The Broken Melody | |
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The Broken Melody poster | |
Directed by | Ken G. Hall |
Produced by | Ken G. Hall |
Written by | Frank Harvey |
Based on | novel by F. J. Thwaites |
Starring | Lloyd Hughes |
Music by | Horace Keats Hamilton Webber Alfred Hill (special theme) |
Cinematography | George Heath |
Edited by | William Shepherd |
Production company | |
Distributed by | British Empire Films (Aust) RKO (UK) |
Release date | 17 June 1938 (Australia) 1938 (UK) |
Running time | 89 mins |
Country | Australia |
Language | English |
Budget | £20,000 (est.) |
The Broken Melody is a 1938 Australian drama film directed by Ken G. Hall and starring Lloyd Hughes, based on a best-selling novel by F. J. Thwaites.
John Ainsworth helps win a rowing race for Sydney University against Melbourne University. While celebrating at a nightclub, he demonstrates his skill with the violin with one of his original compositions. He also flirts with a young woman, Ann Brady, to the displeasure of a crook, Webster. A brawl results and John is expelled from university. John's sheep farmer father – who is disdainful of culture and wants John to marry a rich girl – is furious and disowns his son.
The Depression is in full flight and John has difficulty obtaining work. He befriends a pickpocket, Joe, who invites John to live with him in the Sydney Domain. One night he comes across Ann trying to commit suicide under the Sydney Harbour Bridge. He stops her and she goes to live with John and Joe.
John gets hold of his old violin and starts playing for his fellow homeless vagrants in the Domain. He is overheard one night by a rich couple travelling through the area and soon becomes a well known violinist under the name "John Hilton", working with manager. He goes to London, taking Joe with him as his valet but leaving Ann behind. He meets a famous singer, Madame Le Lange, and rises to fame as a leading conductor and composer.
John returns to Australia intending to conduct his new opera in triumph. His father, whose property is greatly in debt, suffers a heart attack. Madame Le Lange throws a tantrum and refuses to appear. Anne steps in, John's father recovers and the opera is a big success.
Author | F. J. Thwaites |
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Country | Australia |
Language | English |
Genre | melodrama |
Publisher | Publicity Press |
Publication date | 1930 |
Followed by | The Melody Lingers |
The script was adapted from the debut novel by F. J. Thwaites.
The novel was about Ted Jenkins, a farmer's son, is kicked out of boarding school for addiction to dope; when his father finds out, he kicks Ted off their property as well. Ted moves to Sydney and becomes homeless; he thinks about killing himself when he sees a young woman, Carmol, thinking of killing herself, too. They decide not to do it and Carmol nurses Ted back to health. The two form a strong bond (though not a romantic one – Ted's love is for Nibs, the daughter of Ted's father's best friend).
Ted changes his name to "Digby Judd" and gets a job playing cello in Kings Cross, then moves to Thursday Island to improve his health, eventually running a pearling business for three years.
While on Thursday Island, Ted/Digby runs into Fay le Bretton, a world class pianist on holiday, who discovers his talent for the cello and persuades him to come to London. The night before Ted's London debut he finds out that Carmol has been killed in a hit and run accident, but he still performs and is a big success.
Four years later, Ted returns to Australia a rich man; he buys his family property (on the market due to a drought) and is reunited with his dying father and Nibs. [1]
Thwaites started writing the novel when he was seventeen, without having even written a short story beforehand. [2] He later claimed his motivation was to perpetuate the memory of his grandfather, Francis Jenkins, who settled on "Buckingbong" Station in 1827. Thwaites' grandmother, Mrs. Lydia Jenkins, was born in 1839, and was claimed to have been the first white child born in the south-western portion of New South Wales. "It was my object to write a book around the Jenkins' family so that the name of Jenkins would live again", said Thwaites. [3]
However Thwaites could not get anyone to publish it, so he decided to do it himself. "Then the problems started", he later recalled. "I travelled from Sydney to Townsville interviewing every librarian, bookseller and newsagent on the way and returned without selling one copy. I was about to give the game away but decided to try the Riverina first." [4]
He arrived in Wagga Wagga and introduced himself to the editor as the great grandson of a local property owner. The paper ran a story of him and the publicity enabled him to sell his book. [4]
Critical reception was not strong. One critic wrote that the book "betrays the prentice hand, for Mr. Thwaites does not yet know men and women, nor does he understand life. Neither fortunes nor girls are won as easily as he Imagines. But be has enterprise, and his novel has Interest." [5]
The book became a best seller. [6] By 1935 it was estimated to have sold 55,000 copies in Australia and 25,000 in England. [7] Thwaites wrote a sequel, The Melody Lingers (1935). By 1968 it had been reprinted 54 times and was estimated to have sold over a million copies. [4]
In 1933 it was announced that Thwaites was travelling to Hollywood to sell the book to the movies. [8] He was no fan of the Australian film industry at this time; according to a 1933 interview:
He deplored the presentation abroad of such films as On Our Selection , Harmony Row , The Sentimental Bloke and The Squatter's Daughter , in all of which there was at least one imbecile or half-wit. People abroad viewing these pictures could not be blamed for coming to the conclusion that about one person in every four or five in Australia was sub normal. The Efftee Studios in Australia were deserving of praise for their pioneering work, but surely it was possible to portray humour on the screen without associating it with lunacy. [9]
Ironically, The Broken Melody would be turned into a film by Ken G. Hall, who also directed On Our Selection and The Squatter's Daughter.
