Let the Power Fall: An Album of Frippertronics | ||||
---|---|---|---|---|
![]() | ||||
Live album by | ||||
Released | April 1981 | |||
Recorded | June-August 1979 | |||
Venue | Robson Square Theatre, Vancouver ("1984", "1985", "1987") Tower Records, Berkeley ("1986") Walker Art Center, Minneapolis ("1988") Mabuhay Gardens, San Francisco ("1989") | |||
Genre | Ambient, experimental, drone | |||
Length | 51:10 | |||
Label | Editions E.G., Polydor | |||
Producer | Robert Fripp | |||
Robert Fripp chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Robert Christgau | B- [2] |
Let the Power Fall: An Album of Frippertronics is the third solo album by British guitarist and composer Robert Fripp, and the first on which he is the sole performer. It was released by Editions E.G. in April 1981, only a few weeks after the album he made with The League of Gentlemen. It is an album of live improvised performances created using his Frippertronics looping system, recorded during the North American leg of his 1979 one-man tour of small venues. [3] The tour dates and recording locations are listed on the rear of the album sleeve, along with a structured list of maxims pertaining to his thinking at the time, such as "Dogmatic attachment to the supposed merits of a particular structure hinders the search for an appropriate structure." [4]
The extensive sleeve notes also state that the track "1984" was used in the 1981 Amos Poe film Subway Riders and that "various selections" were featured in the 1981 Victor Schonfeld film Animals, better known as The Animals Film . [4]
All titles by Robert Fripp
Also credited are:
King Crimson were an English-based progressive rock band formed in London in 1968 by Robert Fripp (guitars), Michael Giles (drums), Greg Lake, Ian McDonald and Peter Sinfield. Fripp remained the only constant member throughout the band's history. The band drew inspiration from a wide variety of music, incorporating elements of classical, jazz, folk, heavy metal, gamelan, blues, industrial, electronic, experimental music and new wave. They exerted a strong influence on the early 1970s progressive rock movement, including on contemporaries such as Yes and Genesis, and continue to inspire subsequent generations of artists across multiple genres. The band has earned a large cult following, especially in the 21st century.
Robert Fripp is a British musician, composer, record producer, and author, best known as the guitarist, founder and longest-lasting member of the progressive rock band King Crimson. He has worked extensively as a session musician and collaborator, notably with David Bowie, Blondie, Brian Eno, Peter Gabriel, Daryl Hall, the Roches, Talking Heads, and David Sylvian. He also composed the startup sound of Windows Vista, in collaboration with Tucker Martine and Steve Ball. His discography includes contributions to more than 700 official releases.
Robert Steven "Adrian" Belew is an American musician, singer, songwriter, and record producer. A multi-instrumentalist primarily known as a guitarist and singer, he is noted for his unusual approach to the instrument, his playing cited as fluid, expressive, and often resembling "animal noises or mechanical rumblings".
Starless and Bible Black is the sixth studio album by English progressive rock band King Crimson, released in March 1974 by Island Records in the United Kingdom and by Atlantic Records in the United States. It features most of the personnel which appeared on the group's preceding album, Larks' Tongues in Aspic, with only percussionist Jamie Muir not returning, and is the band's final album with violinist David Cross as a member, although he would appear on one track on Red. Much of the album was recorded live and edited together with studio recordings and overdubs. The album includes multiple fully improvised pieces.
Frippertronics is a tape looping technique used by English guitarist Robert Fripp. It marked the first real-time tape looping device, evolving from a system developed in the electronic music studios of the early 1960s by composers Terry Riley and Pauline Oliveros and made popular through its use in ambient music by composer Brian Eno, as on his album Discreet Music (1975). The effect is now routinely found in many commercial loop station guitar digital effects boxes such as the Boss RC-3.
Islands is the fourth studio album by English band King Crimson, released in 3 December 1971 on the record label Island. Islands is the only studio album to feature the 1971–1972 touring line-up of Robert Fripp, Mel Collins, Boz Burrell and Ian Wallace. This would be the last album before an entirely new group would record the trilogy of Larks' Tongues in Aspic, Starless and Bible Black and Red between 1973 and 1974. This is also the last album to feature the lyrics of co-founding member Peter Sinfield.
