The Cold Room | |
---|---|
Based on | The Cold Room by Jeffrey Caine |
Written by | James Dearden |
Directed by | James Dearden |
Starring | George Segal Amanda Pays Renée Soutendijk Warren Clarke Anthony Higgins |
Music by | Michael Nyman |
Country of origin | United Kingdom |
Original language | English |
Production | |
Producers | Mark Forstater Bob Weiss |
Cinematography | Tony Pierce-Roberts |
Editor | Mick Audsley |
Running time | 95 minutes |
Production company | HBO Premiere Films |
Original release | |
Network | HBO |
Release | 24 March 1984 |
The Cold Room is a 1984 cable television film by James Dearden. [1]
Based on an eponymous 1978 science fiction novel by Jeffrey Caine, the film stars George Segal, Amanda Pays (in her film debut), Anthony Higgins, Renée Soutendijk, and Warren Clarke. The original film score is by Michael Nyman. It was a production of MCEG/Sterling Entertainment and released on VHS by Charter Entertainment.
Carla Martin (Amanda Pays) is leaving an English parochial boarding school for the summer to live with her estranged father at an inn in East Berlin. The headmistress (Ursula Howells), a nun, gives her a 1936 guide to Berlin, telling Carla that she may find it useful, even though Berlin has surely changed as much as she has. Her best friend, Sophie (Lucy Hornack), gives her a bag of marijuana.
Hugh Martin (George Segal), her father, who lives on Central Park West, greets her at the Berlin Airport, surprised at how grown she looks. Carla is a bit embarrassed that he has given her a teddy bear, as she is nearly seventeen years old. She addresses him on a first name basis, and a camera pan reveals that he just bought the teddy bear at the airport. As they cross through the Berlin Wall, Carla is terrified that she will be personally searched and caught with drugs.
Hugh has a thirty-year-old girlfriend named Lili (Renée Soutendijk), who recommends Frau Hoffman's (Elizabeth Spriggs) inn because of the local character being significant to Hugh's historical research. Carla is convinced that there are rats behind the wall and wants to leave. Hugh has Frau Hoffman humor her and show her that there is merely a broom closet next door, though that room is not deep enough to convince her. Hugh insists it's probably just part of the next room.
Carla sees flashes of another girl in the wardrobe mirror, starts tapping the wall behind it and gets taps back, and tearing away at the wallpaper, she opens the wall to find a disused cold room, for the hotel was once a butcher's shop and home, and a Jewish dissident named Erich (Anthony Higgins) hiding inside. She begins sneaking him food from the hotel kitchen, along with utensils and her father's razor, to help him. Carla is experiencing two realities, one in the 1980s when she is Carla Martin and another in 1936, when she is Christa Bruckner. Christa is the daughter of butcher Wilhelm Bruckner (Warren Clarke), a member of the Nazi Party who calls her a "little slut" and rapes her in the night. Christa also has lines of cuts in both of her palms. Carla is ashamed by the rape and scrubs herself thoroughly in the bathtub.
Hugh is concerned that Carla may be going insane like her mother did and finally makes good on his insistence at having her seen by a doctor (George Pravda). When the doctor comes, she has stripped the sheets on her bed for their dirtiness and is not wearing anything under the bed covers, so her father steps out for the examination. The doctor cannot find anything wrong, and when she tells him that her father raped her the night before and asks him to examine her, he sees only inflammation from the scrub brush and identifies her as virgo intacta —she was not raped.
Christa and Erich begin lovemaking, as Christa fears she is pregnant by her father and psychologically needs to have the possibility that any baby born is Erich's. She carves their names into a cross centered on the letter I on the wall of the cold room. Soon after, Hugh finds her huddled in a nightgown inside the wardrobe, which is filled with rotten food. Hugh and Lili get her dressed and take her out of the hotel. As they are getting into the car, Herr Bruckner drags her back into the butcher shop and insists he needs her for deliveries. In reality, this is to give Frau Hoffman time to reveal Erich to the Gestapo. When they return, Moltke (Clifford Rose), who had previously interrogated her about a visit to a Jewish man referred to her by Erich (something Carla was not able to accomplish in her own experience), is waiting in her bedroom. Erich shot one of Moltke's men, and Moltke killed him.
