 First edition | |
| Author | Norman Mailer |
|---|---|
| Country | United States |
| Language | English |
| Genre | Non fiction |
| Publisher | Little, Brown |
Publication date | 1975 |
| Media type | |
| Pages | 234 pages |
| ISBN | 0-375-70038-2 |
The Fight is a 1975 non-fiction book by Norman Mailer about the boxing title fight between Muhammad Ali and George Foreman at Kinshasa in Zaire in 1974, known as the "Rumble in the Jungle".
The author is both the narrator and, in an example of illeism, a central figure in the story. To begin with, "Norman" goes to Ali's training camp at Deer Lake, Pennsylvania and observes his preparations. Clearly, Ali is his hero. He meets his entourage, among them Bundini, and the sparring partners such as Larry Holmes, Eddie Jones, and Roy Williams. The next scene is in Kinshasa where President Mobutu of Zaire has underwritten the fight, a showcase of "Black honour", a victory for "Mobutuism". Ali is stationed at Nsele and getting ready. The fight, however, is postponed when Foreman incurs a cut during his training. "Norman" can go back to the United States.
One month later, Mailer is back in Kinshasa, staying at the Inter-Continental hotel where most of George Foreman's people are staying as well, also the promoters, and even some of Ali's retinue. Mailer glows in the admiration of the black Americans: "A man of wisdom" (Ali), "the champ among writers" (Foreman), "a genius" (Don King). He reads "Bantu Philosophy" and learns that "humans (are) forces, not beings".
Mailer meets Foreman and is startled by his reception, "Excuse me for not shaking hands with you, but you see I am keeping my hands in my pockets". Foreman works with Sandy Saddler, Dick Sadler, Archie Moore, Sugar Ray Robinson, and Terry Lee. Mailer has access to Ali's preparations at Nsele, and, on one occasion, is allowed to accompany Ali on his early morning run but not able to complete the full exercise. The encounters with various characters of the retinues fascinate Mailer. The balconies of the hotel have no railings, and on one night, after drinking with Don King, Mailer challenges himself to go on the balcony and climb around its partition to the next balcony. He ponders what could have happened, "How ridiculous a way to get yourself killed".
The evening before the fight Mailer has a beer with George Plimpton, who covers the fight for Sports Illustrated before attending the press meeting of Foreman at the Hotel Memling. Then Plimpton and he set out for Ali's place to join his retinue. At 2 AM, they all leave for the stadium where the fight is scheduled to start two hours later. In Ali's dressing room, Mailer observes the mood.
He describes the dynamics of the fight in detail comparing it to a chess match and to a piece of art. He notes that Angelo Dundee loosens the tightness of the ropes to allow Ali to lean back more when doing his "rope-a-dope". During the fight Foreman grows increasingly weary, allowing Ali to take control of the bout and knock him out. Mailer states that the countdown by the referee Zack Clayton was correct and went to "ten".
After the fight, the tropical rain starts, the parties depart, and Mailer goes to Nsele to bid goodbye to Ali. When flying back, Mailer's plane is briefly detained at Dakar, as the jubilant crowd expects Ali to be aboard. Mailer concludes the book with an African tale.
The title of the chapter where Ali takes control of the fight and wins is "The Executioner's Song". Mailer had used the title in one of his earlier poems, published in Fuck You magazine in September 1964, reprinted in Cannibals and Christians (1966). He reused this title later for his 1979 novel.
Throughout Norman Mailer's foray into sports journalism he focuses on a variety of topics both within and outside of the boxing ring.
