The Hatchet

Last updated
The Hatchet
Baltagul.jpg
1939 edition
Author Mihail Sadoveanu
Original titleBaltagul
Language Romanian
Genre Crime novel
Publisher Cartea Românească
Publication date
1930
Publication place Romania
Published in English
1955
Media typePrint (Hardback & Paperback)
Preceded by Miorița  

The Hatchet (orig. Romanian: Baltagul) is a 1930 crime novel that was written by Mihail Sadoveanu.

Contents

The novel's main character is Vitoria Lipan, the wife of a shepherd living in the Moldavian village Măgura Tarcăului. Vitoria has a premonition her husband Nechifor, who has gone to the town Dorna to buy more sheep, has died. The local priest and the county's prefect dismiss her premonition but for Vitoria, archaic symbols and superstitions are more trustworthy than the books of the priests or the science of the government officials. She calls home her son Gheorghiță, who is on business in Jijia village, where he waited for news from his father to pay some debts. Vitoria and Gheorghiță embark on a mythical journey, at the end of which they find Nechifor's dead body and take their revenge on the thieves who killed him. The determined and clever Vitoria Lipan is a unique female character in the Romanian traditionalist novel, despite the female stereotypes. [1] [2]

The Hatchet is considered Sadoveanu's greatest work and a creative adaptation of themes from the famous Romanian ballad Miorița, which inspired the novel. [3] [4] [5] The novel uses the ballad's epic structure, and the conflict between the three villagers and Vitoria's perseverance in the search for her dead husband. The author was also inspired by other popular, mid-19th-century ballads by Vasile Alecsandri; "Șalga", from which comes the theme of the courageous village woman who searches for groups of thieves and takes revenge for their crimes – and "Dolca", from which the author took the link between humans and nature. [6]

The Hatchet is considered a monograph of a traditional Romanian village because it shows the aspects of the village typology with Romanian traditions and superstitions; baptism, wedding, and funeral. The title is based on the weapon that makes both criminals confess but also refers to the weapon with which the dead shepherd was murdered. The novel is divided into 16 chapters. It was adapted into an eponymous movie, Baltagul, which was directed by Mircea Mureșan [7] and premiered in October 1969; [8] Vitoria Lipan was played by Margarita Lozano.

Plot

Flock of sheep in the Rarau Mountains at the beginning of the 20th century. Un troupeau de moutons sur le mont Raraou dep Soutchava.jpg
Flock of sheep in the Rarău Mountains at the beginning of the 20th century.

In Dorna, around the Saint Demetrius holiday (26 October), shepherd Nechifor Lipan leaves for Rarău to buy some sheep from a villager. Nechifor does not return home from Tarcău and does not give any sign of life for twenty days. He did move the sheep from Cristești village (close to Iași to their winter pastures in Jijia River). Nechifor needs to pay their debts for fodder and workers' wages, and needs to return home with his son, Gheorghiță. After waiting a month, Nechifor's wife Vitoria dreams one night that Nechifor rides on a horse into the sunset, and she believes he is dead. [1] [9]

After hints from the priest Dănilă and the elder Maranda, Vitoria decides to pray to Saint Mary and to fast for twelve Fridays in a row, hoping Nechifor will eventually return. After Gheorghiță returns home around the winter holidays, Vitoria goes to the Bistrița Monastery to pray to the icon of Saint Anne and request spiritual advice, then leaves for Piatra Neamț to report her husband missing. The county's prefect confirms it is possible Nechifor has been robbed and killed, substantiating Vitoria's fear. The woman decides to search for her husband with Gheorghiță, taking a hatchet to defend themselves from evil-doers. [10]

The villages Borca and Sabasa at the beginning of the 20th century. The area was visited by Sadoveanu before he wrote The Hatchet. Vue de villages Borca et Sabasa dep de Soutchava.jpg
The villages Borca and Sabasa at the beginning of the 20th century. The area was visited by Sadoveanu before he wrote The Hatchet.

After she sells at Noon on 10 March the rest of their sheep to a Jewish merchant, David, Vitoria and Gheorghiță begin walking the route Nechifor walked to Dorna. They travel across the Bistrița River, going through Bicaz, Călugăreni (where David leaves them), Farcașa, Borca, Broșteni, and Crucea, asking everywhere if Nechifor had been there. Vitoria eventually arrives in Vatra Dornei, where the sale records of Nechifor state that he bought 300 sheep, and then decided 100 sheep went to two other unknown mountain householders. The flocks of sheep had been sent to the Neagra Șarului River for the winter from Ștefănești by the Prut River, and from there the three comrades were supposed to have continued home.

The former "Cross of the Italians" in Stanisoara Pass. It was built by Italian stonemasons in 1914, when the Road of the Italians was completed, and it was destroyed by war in 1944. The former Talienilor Cross Stansoara Mountains.jpg
The former "Cross of the Italians" in Stânișoara Pass. It was built by Italian stonemasons in 1914, when the Road of the Italians was completed, and it was destroyed by war in 1944.