Hugh and Lili carry Carla back to the room with Frau Hoffman's assistance. When Carla regains consciousness, she begins accusing Frau Hoffman of having killed Erich. Not being able to tell Hugh from Herr Bruckner, she stabs him in the chest near the shoulder with a knife she has hidden. Coming to her senses, she and Lili ride with him in the ambulance.
Hugh now with his arm in a sling, the police are called to open the wall behind the wardrobe, which Carla had never actually opened. The planks Herr Bruckner had sealed it up with are removed, and Carla investigates it, filled with rats as she initially suspected, discovering the place where Christa and Erich's names are carved into the wall. Frau Hoffman is unable to hide her shame. Hugh takes Carla back to the airport to live with her aunt, with whom she lived prior to boarding school.
The film was shot over the course of eight weeks on a $4 million budget in West Berlin. [2] The film was based on the 1976 novel of the same name by Jeffrey Caine. [2] Producer Mark Forstater had attempted for two years to get financial backing for a theatrical adaptation of The Cold Room, but when this failed HBO teamed with Forstater on the film agreeing to co-finance it in exchange for first run broadcast rights, though Forstater hoped he could convince HBO to hold out for a theatrical run if the opportunity presented itself. [2]
The Cold Room | ||||
---|---|---|---|---|
Soundtrack album by | ||||
Released | 1995 | |||
Recorded | 1984 | |||
Genre | Contemporary classical music, film scores, minimalism | |||
Length | 35:11 | |||
Label | Silva America | |||
Producer | Michael Nyman Ford A. Thaxton | |||
Michael Nyman chronology | ||||
|
The original music for the film was performed by the Wembley Studio Chamber Orchestra and recorded at The Music Centre, CTS Studios, London.
Amanda Pays is an English interior designer, actress, and television presenter.
Die lustigen Weiber von Windsor, or The Merry Wives of Windsor, is an 1849 opera in three acts by Otto Nicolai to a German libretto by Salomon Hermann Mosenthal based on Shakespeare's play. Published as a comical-fantastical work in three acts with dance (komisch-phantastische Oper in 3 Akten mit Tanz), its structure is musical numbers linked by spoken dialogue, harkening back to the then-outmoded Singspiel format. It remains popular in Germany and Austria and its overture is sometimes heard in concert in other countries.
Hanna Schygulla is a German actress and chanson singer associated with the theater and film director Rainer Werner Fassbinder. She first worked for Fassbinder in 1965 and became an active participant in the New German Cinema. Schygulla won the 1979 Berlin Silver Bear for Best Actress for Fassbinder's The Marriage of Maria Braun, and the 1983 Cannes Film Festival Award for Best Actress for the Marco Ferreri film The Story of Piera.
Dora is the pseudonym given by Sigmund Freud to a patient whom he diagnosed with hysteria, and treated for about eleven weeks in 1900. Her most manifest hysterical symptom was aphonia, or loss of voice. The patient's real name was Ida Bauer (1882–1945); her brother Otto Bauer was a leading member of the Austro-Marxist movement.
Careful is a 1992 Canadian film directed by Guy Maddin. It is Maddin's third feature film and his first colour film, shot on 16mm on a budget of $1.1 million. At one point, Martin Scorsese had agreed to act in the film, as Count Knotkers, but bowed out to complete Cape Fear. Maddin pursued casting hockey star Bobby Hull, but ended up casting Paul Cox.
A Woman in Berlin is a memoir by German journalist Marta Hillers, originally released anonymously in 1954. The identity of Hillers as the author was not revealed until 2003, after her death. The memoir covers the period between 20 April and 22 June 1945 in Berlin during the capture and occupation of the city by the Red Army. The work depicts the widespread rape of civilians by Soviet soldiers, including the rape of the author. It also looks at a woman's pragmatic approach to survival, which involved relying on Soviet officers for protection.
