The Hollywood Revue of 1929, or simply The Hollywood Revue, is a 1929 American pre-Code musical comedy film released by Metro-Goldwyn-Mayer. It was the studio's second feature-length musical, and one of their earliest sound films. Produced by Harry Rapf and Irving Thalberg and directed by Charles Reisner, it features nearly all of MGM's stars in a two-hour revue that includes three segments in Technicolor. The masters of ceremonies are Conrad Nagel and Jack Benny.
Leila Marie Koerber, known by her stage name Marie Dressler, was a Canadian stage and screen actress, comedian, and early silent film and Depression-era film star.
George William Hill was an American film director and cinematographer.
Dinner at Eight is a 1933 American pre-Code comedy-drama film directed by George Cukor from a screenplay by Frances Marion and Herman J. Mankiewicz, based on George S. Kaufman and Edna Ferber's 1932 play of the same title. The film features an ensemble cast of Marie Dressler, John Barrymore, Wallace Beery, Jean Harlow, Lionel Barrymore, Lee Tracy, Edmund Lowe, and Billie Burke.
Pauline Theresa Moran billed as Polly Moran, was an American actress of vaudeville, stage and screen and a comedian.
Hollywood Party, also known under its working title of The Hollywood Revue of 1933 and Star Spangled Banquet, is a 1934 American pre-Code musical film starring Laurel and Hardy, The Three Stooges, Jimmy Durante, Lupe Vélez and Mickey Mouse. It was distributed by Metro-Goldwyn-Mayer. Each sequence featured a different star with a separate scriptwriter and director assigned.
Chasing Rainbows is a 1930 American Pre-Code romantic musical film directed by Charles Reisner, and released by Metro-Goldwyn-Mayer.
The Patsy is a 1928 American silent comedy-drama film directed by King Vidor, co-produced by and starring Marion Davies for Cosmopolitan Productions, and released by Metro-Goldwyn-Mayer. It was based on a play of the same name by Barry Conners, and served as Marie Dressler's comeback film after a long slump in her film career. Davies played the dowdy and downtrodden Patricia, the younger daughter in a household ruled by an imperious mother (Dressler) and selfish sister.
The Enemy is a 1927 American silent drama film directed by Fred Niblo and starring Lillian Gish, Ralph Forbes and Ralph Emerson. Actor Joel McCrea made an early appearance as an extra.
The March of Time is the title of an unreleased 1930 American Pre-Code musical film directed by Charles Reisner. The film was originally scheduled to be released in September 1930 by Metro-Goldwyn-Mayer but was shelved. The March of Time would have been one of the many musicals partially filmed in two-color Technicolor.
The Divine Woman (1928) is an American silent film directed by Victor Sjöström and starring Greta Garbo. Produced and distributed by Metro-Goldwyn-Mayer. Only a single nine-minute reel and an additional 45-second excerpt are currently known to exist of this otherwise lost film, the only whole copy of which was destroyed in the 1965 MGM vault fire.
Rose-Marie is a 1928 American silent drama film directed by Lucien Hubbard. It was the first of three Metro-Goldwyn-Mayer adaptations of the 1924 operetta Broadway musical Rose-Marie. The best-known film adaptation starring Nelson Eddy and Jeanette MacDonald was released in 1936; another film was released in 1954. All three versions are set in the Canadian wilderness.
Prosperity is a 1932 American pre-Code comedy-drama film starring Marie Dressler and Polly Moran. The two leading actresses play longtime matriarchal ladies comically sparring off each other, and trying to control their intertwined lives.
The Actress is a lost 1928 American silent drama film produced and distributed by Metro-Goldwyn-Mayer. The film was directed by Sidney Franklin, and starred Norma Shearer.
Baby Mine is a 1928 silent film comedy produced and distributed by Metro-Goldwyn-Mayer. This film is a remake of the 1917 film Baby Mine both being based on Margaret Mayo's 1910 Broadway comedy Baby Mine. This film stars Karl Dane, George K. Arthur and Charlotte Greenwood and is her third feature film, she having made two previous films in 1916 and 1918.
A Self-Made Failure is a 1924 American silent comedy film distributed by Associated First National Pictures, later First National Pictures. It was directed by William Beaudine and starred silent comic Lloyd Hamilton and then child actor Ben Alexander. At the time it was released, it one of the longest comedy features ever made.
China Bound is a 1929 silent film comedy produced and distributed by Metro-Goldwyn-Mayer. A rarely revived comedy due to some of its Asian racial content, a selected scene was shown in Robert Youngson's 1965 MGM's Big Parade of Comedy.
McFadden's Flats is a 1927 American silent comedy film directed by Richard Wallace and based on an 1896 play of the same name.
Bringing Up Father is a 1928 American silent comedy film directed by Jack Conway and starring Marie Dressler, Polly Moran, and J. Farrell MacDonald. The film was based on the newspaper comic strip Bringing Up Father by George McManus. It was remade in 1946 as a sound film, proving popular enough for a spin-off of four Jiggs and Maggie films to be made.
Politics is a 1931 American pre-Code comedy film directed by Charles Reisner and written by Wells Root and Robert E. Hopkins. The film stars Marie Dressler, Polly Moran, Roscoe Ates, Karen Morley, and William Bakewell. It was released on July 25, 1931 by Metro-Goldwyn-Mayer.