Vitoria and Gheorghiță go on the Neagra Valley to find the flocks of sheep, going through Șaru Dornei, Păltiniș, Dârmoxa, Broșteni, Borca, and Sabasa, traveling on the Road of the Italians  [ ro ] across the Stânișoara Pass  [ ro ] to Suha. Arriving in Suha, Vitoria finds out from the publican Iorgu Vasiliu and his wife Maria only two shepherds had walked through there since autumn. The two shepherds, Calistrat Bogza and Ilie Cuțui, live in the Doi Meri Valley and seem to have quickly grown wealthier, and their wives became vain and spendthrift. Summoned to the city hall, Bogza and Cuțui say they bought all of the sheep from Lipan and went to the Cross of the Italians with Nechifor, returning to his house. After Vitoria gets some advice, Maria launches a rumor in Suha that the sheep that were sold to the two shepherds are questionable because after Nechifor's death, there were no witnesses, and no documents were signed. [11]

Stanisoara Pass [ro] on the Road of the Italians [ro], also known nowadays as the Vitoria Lipan Road. Muntii Stanisoarei, 08.jpg
Stânișoara Pass  [ ro ] on the Road of the Italians  [ ro ], also known nowadays as the Vitoria Lipan Road.

Thinking quickly, Vitoria draws a conclusion as to where Nechifor Lipan had been killed, and what happened between Suha and Sabasa. She returns to Stânișoara Pass, and finds Nechifor's dog in a villager's courtyard. The dog leads her to a ravine where Nechifor's body is found, together with that of his horse. Nechifor's skull was broken by a hatchet, proving his death was violent. The authorities investigate Bogza and Cuțui, who continue to say that they parted ways with Nechifor after they had been paid. [2] [12]

Vitoria organizes a big feast in Sabasa to bury Nechifor's remains, inviting the undersheriff and the two householders from Suha. The woman accuses Calistrat Bogza of hitting her husband from behind to take his sheep, with Cuțui standing guard so they would not be surprised by a passerby. The furious householder exits the house and attacks Gheorghiță, who defends himself and hits Bogza on his forehead with the hatchet, while the dog bites Bogza's neck. Ilie Cuțui surrenders and confirms the woman's accusations, while Bogza, who was gravely wounded by the dog's bite, confesses his guilt and asks to be forgiven. [13] [14] [15]

Characters

Editions and translations

Notes

  1. 1 2 Mihail Sadoveanu. "Baltagul, Chapter 1". www.wattpad.com. Retrieved 2020-02-24.
  2. 1 2 Mihail Sadoveanu. "Baltagul, Chapter 12". www.wattpad.com. Retrieved 2020-02-24.
  3. Ovid S. Crohmălniceanu, Romanian Literature Between Two World Wars, vol. I, publishing house Minerva, Bucharest, 1972, p. 205.
  4. Eugen Lovinescu, History of the contemporary romanian literature (1900-1937), publishing house Library Socec & Co., Bucharest, 1937, pp. 196-197.
  5. George Călinescu, "M. Sadoveanu", in Istoria literaturii române de la origini până în prezent, publishing house of the Royal Foundation for Literature and Art, Bucharest, 1941, pp. 559-560.
  6. Ion Dodu Bălan, "Reciting Baltagul", postface to Mihail Sadoveanu, Baltagul, publishing house Minerva, Bucharest, 1971.
  7. Călin Stănculescu, The book and movie, publishing house Biblioteca Bucureștilor, Bucharest, 2011, pp. 121-122.
  8. Călin Căliman, The History of the Romanian movie (1897-2000), Publishing House of the Romanian Cultural Foundation, Bucharest, 2000, p. 199.
  9. Mihail Sadoveanu. "Baltagul, Chapter 2". www.wattpad.com. Retrieved 2020-02-25.
  10. Mihail Sadoveanu. "Baltagul, Chapter 3". www.wattpad.com. Retrieved 2021-02-25.
  11. Mihail Sadoveanu. "Baltagul, Chapter 11". www.wattpad.com. Retrieved 2021-02-25.
  12. Mihail Sadoveanu. "Baltagul, Chapter 13". www.wattpad.com. Retrieved 2021-02-25.
  13. Mihail Sadoveanu. "Baltagul, Chapter 14". www.wattpad.com. Retrieved 2021-02-25.
  14. Mihail Sadoveanu. "Baltagul, Chapter 15". www.wattpad.com. Retrieved 2021-02-25.
  15. Mihail Sadoveanu. "Baltagul, Chapter 16". www.wattpad.com. Retrieved 2021-02-25.
  16. 1 2 3 4 Mihail Sadoveanu, The Hatchet, Publishing House Ion Creangă, Bucharest, 1987

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