Sunset Boulevard is a 1950 American black comedy film noir directed and co-written by Billy Wilder, and produced and co-written by Charles Brackett. It was named after a major street that runs through Hollywood, the center of the American film industry.
Gloria May Josephine Swanson was an American actress and producer. She first achieved fame acting in dozens of silent films in the 1920s and was nominated three times for the Academy Award for Best Actress, most famously for her 1950 return in Billy Wilder's Sunset Boulevard, which also earned her a Golden Globe Award.
Sadie Thompson is a 1928 American silent drama film that tells the story of a "fallen woman" who comes to Pago Pago on the island of Tutuila to start a new life, but encounters a zealous missionary who wants to force her back to her former life in San Francisco. The film stars Gloria Swanson, Lionel Barrymore, and Raoul Walsh, and is one of Swanson's most successful films.
Erich Oswald Hans Carl Maria von Stroheim was an Austrian-American director, actor and producer, most noted as a film star and avant-garde, visionary director of the silent era. His 1924 film Greed is considered one of the finest and most important films ever made. After clashes with Hollywood studio bosses over budget and workers' rights problems, Stroheim found it difficult to find work as a director and subsequently became a well-respected character actor, particularly in French cinema.
Herbert Brenon was an Irish-born U.S. film director, actor and screenwriter during the era of silent films through the 1930s.
Male and Female is a 1919 American silent adventure/drama film directed by Cecil B. DeMille and starring Gloria Swanson and Thomas Meighan. Its main themes are gender relations and social class. The film is based on the 1902 J. M. Barrie play The Admirable Crichton.
Seena Owen was an American silent film actress and screenwriter.
Marie Pauline Garon was a Canadian American silent film, feature film, and stage actress.
The Last Warning is a 1928 American mystery film directed by Paul Leni, and starring Laura La Plante, Montagu Love, and Margaret Livingston. Its plot follows a New York producer's attempt to re-stage a play five years after one of the original cast members was murdered in the theater. The film is based on the 1922 Broadway melodrama of the same name by Thomas F. Fallon, which in turn was based on the story House of Fear by Wadsworth Camp, the father of the writer Madeleine L'Engle.
John Boles was an American singer and actor best known for playing Victor Moritz in the 1931 film Frankenstein.
Film Booking Offices of America (FBO), registered as FBO Pictures Corp., was an American film studio of the silent era, a midsize producer and distributor of mostly low-budget films. The business began in 1918 as Robertson-Cole, an Anglo-American import-export company. Robertson-Cole began distributing films in the United States that December and opened a Los Angeles production facility in 1920. Late that year, R-C entered into a working relationship with East Coast financier Joseph P. Kennedy. A business reorganization in 1922 led to the company's assumption of the new FBO name. Two years later, the studio contracted with Western leading man Fred Thomson, who within a couple years was one of Hollywood's most popular stars. Thomson was just one of several silent screen cowboys with whom FBO became identified.
Max Marcin was a Polish-born American playwright, novelist, screenwriter, and film director. He wrote for 47 films between 1916 and 1949. He also directed six films between 1931 and 1936. His stage work includes See My Lawyer (1915), directed by Frank M. Stammers; he wrote and/or produced almost 20 plays for Broadway from 1916-38. Marcin wrote for and produced The FBI in Peace and War and created, produced and wrote for the Crime Doctor radio program, which became the basis for a series of ten Crime Doctor films.
Don't Change Your Husband is a 1919 American silent comedy film directed by Cecil B. DeMille and starring Gloria Swanson. The film was the third of six "marriage films" directed by DeMille and the first DeMille film starring Gloria Swanson. A print of the film is stored at the George Eastman House. The film was released on DVD by Image Entertainment with The Golden Chance.
For Better, for Worse is a 1919 American silent drama film directed by Cecil B. DeMille and starring Gloria Swanson. The film was the second of four "marriage films" directed by DeMille and the second DeMille film starring Gloria Swanson. For Better, for Worse was adapted for the screen by William C. DeMille. Jeanie MacPherson wrote the film's scenario.
Something to Think About is a 1920 American silent drama film directed by Cecil B. DeMille. The film stars Elliott Dexter and Gloria Swanson. Prints of the film exist at the George Eastman Museum in Rochester, New York, and at the Filmmuseum in Amsterdam.
Eyes of Youth is a 1919 American silent drama film directed by Albert Parker and starring Clara Kimball Young. The film was based on the stage play Eyes of Youth, performed on Broadway in 1917-18 and starred Marjorie Rambeau. This film also features Rudolph Valentino in a role as a thief/con artist.
Zaza was a 1915 American silent romantic drama film produced by Famous Players Film Company in association with the Charles Frohman Company, and distributed by Paramount Pictures. The film was directed by Edwin S. Porter and Hugh Ford and stars Pauline Frederick in the title role. The film is based on the 1899 French stage play of the same name that starred Mrs. Leslie Carter, and the American adaptation by David Belasco.
Wilfrid North, also spelled Wilfred North, was an Anglo-American film director, actor, and writer of the silent film era. He directed 102 films, including short films; acted in 43 films; and wrote the story for three films.
The Power Within is a 1921 American silent drama film directed by Lem F. Kennedy and starring William H. Tooker, Nellie Parker Spaulding and Pauline Garon.
Enlighten Thy Daughter is a 1934 American drama film directed by John Varley and starring Herbert Rawlinson, Charles Eaton and Claire Whitney. It was shot at the Photocolor Studios in Hastings-on-Hudson, New York. It is a remake of the 1917 silent film of the same title by Ivan Abramson.
