The Great Unwanted | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 9 April 2007 | |||
Genre | Indie pop | |||
Length | 51:34 | |||
Label | Ruffa Lane | |||
Producer | George Shilling | |||
Lucky Soul chronology | ||||
|
The Great Unwanted is the debut album by British indie pop band Lucky Soul. The band self-released it through Ruffa Lane Records on 9 April 2007.
The album is heavily influenced by 1960s soul music, featuring string and brass arrangements. Its romantic melodies are often accompany more doleful lyrics. The album received acclaim from music critics, who praised the careful fusion of Lucky Soul's influences. The Great Unwanted yielded five singles but did not find commercial success.
The project began when Andrew Laidlaw was a university student in Scotland. He used a sampler to produce electronic music that he likened to The Avalanches and Saint Etienne. Wanting to achieve a more organic sound, he recruited additional musicians after he moved to London. [1] The group began performing live in June 2005, starting with a performance alongside The Pipettes. [2] As the group wrote songs, lyrics came from Laidlaw and drummer Ivor Sims, and other members prepared the instrumentation. [1] Laidlaw also produced arrangements for string and brass. [3] The band had George Shilling produce the album.
The Great Unwanted is influenced by pop and soul girl groups of the 1960s. [4] The full-scale string and brass arrangements add a sense of drama to the music. [3] Its instrumentation draws from the emotional candidness of Phil Spector's Wall of Sound. [5] Laidlaw also identified Motown and Stax Records as influences. [6] He had a stated desire to balance retro influences with modern production techniques, explaining, "I love the old gear, but it's blinkered if that's all you use. There's plenty of good stuff that's happened in the past 30 years and we use the odd electronic twirl on our music." [7]
Singer Ali Howard's melodies are romantic and bittersweet. [8] The jubilant lyrics often belie melancholic themes. [3] Howard's sweet, girlish vocals drew comparisons to Dusty Springfield and Sandie Shaw. [3] [5] Music critics noted similarities to alternative dance band Saint Etienne in Howard's affectionate presentation of tragic lyrics. [8] [9]
Review scores | |
---|---|
Source | Rating |
The Guardian | [10] |
The Independent on Sunday | [11] |
Metro | [12] |
NME | (6/10) [9] |
Pitchfork Media | (8.0/10) [5] |
PopMatters | (9/10) [3] |
Q | [13] |
The Times | [14] |
Uncut | [15] |
The Great Unwanted met with critical acclaim from music critics. The Independent on Sunday remarked that despite an initial period of hype "so long that one began to wonder whether they would ever actually deliver…The Great Unwanted is an immediate classic". [11] The Times described the album as "something of a 'best of'" that measured up to the quality of "Lips Are Unhappy" and "Ain't Never Been Cool". [14] The NME commented that although the band sometimes "slip over the line with one too many handclaps…mostly, it looks like a summer of love is coming their way." [9] PopMatters noted that many other independent bands had released works patterned after Motown girl groups but that "none has done it as completely and confidently as Lucky Soul does here, with as full a sense of the many dimensions one song can have." [3] The Guardian wrote that "Understatement isn't in their remit, but what a glorious, over-romanticised racket they make." [10] Pitchfork Media characterized the songs as "the type of sumptuous bubblegum that made an impressive showing on Pitchfork's 'The 200 Greatest Songs of the 1960s' but rarely places on year-end album lists." [5]
Reviewers were generally positive regarding the album's reappropriation of retro styles. Metro wrote that there was a "mischievous sense of pastiche here in the careful calibration of retro references" but that the band "incorporate this knowingness with such disarming ease". [12] AllMusic said that "the style never overwhelms the substance, which is to say that as extravagant as the lush, period-appropriate orchestrations get…it's all in the service of some top-notch songwriting." [4] Q noted that "There are pastiches here…but when they get it right, they can soar." [13] Uncut stated that although the band "may appear a bunch of whimsical pastiche-mongers…their debut performs the rare feat of meticulously acknowledging its inspirations—The Chiffons and The Shangri-Las via Dusty Springfield—while also transcending them." [15]
PopMatters named The Great Unwanted the third best indie pop album of the year and placed the album at 41 on its list of the best albums of 2007. [16] [17] Metro also included the album on its year-end list. [8] Pitchfork listed the album as one of the year's most overlooked records. [18] BBC Radio 1 DJ Colin Murray, who supported the Ain't Never Been Cool EP, predicted the album would win the 2007 Mercury Music Prize; however, it failed to make the shortlist. [19] [20]
Believing it would be difficult to attract the attention of a major label, the band decided to self-release the album through their own Ruffa Lane Records. Cost prevented them from pressing it on vinyl, so the band initially made it available as a CD and digital download. Luis Calvo, owner of Madrid-based independent label Elefant Records, found Lucky Soul through the Internet and asked about releasing The Great Unwanted in Spain. The band agreed, citing the label's success with Camera Obscura. [1] The album's critical attention failed to translate into sales, and it sold 50,000 copies worldwide. [21] At the end of 2007, Last.fm users selected "Lips Are Unhappy" for a "Christmas Chart Attack". [22] Lucky Soul re-released the song with a cover of Mud's 1974 Christmas single "Lonely This Christmas". [22]
"My Brittle Heart" was released in March 2006 as the band's debut single, with B-side "Give Me Love". [23] It was followed three months later by "Lips Are Unhappy", released as a signed 7" vinyl single. The song pairs a prominent rhythm section with melancholic, soulful vocals. [24] A black-and-white music video was produced for it, in which Ali Howard is shown obscured by shadows. [3]
An EP for "Ain't Never Been Cool" was released in January 2007. It includes ballad "I Gots the Magic" and album track "Struck Dumb". [25] A limited release of a 7" single for "Add Your Light to Mine, Baby" followed in March. [26] The song was used as the theme song for Japanese TV series Takeshi's University. [19] Its music video is colourful, showing the band in full dress. [3] "One Kiss Don't Make a Summer" became the album's final single in September 2007, with B-side "That Hollywood Glow". Its lyrics detail the outcome of a summer romance. [27]
All tracks are written by Lucky Soul.
