Dark Days in Paradise

Last updated

Dark Days in Paradise
Gary Moore - Dark Days in Paradise.jpg
Studio album by
Released26 May 1997 (1997-05-26)
Genre
Length67:28
Label Virgin
Producer
Gary Moore chronology
Blues for Greeny
(1995)
Dark Days in Paradise
(1997)
A Different Beat
(1999)
Singles from Dark Days in Paradise
  1. "One Good Reason"
    Released: 1997
  2. "I Have Found My Love in You"
    Released: 1997

Dark Days in Paradise is the eleventh solo studio album by Irish guitarist Gary Moore, released by Virgin Records on 26 May 1997. It represented a stark change in musical direction for Moore, eschewing the blues and blues rock stylings of his preceding albums in favour of a more contemporary sound. Moore produced the album with Chris Tsangarides and was joined in the recording by musicians such as Gary Pratt, Gary Husband and Magnus Fiennes.

Contents

Described by Moore as encompassing all the musical influences he had ever had, Dark Days in Paradise is an experimental pop [1] record that incorporates a diverse array of styles, including drum and bass, jungle, world music, soul, jazz, folk, Eastern music, Irish folk, Britpop, reggae and hip hop, with a rhythmic, song-based focus throughout and an elegant production style with electronic beats. The lo-fi pop song "One Good Reason" and soulful "I Have Found My Love in You" preceded the album as lead single in different regions. Both songs charted in Britain.

On release, the album reached number 43 on the UK Albums Chart and number 41 on the European Top 100 Albums. It was deemed a commercial failure, having alienated Moore's fans with his change of direction. Reviewers of the album noted the contemporary sound and complimented Moore's surprising stylistic detours. The guitarist promoted the album with live gigs in the UK and Europe throughout 1997. Virgin reissued the album in 2003 with bonus tracks.

Background and recording

In 1990, Gary Moore released the blues album Still Got the Blues , marking a stark departure from the heavy metal direction he took in the 1980s. [2] A major critical and commercial success on both sides of the Atlantic, Still Got the Blues inspired Moore to continue pursing a blues direction on his succeeding albums, After Hours (1992), Blues Alive (1993) and Blues for Greeny (1995). [2] [3] Nonetheless, following these records, Moore conceived Dark Days in Paradise as a drastic change in direction; Record Collector writer Tim Jones wrote this was "true to form" for Moore, as he was "not a man to rest on his laurels". [3] Dark Days in Paradise was produced by Moore with Chris Tsangarides, with additional production from Andy Bradfield, who also mixed the album. Moore, who contributes vocals and guitar, was joined by bassist Guy Pratt, drummer Gary Husband, keyboardists and programmers Magnus Fiennes and Phil Nicholas, and backing vocalists Chyna Gordon and Dee Lewis. [4]

Composition

Eschewing the blues focus of Moore's prior work for a more contemporary feel, [5] Dark Days in Paradise is a diverse and rhythmical album that incorporates many styles, including drum and bass, soul, folk, jazz, Irish folk, Eastern music and ballads. [6] [7] Instead of blues rock, Moore utilises electronic beats alongside his soaring guitar playing. [5] According to critic Andrew Hirst, the album's wide range of styles are "alien to [Moore's] usual blues output", highlighting the jungle track "Always There For You", the Britpop song "One Fine Day" and the soulful "I Have Found My Love in You", but noted that each style is accompanied by Moore's guitar work. [8] Neil McCormick describes it as an "understated song-based collection" encompassing lo-fi pop (as on "One Good Reason"), as well as shades of hip hop, world music and jungle. [9] Colin Larkin comments that the record has "little blues on offer", instead attempting "rock, AOR and pop", [10] while Jones says that the album saw Moore "[take] up the Britpop challenge". [3] The Irish Times called the first of two consecutive experimental pop albums recorded by Moore, followed by A Different Beat (1999). [11]

