Michael Laurence Nyman, CBE is an English composer, pianist, librettist, musicologist, and filmmaker. He is known for numerous film scores, and his multi-platinum soundtrack album to Jane Campion's The Piano. He has written a number of operas, including The Man Who Mistook His Wife for a Hat; Letters, Riddles and Writs; Noises, Sounds & Sweet Airs; Facing Goya; Man and Boy: Dada; Love Counts; and Sparkie: Cage and Beyond. He has written six concerti, five string quartets, and many other chamber works, many for his Michael Nyman Band. He is also a performing pianist. Nyman prefers to write opera over other forms of music.
The Man Who Mistook His Wife for a Hat and Other Clinical Tales is a 1985 book by neurologist Oliver Sacks describing the case histories of some of his patients. Sacks chose the title of the book from the case study of one of his patients who has visual agnosia, a neurological condition that leaves him unable to recognize faces and objects. The book became the basis of an opera of the same name by Michael Nyman, which premiered in 1986.
Facing Goya (2000) is an opera in four acts by Michael Nyman on a libretto by Victoria Hardie. It is an expansion of their one-act opera called Vital Statistics from 1987, dealing with such subjects as physiognomy, eugenics, and its practitioners, and also incorporates a musical motif from Nyman's art song, "The Kiss", inspired by a Paul Richards painting. Nyman also considers the work thematically tied to his other works, The Man Who Mistook His Wife for a Hat, The Ogre, and Gattaca, though he does not quote any of these musically, save a very brief passage of the latter. It was premièred at the Auditorio de Galicia, Santiago de Compostela, Spain on 3 August 2000. The revision with the cast heard on the album premiered at the Badisches Staatstheater Karlsruhe, Germany, on October 19, 2002. Vital Statistics has been withdrawn. The Santiago version included more material from Vital Statistics. The opera was most recently performed at the 2014 Spoleto Festival USA, located in Charleston, South Carolina.
The Michael Nyman Band, formerly known as the Campiello Band, is a group formed as a street band for a 1976 production of Carlo Goldoni's 1756 play, Il Campiello directed by Bill Bryden at the Old Vic. The band did not wish to break up after the production ended, so its director, Michael Nyman, began composing music for the group to perform, beginning with "In Re Don Giovanni", written in 1977. Originally made up of old instruments such as rebecs, sackbuts and shawms alongside more modern instruments like the banjo and saxophone to produce as loud a sound as possible without amplification, it later switched to a fully amplified line-up of string quartet, double bass, clarinet, three saxophones, horn, trumpet, bass trombone, bass guitar, and piano. This lineup has been variously altered and augmented for some works.
The Michael Nyman Songbook is a collection of art songs by Michael Nyman based on texts by Paul Celan, Wolfgang Amadeus Mozart, William Shakespeare and Arthur Rimbaud. It was recorded as an album with Ute Lemper in 1991, and again as a concert film in 1992, under the direction of Volker Schlöndorff, again with Ute Lemper, though many of the musicians had changed. The songs have been recorded by others and as instrumentals, and are published by Chester Music. The album has been issued by both London Records and Argo Records, though the covers are the same except for the logo.
Live is a 1994 album by Michael Nyman and the Michael Nyman Band. It is Nyman's 24th release and the fifteenth with the Band. It is the first commercial live album by the band, which had previously performed live on the magazine release, 'The Masterwork' Award Winning Fish-Knife. It is also known as "The Upside-Down Violin", the only new composition on the album, and the working title, Breaking the Rules, made it into many computer sales systems. The album's cover and booklet were designed by Dave McKean. Liner notes are by David Toop. Early printings of the album cover listed the first three tracks erroneously as "Queen of the Night", "An Eye for Optical Theory", and "Chasing Sheep Is Best Left to Shepherds"
Love Counts is a 2005 opera in two acts by Michael Nyman to a libretto by Michael Hastings.
The Essential Michael Nyman Band is a studio album featuring a collection of music by Michael Nyman written for the films of Peter Greenaway and newly performed by the Michael Nyman Band. It is the seventeenth album release by Nyman. The album features liner notes by Annette Morreau, who describes the album as "a summation and digest of ten years of progress in the performance of music by a composer -- a composer with whom, so evidently, a group of friends and expert musicians intimately identify their total commitment, virtuosity, and joyous enthusiasm."
After Extra Time is a 1996 album by Michael Nyman with the Michael Nyman Band containing three tributes to Nyman's fandom of Association football: After Extra Time, the soundtrack to The Final Score, and Memorial. The latter is described as a remix, but is simply the 1992 recording from The Essential Michael Nyman Band. It was included in order to put it together with his two other football-inspired works. The album lists only three tracks, which has caused it to be erroneously reported that Memorial is track 3 and the others are all hidden tracks, but Memorial is track 26. Therefore, a track listing, as the individual portions of the pieces are not named, is not useful. The three pieces were recorded at separate times and thus have separate personnel lists.