The Theatre of Boxing is a major focus of The Fight. The presentation and behavior of both Muhammad Ali and George Foreman leading up to "The Rumble in the Jungle" is a major focus of the book. From the beginning of the book, Mailer analyzes the demeanor and appearances of both boxers. When discussing the famed trash talking antics of Ali, he states that they are imperative to his success in the ring, "If, when speaking to the press, a harsh and hysterical tone entered his voice as easily as other men light a cigarette, he was never frantic in the ring..." [1] Ali's antics are a focal point in the buildup to the fight for this reason as he was at his best outside of the ring. Although he seemed to be struggling during training sessions that Mailer attended, Ali was at his trash talking best from his poetry and showmanship at his Deer Lake training facility to things as simple as his post-sparring press conferences. George Foreman was portrayed as the antithesis of Ali as he was not big on the theatrics of sports entertainment and as a whole was a more subdued human being. Mailer details his first interaction with Foreman in the lobby of the Inter-Continental describing how, unlike Ali, who would have turned the interaction into a spectacle, Foreman simply kept his hands in his pockets and spoke in a soft, Texas manner. Foreman's interactions with the press were not ones born of arrogance but from a humble perspective in which he trained to his pop music and "hoped" to knock out Ali. [2] Mailer equates this fight to a war of religion which can be taken literally or figuratively as it was Ali's Muslim beliefs that helped him criticize America vs. Foreman's Christian beliefs that made him prideful of his country but it was also a war between Foreman's humble approach and Ali's crowd pleasing trash talk approach that made Ali so popular in Africa that made Mailer believe that “if Ali can’t win in Africa, he can’t win anywhere.” [3]
Blackness and Mailer's battle with it is an underlying theme throughout The Fight. Mailer, whether right or wrong, takes on the task of comparing the blackness of George Foreman and Muhammad Ali while also evaluating how comfortable he is navigating black spaces. This has been a theme in other works of Mailer such as The White Negro. Mailer was accepted by both camps, especially Ali's camp, so much so that Mailer got to go on a training run with Ali. This being said, Mailer feels a bit of guilt profiting off of the work of black people especially now when he was at the forefront of two of the biggest Black figures at the time. This was partially due to his own personal battles during a highly racialized period of history, coming out when the Civil Rights Movement and Black Power movements were still prevalent. He loved the “Black soul” but he states, “He no longer knew whether he loved Blacks or secretly disliked them, which had to be one of the dirtiest secrets of his American life,” as he looked for a justifiable reason to hate Black people but constantly being reminded of how much he loved Black people. [4] The hate was mostly that of self-hate but through his form of self-hatred, he was able to tell a hole-filled, biased form of African-American history that discussed how American Blacks were disadvantaged because during slavery they were snatched from their heritage. Mailer constantly attempts to understand the American Black psyche as he not only compares them to themselves but to the African Blacks which he deems American Blacks have become very judgmental of. The comparison of Blackness carried over into his opinions on Foreman and Ali. Mailer believed that Foreman was “more Black” due to his ability to potentially be mistaken as an African himself. This observation comes after Mailer's detailed description of Foreman's physical build and demeanor. This evaluation was in staunch contrast to Muhammad Ali who he states had to have some “white blood” in him due to his personality, in Mailer's opinion, being reminiscent of a Southern college fraternity president. “Ali was like nothing so much as a white actor who had put on too little make up for the part and was not wholly convincing as a Black,” Mailer states in his typical problematic fashion. [5] Remarks like these hang over the narrative of the book as the reader is left to interpret whether Mailer is racist while also getting to know both fighters through a racialized lens.