Moore said that Dark Days in Paradise "encompasses all the influences I've had in my career over the years and a few new ones. There's a bit of everything in there. I've been listening to a lot of hip-hop, drum 'n' bass, reggae, R&B, very rhythmical stuff." He added that the record was not a response to people's perception of him as an artist, bur rather "just what I wanted to do. The same when I started, or went back, to playing blues, I just felt it was time for a change." [6] The production buoys the melodies with elegant string arrangements, with guitar solos generally minimised. [9] Of the more unusual material, "One Fine Day" has been described as a Beatlesque song containing a bassline evocative of the Beatles' "Rain" (1966), while "Like Angels" is a keyboard-heavy ballad reminiscent of late 1980s music, [5] whereas "Always There for You" uses racing jungle rhythms as a backdrop for an otherwise soulful track. [9] Though Moore had abandoned blues on the album, song titles such as "Cold Wind Blows" and "Where Did We Go Wrong" still betray a moodiness reminiscent of Moore's blues work. [9]

Release and promotion

Moore's change in musical direction for Dark Days in Paradise was commented on within the industry press. [6] Paul Sexton of Music & Media commented on the guitarist repeatedly surprising his audiences "by changing his sound so much that at times he's almost unrecognisable. Consequently, Virgin Records is able to tell anyone who expects the veteran guitarist's new album, Dark Days in Paradise, to be just another blues album to think again." [6] Sexton himself called the album "as pronounced a career shift as you're likely to hear this year," while David Willie, Virgin's international marketing director, commented on the enthusiasm and excitement that Moore expressed for the album in interviews, and said of its commercial expectations: "There might have been some fear that hardcore fans would be alienated, but the truth is contrary to that, this album excites them as well." [6]

Gary Moore played, as a guest of Sting, at Moscow's Central Dynamo Stadium in June 1997 Snos stadiona <<Dinamo>> (02).jpeg
Gary Moore played, as a guest of Sting, at Moscow's Central Dynamo Stadium in June 1997

Issued through Virgin, [12] Dark Days in Paradise was released in the United Kingdom and Europe on 26 May 1997. [6] The album design, courtesy of Sonicon, [4] depicts the long-haired Moore in a velvet jacket and sunglasses, along with a younger female model in her underwear; McCormick describes these as "all the usual accoutrements of a Seventies rock star". [9] In the UK, the record was promoted with press advertisements, [12] and was preceded by the lead single "One Good Reason", whereas elsewhere in Europe, the choice for lead single was the soulful "I Have Found My Love In You". [6] To further promote the album, Moore travelled on 2 June to Spain – traditionally one of his strongest markets – to appear on the popular television series Mississipi, and then began rehearsing in London for a European tour, beginning on 27 June as support act for Sting at Central Dynamo Stadium in Moscow, Russia; further live shows included the Montreux Jazz Festival in Switzerland on 9 July, with several British gigs following later in the year. [6]

According to Jones, Moore's sudden change of direction surprised many of Moore's more recently won fans, and the album sold poorly. [3] On release, Dark Days in Paradise debuted and peaked at number 43 on the UK Albums Chart, spending two weeks on the chart. [13] On the UK Singles Chart, "One Good Reason" reached number 79 in May, while "I Have Found My Love in You" reached number 90 at the end of June. [14] Larkin commented that, just as Moore's followers were becoming used to his blues style, the switch to rock, AOR and pop styles on Dark Days in Paradise alienated his fans again, saying that "the album's tepid response no doubt reflected their rejection of his new approach." [10] Elsewhere, the record debuted at number 41 on the European Top 100 Albums chart, [15] and reached number two in Greece. [16] Virgin reissued the album in 2003, adding three bonus tracks: the title track, "Burning in Our Hearts" and "There Must Be a Way". [5]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [17]
Encyclopedia of Popular Music Star full.svgStar full.svgStar empty.svgStar empty.svgStar empty.svg [10]

