The Man Who Changed His Name | |
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Directed by | Henry Edwards |
Written by |
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Produced by | Julius Hagen |
Starring | |
Cinematography | Sydney Blythe |
Edited by | Michael C. Chorlton |
Music by | W.L. Trytel |
Production company | Real Art Productions |
Distributed by | Universal Pictures |
Release date |
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Running time | 80 minutes |
Country | United Kingdom |
Language | English |
The Man Who Changed His Name is a 1934 British crime film [1] directed by Henry Edwards [2] and starring Lyn Harding, Betty Stockfeld and Leslie Perrins. [3] It was based on the play The Man Who Changed His Name by Edgar Wallace. It was made as a quota quickie at Twickenham Studios. [4] The film's art direction was by James A. Carter.
A man appears to be being tricked out of a valuable piece of land in Canada which contains lucrative silver deposits by his wife's lover. [5] Both the potential villains begin to have second thoughts when gradually come to suspect that their intended victim, having since changed his name, is in fact a notorious killer from Canada. Eventually it transpires he was not the murderer, but is only using it as a trick to push his wife and her lover to reveal their deception out of fear.
Lord Edgware Dies is a 1934 British mystery film directed by Henry Edwards and starring Austin Trevor, Jane Carr, and Richard Cooper. The film was based on the 1933 Agatha Christie novel Lord Edgware Dies.
The Stickpin is a 1933 British crime film directed by Leslie S. Hiscott and starring Henry Kendall, Betty Astell and Francis L. Sullivan.
Flat Number Three is a 1934 British crime film directed by Leslie S. Hiscott starring Mary Glynne, Betty Astell and Cecil Parker. Its plot involves a lawyer who assists a widow who has killed her blackmailer.
The Rosary is a 1931 British drama film directed by Guy Newall and starring Margot Grahame, Elizabeth Allan and Leslie Perrins. It was shot at Twickenham Studios in London. The film's sets were designed by the art director James A. Carter. It was released as an independent first feature, despite being produced by a company that generally concentrated on quota quickies.
Open All Night is a 1934 British drama film directed by George Pearson and starring Frank Vosper, Margaret Vines, Gillian Lind, Geraldine Fitzgerald and Michael Shepley. It was made at Twickenham Studios in London. The film's sets were designed by the art director James Carter. The film was produced as a quota quickie by Julius Hagen for distribution by RKO Pictures. It was later released in the United States until the alternative title Murder by Appointment.
The Roof is a 1933 British crime film directed by George A. Cooper and starring Leslie Perrins, Judy Gunn, Russell Thorndike and Michael Hogan. It was shot at Twickenham Studios in London as a quota quickie for release by RKO Pictures. The film's sets were designed by Twickenham's resident art director James A. Carter. It was based on the novel of the same title by David Whitelaw.
The Lash is a 1934 British drama film directed by Henry Edwards and starring Lyn Harding, John Mills and Leslie Perrins. It was based on a play of the same name by Cyril Campion. A brutish millionaire horsewhips his dissolute son. The film was made as a quota quickie by Twickenham Studios, one of the largest producers of Quota films.
The Man I Want is a 1934 British comedy film directed by Leslie S. Hiscott and starring Henry Kendall, Wendy Barrie and Betty Astell. The screenplay concerns a man who accidentally comes across some stolen jewels. The film was made at Beaconsfield Studios.
Lord of the Manor is a 1933 British comedy film directed by Henry Edwards and starring Betty Stockfeld, Frederick Kerr and Henry Wilcoxon. It was based on a play by John Hastings Turner. It was made at British and Dominion Elstree Studios as a quota film for release by Paramount Pictures.
Anne One Hundred is a 1933 British drama film directed by Henry Edwards and starring Betty Stockfeld, Gyles Isham and Dennis Wyndham. It was based on the play Anne One Hundred Percent by Sewell Collins. It was made at British and Dominion's Elstree Studios as a quota quickie.
Life Goes On is a 1932 British crime film directed by Jack Raymond and starring Elsie Randolph, Betty Stockfeld and Warwick Ward. It was made at British and Dominion's Elstree Studios as a supporting feature for release by Paramount Pictures.
The Village Squire is a 1935 British comedy film directed by Reginald Denham and starring David Horne, Leslie Perrins, Moira Lynd and Vivien Leigh. It is based on Arthur Jarvis Black's play. The screenplay concerns a village's amateur production of MacBeth that is aided by the arrival of a Hollywood star. This provokes the fierce resistance of the village squire who hates films. The film was a quota quickie, produced at Elstree Studios for Paramount to help them meet their yearly quota set down by the British government.
Blind Folly is a 1939 British comedy film directed by Reginald Denham and starring Clifford Mollison, Lilli Palmer, and Leslie Perrins. The screenplay concerns a man who inherits a nightclub that belonged to his brother but soon discovers that it is the headquarters for a dangerous criminal gang.
The Gables Mystery is a 1938 British crime film directed by Harry Hughes and starring Francis L. Sullivan, Antoinette Cellier and Leslie Perrins. It is an adaptation of the play The Man at Six by Jack Celestin and Jack DeLeon, previously made into a 1931 film of the same title which was also directed by Hughes. It was shot at Welwyn Studios as a quota quickie for release by Metro-Goldwyn-Mayer.
The Pointing Finger is a 1933 British drama film directed by George Pearson and starring John Stuart, Viola Keats and Leslie Perrins. The screenplay concerns a man who plots to murder his half-brother so he can claim his earldom and an inheritance. The film was made by Twickenham Film Studios with sets designed by the art director James A. Carter. It was distributed by RKO Pictures as a quota quickie. Based on the novel The Pointing Finger (1907) by "Rita," it was a remake of the 1922 film of the same name.
The Barton Mystery is a 1932 British crime film directed by Henry Edwards and starring Ursula Jeans, Ellis Jeffreys and Lyn Harding. It was based on the play The Barton Mystery by Walter C. Hackett.
Brides to Be is a 1934 British comedy film directed by Reginald Denham and starring Betty Stockfeld, Constance Shotter and Ronald Ward. The film was made at Elstree Studios as a quota quickie for release by the British branch of Paramount Pictures.
Expert's Opinion is a 1935 British thriller film directed by Ivar Campbell and starring Lucille Lisle, Leslie Perrins and Franklyn Bellamy. A group of foreign spies attempt to steal the plans for a new weapon.
Captivation is a 1931 British romantic comedy film directed by John Harvel and starring Conway Tearle, Betty Stockfeld and Violet Vanbrugh.It was shot at the Beaconsfield Studios near London. A second feature, it has been classified as a quota quickie.
The Shadow of Mike Emerald is a 1936 British crime drama film directed by Maclean Rogers and starring Leslie Perrins, Marjorie Mars and Vincent Holman. It was made at the Walton Studios outside London as a quota quickie for release by RKO Pictures.