Peter Greenaway, is a British film director, screenwriter and artist. His films are noted for the distinct influence of Renaissance and Baroque painting, and Mannerism painting in particular. Common traits in his films are the scenic composition and illumination and the contrasts of costume and nudity, nature and architecture, furniture and people, sexual pleasure and painful death.
Michael Laurence Nyman, CBE is an English composer, pianist, librettist, musicologist, and filmmaker. He is known for numerous film scores, and his multi-platinum soundtrack album to Jane Campion's The Piano. He has written a number of operas, including The Man Who Mistook His Wife for a Hat; Letters, Riddles and Writs; Noises, Sounds & Sweet Airs; Facing Goya; Man and Boy: Dada; Love Counts; and Sparkie: Cage and Beyond. He has written six concerti, five string quartets, and many other chamber works, many for his Michael Nyman Band. He is also a performing pianist. Nyman prefers to write opera over other forms of music.
The Draughtsman's Contract is a 1982 British period comedy-drama film written and directed by Peter Greenaway – his first conventional feature film. Originally produced for Channel 4, the film is a form of murder mystery, set in rural Wiltshire, England in 1694. The period setting is reflected in Michael Nyman's score, which borrows widely from Henry Purcell, and in the extensive and elaborate costume designs. The action was shot on location in the house and formal gardens of Groombridge Place. The film received the Grand Prix of the Belgian Film Critics Association.
Prospero's Books is a 1991 British avant-garde film adaptation of William Shakespeare's The Tempest, written and directed by Peter Greenaway. Sir John Gielgud plays Prospero, the protagonist who provides the off-screen narration and the voices to the other story characters. As noted by Peter Conrad in The New York Times on 17 November 1991, Greenaway intended the film “as an homage to the actor and to his 'mastery of illusion.' In the film, Prospero is Shakespeare, and having rehearsed the action inside his head, speaking the lines of all the other characters, he concludes the film by sitting down to write The Tempest.”
A Zed & Two Noughts is a 1985 film written and directed by Peter Greenaway. This film was Greenaway's first collaboration with cinematographer Sacha Vierny, who went on to shoot virtually all of Greenaway's work in the 1980s and 1990s, until Vierny's death. Greenaway referred to Vierny as his "most important collaborator". The film deals with twin zoologists who, after losing both their wives in a car accident, develop an obsession with animal decomposition.
The Michael Nyman Band, formerly known as the Campiello Band, is a group formed as a street band for a 1976 production of Carlo Goldoni's 1756 play, Il Campiello directed by Bill Bryden at the Old Vic. The band did not wish to break up after the production ended, so its director, Michael Nyman, began composing music for the group to perform, beginning with "In Re Don Giovanni", written in 1977. Originally made up of old instruments such as rebecs, sackbuts and shawms alongside more modern instruments like the banjo and saxophone to produce as loud a sound as possible without amplification, it later switched to a fully amplified line-up of string quartet, double bass, clarinet, three saxophones, horn, trumpet, bass trombone, bass guitar, and piano. This lineup has been variously altered and augmented for some works.
Michael Nyman is the third album release by Michael Nyman and the second with the Michael Nyman Band, having previously contributed tracks to new music compilations. Most of the music was material from early films by Peter Greenaway such as "Bird List Song" from The Falls, sung by Lucie Skeaping, and music from Act of God and Tree.
The Michael Nyman Songbook is a collection of art songs by Michael Nyman based on texts by Paul Celan, Wolfgang Amadeus Mozart, William Shakespeare and Arthur Rimbaud. It was recorded as an album with Ute Lemper in 1991, and again as a concert film in 1992, under the direction of Volker Schlöndorff, again with Ute Lemper, though many of the musicians had changed. The songs have been recorded by others and as instrumentals, and are published by Chester Music. The album has been issued by both London Records and Argo Records, though the covers are the same except for the logo.
Live is a 1994 album by Michael Nyman and the Michael Nyman Band. It is Nyman's 24th release and the fifteenth with the Band. It is the first commercial live album by the band, which had previously performed live on the magazine release, 'The Masterwork' Award Winning Fish-Knife. It is also known as "The Upside-Down Violin", the only new composition on the album, and the working title, Breaking the Rules, made it into many computer sales systems. The album's cover and booklet were designed by Dave McKean. Liner notes are by David Toop. Early printings of the album cover listed the first three tracks erroneously as "Queen of the Night", "An Eye for Optical Theory", and "Chasing Sheep Is Best Left to Shepherds"
Memorial is an epic funeral march-like piece, composed by Michael Nyman around 1984–1985. The work premiered on 15 June 1985. It was written to commemorate the deaths of 39 fans, almost all Italian, at the 1985 European Cup final between Liverpool and Juventus at the Heysel Stadium. The whole piece was performed just once. In 1989, Nyman began "reassigning" elements of Memorial, as he often does with earlier work. The first appearance on a commercial recording was of the fifth movement, on the soundtrack of The Cook, the Thief, His Wife & Her Lover. The piece incorporates and builds on a musical sequence from "What Power Art Thou”, an aria from the opera King Arthur by Henry Purcell.
Noises, Sounds & Sweet Airs is a 1991 opera by Michael Nyman that began as an opera-ballet titled La Princesse de Milan choreographed by Karine Saporta. The libretto is William Shakespeare's The Tempest, as abridged by the composer. The title is derived from Caliban's line, "This isle is full of noises, sounds, and sweet airs, which give delight and hurt not." It premiered in June 1991 in Hérouville-Saint-Clair, Calvados, France, with the L'Ensemble de Basse-Normandie conducted by Dominique Debart. Three members of Saporta's dance company provided the singing.