Reviewing Dark Days in Paradise for The Daily Telegraph , McCormick said that despite having questionable artwork, the album itself "presents a strong case for clemency", noting that Moore was "catching up" on recent music. He praised the "immediately appealing" production for its lack of bombast, and said that while Moore's mid-Atlantic singings remained irritating, the album ultimately "has a genuinely contemporary feel. It is a subtle but surprising reinvention, so much less forced than, say, David Bowie's recent reincarnation as an ancient rave king." [9] Steve Wiggins of Barry & District News recommended the album to those seeking a diverse selection of music, highlighting "One Fine Day" and "One Good Reason" as its best songs. [7]

In his review for Huddersfield Daily Examiner , Andrew Hirst also commented on the album's unusual array of styles and sounds, particularly noting the surprising nature of Moore creating a drum and bass track. He described "I Have Found My Love in You" as "achingly gorgeous" and further praised "One Fine Day", and assured concerned fans that Moore "rocks as well" with shrieking guitars throughout the record. [8] He later ranked Dark Days in Paradise ninth in his list of the greatest albums of 1997, calling it one of best Moore's best works in years and counting it alongside other then-recent albums by Bowie, Terry Hall, the Beautiful South, Van Morrison, George Michael, Depeche Mode, Teddy Pendergrass and Chumbawamba as examples of long-established acts proving "they're a class above the never-ending conveyor belt of boy bands". [18]

Andy Tilley of Burton Mail commented on Moore's multiple "incarnations" over the years, since producing impressively fast guitar licks in the early 1970s with Skid Row; he said: "He's been through any number of incarnations since, dumping rapidity for tone along the way, and re-emerges here apparently bidding for an MOR cabaret slot. Slick'n'sickly, no longer so twiddly." [19] In his retrospective review for AllMusic, Greg Prato commented that Moore was "at a career crossroads" by the late 1990s, choosing to "try something a bit contemporary" instead of continuing the blues sound that brought him American success earlier in the decade. He praised the guitarist for venturing beyond what audiences would typically expect from one of his albums and said that while fans of Victims of the Future (1984) may be left "wondering where all the hard rock went," Dark Days in Paradise would otherwise "be an interesting listen for fans curious to hear Moore trying new approaches." [5]

Track listing

All songs written by Gary Moore.

  1. "One Good Reason" – 3:02
  2. "Cold Wind Blows" – 5:26
  3. "I Have Found My Love in You" – 4:53
  4. "One Fine Day" – 4:58
  5. "Like Angels" – 7:32
  6. "What Are We Here For?" – 5:44
  7. "Always There For You" – 4:33
  8. "Afraid of Tomorrow" – 6:42
  9. "Where Did We Go Wrong?" – 6:36
  10. "Business as Usual" – 18:02 (includes the hidden track "Dark Days in Paradise" – 3:27)

2003 Virgin re-release

  1. "One Good Reason" – 3:02
  2. "Cold Wind Blows" – 5:26
  3. "I Have Found My Love in You" – 4:53
  4. "One Fine Day" – 4:58
  5. "Like Angels" – 7:32
  6. "What Are We Here For?" – 5:44
  7. "Always There For You" – 4:33
  8. "Afraid of Tomorrow" – 6:42
  9. "Where Did We Go Wrong?" – 6:36
  10. "Business as Usual" – 13:36
  11. "Dark Days in Paradise" – 3:33 (hidden track)
  12. "Burning in Our Hearts" – 6:03
  13. "There Must Be a Way" – 4:05

The 2003 remaster did away with the one-minute pause and adds an index for the title track, but it's still not mentioned on the packaging or in the lyrics, which means the actual bonus tracks (which originally appeared on the CD single "One Good Reason" VSCDT 1632) are given as track 11 and 12 respectively on the printed tracklist.