Bantu philosophy is a theme Mailer weaves into The Fight by connecting aspects and events from “The Rumble in the Jungle” to this ancient philosophy founded by a Dutch missionary in the Belgian Congo. Mailer comes across the text after a visit to the University Place Book Shop in New York, where he wanted to learn a little bit more about Africa before he returned to Zaire to cover the fight. Bantu Philosophy was a book written by Father Tempels who was a Dutch priest who had worked as a missionary in the Belgian Congo and extracted the philosophy from the language of the tribes he lived with. [6] Mailer in his reading comes to discover that the African Buntu philosophy of African tribesman was similar to his own personal philosophy, “Bantu Philosophy, he soon learned, saw humans as forces, not beings. Without putting it into words, he always believed that.” [7] Once Mailer gained a better understanding of Bantu philosophy he began describing Foreman and Ali not as fighters but as forces. Mailer commits to the philosophy of boxers as forces stating, “Humans were not beings but forces. He would try to look at them [Ali and Foreman] by that light.” [8] Mailer continues to use this Buntu philosophy of force to describe the fighters by introducing n’golo, which is Congolese for force. Mailer describes n’golo (force) as, “Equally could it be applied to ego, status, strength, or libido. Indubitably did Ali feel deprived of his rightful share.” [9] Mailer used n’golo (force) demonstrating that Ali was deprived of this vast force that comes with being a champion. This fight however gave Ali a chance to regain the n’golo (force) that was currently consumed by Foreman as the champion. For example, Mailer also used Bantu philosophy describing Drew Bundini Brown, an assistant trainer and cornerman for Ali: “Bundini was the walking definition of the idea that each human is born with two souls… If Africans did not have this concept, one would have to invent it. What a clash of Nomo and n’golo. All that spirit and all that prick.” [10] Mailer's use of Bantu philosophy to describe Bundini as a character that holds tremendous n’golo (force) as Ali's assistant trainer and cornerman, which has turned him into a “prick”. That is why Mailer uses the analogy of two souls to show the Nomo (spirit) Bundini had was being consumed by the n’golo (force) that comes with being assistant trainer and cornerman to Ali. Mailer again uses Bantu Philosophy by titling the second section of his novel n’golo (force). In the remaining chapters Mailer depicts the historic Ali vs. Foreman Rumble in the Jungle with round by round depictions of the boxers punches and movements in the ring. Mailer again incorporates Buntu Philosophy by depicting Foreman's demeanor in the latter rounds, “Something may have finally begun to go from Foreman’s n’golo, some departure of the essence of absolute rage, and Ali reaching over the barrage would give a prod now and again…” [11] Here specifically but throughout the second section of the novel he depicts the battle between Ali's n’golo (force) and Foreman's n’golo (force). After the fight Mailer again uses Buntu Philosophy to describe the city of Zaire as he searches for transportation back to his hotel. Mailer writes “The damp air on this dawn is full of the n’golo of the living and the thirst of the dead.” [12] Mailer wrote statements like these throughout The Fight and they demonstrate a theme of African philosophy which offers more understanding and background to one of the greatest boxing events ever held.
Mailer, himself a boxing hobbyist, [13] had been sent to Kinshasa and was part of the press corps. This and his personal connections gave him a unique access to the event. Christopher Lehmann-Haupt indicates that Mailer recalls the drama of the fight in a "exquisitely refined and attenuated" manner. We get to know, through Mailer's interactions, "the principals: Muhammad Ali himself, who comes across in these pages as a far more interesting and complex man than one would divine from seeing the interesting and complex public image; and George Foreman the champion, who is simply likable and terrifying." He commends Mailer for being able to describe the "pugilistic drama fully as exciting as the reality on which it is based." [14] Michael Wood believes that "every page of the book … speaks implicitly of Mailer's dislike of blacks, converted into fascination and even affection by an act of sheer liberal will". [15] A critical aspect of the book is that the writer puts himself right in the middle of it, or as he says: "Now our man of wisdom had a vice. He wrote about himself. Not only would he describe the events he saw, but his own small effect on events. This irritated critics. They spoke of ego trips and the unattractive dimensions of his narcissism." [16] Mitrosilis comments that "Mailer observes the power and frailty of his own persona just as he does with the fighters and their cornermen… hiding nothing." To him it appears like "a near impossible task to lie on the couch and sit in the chair, the psychologist and the patient." [17]
Muhammad Ali was an American professional boxer and activist. Nicknamed "the Greatest", he is regarded as one of the most significant sports figures of the 20th century and is often regarded as the greatest heavyweight boxer of all time. He held the Ring magazine heavyweight title from 1964 to 1970. He was the undisputed champion from 1974 to 1978 and the WBA and Ring heavyweight champion from 1978 to 1979. In 1999, he was named Sportsman of the Century by Sports Illustrated and the Sports Personality of the Century by the BBC.