No. | Title | Length |
---|---|---|
1. | "Add Your Light to Mine, Baby" | 2:26 |
2. | "One Kiss Don't Make a Summer" | 3:49 |
3. | "Struck Dumb" | 2:50 |
4. | "Lips Are Unhappy" | 3:36 |
5. | "My Darling, Anything" | 2:56 |
6. | "Get Outta Town!" | 3:47 |
7. | "The Great Unwanted" | 3:57 |
8. | "Baby I'm Broke" | 4:05 |
9. | "My Brittle Heart" | 3:14 |
10. | "Ain't Never Been Cool" | 2:44 |
11. | "The Towering Inferno" | 3:35 |
12. | "It's Yours" | 4:23 |
13. | "The Last Song" (includes hidden track "A Lullaby") | 10:16 |
The Flaming Lips are a rock band formed in 1983 in Oklahoma City, Oklahoma. The band consists of Wayne Coyne, Michael Ivins (bass), Steven Drozd, Derek Brown, Jake Ingalls, Matt Duckworth Kirksey (drums) and Nick Ley (percussion).
Stereolab are an English-French avant-pop band formed in London in 1990. Led by the songwriting team of Tim Gane and Lætitia Sadier, the group's music combines influences from krautrock, lounge and 1960s pop music, often incorporating a repetitive motorik beat with heavy use of vintage electronic keyboards and female vocals sung in English and French. Their lyrics have political and philosophical themes influenced by the Surrealist and Situationist movements. On stage, they play in a more feedback-driven and guitar-oriented style. The band also draw from funk, jazz and Brazilian music, and were one of the first artists to be dubbed "post-rock". They are regarded among the most innovative and influential groups of the 1990s.
The Beautiful South were an English pop rock group formed in 1988 by Paul Heaton and Dave Hemingway, two former members of the Hull group The Housemartins, both of whom performed lead and backing vocals. Other members throughout the band's existence were former Housemartins roadie Sean Welch (bass), Dave Stead (drums) and Dave Rotheray (guitar). The band's original material was written by the team of Heaton and Rotheray.
Paul David Heaton is an English singer-songwriter. He was the frontman of the Housemartins, who had success with the singles "Happy Hour" and the UK number one "Caravan of Love" in 1986 before disbanding in 1988. He then formed the Beautiful South, whose debut single and album were released in 1989 to commercial success. They had a series of hits throughout the 1990s, including the number-one single "A Little Time". They disbanded in 2007. He subsequently pursued a solo career, which produced three albums, and in 2014 he released What Have We Become?, a collaboration with former Beautiful South vocalist Jacqui Abbott. He recorded three more albums with her: Wisdom, Laughter and Lines in 2015, Crooked Calypso in 2017, and Manchester Calling in 2020.
The Housemartins were an English indie pop group formed in Hull who were active in the 1980s, and charted three top ten albums and six top twenty singles in the UK. Many of their lyrics were a mixture of socialist politics and Christianity, reflecting the beliefs of the band. The group's a cappella cover version of "Caravan of Love" was a UK Number 1 single in December 1986.
Ramble Jon Krohn, better known by his stage name RJD2, is an American musician based in Columbus, Ohio. He is the owner of record label RJ's Electrical Connections. He has been a member of groups such as Soul Position, MHz Legacy, and Icebird. According to Wired, his stage name derives from "a Star Wars droid," R2-D2.
