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The Meads of Asphodel | |
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Origin | Hertfordshire, England |
Genres | Black metal, experimental, progressive metal |
Years active | 1998–present |
Labels | Candlelight Records, Firestorm Records, Godreah Records |
Members | Metatron J.D. Tait André Kjelbergvik Thung |
Website | Official site |
The Meads of Asphodel are an English black metal band with pronounced medieval, Arab, punk, and progressive metal influences from Hertfordshire, England.
The band was formed in mid-1998 by Metatron and Jaldaboath. The stated aim being to "create heavy guitar-based original Black Metal with Medieval/Eastern influences and a lyrical concept derived from Christ's mortality, Biblical Apocrypha, Fallen Angels and Death." [1] Their demo releases The Bemoaning of Metatron and Metatron and the Red Gleaming Serpent gained them a good deal of critical attention in the underground metal press, even receiving mentions from such mainstream sources as Kerrang! magazine, [2] and they soon signed to Supernal Music after the release of their widely acclaimed final demo The Watchers of Catal Huyuk. Their albums, particularly 2001's The Excommunication of Christ explore conceptual themes based around an anti-Christian interpretation of the Bible and Apocrypha. Despite a fluctuating line-up, the band continues to release well-received music.
One of the band's most consistent features is their use of guest musicians. Over the years they have had a large roster of guests including members of Hawkwind, Sigh, Amebix, Mael Mordha, Taake, and an actual Rabbi.
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Jihad / Freezing Moon is a split album with music by the black metal bands The Meads of Asphodel and Mayhem. Tracks one through six were performed by The Meads of Asphodel. Tracks seven and eight were performed by Mayhem. Tracks five and six are only available on the CD version.
Damascus Steel is the third full-length studio album by the United Kingdom-based experimental black metal band The Meads of Asphodel. It was their last album to feature contributions from Max Rael.
The Excommunication of Christ is the first full-length studio album by the black metal band The Meads of Asphodel. It was released on Supernal Music in 2001. The band's debut album, this featured A.C.Wild from Italian thrash legends Bulldozer re-working the narrative originally found on Bulldozer's first album, The Day of Wrath. It is an exorcism in Latin and sets the tone of the rest. Huw Lloyd Langton plays lead guitar on the Hawkwind cover, Assault and Battery. The track Jezebel and the Philistines was contributed by History of Guns in collaboration with Metatron.
Exhuming the Grave of Yeshua is the second full length studio album from the black metal band The Meads of Asphodel. It was released on Supernal Music in 2003. This album was the first to feature the new line up of J D Tait and Deaorth [Ragnarok] sharing the bass duties with Hawkwind’s Alan Davey. Huw Lloyd langton plays lead guitar and Vincent Crowley from Acheron does some narration, and Max Rael from History Of Guns and Mirai from Sigh play keyboards. A Rabbi from Golders Green in London added some Hebrew verse on the track 80 grains of Sand. Paul Carter from Thus Defiled played keyboards on the track "Sons of Anak Rise".
The Mill Hill Sessions is a live album released by the black metal band The Meads of Asphodel. It was released on Godreah Records in 2004, unlike the before releases which were released on Supernal Music. Two live sessions were recorded at the Mill Hill studios in North London in 2006. On 24.11.03 featuring various old tracks plus a cover of Sepultura’s "Refuse/Resist". The second, 17.7.04, was a 25-minute work in progress jam featuring Hawkwind Huw Lloyd Langton on lead/slide guitar. The "My Beautiful Genocide" track was aired here for the first time in its pre production format.
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