George Edward Foreman is an American former professional boxer, entrepreneur, minister and author. In boxing, he competed between 1967 and 1997 and was nicknamed "Big George". He is a two-time world heavyweight champion and an Olympic gold medalist. As an entrepreneur, he is known for the George Foreman Grill.
Ali is a 2001 American biographical sports drama film co-written, produced and directed by Michael Mann. The film focuses on ten years in the life of the boxer Muhammad Ali, played by Will Smith, from 1964 to 1974, featuring his capture of the heavyweight title from Sonny Liston, his conversion to Islam, criticism of the Vietnam War, and banishment from boxing, his return to fight Joe Frazier in 1971, and, finally, his reclaiming the title from George Foreman in the Rumble in the Jungle fight of 1974. It also touches on the great social and political upheaval in the United States following the assassinations of Malcolm X and Martin Luther King Jr.
George Foreman vs. Muhammad Ali, billed as The Rumble in the Jungle, was a heavyweight championship boxing match on October 30, 1974, at the 20th of May Stadium in Kinshasa, Zaire, between undefeated and undisputed heavyweight champion George Foreman and Muhammad Ali. The event had an attendance of 60,000 people and was one of the most watched televised events at the time. Ali won by knockout in the eighth round.
Joe Frazier vs. Muhammad Ali, billed as The Fight Of The Century or simply The Fight, was a heavyweight championship boxing match between WBA, WBC, and The Ring heavyweight champion Joe Frazier and former undisputed heavyweight champion of the world Muhammad Ali, on Monday, March 8, 1971, at Madison Square Garden in New York City.
Angelo Dundee was an American boxing trainer and cornerman. Internationally known for his work with Muhammad Ali (1960–1981), he also worked with 15 other world boxing champions, including Sugar Ray Leonard, Sean Mannion, José Nápoles, George Foreman, George Scott, Jimmy Ellis, Carmen Basilio, Luis Manuel Rodríguez, and Willie Pastrano.
Johnny Wakelin is an English recording artist best known for songs like "Black Superman" and "In Zaire", both celebrating boxer Muhammad Ali.
When We Were Kings is a 1996 American documentary film directed by Leon Gast about the "Rumble in the Jungle" heavyweight championship boxing match that was held on October 30, 1974, in Zaire between world heavyweight champion George Foreman and Muhammad Ali. It features archival footage of celebrities, including James Brown, B.B. King, and promoter Don King, in the lead-up to the fight and accompanying Zaire 74 music festival, alongside interview footage of Norman Mailer, George Plimpton, Spike Lee and Thomas Hauser from the 1990s.
The rope-a-dope is a boxing fighting technique in which one contender leans against the ropes of the boxing ring and draws non-injuring offensive punches, letting the opponent tire himself out. This gives the former the opportunity then to execute devastating offensive punches to help them win. The rope-a-dope is most famously associated with Muhammad Ali in his October 1974 Rumble in the Jungle match against world heavyweight champion George Foreman in Kinshasa, Zaire,.
Drew Bundini Brown was an assistant trainer and cornerman of heavyweight champion boxer Muhammad Ali.
Leon Jacques Gast was an American documentary film director, producer, cinematographer, and editor. His documentary, When We Were Kings depicts the iconic heavyweight boxing match: The Rumble in the Jungle between Muhammad Ali and George Foreman. This film would go on to win the 1996 Academy Award for Best Documentary Feature and the Independent Spirit Award. Gast co-directed the 1977 documentary, The Grateful Dead Movie with guitarist Jerry Garcia. The film captured the band's October 1974, five-night performance at the Winterland Ballroom in San Francisco. Gast also co-directed the 1983 film Hell's Angels Forever, which focused on the notorious motorcycle club Hells Angels. The Angels are believed to have learned that Gast put material in the documentary which they didn't prefer. To this end, Gast claimed that the Angels tracked him down and beat him up. Gast also produced works on B.B. King and Celia Cruz.
Jabir Herbert Muhammad was an American businessman and co-founder of Top Rank, Inc. He was the longtime manager of legendary boxer Muhammad Ali.