Tallahassee is the seventh studio album by the Mountain Goats. It was the band's second new album to be released in 2002, and it marked quite a few changes. After releasing records on small record labels such as Shrimper, Ajax, and Emperor Jones, Tallahassee was the first Mountain Goats album to be released on a widely known independent label, the British alternative rock label 4AD. It was also the first Mountain Goats album to have an official single released, for the song "See America Right."
Rather Ripped is the fourteenth studio album by American rock band Sonic Youth, released on June 13, 2006 by Geffen Records. It was the band's first album following the departure of multi-instrumentalist Jim O'Rourke, who had joined as a fifth member in 1999. Unlike its immediate predecessors, the album was produced by John Agnello and recorded at Sear Sound in New York City, the same studio where the band's 1994 album, Experimental Jet Set, Trash and No Star, was recorded. It also completed Sonic Youth's contract with Geffen, which released the band's previous eight records.
Let's Get Out of This Country is the third studio record by the Scottish indie pop band Camera Obscura, released by Elefant Records on 6 June 2006. It was recorded in Sweden with the producer Jari Haapalainen, and arranged by Björn Yttling of Peter Bjorn and John.
Train of Thought is the debut album of American hip hop duo Reflection Eternal, released October 17, 2000 on Rawkus Records. Collaborating as a duo, rapper Talib Kweli and DJ and hip hop producer Hi-Tek recorded the album during 1999 to 2000, following their individual musical work that gained notice in New York's underground scene during the late 1990s. Kweli had previously worked with rapper Mos Def as the duo Black Star, and Hi-Tek had served as producer on the duo's debut album.
That One Night: Live in Buenos Aires is a live album from American heavy metal band Megadeth which was released on CD and DVD formats. It features a live concert recorded in Buenos Aires on October 9, 2005 at the Obras Sanitarias Stadium. The performance is segued by cuts of Dave and Glen performing a few acoustic songs for some fans on the lawn outside of the band's hotel. It was at this concert that Dave Mustaine announced that Megadeth would continue on past the 2005 tour.
Lucky Soul are a British six-piece pop band based in South East London. Formed in 2005, the band consists of Ali Howard on vocals, Andrew Laidlaw and Ivor Sims on guitars, Russell Grooms on bass and Paul Atkins on drums, with the recent addition of Art Terry on keys.
#3 is the debut studio album by Swedish indie pop band Suburban Kids with Biblical Names. It is their third release overall, following the #1 and #2 EP releases, and their first and only release in the United States and United Kingdom.
Math and Physics Club is the self-titled debut album from Seattle, Washington indie rock band Math and Physics Club. The album was recorded over two days in early June 2006 at Seattle's Avast! Recording. Kevin Suggs, known for his work with Cat Power and The Walkabouts, as well as for engineering live sessions for KEXP, engineered and co-produced the sessions.
The Lucky Ones is the eighth studio album released by American alternative rock band Mudhoney. It was released by Sub Pop Records on May 20, 2008.
Women was a Canadian art rock band formed in Calgary in 2007. The group consisted of Patrick Flegel, Christopher Reimer, Matt Flegel and Mike Wallace. Their debut album Women was released on Chad VanGaalen's label Flemish Eye on July 8, 2008 in Canada and on Jagjaguwar in the United States on October 7, 2008. It was rumoured that the band broke up on October 29, 2010, after a fight on stage at a show at the Lucky Bar in Victoria although their management stated that they merely cancelled the rest of their tour.
The Hungry Saw is the seventh studio album by British alternative band Tindersticks, released on 28 April 2008 by Beggars Banquet Records. Following the release of the band's sixth album, Waiting for the Moon in 2003, Tindersticks had entered an extended hiatus before reconvening to perform at the Don't Look Back event in September 2006. This concert marked the final performance of the original line-up of the band, and three members left the group shortly afterwards. The remaining members of Tindersticks felt reinvigorated by the performance, and relocated to France to begin working on new material in the summer of 2007, recording and producing the album at their own Le Chien Chanceaux studio in Limousin. The Hungry Saw was the first new Tindersticks material in five years.
The Caribbean is an American experimental pop group from Washington, D.C., primarily composed of Michael Kentoff, Matthew Byars and Dave Jones. The band has been critically acclaimed for its deconstructionist approach to pop music, its wry, literary lyrics, and its eclectic sound, which incorporates elements of American pop, indie rock and experimental rock, cool jazz, folk music, lounge music, and even Brazilian music.
A Coming of Age is the second album by British indie pop band Lucky Soul. It was self-released through Ruffa Lane Records in 2010.
King's Mouth: Music and Songs is the fifteenth studio album by experimental rock band The Flaming Lips. It was released on Record Store Day on April 13, 2019 as a limited run of 4,000 gold-coloured records for the event. An official commercial version was released on July 19, 2019.