Personnel

Adapted from the liner notes of Dark Days in Paradise [4]

Charts

Chart (1997)Peak
position
European Top 100 Albums [15] 41
UK Albums Chart [13] 43

Related Research Articles

<span class="mw-page-title-main">The Moody Blues</span> English band

The Moody Blues were an English rock band formed in Birmingham in May 1964. The band initially consisted of Graeme Edge (drums), Denny Laine (guitar/vocals), Mike Pinder (keyboards/vocals), Ray Thomas (multi-instrumentalist/vocals), and Clint Warwick (bass/vocals). Originally part of the British beat and R&B scene of the early–mid 1960s, the band came to prominence with the UK No. 1 and US Top 10 single "Go Now" in late 1964/early 1965. Laine and Warwick both left the band in 1966, with Edge, Pinder and Thomas recruiting new members Justin Hayward (guitar/vocals) and John Lodge (bass/vocals). They embraced the psychedelic rock movement of the late 1960s, with their second album, 1967's Days of Future Passed, being a fusion of rock with classical music that established the band as pioneers in the development of art rock and progressive rock. It has been described as a "landmark" and "one of the first successful concept albums".

<i>Stand Up</i> (Jethro Tull album) 1969 studio album by Jethro Tull

Stand Up, released in 1969, is the second studio album by British rock band Jethro Tull. It was the first Jethro Tull album to feature guitarist Martin Barre, who would go on to become the band's longtime guitarist until its initial dissolution in 2012. Before recording sessions for the album began, the band's original guitarist Mick Abrahams departed from the band as a result of musical differences with frontman and primary songwriter Ian Anderson; Abrahams wanted to stay with the blues rock sound of their 1968 debut, This Was, while Anderson wished to add other musical influences such as folk rock.

<span class="mw-page-title-main">Gary Moore</span> Northern Irish musician (1952–2011)

Robert William Gary Moore was a Northern Irish musician. Over the course of his career, he played in various groups and performed a range of music including blues, blues rock, hard rock, heavy metal, and jazz fusion.

Nitty Gritty Dirt Band, known as the Dirt Band from 1978 to 1983, is an American country rock band formed in 1966. The group has existed in various forms since its founding in Long Beach, California. Since 2018, the band has consisted of Jeff Hanna and his son Jaime Hanna, both guitarists and vocalists, along with Jimmie Fadden, Bob Carpenter, Ross Holmes, and Jim Photoglo.

<i>Johnny the Fox</i> 1976 studio album by Thin Lizzy

Johnny the Fox is the seventh studio album by Irish hard rock band Thin Lizzy, released in 1976. This album was written and recorded while bassist/vocalist Phil Lynott was recovering from a bout of hepatitis that put him off the road halfway through the previous Jailbreak tour. "Don't Believe a Word" was a British hit single. Johnny the Fox was the last Thin Lizzy studio album on which guitarist Brian Robertson featured as a full member of the band, as the personality clashes between him and Lynott resulted in Robertson being sacked, reinstated, and later sacked again.

<i>Black Rose: A Rock Legend</i> 1979 studio album by Thin Lizzy

Black Rose: A Rock Legend is the ninth studio album by Irish rock band Thin Lizzy. Released in 1979, it has been described as one of the band's "greatest, most successful albums". It was the first time that guitarist Gary Moore remained in Thin Lizzy long enough to record an album—after previous brief stints in 1974 and 1977 with the band. The album peaked at No. 2 on the UK charts-- making it the band's highest-charting album in the UK. It was their fourth consecutive album to be certified Gold by the BPI.

<i>Chinatown</i> (Thin Lizzy album) 1980 studio album by Thin Lizzy

Chinatown is the tenth studio album by Irish band Thin Lizzy, released in 1980. It introduced guitarist Snowy White who would also perform on the next album as well as tour with Thin Lizzy between 1980 and 1982; he replaced Gary Moore as permanent guitarist. White had previously worked with Cliff Richard, Peter Green and Pink Floyd. Chinatown also featured eighteen-year-old Darren Wharton on keyboards, and he joined Thin Lizzy as a permanent member later that year.

<i>Greatest Hits</i> (Thin Lizzy album) 2004 greatest hits album by Thin Lizzy

Greatest Hits is a double-CD compilation of Thin Lizzy songs released in 2004.