Soul Power is a 2008 documentary film directed by Jeff Levy-Hinte about the Zaire 74 music festival that took place in Kinshasa, Zaire, in September 1974. Although it was planned to accompany the Rumble in the Jungle heavyweight boxing championship match between Muhammad Ali and George Foreman, the festival went ahead as scheduled when the fight was delayed until October after Foreman sustained an injury during training. The film was made from archival footage; other footage shot at the time focusing on the fight was edited to form the 1996 film When We Were Kings.
Zaire 74 was a three-day live music festival that took place on 22 to 24 September 1974 at the Stade du 20 Mai in Kinshasa, Zaire. The concert, conceived by South African trumpeter Hugh Masekela and record producer Stewart Levine, was meant to be a major promotional event for the heavyweight boxing championship match between Muhammad Ali and George Foreman, known as The Rumble in the Jungle. When an injury forced Foreman to postpone the fight by six weeks, the festival's intended audience of international tourists was all but eliminated and Levine had to decide whether or not to cancel the event. The decision was made to move forward, and 80,000 people attended.
Henry A. (Hank) Schwartz,, born in Brooklyn, was an expert in video communications technology and was involved in the broadcast, promotion, and distribution of notable boxing matches involving fighters like Muhammad Ali, Joe Frazier, and George Foreman during the 1970s. An authority in microwave and satellite technology, Schwartz utilized his expertise to telecast major boxing events such as “The Rumble in the Jungle” in Zaire, “The Thrilla in Manila” in the Philippines, as well as other major events in Kingston, Jamaica; Caracas, Venezuela; Kuala Lumpur, Malaysia; and Madison Square Garden in New York. Hank has developed and designed systems for E.I. Dupont, Western Electric, Bell Telephone, Westinghouse Electric, Revlon, RCA and others. He also installed and designed the first cyclotron monitoring equipment for Columbia University's School of Engineering.From 1974 to 1978 Schwartz served as Minister of Communications for the former Republic of Zaire.
The Orchestre Stukas was a Congolese soukous band of the 1970s. It was based in Kinshasa, Zaire. At the apex of their popularity, the Stukas were led by singer and showman Gaby Lita Bembo.
Elmo Henderson is an American former boxer from Texas. Despite his dubious claim of a 1972 win against Muhammad Ali in an exhibition match in San Antonio, Texas, he did not become particularly well known in the boxing community; John Spong of the Texas Monthly said that the match was the "shot not heard round the world". However, people who attended the exhibition say Elmo Henderson did not defeat Ali, and newspaper reports after the exhibition made no mention of Ali losing. After the match, Henderson became a part of George Foreman's Rumble in the Jungle event in Zaire and won a libel suit against Norman Mailer and Playboy. As of 2003, Henderson was a homeless man in Austin, Texas. As of 2015, Henderson lives in a care home in Northern California. Believed to have died, was still bragging about beating Ali to anyone who would listen to him while in the hospital towards the end of his life.
Ali: An American Hero is an American television film which aired on August 31, 2000 on FOX. It chronicles portions of the career of heavyweight boxer Muhammad Ali, who is portrayed by David Ramsey.
The 2014 CAF Champions League Final was the final of the 2014 CAF Champions League, the 50th edition of Africa's premier club football tournament organized by the Confederation of African Football (CAF), and the 18th edition under the current CAF Champions League format.
Muhammad Ali is widely regarded by many boxing commentators and historians as the greatest heavyweight boxer of all time. Boxing magazine The Ring named him number 1 in a 1998 ranking of greatest heavyweights from all eras. In 1999, The Associated Press voted Ali the number one heavyweight of the 20th century. In 1999, Ali was named the second greatest boxer in history, pound for pound, by ESPN; behind only welterweight and middleweight legend Sugar Ray Robinson. In December 2007, ESPN listed Ali second in its choice of the greatest heavyweights of all time, behind Joe Louis. He was inducted into the International Boxing Hall of Fame in the inaugural class of 1990.