Town Without Pity is a 1961 American/Swiss/West German international co-production drama film directed by Gottfried Reinhardt. Produced by The Mirisch Corporation, the film stars Kirk Douglas, Barbara Rütting, Christine Kaufmann, and E. G. Marshall.
The Man I Married is an American 1940 drama film starring Joan Bennett, Francis Lederer, Lloyd Nolan and Anna Sten.
Elfriede Gerstl was an Austrian author and Holocaust-survivor. Gerstl, who was Jewish, was born in Vienna, where her father worked as a dentist.
Why Does Herr R. Run Amok? is a 1970 West German drama film directed by Michael Fengler and Rainer Werner Fassbinder. It was entered into the 20th Berlin International Film Festival.
Christopher and His Kind is a 2011 BBC television film. It tells the story of Christopher Isherwood's exploits in Berlin in the early 1930s. The film, adapted by Kevin Elyot from Isherwood's autobiography Christopher and His Kind, was produced by Mammoth Screen and directed by Geoffrey Sax. Isherwood is played by Matt Smith, whilst the cast also includes Douglas Booth, Imogen Poots, Pip Carter, Toby Jones, and Alexander Dreymon.
Karin Hardt Meta Therese was a German actress.
Christa Tordy was a German film actress. She was discovered while visiting her cousin Mady Christians in Berlin, and briefly became a leading star before retiring after marrying Harry Liedtke. She was murdered along with her husband by the Soviet Red Army at her home during its invasion of Germany during World War II.
Don't Promise Me Anything is a 1937 German comedy film directed by Wolfgang Liebeneiner and starring Luise Ullrich, Viktor de Kowa and Heinrich George. It was partly shot at the Grunewald Studios in Berlin. The film's sets were designed by the art directors Karl Weber and Erich Zander. The Berlin premiere took place at the Gloria-Palast. In 1950 Liebeneiner remade the film as When a Woman Loves with Hilde Krahl and Johannes Heesters in the lead roles.
Eight Girls in a Boat is a 1932 German musical film directed by Erich Waschneck and starring Karin Hardt, Theodor Loos, and Helmuth Kionka. It was shot at the Tempelhof Studios in Berlin. The film's sets were designed by art director Alfred Junge.
Daybreak is a 1931 American pre-Code drama film directed by Jacques Feyder and written by Cyril Hume and Ruth Cummings. The film stars Ramon Novarro, Helen Chandler, Jean Hersholt, C. Aubrey Smith, William Bakewell and Karen Morley. The film was released on May 2, 1931, by Metro-Goldwyn-Mayer.
Quick is a 1932 German comedy film directed by Robert Siodmak and starring Lilian Harvey, Hans Albers and Paul Hörbiger. A separate French-language version was made, also directed by Siodmak and starring Harvey. The film is based on a play by Félix Gandéra. It was made by Germany's largest company UFA at the Babelsberg Studios, with sets by art director Erich Kettelhut. It premiered at the Ufa-Palast am Zoo. A separate French-language film Quick featuring Harvey was also produced.
Three Days of Love is a 1931 German drama film directed by Heinz Hilpert and starring Hans Albers, Käthe Dorsch, and Trude Berliner. It was made and distributed by the independent Felsom Film company. It was shot at the Tempelhof Studios in Berlin. The film's sets were designed by the art director Hans Jacoby.
The Good Liar is a 2019 crime thriller film directed and produced by Bill Condon and written by Jeffrey Hatcher, based on the 2015 novel of the same name by Nicholas Searle. It stars Ian McKellen as a career con artist who meets a wealthy widow online, and then discovers that his plan to steal her fortune has unexpected roadblocks.
Like Once Lili Marleen is a 1956 West German romantic drama film directed by Paul Verhoeven and starring Adrian Hoven, Marianne Hold and Claus Holm. The title refers to the popular wartime song "Lili Marleen" popularised by Lale Anderson, who performs it at a concert at the end of the film.