Benjamin David Goodman was an American clarinetist and bandleader, known as the "King of Swing".
William James "Count" Basie was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, his minimalist piano style, and others.
Eugene Bertram Krupa was an American jazz drummer, bandleader, and composer. Krupa is widely regarded as one of the most influential drummers in the history of popular music. His drum solo on Benny Goodman's 1937 recording of "Sing, Sing, Sing" elevated the role of the drummer from that of an accompanist to that of an important solo voice in the band.
The swing era was the period (1933–1947) when big band swing music was the most popular music in the United States, especially for teenagers. Though this was its most popular period, the music had actually been around since the late 1920s and early 1930s, being played by black bands led by such artists as Duke Ellington, Jimmie Lunceford, Bennie Moten, Cab Calloway, Earl Hines, and Fletcher Henderson, and white bands from the 1920s led by the likes of Jean Goldkette, Russ Morgan and Isham Jones. An early milestone in the era was from "the King of Swing" Benny Goodman's performance at the Palomar Ballroom in Los Angeles on August 21, 1935, bringing the music to the rest of the country. The 1930s also became the era of other great soloists: the tenor saxophonists Coleman Hawkins, Ben Webster and Lester Young; the alto saxophonists Benny Carter and Johnny Hodges; the drummers Chick Webb, Gene Krupa, Jo Jones and Sid Catlett; the pianists Fats Waller and Teddy Wilson; the trumpeters Louis Armstrong, Roy Eldridge, Bunny Berigan, and Rex Stewart.
Harry Howell Carney was a jazz saxophonist and clarinettist who spent over four decades as a member of the Duke Ellington Orchestra. He played a variety of instruments, but primarily used the baritone saxophone, being a critical influence on the instrument in jazz.
Charles James Shavers was an American jazz trumpeter who played with Dizzy Gillespie, Nat King Cole, Roy Eldridge, Johnny Dodds, Jimmie Noone, Sidney Bechet, Midge Williams, Tommy Dorsey, and Billie Holiday. He was also an arranger and composer, and one of his compositions, "Undecided", is a jazz standard.
Robert Leo Hackett was a versatile American jazz musician who played swing music, Dixieland jazz and mood music, now called easy listening, on trumpet, cornet, and guitar. He played Swing with the bands of Glenn Miller and Benny Goodman in the late 1930s and early 1940s, he played Dixieland from the 1930s into the 1970s in a variety of groups with many of the major figures in the field, and he was a featured soloist on the first ten of the numerous Jackie Gleason mood music albums during the 1950s.
Wilbur Dorsey "Buck" Clayton was an American jazz trumpeter who was a member of Count Basie's orchestra. His principal influence was Louis Armstrong, first hearing the record "Confessin' That I Love You" as he passed by a shop window.
The Count Basie Orchestra is a 16- to 18-piece big band, one of the most prominent jazz performing groups of the swing era, founded by Count Basie in 1935 and recording regularly from 1936. Despite a brief disbandment at the beginning of the 1950s, the band survived long past the big band era itself and the death of Basie in 1984. It continues under the direction of trumpeter Scotty Barnhart.
George Mesrop Avakian was an American record producer, artist manager, writer, educator and executive. Best known for his work from 1939 to the early 1960s at Decca Records, Columbia Records, World Pacific Records, Warner Bros. Records, and RCA Records, he was a major force in the expansion and development of the U.S. recording industry. Avakian functioned as an independent producer and manager from the 1960s to the early 2000s and worked with artists such as Louis Armstrong, Miles Davis, Duke Ellington, Benny Goodman, Dave Brubeck, Eddie Condon, Keith Jarrett, Erroll Garner, Buck Clayton, Sonny Rollins, Paul Desmond, Edith Piaf, Bob Newhart, Johnny Mathis, John Cage, Alan Hovhaness, Ravi Shankar, and many other notable jazz musicians and composers.
Frederick William Green was an American swing jazz guitarist who played rhythm guitar with the Count Basie Orchestra for almost fifty years.
"Sing, Sing, Sing " is a 1936 song, with music and lyrics by Louis Prima, who first recorded it with the New Orleans Gang. Brunswick Records released it on February 28, 1936 on the 78 rpm record format, with "It's Been So Long" as the B-side. The song is strongly identified with the big band and swing eras. Several have performed the piece as an instrumental, including Fletcher Henderson and, most famously, Benny Goodman.
From Spirituals to Swing was the title of two concerts presented by John Hammond in Carnegie Hall on 23 December 1938 and 24 December 1939. The concerts included performances by Count Basie, Benny Goodman, Big Joe Turner and Pete Johnson, Helen Humes, Meade Lux Lewis, Albert Ammons, Mitchell's Christian Singers, the Golden Gate Quartet, James P. Johnson, Big Bill Broonzy and Sonny Terry.
Jess Alexandria Stacy was an American jazz pianist who gained prominence during the swing era. He may be best remembered for his years with the Benny Goodman band during the late 1930s, particularly his performance at Goodman's 1938 concert at Carnegie Hall.
Harry Aaron Finkelman, known professionally as Ziggy Elman, was an American jazz trumpeter associated with Benny Goodman, though he also led his own group, Ziggy Elman and His Orchestra.
Helen Ward was an American jazz singer. She appeared on radio broadcasts with WOR and WNYC and worked as a staff musician at WNYC.
"One O'Clock Jump" is a jazz standard; a 12-bar blues instrumental, written by Count Basie in 1937.
Taft Jordan was an American jazz trumpeter.
The Glenn Miller Carnegie Hall Concert is a live album by Glenn Miller and his Orchestra. It documents a live concert recorded in Carnegie Hall in 1939. The album was released by RCA Victor in 1958.
Boogie Woogie is a compilation album containing four 10-inch, 78 rpm records of boogie-woogie music. The songs on the album were recorded over a period of three years from 1936 to 1939, then released in 1941 on this compilation album by Columbia Records (C44). Artists featured on the album include Harry James, Count Basie, Big Joe Turner, and the three prominent boogie-woogie pianists of the time, Albert Ammons, Pete Johnson, and Meade Lux Lewis.