Taking a Line for a Second Walk is the name of piano duo reduction of a dance work for orchestra by Michael Nyman, Basic Black, written in 1986 for the Houston Ballet. It is eponymous with a 1994 album on Work Music on which it constitutes approximately half the material. The album is also known as Music for Two Pianos, which is given as the album's name on the back cover and insert back, while Taking a Line for a Second Walk appears on the front cover, spine, and physical disc. The performers are identified on the front cover, and all of the booklet, as The Zoo II, and on the back cover as "The Zoo Duet". As one of the tracks on the album is "Lady in the Red Hat" from A Zed & Two Noughts, also known as Zoo, this is often seen as a reference to that film. A photograph of the duo is inside the booklet, two young women in black on a black background, leaving only their wedding banded-hands and faces visible, with "The Zoo II" as the only caption. The pianists are identified as Helen Hodkinson and Brenda Russell in the Michael Nyman discography on the 1995 promotional compilation Michael Nyman.
The Kiss and Other Movements is the sixth album release by Michael Nyman, and the fifth recording with the Michael Nyman Band. The title track is an "operatic duet" between Dagmar Krause and Omar Ebrahim, based on a painting of the same title by Paul Richards, which is depicted on the cover, and used in a video art project by Richards of the same name. The album includes music from Peter Greenaway's Making a Splash and 26 Bathrooms, an excerpt of Nyman's unfinished opera, Tristram Shandy, and a concert piece, "Tango Between the Lines".
After Extra Time is a 1996 album by Michael Nyman with the Michael Nyman Band containing three tributes to Nyman's fandom of Association football: After Extra Time, the soundtrack to The Final Score, and Memorial. The latter is described as a remix, but is simply the 1992 recording from The Essential Michael Nyman Band. It was included in order to put it together with his two other football-inspired works. The album lists only three tracks, which has caused it to be erroneously reported that Memorial is track 3 and the others are all hidden tracks, but Memorial is track 26. Therefore, a track listing, as the individual portions of the pieces are not named, is not useful. The three pieces were recorded at separate times and thus have separate personnel lists.
The Suit and the Photograph is a 1998 album by Michael Nyman with the Michael Nyman Band, recorded in 1995. On this album, Nyman is the composer, conductor, and producer, and wrote the liner notes. The album contains two works, String Quartet No. 4 and 3 Quartets. The album is named for its cover photograph by August Sander, which Nyman had associated with the Michael Nyman Band since its inception in 1977. He cites a description of the photograph by John Berger, in an essay of the same title, describing that the suits deform the working class rural men just enough to "undermine physical dignity." Both of the pieces on the album originated in Japan. It is Nyman's second release on EMI and his 33rd in general, but is not designated part of a series, as EMI had done with Concertos. Said Nyman of EMI, "I didn't excite them, and they didn't excite me." Nyman's only further releases on EMI would be the UK edition of Ravenous, featuring remixes by William Orbit, and The Actors, both film scores.
And Do They Do/Zoo Caprices is the eighth album released by Michael Nyman and the fifth featuring the Michael Nyman Band. And Do They Do is a modern dance work commission by Siobhan Davies and The London Contemporary Dance Theatre, which premiered at Sadler's Wells Theatre on 25 November 1986. Zoo Caprices is a multi-stop violin solo for Alexander Balanescu based on the score for Peter Greenaway's film, A Zed & Two Noughts.
The Composer's Cut Series Vol. I: The Draughtsman's Contract is the 51st album by Michael Nyman, recorded in 2005 with the Michael Nyman Band and released in 2006. It is the first in an unprecedented series in which Nyman began rerecording some of his film music independently of the needs of film production, and the culmination and refinement of 23 years of performances of the work since the recording of the original 1982 recording of The Draughtsman's Contract.
The Cook The Thief His Wife & Her Lover is the twelfth album release by Michael Nyman and the ninth to feature the Michael Nyman Band. It is the soundtrack to the eponymous film by Peter Greenaway. The album includes the first commercially released recording of Memorial, and this is the only piece discussed in the liner notes, to the point that the lyric sheet for "Miserere", the song which Pup the kitchen boy sings, is misidentified "Memorial." "Book Depository" is one of Nyman's many waltzes.
The Very Best of Michael Nyman: Film Music 1980–2001 is a compilation album film music by Michael Nyman. It was released on November 6, 2001 by Virgin Records. It including three previously unreleased tracks and one from the limited release, La Traversée de Paris. Some tracks are from the original soundtracks, while others are from pre-existing rerecordings such as The Essential Michael Nyman Band and Live.
The Composer's Cut Series Vol. II: Nyman/Greenaway Revisited is the second in a series of albums, all released on the same day, by Michael Nyman to feature concert versions of film scores, in this case, films of Peter Greenaway, and his 52nd release overall. The album is similar to The Essential Michael Nyman Band, although a number of tracks are on only one album or the other. In spite of being recorded in 1992, with the same lineup, Memorial is not the same performance as the one that appears on The Essential Michael Nyman Band or After Extra Time, which was recorded in Tokyo. This performance was recorded in London and is slightly less aggressively performed.
[1] 