The Lost Album | ||||
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Studio album by | ||||
Released | September 23, 2022 | |||
Recorded | January–April 1993 | |||
Studio | Crystal Sound Recording RPM Studios (New York City) | |||
Genre | ||||
Length | 41:57 | |||
Label | Sunset Blvd Records | |||
Producer | The Smithereens | |||
The Smithereens chronology | ||||
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Singles from The Lost Album | ||||
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The Lost Album is the twelfth studio album by American rock band the Smithereens, released on September 23, 2022, by Sunset Blvd Records. It comprises tracks recorded in 1993 for an abandoned album, [6] [7] and is the first album of previously unreleased original material in eleven years, since the release of 2011 in 2011. [6]
In 1993, the Smithereens were in between the end of their contract with Capitol Records and the beginning of their deal with RCA. [8] [9] There had been a management change at Capitol Records and a number of artists, including the Smithereens, were let go in summer 1993. [10] [11] Since the release of their last album, 1991's Blow Up , the band had written a batch of songs they wanted to record. [10] So, in early 1993, [12] they entered a New York recording studio and recorded two albums worth of songs. [10] "It was the first time we went in with the intention of producing a full album by ourselves ... we paid for everything," drummer Dennis Diken said in 2022. [13] [14]
When the Smithereens eventually signed to RCA later in 1993, [12] half of the songs were rerecorded for 1994's A Date with The Smithereens , and the remaining songs went into the band's archives. [10] [14] The twelve tracks on The Lost Album were rediscovered when the band went through their old piles of tapes and CDs for future archival releases. [14] [15] "We had all of the mixes on this material done back in 1993," Diken said. "So, all we really needed to do was to select the tracks, sequence them and master them." [12] Bassist Mike Mesaros stated in the album liner notes that the album "remains only 80 percent finished and rough mixed." [7] [16] The original multitrack master tapes had been lost in a fire, which left the band with only copies of the rough mixes on digital audio tapes, "and they sounded fine," guitarist Jim Babjak said. [17]
Lead singer Pat DiNizio rerecorded the tracks "A World Apart" and "Everyday World" for his 1997 solo album Songs and Sounds . [1]
Review scores | |
---|---|
Source | Rating |
American Songwriter | [1] |
Goldmine | [17] |
New Noise Magazine | [2] |
The album received a positive reception from writers and critics. Many felt that it ranks among the band's best work. [2] [3] [7] [17] [18] John Moore, writing for New Noise Magazine, described the album as "a dozen tight tracks of smart power pop with plenty of jangly guitars backing DiNizio's recognizably sunny vocals." He added, "You'd be hard pressed to distinguish songs like "Don’t Look Down" or "Love Runs Wild" from those off of Green Thoughts or 11 ." [2] Andy Gray of the Tribune Chronicle found the album to be "full of catchy riffs and hooks that owe a debt to '60s influences like the Beatles without feeling stuck in the past," calling it a "great addition to the band's catalog." [4]
Jason Green from The Arts STL website noted that the tracks didn't sound "labored over," writing, "Playing fast and loose just to get the songs down and letting things stay a little rough around the edges actually does the band favors." [7] Rock and Roll Globe's Jim Allen wrote, "The Lost Album captures the Smithereens in transition but it feels like it fits right into their chronology." [8]
On his website, writer Joel Gausten wrote that while the album has "plenty of treasures," it is also "a very mixed bag." He felt that the album needed an outside producer to add the necessary sheen, as some of the tracks merely "simmer when they deserve to scorch." He concluded that, ultimately, the album doesn't measure up to the rest of the Smithereens' discography. "If anything," he wrote, "it makes it clear that the strongest material the band created circa 1993 ended up on A Date with The Smithereens ." [19]
All tracks are written by Pat DiNizio, Jim Babjak, Mike Mesaros and Dennis Diken, except where noted
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Out of This World" | 3:33 | |
2. | "Dear Abby" | 3:15 | |
3. | "Don't Look Down" | 2:57 | |
4. | "A World Apart" | DiNizio | 2:56 |
5. | "Stop Bringing Me Down" | 5:43 | |
6. | "Pretty Little Lies" | 2:45 | |
7. | "Monkey Man" | DiNizio, Babjak, Mesaros, Diken, Michael Hamilton | 3:35 |
8. | "Everyday World" | DiNizio | 3:02 |
9. | "Face the World with Pride" | DiNizio, Babjak | 3:47 |
10. | "Love Runs Wild" | 3:03 | |
11. | "I'm Sexy" | Babjak | 3:49 |
12. | "All Through the Night" | 3:25 |
Adapted from the album liner notes. [16]
The Smithereens is an American rock band from Carteret, New Jersey. The group formed in 1980 with members Pat DiNizio, Jim Babjak, Mike Mesaros, and Dennis Diken. This original lineup continued until 2006, when Mesaros left the band and Severo Jornacion took over on bass guitar until Mesaros' return in 2016. After DiNizio died in 2017, the band continued performing live shows as a trio with various guest vocalists.