Lizard is the third studio album by British progressive rock band King Crimson, released on 11 December 1970 by Island Records in the UK, and in January 1971 by Atlantic Records in the United States and Canada. It was the second consecutive King Crimson album recorded by transitional line-ups of the group that did not perform live, following In the Wake of Poseidon. This is the last of two albums by the band to feature Gordon Haskell and the band's only album to feature drummer Andy McCulloch.
Three of a Perfect Pair is the tenth studio album by English progressive rock band King Crimson, released on 23 March 1984 in the UK by E.G. Records. It is the group's final studio album to feature the quartet of Robert Fripp, Adrian Belew, Tony Levin and Bill Bruford, which broke up later that year, though all four would appear in the sextet lineup featured on THRAK in 1995.
Beat is the ninth studio album by the British progressive rock band King Crimson, released on 18 June 1982 by E.G. Records. It was the second King Crimson album to feature the lineup of Robert Fripp, Adrian Belew, Tony Levin and Bill Bruford, and the first ever King Crimson album to feature the same lineup as its predecessor.
Discipline is the eighth studio album by English progressive rock band King Crimson, released on 2 October 1981 by E.G. Records in the United Kingdom and by Warner Bros. Records in the United States.
The Power to Believe is the thirteenth and final studio album by English progressive rock band King Crimson. It was released on 24 February 2003 in the United Kingdom and on 4 March 2003 in the United States through Sanctuary Records and met with generally favourable reviews, with several critics appreciating its heightened aggression. The Power to Believe was preceded by the EP Happy with What You Have to Be Happy With (2002), which features alternate and otherwise unreleased tracks.
"Matte Kudasai" literally "Wait, Please" in Japanese, is a ballad by the progressive rock band King Crimson. Featuring vocals by Adrian Belew, it was released as the first single from the album Discipline (1981). In the UK, the single just missed the chart.
Evening Star is the second studio album by British musicians Robert Fripp and Brian Eno. It was recorded from 1974 to 1975 and released in December 1975 by Island Records.
Peter Gabriel is the second studio album by the English singer-songwriter Peter Gabriel, released on 2 June 1978 by Charisma Records. Gabriel started recording the album in November 1977, the same month that he had completed touring in support of his debut solo release. He employed former King Crimson guitarist Robert Fripp, who was part of Gabriel's early touring band, to produce the album. Fripp used his Frippertronics effects on the co-written song "Exposure".
The First Day is an album by the British musicians David Sylvian and Robert Fripp released in August 1993. The album, first of three collaborations between the two musicians, contains music merging elements of rock and funk.
Exposure is the debut solo album by British guitarist and composer Robert Fripp, best known as the sole constant member of the band King Crimson. Unique among Fripp solo projects for its focus on the rock song format, it grew out of his previous collaborations with David Bowie, Peter Gabriel, and Daryl Hall, and the latter two singers appear on the album. Released in 1979, it peaked at No. 79 on the Billboard Album Chart. Most of the lyrics were provided by the poet Joanna Walton, Fripp's partner at the time, who also coined the term "Frippertronics" to describe his tape looping system.
God Save the Queen/Under Heavy Manners is the second solo album by British guitarist and composer Robert Fripp, released on E.G. Records in 1980.
The League of Gentlemen is the sole studio album by British guitarist and composer Robert Fripp and his short-lived band The League of Gentlemen, released in February 1981 on the Editions E.G. label.
(No Pussyfooting) is the debut studio album by the British duo Fripp & Eno, released 9 November 1973. (No Pussyfooting) was the first of three major collaborations between the musicians, growing out of Brian Eno's early tape delay looping experiments and Robert Fripp's "Frippertronics" electric guitar technique.
Over 50 years, English guitarist and composer Robert Fripp has been extremely active as a recording musician and a producer. He has contributed to more than 700 official releases. The Robert Fripp Discography Summary, compiled by John Relph, also lists 120 compilations and 315 unauthorised releases. This means that more than 1100 releases can be found with Robert Fripp participating. A full list can be found at the location provided above. Major solo or collaborative releases under Fripp's name are listed here, see also King Crimson discography for the group that Fripp de facto leads.