The movie was to be the first of five movies made by Cinesound Productions for a total cost of £100,000. [10]
American star Lloyd Hughes, who previously appeared in Lovers and Luggers for Cinesound, returned to Australia to play the male lead. Regular female Cinesound star Ann Richards was not cast the film as she was exhausted after making three films back to back. [11]
Filming started in September 1937, with the elaborate cabaret scene shot first. [12] Future Australian Prime Minister Gough Whitlam was a law student at the time and appeared as an extra in this scene. Shooting wound up in November.
Noted Australian composer Alfred Hill was especially commissioned to write an operetta for the movie. [13] The opera scenes were shot using the "play back" method. [14] [15]
Reviews praised the movie but criticised the melodramatic plot. [16] Hall gave the movie a sneak preview in the style of Hollywood studios which produced a strong response and box office performance was solid. [17] Variety said the film performed better in the "nabes and stix although" it was "a class production". [18]
In Britain the movie was released under the title The Vagabond Violinist to avoid confusion with the British film, The Broken Melody (1934).
Despite the film's success, this was Hall's last drama for Cinesound. In 1938 the British government ruled that Australian films no longer counted as British for purposes of the local quota, and therefore could not be guaranteed release over there. Accordingly, Cinesound's next six movies were all comedies even though Hall preferred drama.
"It is so much cleaner", he said at the time. "There is no mess of pies and so forth to be swept from the studio, as there is after slapstick." [17]
F. J. Thwaites expressed pleasure with the film. [19]
Author | F. J. Thwaites |
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Country | Australia |
Language | English |
Genre | melodrama |
Publisher | Jackson and O'Sullivan |
Publication date | 1935 |
Preceded by | The Broken Melody |
In 1935, Thwaites published a sequel, The Melody Lingers. [20]
Dale Jenkins, heir to a rich property, tries to become a writer. [21]
The novel was adapted for radio in 1961. [22]
Kenneth George Hall, AO, OBE, better known as Ken G. Hall, was an Australian film producer and director, considered one of the most important figures in the history of the Australian film industry. He was the first Australian to win an Academy Award.
Cinesound Productions Pty Ltd was an Australian feature film production company, established in June 1931, Cinesound developed out of a group of companies centred on Greater Union Theatres, that covered all facets of the film process, from production, to distribution and exhibition.
Mr. Chedworth Steps Out is a 1939 Australian comedy film directed by Ken G. Hall starring Cecil Kellaway. Kellaway returned to Australia from Hollywood to make the film, which features an early screen appearance by Peter Finch.
Frank Harvey was a British-born actor, producer and writer best known for his work in Australia.
Edmond Seward was a Hollywood screenwriter who had originally attended Northwestern University and worked as a journalist, before doing some writing for Disney.
The Squatter's Daughter is a 1933 Australian melodrama directed by Ken G. Hall and starring Jocelyn Howarth. One of the most popular Australian films of the 1930s, it is based on a 1907 play by Bert Bailey and Edmund Duggan which had been previously adapted to the screen in 1910.
The Silence of Dean Maitland is a 1934 Australian film directed by Ken G. Hall, and based on Maxwell Gray's novel of the same name. It was one of the most popular Australian films of the 1930s.
Thoroughbred is a 1936 Australian race-horse drama film directed by Ken G. Hall, partly based on the life and career of Phar Lap. Hollywood star Helen Twelvetrees was imported to Australian to appear in the film. The film also stars Frank Leighton and John Longden.
Orphan of the Wilderness is a 1936 Australian feature film from director Ken G. Hall about the adventures of a boxing kangaroo. It starred Brian Abbot who disappeared at sea not long after filming completed.
It Isn't Done is a 1937 Australian comedy film about a grazier who inherits a barony in England.
Lovers and Luggers is a 1937 Australian film directed by Ken G. Hall. It is an adventure melodrama about a pianist who goes to Thursday Island to retrieve a valuable pearl.
Tall Timbers is a 1937 action melodrama set in the timber industry directed by Ken G. Hall and starring Frank Leighton and Shirley Ann Richards.
Let George Do It is a 1938 comedy starring popular stage comedian George Wallace. It was the first of two films Wallace made for Ken G. Hall at Cinesound Productions, the other one being Gone to the Dogs (1939). Hall later called Wallace "in my opinion, easily the best comedian that this country has produced."
Gone to the Dogs is a 1939 musical comedy vehicle starring George Wallace. It was the second of two films he made for director Ken G. Hall, the first being Let George Do It (1938).
Dad Rudd, M.P. is a 1940 comedy that was the last of four films made by Ken G. Hall starring Bert Bailey as Dad Rudd. It was the last feature film directed by Hall prior to the war and the last made by Cinesound Productions, Bert Bailey and Frank Harvey.
Alec Kellaway (1894–1973) was a South African–born actor best known for his work in Australian theatre and film, notably playing a number of character roles for director Ken G. Hall. He was the brother of Cecil Kellaway. He also worked as a producer in vaudeville and helped run the Talent School at Cinesound Productions.
Frederick Joseph Thwaites was an Australian novelist whose books sold over four million copies. He was best known for his first work The Broken Melody, which was adapted into a 1938 film.
Pagewood Studios was a film studio in Sydney, Australia, that was used to make Australian, British and Hollywood films for twenty years.
The Mad Doctor is a 1935 novel by Australian author F. J. Thwaites, a melodramatic medical romance set in Africa.
John Fleeting, real name Claude Stuart Fleeting, was an Australian actor best known for his film appearances for Ken G. Hall.
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