row, Thin Lizzy, G-Force, Greg Lake and during his own extensive solo career, as well as his jazz-fusion work with Colosseum II. As indicated by its title, Still Got the Blues saw him delve into an electric blues style.
A Different Beat is the twelfth solo studio album by Irish guitarist Gary Moore, released by Castle Music in September 1999. Produced by Moore with Ian Taylor, the album saw Moore continue to jettison his familiar blues and hard rock stylings work for a more experimental pop approach, following Dark Days in Paradise (1997). The musician was inspired by modern dance music and sought to create an album that fused dance rhythms with guitar work, and collaborated with musicians Roger King and the E-Z Rollers to help him achieve this.
Willie Littlefield, Jr., billed as Little Willie Littlefield, was an American R&B and boogie-woogie pianist and singer whose early recordings "formed a vital link between boogie-woogie and rock and roll". Littlefield was regarded as a teenage wonder and overnight sensation when in 1949, at the age of 18, he popularized the triplet piano style on his Modern Records debut single, "It's Midnight". He also recorded the first version of the song "Kansas City", in 1952.
King of the Blues is a compilation album by American blues musician B. B. King covering the years 1949 through 1991. Released by MCA Records in 1992, the four CD box set includes some of King's most popular songs as well as some newer recordings.
Ice Pickin' is a studio album by Albert Collins, released in 1978. It was Collins's breakthrough album. Ice Pickin' was nominated for a 1979 Grammy Award.
"Stop Messin' Round" is a song first recorded by English blues rock group Fleetwood Mac in 1968. It was written by the group's principal guitarist and singer Peter Green, with an additional credit for manager C.G. Adams. The song is an upbeat 12-bar blues shuffle and is representative of the group's early repertoire of conventional electric blues. The lyrics deal with the common blues theme of the unfaithful lover and share elements with earlier songs.
Gary Moore & The Midnight Blues Band – Live at Montreux 1990 is a live DVD by Gary Moore. Recorded live on 7 July 1990 and 9 July 1997 (bonussongs).
Now Appearing at Ole Miss is a live album by B. B. King, recorded in 1979 and released as a double album on MCA Records in 1980. The live recordings were augmented with overdubs, most notably with percussion instruments. This has been criticized by reviewers as making the album stale, and it is widely regarded as B.B. King's weakest 'live' album. One notable feature, is that the album contains the first use of the bass style of playing known as "slap" by Russell Jackson, who would go on to play in the posthumous "B.B. King Experience Band" with another B.B. King band veteran James "Boogaloo" Bolden.
The Platinum Collection is a 2006 compilation album by Gary Moore. There are three CDs each covering a different category: Rock, Blues and Live.
Andy Pyle is a British bassist. He played with The Kinks from 1976 to 1978. Prior to that, he was in Blodwyn Pig (1968–1972) and Savoy Brown (1972–1974). Later, he played with Wishbone Ash.
On May 14, 1988, the Atlantic Records label held its 40th Anniversary Celebration by staging, at Madison Square Garden, New York, a non-stop concert lasting almost 13 hours starting at noon and ending just shortly before 1am the following morning. The event was dubbed "It's Only Rock And Roll".
This is the discography of the Northern Irish blues, heavy metal and hard rock guitarist and singer-songwriter Gary Moore.
Ladies and Gentlemen... Mr. B.B. King is a box set compilation album by B. B. King. It traces King's career from his first singles for Bullet Records in 1949 to material on his last recorded album in 2008. Crowdfunded by Pledge Music in 2012, it was available in a full ten-disc box exclusive through Amazon.com, and a four-disc "highlights" box available everywhere else. People who pledged money also got a digital copy of the out-of-print 1975 album Lucille Talks Back. Both versions of the box are physically out of print; the four disc edition is bundled along with Lucille Talks Back digitally, although this version removes King's first single.
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