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the League of Gentlemen | ||||
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Studio album by | ||||
Released | February 1981 | |||
Recorded | July – December 1980 [1] | |||
Genre | Post-punk, new wave | |||
Length | 42:27 | |||
Label | EG Records (UK) | |||
Producer | Robert Fripp | |||
Robert Fripp and The League of Gentlemen chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [2] |
Robert Christgau | B [3] |
The Rolling Stone Album Guide | [4] |
The League of Gentlemen is an album by Robert Fripp. The music on the album was performed by members of a band which toured Europe and North America throughout 1980 under the name of the League of Gentlemen. The album was released in the UK in 1981 in vinyl format on the Editions EG label. [5] The original album has never been reissued in full on CD, however some tracks are on the abridged Robert Fripp and the League of Gentlemen God Save the King CD release.
The album sleevenotes state that the League of Gentlemen played a total of 77 gigs during 1980 and includes a full list of all these gigs starting at Moles, Bath on 10 April 1980 and finishing at the School of Economics, London on 29 November 1980.
The tour was split into three discernible parts;
Drummer Jonny Toobad left the band during Part 3 of the tour in Manchester on 22 November and was replaced for the remaining dates by Kevin Wilkinson.
The album was recorded in several sessions, featuring either Jonny Toobad and then Kevin Wilkinson on drums.
The album was then released in February 1981 in the UK, Japan, France and the US [6] as well as Germany and Italy.
The album was produced by Fripp and engineered by Tony Arnold at 'Arny's Shack' studio in Parkstone, Dorset, England.
All the tracks are titled in upper case on the album sleeve and on the record label itself. Roman numerals are used for each side and for all part numbering of tracks.
All songs above are credited as being by Robert Fripp except those marked † which are credited as being by 'The League of Gentlemen'.
The primary performances on the album are credited to;
Also credited are;
In addition Robert Christgau claims to recognise uncredited 'spoken overlays' (or samples as we would now call them) by Karen Durbin, Chip Stern, Terre Roche, Richard Goldstein and Ellen Willis [8] but does not state who he thinks is responsible for any specific instance.
The various uncredited spoken overlays on the album occur mainly on the tracks INDISCREET I, II and III. The compilation of these 'indiscretions' is credited to Robert Fripp.
They may be classified by their location in the running order of the album, the distinct voices heard and the following opening phrases or sounds;
INDISCREET I
INDISCREET II
COGNITIVE DISSONANCE
INDISCREET III
Key to voices:
Music reviewer Robert Christgau claims to recognise the voices of the following people: Karen Durbin, Chip Stern, Terre Roche, Richard Goldstein and Ellen Willis [8]
Robert Fripp is an English musician, songwriter, record producer, and author, best known as the guitarist, founder and longest-lasting member of the progressive rock band King Crimson. He has worked extensively as a session musician and collaborator, notably with David Bowie, Blondie, Brian Eno, Peter Gabriel, Daryl Hall, The Roches, Talking Heads, and David Sylvian. He also composed the startup sound of Windows Vista operating system, in collaboration with Tucker Martine and Steve Ball. His discography includes contributions to over 700 official releases.
Barry Andrews is an English songwriter, singer and keyboard player who is a co-founder of Shriekback and was formerly a member of XTC and League of Gentlemen.
The Roches were an American vocal trio of sisters Maggie, Terre and Suzzy Roche, from Park Ridge, New Jersey.
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In the Court of the Crimson King is the debut studio album by English progressive rock band King Crimson, released on 10 October 1969 by Island Records. The album is one of the earliest and most influential of the progressive rock genre, where the band combined the musical influences that rock music was founded upon with elements of jazz, classical, and symphonic music.
Lizard is the third studio album by British progressive rock band King Crimson, released on 11 December 1970 by Island Records in the UK, and in January 1971 by Atlantic Records in the United States and Canada. It was the second consecutive King Crimson album recorded by transitional line-ups of the group that did not perform live, following In the Wake of Poseidon. This is the only album by the band to feature singer and bass guitarist Gordon Haskell and drummer Andy McCulloch as official members of the band.
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Discipline is the eighth studio album by English progressive rock band King Crimson, released on 22 September 1981 by E.G. Records in the United Kingdom and by Warner Bros. Records in the United States.
The Power to Believe is the thirteenth and final studio album by English progressive rock band King Crimson. It was released on 4 March 2003 through Sanctuary Records and met with generally favourable reviews, with several critics appreciating its heightened aggression. The Power to Believe was preceded by the EP Happy with What You Have to Be Happy With (2002), which features alternate and otherwise unreleased tracks.
Red is the seventh studio album by English progressive rock band King Crimson. It was released in October 1974 through Island Records in the United Kingdom and Atlantic Records in North America and Japan. The album was recorded at Olympic Studios in London in July and August 1974, and produced by the band themselves. The track "Providence" was a free improvisation recorded at their 30 June 1974 concert at the Palace Theater in the city of the same name. Parts of some of the pieces were conceived during previous improvisations performed by the band live. "Starless" was originally considered for their previous album, Starless and Bible Black (1974), but was deemed incomplete at the time. The lengthy version included on this album was refined and performed during concerts throughout 1974.
"Matte Kudasai" literally "Wait, Please" in Japanese, is a ballad by the progressive rock band King Crimson. Featuring vocals by Adrian Belew, it was released as the first single from the album Discipline (1981). In the UK, the single just missed the chart.
"Thela Hun Ginjeet" is a single by the band King Crimson, released in 1981 and on the album Discipline (1981). The song name is an anagram of "heat in the jungle", which is a reference to crime in the city.
The League of Gentlemen were a band active during March–December 1980 that featured King Crimson guitarist Robert Fripp.
The Stranglers and Friends: Live in Concert is a live album by English rock band the Stranglers, released in 1995 by Receiver Records. In 2002, the album was re-released on the Castle Music label, digitally remastered from the original master tapes with new artwork and sleeve notes.
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Discipline Global Mobile is an independent record label founded in 1992 by Robert Fripp and producer/online content developer David Singleton. DGM has released solo music by Fripp as well as work by various affiliated musicians and bands including King Crimson, The Vicar, the California Guitar Trio and others. The label has offices in Salisbury, England, and Los Angeles, California.
Exposure is the debut solo album by guitarist and composer Robert Fripp. Unique among Fripp solo projects for its focus on the pop song format, it grew out of his previous collaborations with David Bowie, Peter Gabriel, and Daryl Hall, and the latter two singers appear on the album. Released in 1979, it peaked at No. 79 on the Billboard Album Chart. Most of the lyrics were provided by the poet and lyricist Joanna Walton, who also coined the term "Frippertronics" to describe Fripp's tape looping techniques.
Keep On Doing is the third studio album by the folk trio the Roches, released in 1982 on Warner Bros. Records. It is their second collaboration with Robert Fripp, following their 1979 debut album.
(No Pussyfooting) is the debut studio album by the British duo Fripp & Eno, released in 1973. (No Pussyfooting) was the first of three major collaborations between the musicians, growing out of Brian Eno's early tape delay looping experiments and Robert Fripp's "Frippertronics" electric guitar technique.
Larks' Tongues in Aspic is the second of the major box set releases from English progressive rock group King Crimson, released in 2012 by Discipline Global Mobile & Panegyric Records. The set is devoted to all existing recordings associated with the 1973 album Larks' Tongues In Aspic.