Daniel Ceccaldi was a French actor.
French Cancan is a 1955 French-Italian musical film written and directed by Jean Renoir and starring Jean Gabin and Francoise Arnoul. Where Renoir's previous film Le Carosse d’or had celebrated the 18th-century Italian commedia dell’arte, this work is a homage to the Parisian café-concert of the 19th century with its popular singers and dancers. Visually, the film evokes the paintings of Edgar Degas and the Impressionists, including his own father, Pierre-Auguste Renoir. It also marked his return to France and to French cinema after an exile that began in 1940.
François Périer was a French actor renowned for his expressiveness and diversity of roles.
Jacques Morel was a French film and television actor. He was, perhaps, best known as the French language voice of the cartoon character, Obelix, in the animated adaptation of the comic book, Asterix.
Jacques Dynam was a French film actor. He appeared in more than 150 films between 1942 and 2004, among which the Fantomas saga.
The Moment of Truth is a 1952 French-Italian drama film directed by Jean Delannoy and starring Michèle Morgan, Jean Gabin and Walter Chiari. Delannoy co-wrote the screenplay with Henri Jeanson, Roland Laudenbach and Robert Thoeren. The music score is by Paul Misraki, Winfried Zillig and Georges Van Parys. It was shot at the Francoeur Studios in Paris. The film's sets were designed by the art director Serge Piménoff.
Véronique Silver was a French actress.
Paul Meurisse was a French actor who appeared in over 60 films and many stage productions. Meurisse was noted for the elegance of his acting style, and for his versatility. He was equally able to play comedic and serious dramatic roles. His screen roles ranged from the droll and drily humorous to the menacing and disturbing. His most celebrated role was that of the sadistic and vindictive headmaster in the 1955 film Les Diaboliques.
Jacques Spiesser is a French actor.
Maurice Escande was a French stage and film actor. In 1948 he starred in the film The Lame Devil under Sacha Guitry.
The Blue Veil is a 1942 French drama film directed by Jean Stelli and starring Gaby Morlay, Elvire Popesco and André Alerme. The film was remade in 1951.
Love and the Frenchwoman is the US title of a 1960 French anthology film originally entitled La française et l'amour. It starred Jean-Paul Belmondo and Dany Robin.
The Théâtre Édouard VII, also called théâtre Édouard VII – Sacha Guitry, is located in Paris between the Madeleine and the Opéra Garnier in the 9th arrondissement. The square, in which there is a statue of King Edward the Seventh, was opened in 1911. The theatre, which was originally a cinema, was named in the honour of King Edward VII, as he was nicknamed the "most Parisian of all Kings", appreciative of French culture. In the early to mid 1900s,under the direction of Sacha Guitry, the theatre became a symbol of anglo-franco friendship, and where French people could discover and enjoy Anglo Saxon works. French actor and director Bernard Murat is the current director of the theatre. Modern "boulevard comedies" and vaudevilles are often performed there, and subtitled in English by the company Theatre in Paris. Important figures in the arts, cinema and theatre have performed there, including Orson Welles, Eartha Kitt, and more. Pablo Picasso created props for a play at the Théâtre Edouard VII in 1944.
Mirror is a 1947 French crime drama film directed by Raymond Lamy and starring Jean Gabin, Daniel Gélin and Martine Carol. It was shot at the Saint-Maurice Studios in Paris. The film's sets were designed by the art director Georges Wakhévitch. It was Gabin's second film following his return to his homeland after serving in the Free French forces after the poorly-received Martin Roumagnac (1946) alongside Marlene Dietrich. The film marks a shift from the doomed men of the pre-war poetic realism that established Gabin as a star to the powerful figures he played from the 1950s onwards.
Maigret voit rouge is a 1963 French-Italian crime film directed by Gilles Grangier and starring Jean Gabin, Françoise Fabian and Roland Armontel. Based on the 1951 novel Maigret, Lognon and the Gangsters by Georges Simenon, it is Gabin's third appearance as Belgian writer Georges Simenon's fictional detective Jules Maigret.
The Law of Men is a 1962 French crime film directed by Charles Gérard and starring Micheline Presle, Philippe Leroy and Pierre Mondy. After a planned robbery on an armoured car the investigating police officer encounters a female journalist who specialises in criminology, and who he suspects may have had a role in the heist.
The Dominici Affair is a 1973 French-Italian crime drama film directed by Claude Bernard-Aubert and starring Jean Gabin, Victor Lanoux and Gérard Depardieu. It is based on the Dominici affair of 1952.
Under the Sign of the Bull is a 1969 French drama film directed by Gilles Grangier and starring Jean Gabin, Suzanne Flon and Colette Deréal. It was shot at the Saint-Maurice Studios in Paris. The film's sets were designed by the art director Robert Clavel.
Their Last Night is a 1953 French crime drama film directed by Georges Lacombe and starring Jean Gabin, Madeleine Robinson and Robert Dalban. It was shot at the Billancourt Studios in Paris and on location around the city. The film's sets were designed by the art director Léon Barsacq.
Gas-Oil is a 1955 French crime drama film directed by Gilles Grangier and starring Jean Gabin, Jeanne Moreau, Gaby Basset and Ginette Leclerc. It was shot at the Epinay Studios in Paris and on location at a variety of places. The film's sets were designed by the art director Jacques Colombier. It was one of a number of films portraying tough truck drivers made in the wake of the success of the 1953 film The Wages of Fear. It was the first of many films in which Gabin appeared in written by his fellow Parisian Michel Audiard.