<i>Done with Mirrors</i> 1985 studio album by Aerosmith

Done with Mirrors is the eighth studio album by American rock band Aerosmith, released on November 4, 1985. It marked the return to the band of guitarists Joe Perry, who left in 1979 and Brad Whitford, who departed in 1981. The band's first album on Geffen Records, it was intended as their ‘comeback’. However, the record failed to live up to commercial expectations despite positive reviews.

<span class="mw-page-title-main">Snowy White</span> English guitarist

Terence Charles "Snowy" White is an English guitarist, known for having played with Thin Lizzy and with Pink Floyd, and more recently for Roger Waters' band. He is also known for his 1983 single "Bird of Paradise", which became a UK Singles Chart Top 10 hit single.

<i>Beaucoups of Blues</i> 1970 studio album by Ringo Starr

Beaucoups of Blues is the second studio album by the English rock musician and former Beatle Ringo Starr. It was released in September 1970, five months after his debut solo album, Sentimental Journey. Beaucoups of Blues is very far removed in style from its pop-based predecessor, relying on country and western influences. A longtime fan of the genre, Starr recorded the album over three days in Nashville with producer Pete Drake and an ensemble of local session players. Beaucoups of Blues failed to chart in Britain but achieved moderate commercial success in the United States, where it reached number 35 on Billboard's Country Albums list and number 65 on the Billboard Top LPs chart.

<i>After the War</i> (Gary Moore album) 1989 studio album by Gary Moore

After the War is the seventh solo studio album by the Northern Irish guitarist Gary Moore, released on 25 January 1989 by Virgin Records.

<i>Still Got the Blues</i> 1990 studio album by Gary Moore

Still Got the Blues is the eighth solo studio album by Northern Irish guitarist Gary Moore, released in March 1990. It marked a substantial change in style for Moore, who had been predominantly known for rock and hard rock music with Skid Row, Thin Lizzy, G-Force, Greg Lake and during his own extensive solo career, as well as his jazz fusion work with Colosseum II. As indicated by its title, Still Got the Blues saw him delve into an electric blues style.

<i>A Different Beat</i> (Gary Moore album) 1999 studio album by Gary Moore

A Different Beat is the twelfth solo studio album by Irish guitarist Gary Moore, released by Castle Music in September 1999. Produced by Moore with Ian Taylor, the album saw Moore continue to jettison his familiar blues and hard rock stylings work for a more experimental pop approach, following Dark Days in Paradise (1997). The musician was inspired by modern dance music and sought to create an album that fused dance rhythms with guitar work, and collaborated with musicians Roger King and the E-Z Rollers to help him achieve this.

<i>Wild One: The Very Best of Thin Lizzy</i> 1996 greatest hits album by Thin Lizzy

Wild One: The Very Best of Thin Lizzy is a 1996 compilation album by Irish rock band Thin Lizzy. It was released ten years after the death of frontman Phil Lynott in 1986 as a tribute to him.

<i>Sinking</i> (album) 1996 studio album by The Aloof

Sinking is the second studio album by British electronic music group the Aloof, released by East West Records in the United Kingdom on 27 May 1996. Following the rave-influenced style of the group's debut album Cover the Crime (1994), Sinking brought the band into a darker, more mellow direction, as the result of the group's desire to deliver a "band" feel, aided by the members' newfound disillusionment with club culture. The record fuses styles of techno, dub, trip hop and jungle music and incorporates string arrangements and sombre lyrics.

"Stop Messin' Round" is a song first recorded by English blues rock group Fleetwood Mac in 1968. It was written by the group's principal guitarist and singer Peter Green, with an additional credit for manager C.G. Adams. The song is an upbeat 12-bar blues shuffle and is representative of the group's early repertoire of conventional electric blues. The lyrics deal with the common blues theme of the unfaithful lover and share elements with earlier songs.

