Joseph Mallord William Turner, known in his time as William Turner, was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbulent, often violent marine paintings. He left behind more than 550 oil paintings, 2,000 watercolours, and 30,000 works on paper. He was championed by the leading English art critic John Ruskin from 1840, and is today regarded as having elevated landscape painting to an eminence rivalling history painting.
Sir David Wilkie was a Scottish painter, especially known for his genre scenes. He painted successfully in a wide variety of genres, including historical scenes, portraits, including formal royal ones, and scenes from his travels to Europe and the Middle East. His main base was in London, but he died and was buried at sea, off Gibraltar, returning from his first trip to the Middle East. He was sometimes known as the "people's painter".
The art of the United Kingdom refers to all forms of visual art in or associated with the country since the formation of the Kingdom of Great Britain in 1707 and encompasses English art, Scottish art, Welsh art and Irish art, and forms part of Western art history. During the 18th century, Britain began to reclaim the leading place England had previously played in European art during the Middle Ages, being especially strong in portraiture and landscape art.
John Frederick Lewis (1804–1876) was an English Orientalist painter. He specialized in Oriental and Mediterranean scenes in detailed watercolour or oils, very often repeating the same composition in a version in each medium. He lived for several years in a traditional mansion in Cairo, and after his return to England in 1851 he specialized in highly detailed works showing both realistic genre scenes of Middle Eastern life and more idealized scenes in upper-class Egyptian interiors with little apparent Western influence.
Lord Byron's Dream is a landscape painting by the British artist and future president of the Royal Academy Charles Lock Eastlake, from 1827.
Harwich Lighthouse is an 1820 landscape painting by the British painter John Constable. It depicts a scene on the coast of Essex in England featuring Harwich Low Lighthouse. The lighthouse was maintained by Constable's patron General Rebow whose estate at Wivenhoe Park he also painted.
Flatford Mill is an 1817 landscape painting by the British artist John Constable. It depicts a view of Flatford Mill in East Bergholt on the River Stour. It is also known by the subtitle Scene on a Navigable River.
Sir David Baird Discovering the Body of Sultan Tipoo Sahib is an 1839 history painting by the Scottish artist David Wilkie. It is held at the Scottish National Gallery, in Edinburgh.
Newsmongers is an 1821 genre painting by the Scottish artist David Wilkie. It portrays a group gathered around a man and woman holding up a newspaper. The group includes a baker carrying a pie and roast joint. The news being read is not specified, but its been speculated that might be news of the Napoleonic Wars or the more recent Trial of Queen Caroline.
The Penny Wedding is an 1818 genre painting by the British artist David Wilkie. It depicts a traditional penny wedding in which the guests each paid a penny towards the cost.
The Parish Beadle is an 1823 genre painting by the Scottish artist David Wilkie. It is held in the Tate Britain, in London.
Frosty Morning is an 1813 landscape painting by the British artist J. M. W. Turner. Based on a sketch made when Turner was journeying to Yorkshire and the coach paused. It depicts a bright but frosty early morning in winter and group of men clearing a ditch at the side of the road. The girl in the painting, with a hare stole around her shoulders, is believed to be modelled on Turner's eldest daughter Evelina.
Washington Irving in the Archives of Seville is a painting of 1828 by the British artist David Wilkie. It depicts a visit by the American writer Washington Irving to a library in Seville.
Pitlessie Fair is an 1804 genre painting by the Scottish artist David Wilkie. It depicts the annual mayfair being held in his native village of Pitlessie, in Fife. It is in the collection of the Scottish National Gallery, in Edinburgh, having been purchased in 1921.
Christopher Columbus Explaining His Intended Voyage is an 1834 history painting by the British artist David Wilkie. It is held in the collection of the North Carolina Museum of Art in Raleigh.
Josephine and the Fortune-Teller is an 1837 history painting by the British artist David Wilkie. It depicts a story about the young Joséphine de Beauharnais visiting a fortune teller on her native island of Martinique, who predicts her future in France as the wife of Emperor Napoleon.
The Village Recruit is an 1805 genre painting by the Scottish artist David Wilkie. Painted at the time of the Napoleonic Wars it shows a recruiting party of the British Army in a country tavern where one young man has just enlisted and prepares to spend his King's shilling on further alcohol. It was painted when Wilkie was around twenty, the year he moved to London to study at the Royal Academy. It was one of three paintings that were spin-offs from his 1804 work Pitlessie Fair, which had featured a recruiting party. Influenced like much of Wilkie's work by the old masters of the seventeenth century, it has strong similarities to his better-known work The Village Politicians. It was initially known by the alternative title Bounty Money.
The Bay of Baiae, with Apollo and the Sibyl is an 1823 landscape painting by the British artist J.M.W. Turner. It shows a view of the Bay of Baiae in the Gulf of Naples. Combining genres, it also features the Cumaean Sibyl encountering the god Apollo in the foreground. Turner had sketched Baiae during his 1819 visit to Italy, and this provided the basis for this work produced in London.
The Prince of Orange, William III, Embarked from Holland, and Landed at Torbay, November 4th, 1688, after a Stormy Passage is an 1832 marine history painting by the English artist Joseph Mallord William Turner. It depicts an event from the Glorious Revolution of 1688 when William III had landed at Brixham. It is also known by the shorter title The Prince of Orange Landing at Torbay.
Ploughing Up Turnips, near Slough ('Windsor') is an 1809 oil-on-canvas painting by the British artist J.M.W. Turner combining elements of landscape art and genre painting. It depicts a view of Windsor in Berkshire, some miles west of London. Despite the presence of Windsor Castle and Eton College on the skyline, the focus is on the farm labourers harvesting turnips during the winter. The turnips were then used to fatten cattle.