Girls About Town is the debut EP by the American rock band The Smithereens. It was released on 31 October 1980 on the band's own D-Tone Records. The EP contains four songs with the word ‘girl‘ in the title, including "Girl Don't Tell Me," a song originally recorded by The Beach Boys.
Beauty and Sadness is the second EP by The Smithereens, released in June 1983 on Little Ricky Records.
11 is the third studio album by American rock band The Smithereens, released on October 24, 1989, by Capitol Records. It includes the Billboard Top 40 single "A Girl Like You". The album was certified gold by the Recording Industry Association of America in June 1990.
Jim Babjak is an American guitarist and ex-banker. He is the lead guitar player and co-founder of The Smithereens. Babjak has written and sung several songs for the band. He also is the leader of the band Buzzed Meg.
Meet The Smithereens! is the seventh studio album by Carteret, New Jersey-based rock band The Smithereens, released in stores on January 16, 2007. The album features the band covering The Beatles' 1964 American album, Meet the Beatles!.
God Save The Smithereens is the sixth studio album by The Smithereens, released on 19 October 1999 on Velvel/Koch Records. Produced by Don Fleming, it was originally intended to be a concept album based on the idea of the world ending as soon as the year 2000 started. It was the last studio album to feature bassist Mike Mesaros, who left the band in 2006, but returned ten years later for occasional live dates. "She's Got a Way" was released as a promo single.
Especially for You is the first full-length album from New Jersey-based rock band The Smithereens, released in July 1986 by Enigma Records.
Live in Concert! Greatest Hits and More is a live album by New Jersey rock band The Smithereens, released in 2008 by Koch Records.
Dennis Diken is an American drummer, DJ, author, music historian, and founding member of the band the Smithereens, which he formed in 1980 with Pat DiNizio, Jim Babjak, and Mike Mesaros in Carteret, New Jersey. Besides playing with the Smithereens, Diken is a fill-in DJ on WFMU as well as a liner notes author and reissue project researcher. As a musician, Diken has recorded or toured with, among others, Ronnie Spector, Dave Davies, Nancy Sinatra, Mary Weiss of the Shangri-Las and Ben E. King, and worked with musicians such as Dave Amels and R. Stevie Moore.
Blow Up is the fourth full-length studio album by the Smithereens, released in September 1991 by Capitol Records. The album charted at #120 in the U.S. in October 1991. The album's second single, "Too Much Passion", became the group's second top-40 single, peaking at #37. Top of the Pops was released as the first single of the album.
2011 is the eleventh studio album by American rock band The Smithereens, released on April 5, 2011 by eOne Music.
The Smithereens Play Tommy is the tenth studio album by Carteret, New Jersey-based rock band The Smithereens, released on 5 May 2009 by E1 Music. The album features the band covering highlights from The Who's 1969 concept album, Tommy, creating an abridged version of the original story. The Smithereens edited the original album's 24 selections down to 13 songs, with a total running time of 41 minutes, compared to the original's 75 minutes.
"Strangers When We Meet" is a song by the American alternative rock group The Smithereens, released as a European-only single in 1987. It is the fourth single released in support of their debut album Especially for You.
"Behind the Wall of Sleep" is a song by the American alternative rock group The Smithereens, released in 1986. It is the second single released in support of their debut album Especially for You.
The Best of The Smithereens is a compilation album by Carteret, New Jersey-based rock band The Smithereens, released in 1997.
Live is a live EP by the Smithereens, released in 1988 by Restless Records. It was the first release in the Restless Performance Series, which was initiated in January 1988, releasing CD-only live recordings. The EP contains six songs from a show recorded in October 1986 for MTV's "Live from The Ritz" concert series.
From Jersey It Came! The Smithereens Anthology is a two-disc, career-spanning compilation album by the Smithereens, released in 2004. It features most of the band's singles, as well as album and EP tracks, non-album B-sides and a handful of rarities.
Blown to Smithereens: Best of The Smithereens is the first compilation album by The Smithereens, released April 4, 1995, by Capitol Records. It features the band's best-known songs and radio hits from 1983's Beauty and Sadness EP to the 1994 album, A Date with The Smithereens. The album also includes a cover of The Outsiders 1966 hit, "Time Won't Let Me", recorded for the film Timecop and released as a single in August 1994.
Covers is a compilation album by The Smithereens, released in May 2018 by Sunset Blvd Records. It was originally released as a digital download on iTunes in May 2014. The album features 22 cover songs recorded by the band between 1980 and 2008. Most of the songs have previously been released as b-sides or on tribute albums and soundtracks.
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