<i>Paradise, Hawaiian Style</i> (soundtrack) 1966 soundtrack album by Elvis Presley

Paradise, Hawaiian Style is the thirteenth soundtrack album by American singer and musician Elvis Presley, released by RCA Victor in mono and stereo, LPM/LSP 3643, in June 1966. It is the soundtrack to the 1966 film of the same name starring Presley. Recording sessions took place at Radio Recorders in Hollywood, California, on July 26 and 27, and August 2, 1965. It peaked at number 15 on the Top LP's chart.

<span class="mw-page-title-main">Gary Moore discography</span>

This is the discography of the Northern Irish blues, heavy metal and hard rock guitarist and singer-songwriter Gary Moore.

<span class="mw-page-title-main">Parisienne Walkways</span> 1979 single by Gary Moore

"Parisienne Walkways" is a song by guitarist Gary Moore that reached number 8 in the UK Singles Chart in May 1979. The song is featured on Moore's album Back on the Streets and features a vocal from Thin Lizzy frontman, Phil Lynott, who co-wrote the song with Moore. Lynott also played bass guitar on the track, alongside Thin Lizzy drummer Brian Downey, thus reuniting the short-lived 1974 Thin Lizzy line-up which had recorded "Still in Love with You", "Sitamoia" and the single "Little Darling". The melody of "Parisienne Walkways" is based on the jazz standard "Blue Bossa" by Kenny Dorham. It became Gary Moore's signature song.

References

  1. Harper, Colin; Hodgett, Trevor (2005). "Gary Moore on the Skids". Irish Folk, Trad & Blues: A Secret History. Cherry Red Books. ISBN   1901447405 . Retrieved 16 May 2022.
  2. 1 2 Prato, Greg. "Gary Moore Biography by Greg Prato". AllMusic. Retrieved 28 November 2022.
  3. 1 2 3 4 Jones, Tim (December 1999). "The Full Two Minutes". Record Collector (244): 107–111.
  4. 1 2 3 Dark Days in Paradise (liner). Gary Moore. Virgin. 1997.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  5. 1 2 3 4 5 Prato, Greg. "Dark Days in Paradise Review by Greg Prato". AllMusic. Retrieved 24 July 2024.
  6. 1 2 3 4 5 6 7 8 Sexton, Paul (21 June 1997). "Moore gets more rhythm" (PDF). Music & Media: 16. Retrieved 23 July 2024.
  7. 1 2 Wiggins, Steve (5 June 1997). "Hearsay". Barry & District News : 17. Retrieved 23 July 2024.
  8. 1 2 Hirst, Andrew (9 July 1997). "Off the Record". Huddersfield Daily Examiner: 10. Retrieved 24 July 2024.
  9. 1 2 3 4 5 6 McCormick, Neil (31 May 1997). "Rock CDs". The Daily Telegraph: A11. Retrieved 24 July 2024.
  10. 1 2 3 Larkin, Colin (2011). "Gary Moore". The Encyclopedia of Popular Music (5th edn). London, UK: Omnibus Press.
  11. "Moore power". Irish Times. 23 February 2001. Retrieved 30 October 2022.
  12. 1 2 "Campaigns of the Week" (PDF). Music Week: 24. 31 May 1997. Retrieved 23 July 2024.
  13. 1 2 "Gary Moore Dark Days in Paradise". OfficialCharts. Retrieved 24 July 2024.
  14. "Gary Moore". Official Charts. Retrieved 24 July 2024.
  15. 1 2 "European Top 100 Albums" (PDF). Music & Media: 16. 14 June 1997. Retrieved 23 July 2024.
  16. "Top National Sellers" (PDF). Music & Meida: 15. 12 July 1997. Retrieved 23 July 2024.
  17. "Dark Days in Paradise - AllMusic Review by Greg Prato". AllMusic. Retrieved 13 November 2017.
  18. Hirst, Andrew (31 December 1997). "Off the Record". Huddersfield Daily Examiner: 14. Retrieved 23 July 2024.
  19. Tilley, Andy (4 June 1997). "Reviews". Burton Mail: 20. Retrieved 23 July 2024.
  20. "Dark Days in Paradise - Gary Moore | Credits | AllMusic". AllMusic . Retrieved 16 May 2021.