And Do They Do/Zoo Caprices is the eighth album released by Michael Nyman and the fifth featuring the Michael Nyman Band. And Do They Do is a modern dance work commission by Siobhan Davies and The London Contemporary Dance Theatre, which premiered at Sadler's Wells Theatre on 25 November 1986. Zoo Caprices is a multi-stop violin solo for Alexander Balanescu based on the score for Peter Greenaway's film, A Zed & Two Noughts.
Mozart 252 is a 2008 album by Michael Nyman with the Michael Nyman Band, Hilary Summers, and Andrew Slater, celebrating the 250th anniversary of Wolfgang Amadeus Mozart's birth. Although "Revisiting the Don," one of only two newly written works on the album, was commissioned and performed in 2006, the album's title is a joke on its lateness as an album, released 252 years after Mozart's birth. The album also includes "In Re Don Giovanni," Nyman's first composition for the band, which is based on the first fifteen bars of "Madamina, il catalogo è questo" from Don Giovanni, six selections from Peter Greenaway's film, Drowning by Numbers, in which he was instructed to base the music on the slow movement of Mozart's Sinfonia Concertante K. 364, and two duets and an aria from Nyman's television opera, Letters, Riddles and Writs, in this recording featuring bass Andrew Slater as Leopold Mozart and contralto Hilary Summers as Wolfgang.
The Cook The Thief His Wife & Her Lover is the twelfth album release by Michael Nyman and the ninth to feature the Michael Nyman Band. It is the soundtrack to the eponymous film by Peter Greenaway. The album includes the first commercially released recording of Memorial, and this is the only piece discussed in the liner notes, to the point that the lyric sheet for "Miserere", the song which Pup the kitchen boy sings, is misidentified "Memorial." "Book Depository" is one of Nyman's many waltzes.
String Quartets 1–3 is a 1991 album by the Balanescu Quartet and the fifteenth release by Michael Nyman. It is the second album of his music on which he did not perform or conduct, though he does provide liner notes. String Quartet No. 3 is built out of Out of the Ruins and became a fixture in numerous Nyman film scores in the 1990s.
The Composer's Cut Series Vol. III: The Piano is the third in a series of albums, all released on the same day, by Michael Nyman to feature concert versions of film scores, in this case, Jane Campion's The Piano, and his 53rd release overall. The collection is more streamlined and has fewer tracks than the soundtrack album, starting and ending with the popular "The Heart Asks Pleasure First."
Sangam: Michael Nyman Meets Indian Masters is the 46th album by Michael Nyman. It is a collaboration with musicians from India including U. Shrinivas and the Misra Brothers. It was released in 2003 and quickly cut out by its U.S. distributor. It was the last non-soundtrack Michael Nyman album to be released on any but his own label, MN Records, founded shortly thereafter. MN Records reissued the album in 2012.
The Composer's Cut Series Vol. II: Nyman/Greenaway Revisited is the second in a series of albums, all released on the same day, by Michael Nyman to feature concert versions of film scores, in this case, films of Peter Greenaway, and his 52nd release overall. The album is similar to The Essential Michael Nyman Band, although a number of tracks are on only one album or the other. In spite of being recorded in 1992, with the same lineup, Memorial is not the same performance as the one that appears on The Essential Michael Nyman Band or After Extra Time, which was recorded in Tokyo. This performance was recorded in London and is slightly less aggressively performed.
La Sept is a 1989 promotional album of music for the French TV network La Sept written by Michael Nyman and performed by the Michael Nyman Band. It is Nyman's fourteenth release. Gabrielle Lester makes her debut with the band on this album. After a 13-year hiatus with the band, she would replace the departing Alexander Balanescu as concertmaster for The Michael Nyman Band during the recording of Facing Goya, and, as of 2008, remains in that position. Musical passages created for La Sept were later re-used for the piece The Final Score which is featured in the album After Extra Time.
Rebecca Sjöwall is an American singer and recording artist.
Juana Inés, is a Mexican television series co-produced by Canal Once and Bravo Films. The series is created by Patricia Arriaga Jordán, based on the life and work of Sor Juana Inés de la Cruz. The series consists of seven episodes and one season. Series production began on November 4, 2015 in the Ex-Hacienda Santa Mónica, in Mexico City. The series was released on 26 March 2016.
Émile Belcourt was a Canadian operatic tenor. He appeared in operas at English National Opera and elsewhere, and also appeared in musicals.
